121
SURREALISM sur- (beyond ) + réalisme (realism)

SURREALISM

Embed Size (px)

Citation preview

Page 1: SURREALISM

SURREALISM

sur- (beyond ) + réalisme (realism)

Page 2: SURREALISM

The Unconscious

Revolution (personal and social)

Random Juxtapositions (Collage, “Corps Exquisite” and Automatic Drawing)

Objet Trouve

Page 3: SURREALISM

Andre Breton

Page 4: SURREALISM

“Surrealism, as I envisage it, proclaims loudly enough our absolute nonconformity, that there may be no question of calling it, in the case against the real world, as a witness for the defense.”

Andre Breton, 1924, Manifeste du Surrealisme

Page 5: SURREALISM

The Rendezvous of Friends

Max Ernst, 1922

Page 6: SURREALISM

Fyodor Dostoevsky

Page 7: SURREALISM

Lord Byron (1788-1824) (“Mad, bad and dangerous to know”)

Lord Byron

Page 8: SURREALISM

Theodor Gericault

The Raft of The Medusa 1819

Page 9: SURREALISM

Delacroix

The Death of Sardanapolus 1827

Page 10: SURREALISM

Francisco Goya

The Sleep of reason Produces Monsters

1799

Page 11: SURREALISM

Eugene Delacroix

Page 12: SURREALISM
Page 13: SURREALISM

“I accustomed myself to simple hallucination…”

-Arthur Rimbaud

Page 14: SURREALISM
Page 15: SURREALISM

Karl Marx

Sigmund Freud

Page 16: SURREALISM

“Radical Juxtapostions”

Collage

Objet trouve

Automatic drawing

Exquisite Corpse

Page 17: SURREALISM

"manufactured objects raised to the dignity of works of art through the choice of the artist."

Page 18: SURREALISM

Surrealist Exhibition of Objects, 1936

Page 19: SURREALISM

“ the revolution of objects and the revolution through objects”

Page 20: SURREALISM

Fountain

Marcel Duchamp, 1917

Page 21: SURREALISM

Two Children are Menaced by a Nightingale

Max Ernst, 1924

Page 22: SURREALISM

Murdering Aeroplane

Max Ernst, 1920

Page 23: SURREALISM

“frottage” drawings by Max Ernst, c. 1920s

Page 24: SURREALISM

Une Semaine de Bonte

Max Ernst, 1934

Page 25: SURREALISM

"systematic displacement"

“He who speaks of collage speaks of the irrational.“

Max Ernst

Page 26: SURREALISM

“Corps Exquisite”

Page 27: SURREALISM

“automatic drawing”

by Andre Masson

Psychic automatism in its pure state, by which one proposes to express -- verbally, by means of the written word, or in any other manner -- the actual functioning of thought.

Dictated by the thought, in the absence of any

control exercised by reason, exempt from any aesthetic or moral concern.

-Andre Breton

Page 28: SURREALISM

The Harlequin’s Carnival

Joan Miro, 1924

Page 29: SURREALISM

“…the pairing of two apparently unpairable realities on a plane apparently unsuitable to them”

-Andre Breton

Page 30: SURREALISM
Page 31: SURREALISM
Page 32: SURREALISM

Walter Benjamin credited Surrealism with having exposed to view "the ruins of the bourgeoisie".

Page 33: SURREALISM

Luncheon in Fur

Meret Oppenheim, 1936

Page 34: SURREALISM

Le Cadeau

Man Ray, 1923

Page 35: SURREALISM

“As beautiful as…

Page 36: SURREALISM

…the chance encounter of an umbrella and a sewing machine on a dissecting table.”

-Lautreamont

Page 37: SURREALISM

Le mervailleuse

“Let us not mince words: the marvelous is always beautiful. Anything marvelous is beautiful, in fact only the marvelous is beautiful.”

-Andre Breton, 1924

Page 38: SURREALISM

Mystery and Melancholy of a Street

Giorgio di Chirico, 1914

Page 39: SURREALISM

Giorgio di Chirico

Page 40: SURREALISM

The Persistence of Memory

Salvador Dali, 1934

Page 41: SURREALISM

The Church of the Sagrada Familia

Antoni Gaudi, begun 1883

Page 42: SURREALISM

L’ Amour Fou

Page 43: SURREALISM

“Beauty will be convulsive or will not be at all.”

