View
112
Download
0
Category
Tags:
Preview:
DESCRIPTION
An overview of the anatomy of type, the categories into which typefaces are classified, & examples.
Citation preview
classification
type+ anatomy
anatomyletterform
a A G v p fiH t i Q f g x R
ascent line
stem or main stroke
cap line
crossbar
serif
apex
vertexspur
ligature
adobe garamond pro
tailleg
loop or bowl
crossbar
aperture
dot shoulder
ear
link
throat
diagonal
counter
juncture or joint
bowlterminal
mean line
baseline
descent line
x-height
descender
ascender
cap height
Roman
SMALL CAPSItalic
x-height
x-height
x-height
cap height
cap height
cap height
minion pro
0123456789
x-height
x-height
cap height
cap height
lining figures
non-lining (old style) figures
adobe jenson pro
0123456789
H H
HH
stem
fillet
terminal
bracketed serif
hairline serif
slab serif
bracket
adobe garamond pro
didot
caecilia
opticalcompensation
EOAVfutura
middle cross bar shorter than top
+ bottom bars
curved forms extend below baseline + above cap line
diagonal strokes narrow toward the apex + vertex
apex + vertex extend beyond cap line + baseline
Xthin stroke offset to give illusion of unbroken line
didot
EA EA EA EA
univers
univers 45 light univers 55 roman univers 65 bold univers 75 black
To preserve the integrity of the size and shape of letterforms as the weight of a face increases, changes must be made to prevent counterforms from filling in.
typeclassification
Old StyleTransitionalModernSlab SerifSans SerifDisplay
Blackletterbembo
baskerville
bodoni
clarendon
univers
cooper black
textura
By current standards, this style of type is not a classified form. Highly decorative, gothic style appears heavy on the page. Based on early written forms but designed to accommodate full character positions with moveable type.The Gutenberg Bible—the first book produced with moveable type—was set with Blackletter.
Blackletter
BlackletterTexturaFraktur
c. 1150
c. 1493
Developed by Renaissance designers who refined archaic letterforms. Characterized by: • Roman proportion• contrasting stroke weight which references
right-hand drawn letters • oblique axis in curved forms • relatively short x-height
Old Style
Old StyleBemboCaslonCentaurGaramondJenson
c. 1495
1720–66
1912–14
c. 1469
c. 1561
cap height less than ascender height
stress axis as much as 23° from vertical
highcrossbar
geralde: horizontal crossbarvenetian: angled crossbar
designed by
may bebruce rogersbetween 1912 + 1914,
the mostbeautifultypefaceof all time.
centaur,
Evolved out of the old style faces. Changes in structure include: • stroke contrast that is less derivative of the pen
or brush• contrast becomes rhythmic and distinct • greater x-height • move toward upright axis• greater serif definition
Transitional
TransitionalBaskervilleMrs EavesBellPerpetua
c. 1750
1996
1788
1929
larger x-height
cap height equal to ascender height stress axis 2° to 4°
from vertical
Radical departure from hand-drawn origins.Stroke contrast is extreme—thin strokes are reduced to hairline. Serifs are typically unbracketed hairline strokes.Axis is always vertical. More consistency in letter width. First developed by Giambattista Bodoni (1740–1813), and Firmin Didot (1764–1836).
Modern
ModernBodoniDidot
1765–1813
1799–1811
cap height equal to ascender height
vertical stress axis
set one of his booksentirely inbodoni.
chuck klosterman
it is unreadable.
Also known as Egyptian typefaces.Became popular after Napoleon invaded Egypt.Also influenced by the use of wood-block typesetting in the American mid-west. Characterized by heavy, usually unbracketed serifs and minimal stroke contrast; serifs and stems typically share the same weight.
Slab Serif
Slab SerifCaeciliaClarendonRockwellMelior
1991
1845
1934
1952
cap height equal to ascender height vertical
stress axis
First appeared in 1816 (Caslon Type Specimen).Originally set in uppercase for display type and became known as grotesques.Characterized by a lack of serifs; stroke weight is more uniform; the axis is upright.
Sans Serifgrotesque
Sans SerifAkzidenz GroteskFranklin GothicHelvetica NeueTrade GothicUnivers
1896
1957/1983
1902
1948
1957
grotesque
vertical stress axis
Early 20th century. Influenced by design movements such as Art Deco and Bauhaus. Form is simplified to pure geometric shapes; vertical axis, little or no stroke contrast.
Sans Serifgeometric
Sans SerifFuturaAvenirFF DINGotham
1988
1936/1995
2000
1926–27
geometric
vertical stress axis
will neveryouuse futura againafter yougraduate.
More organic in appearance and origin. Stroke weight is based on optical equivalence rather than pure geometry or right-handed stroke contrast. Humanist faces tend to be very legible.
Sans Serifhumanist
Sans SerifFrutigerGill SansJohnstonOptima
1975
1916
1926
1952–55
humanist
vertical stress axis
you will neveruse gill sans againafter yougraduate...
creative directorunless your
in which caseyou will usenothingelse.ever.
is british,
Decorative typefaces that do not fit in elsewhere.Generally used at large sizes.In most cases, very difficult to read at body text sizes and quantities.
Display
DisplayCooper Black
NeuropolHoboVTC BAD VISION
BIFUR1921
2003
1910
2008
1929
a displaytypeface can be
use with caution.
a dangerousweapon.
christopher09/2011
moorehead
Recommended