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David De Roure, Graham Klyne, Kevin R. Page, John Pybus, David M. Weigl, Matthew Wilcoxson, and Pip Willcox OXFORD E-RESEARCH CENTRE AND BODLEIAN LIBRARIES
Plans and Performances: Parallels in the Production of Science and Music
Whetherinthesciencelaborthemusicstudio,wegoinwithaplan,weperform,andwemakearecordofthatperformancefordistribu8on,consump8on,andreuse.
Capturing the experiment record
2 CerysWilloughby
SeanBechhofer
CarolinRindfleisch
TerhiN
urmikko-Fuller
SolidStateLogic“Seamlessintegra8onwithallthebenefitsofclassicSSLanalogueconsoleautoma8onandDAWbasedworkflow.”
Bothdomainsareincreasinglydata-intensive,withtheadop8onofnewtechnology,andalsosociallyintensivewithdemocra8sedandgrowingci8zenengagement.
vimeo.com/98560778chordify.net
TheTheoryandPrac8ceofSocialMachines
sociam.org
www.zooniverse.org
www.music-ir.org/mirex
chemistrylab
musicstudio
computa8onalworkflow
businessworkflow
archaeology
earlyprintedworks
interac8vetool
hum
an
completeness of process record
mac
hine
ci8zenscience
“Accidentsofpreserva8onanddiscovery…”
demeter.oerc.ox.ac.uk/NumbersIntoNotes
Themusicindustryhasembraceddigitaltechnologythroughoutthelifecyclefromcomposi8ontoconsump8on;scien8ficprac8ce,andscholarlycommunica8on,arealsoundergoingtransforma8on.
Process
Process
ProcessDevelop
Develop
Record
RecordRecord
Idea
IdeaIdea
Publish
Fund Publish
Fund
Read
Read
Plan
Plan
Plan
CameronNeylon
Pre
During
Post
Discoveryofmusic/ar8cle
ListeningtomusicReadingar8cle
Buyingofmusic/ar8cle
Decidingwhattopurchase
Ra8ngplaylistsCi8ngar8cle
Organisinglibrary
Makingrecommenda8ons Consumer
Ac8vityCycle
1
2
3
4
5
6
7
8Reuseofdigitalcontent
BasedonVandermerwe
Whyisn’titaseasytofindandplayresearchasitismusic?
Buildingonthee-Scienceliterature
www.researchobject.org
EamonnMaguire
Ourinves8ga8onexplorestheno8onoftheDigitalMusicObject(DMO),analogoustotheResearchObject,forrichcapture,sharingandreuseofbothprocessandcontent.
PR,Ticke8ng,Eventorg
ScienceMuseum,PR,percussionspec,
s8lls,handouts
Tmusmaterials
Adasketchesperformance
Recording,Video,S8lls
Tmusmaterials
DRMN+10
Recording,Video,S8lls
CentreforDigital
Scholarship
LovelaceSymposium
Simula8on
Band
Mesmerism
Bagsandstems
• Audiofiles,includingmul8pleSTEMSofrecordedmusic• Otherassociatedmediafiles,especiallyvideo• MIDIandotherkindsofdirectlyplayableformats• Algorithmsandotherkindsofgenera8vemusic• Scoresandothernota8onsthatenablehumanstoperformthe
music• Inturn,themetadatamightpoten8allydescribe:• Theprovenanceofthemusicgeneratedduringitscomposi8on,
produc8onandperformance• Descrip8onsoftheinstruments,performers,segngs,effects,
patchesandsofortha• Thestructure,formandgenreofthemusic,fromofficialmusical
formstomoreeverydayno8onsofstyle,genreandevenmoodandemo8on
• Thebroaderhistoryofthemusicincludingwhereithasbeenplayed,whohaslistenedtoitandwhohascoveredit.
FromtheFASTManifesto
DMOsinprogress1. Mutability.Considering“Lazy”IDalloca8on,onaccess.2. Distributedandheterogenouscontent.DMOasassemblyscript/Makefile?3. DigitalRightsManagement4. Checksumsprovideusefulweakguarantees,butmul8mediacontentand
streamsarechallenging5. Pervasivesupportforprovenance6. Compliancewithindustrystandards–forcontentandpackaging7. Physicalmanifesta8ons…
SteveBenford
Closingthoughts1. Ourworkhasemphasizedtheimportanceof
describingprocess,bothprospec'velyandretrospec'vely– Workflowrepresenta8onsarewellrehearsed– EarlyexperimentswithW3CPROVconfirmitsu8lityandpoten8al
– Needmul8pleinterpreta8onsinmul8plecontexts2. Thedigital-socialanddigital-physicalintersec8onsare
crucialcontext,andautoma8onisincreasing– Materialitymakers
3. Science/musicasperformanceperspec8ve– Commonthemearoundtheroleofcrea8vity.
ThankstoSteveBenfordandAlanChamberlain(UniversityofNogngham),TerhiNurmikko-Fuller,CarolinRindfleischandSégolèneTarte(UniversityofOxford),MarkSandlerandGeraintWiggins(QueenMaryUniversityLondon),EmilyHoward(RoyalNorthernCollegeofMusic),SeanBechhoferandCaroleGoble(UniversityofManchester),IrisGarrelfs(UniversityoftheArtsLondon),andJeremyFrey(UniversityofSouthampton).
[email protected]/people/dder@dder
www.semanticaudio.ac.uk www.transforming-musicology.org
www.sociam.org www.researchobject.org
