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kacesar documents
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HARRISON, Daniel. 2002. Dissonant Tonics and Post-Tonality Tonality
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DAMSCHRODER, David. 2008. Thinking About Harmony - Historical Perspectives on Analysis
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BLÄTTLER, Damian. 2013. a Voicing-centered Approach to Additive Harmony in Music in France, 1889-1940
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KELLEY, Robert T. Introduction to Schenkerian Analysis _ the Effect of Being Passing _ a Philosophical Basis of the Importance of Analysis
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WHITE, Darryl Lee. 2006. a Proposed Theoretical Model for Chromatic Functional Harmony _ the Octatonic Metaphor
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TEREFENKO, Dariusz. 2004. Keith Jarrett's Transformation of Standard Tunes
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GJERDINGEN, Robert O. a Guide to the Terminology of German Harmony [in DAHLHAUS, Carl. 1990. Studies on the Origin of Harmonic Tonality]
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BLOCK, Steven. 1990. Pitch-Class Transformation in Free Jazz
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MARTIN, Henry. 2010. "Seven Steps to Heaven" _ a Species Approach to Twentieth-century Analysis and Composition
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MARTIN, Henry. 2003. Maria Schneider's "Hang Gliding" _ Aspects of Structure
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CLELAND; DOBREA-GRINDAHL. 2010. Developing Musicianshi Through Aural Skills _ a Holistic Approach to Sigth Singing and Ear Training
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SHELLER, Curt. 2003. Harmonic Analysis for Scale Selection and Chord Substitution
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LARSON, Steve. 1992. Scale-Degree Function _ Cognition Research and Its Application to Aural-skills Pedagogy
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ZHANG, Ada. 2009. the Framework of Music Theory as Represented With Groups
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GARCÍA, Miguel V. Harmonic Analysis in Practice _ a Critical Review of the Labels Employed to Describe Harmony in Common Practice Music
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MASON, Laura Felicity. 2013. Essential Neo-riemannian Theory for Today's Musician