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abelsanchezaguilera documents
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Ravel's Russian Period Octatonicism in His Early Works
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SD_or_SE
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Polan_The Eingang in Early Beethoven
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Xenakis_Towards a Metamusic
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The Performer as Composer
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Voice Leading and Chromatic Harmony in the Music of Chopin
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Chopin as a Master of Form
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Two Bach Preludes - Two Chopin Etudes
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Chopin and the Expressionists
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Ambiguity in the Themes of Chopin's First, Second, And Fourth Ballades
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Mahler's Tenth Symphony. 1 History and Background
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How Mahler Performed His Second Symphony
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Textual and Contextual Analysis Mahler's Fifth Symphony and Scientific Thought
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The Language of Mahler David Holbrook's Interpretation
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The Genesis of Wagner's Drama Tannhäuser
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The Third-Act Prelude of Wagner's Parsifal Genesis, Form, And Dramatic Meaning
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Fin-De-siecle Wagner Parsifal Analysed Through Berg's Programme
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Sabotaging the Text Tannhäuser in the Works of Heine, Wagner, Herzl, And Peretz
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Mahler and Tradition. is There or Isn't There
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Wagner’s Last Chorus Consecrating Space and Spectatorship
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Nature1975_1f Noise in Music and Speech
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