-Andre Breton

Page 44: SURREALISM
Page 45: SURREALISM

Alberto Giacometti

Page 46: SURREALISM

Woman With Her Throat Cut

Alberto Giacometti

Page 47: SURREALISM

Seated Bather

Pablo Picasso

Page 48: SURREALISM

“Minotauromachie” Pablo Picasso 1937

Page 49: SURREALISM

Erotic-Veiled

Page 50: SURREALISM

Erotique Voilee

Man Ray, 1933

Page 51: SURREALISM

Hans Bellmer

Page 52: SURREALISM
Page 53: SURREALISM
Page 54: SURREALISM

Surrealist Legacies

Page 55: SURREALISM

New York 1940-1970

Page 56: SURREALISM

The Liver is the Cock’s Comb

Arshile Gorky, 1942

Page 57: SURREALISM
Page 58: SURREALISM

Robert Motherwell

Elergy for the Spanish Republic 1953-4

Page 59: SURREALISM

Jackson Pollock

Lavender Mist, 1950

Page 60: SURREALISM

Joseph Cornell

Page 61: SURREALISM

Jasper Johns

Page 62: SURREALISM

Robert Rauschenberg

Page 63: SURREALISM

Claes Oldenburg

Page 64: SURREALISM

1960+

Page 65: SURREALISM

Robert Gober

Page 66: SURREALISM

Louise Bourgeois

Page 67: SURREALISM

Mona Hatoum

Page 68: SURREALISM

Marc Quinn

Page 69: SURREALISM

Sarah Lucas

Page 70: SURREALISM
Page 71: SURREALISM

Jake and Dinos Chapman

Page 72: SURREALISM

Paul McCarthy

Page 73: SURREALISM

Chris Burden (Los Angeles, 1970s)

The simplest Surrealist act consists of dashing down into the street, pistol in hand, and firing blindly, as fast as you can pull the trigger, into the crowd.

-Andre Breton (Paris, 1924)

Page 74: SURREALISM

Ai Weiwei

Page 75: SURREALISM

Performance Art

Page 76: SURREALISM

“Hyperreal”

Page 77: SURREALISM

Matthew Barney

Page 78: SURREALISM

Maurizio Catellan

Page 79: SURREALISM

Jeff Koons

Page 80: SURREALISM

Surrealism and Popular Culture

Cinema

Rock music

TV

Page 81: SURREALISM
Page 82: SURREALISM

Spellbound

Alfred Hitchcock, 1945

Page 83: SURREALISM
Page 84: SURREALISM
Page 85: SURREALISM
Page 86: SURREALISM
Page 87: SURREALISM
Page 88: SURREALISM

Surrealism, Advertisement and Package Design

Page 89: SURREALISM
Page 90: SURREALISM
Page 91: SURREALISM
Page 92: SURREALISM

Surrealism and Product Design

Page 93: SURREALISM

Salvador Dali

Page 94: SURREALISM

Salvador Dali

Page 95: SURREALISM

Salvador Dali

Page 96: SURREALISM

Man Ray

Page 97: SURREALISM

Meret Oppenheim

Page 98: SURREALISM

Julia Lohmann

Page 99: SURREALISM
Page 100: SURREALISM
Page 101: SURREALISM
Page 102: SURREALISM
Page 103: SURREALISM
Page 104: SURREALISM
Page 105: SURREALISM
Page 106: SURREALISM
Page 107: SURREALISM
Page 108: SURREALISM
Page 109: SURREALISM
Page 110: SURREALISM
Page 111: SURREALISM
Page 112: SURREALISM
Page 113: SURREALISM
Page 114: SURREALISM
Page 115: SURREALISM
Page 116: SURREALISM

Surrealism and Fashion

Page 117: SURREALISM

Elsa Schiarapelli

Dali-inspired hats, 1936

Page 118: SURREALISM
Page 119: SURREALISM
Page 120: SURREALISM

Guy Bourdin

Page 121: SURREALISM

“Surrealism does not allow those who devote themselves to it to forsake it whenever they like. There is every reason to believe that it acts on the mind very much as drugs do; like drugs, it creates a certain state of need and can push man to frightful revolts.”

-Andre Breton

“Madness is revolution confined to the self.”

-John Berger