Lord Shiva Sutras ,Origin of first Language

What is Shiva Sutra& who is Panini The Shiva Sutras describe a phonemic notational system in the fourteen initial lines preceding the Ashtadhyayi. The notational system introduces different clusters of phonemes that serve special roles in the morphology of Sanskrit, and are referred to throughout the text. Each cluster, called a pratyāhara ends with a dummy sound called an anubandha(the so-called IT index), which acts as a symbolic referent for the list. Within the main text, these clusters, referred through the anubandhas, are related to various grammatical functions.

Paṇini is known for his Sanskrit grammar, particularly for his formulation of the 3,959 rules of Sanskrit morphology, syntax and semantics in the grammar known as Aṣṭadhyayi, meaning "eight chapters"), the foundational text of the grammatical branch of theVedanga, the auxiliary scholarly disciplines of the historical Vedic religion.

The Ashtadhyayi is one of the earliest known grammars of Sanskrit, although Pāṇini refers to previous texts like the Unadisutra,Dhatupatha, and Ganapatha.It is the earliest known work on linguistic description, and together with the work of his immediate predecessors (the Niruktas, Nighantus, and Pratishakyas) stands at the beginning of the history of linguistics itself. His theory of morphological analysis was more advanced than any equivalent Western theory before the mid 20th century, and his analysis of noun compounds still forms the basis of modern linguistic theories of compounding, which have borrowed Sanskrit terms such as bahuvrihi and dvandva.

Paṇini's comprehensive and scientific theory of grammar is conventionally taken to mark the end of the period of Vedic Sanskrit, introducing the period of Classical Sanskrit.Within the tradition they are known as the Akṣarasamamnaya, "recitation of phonemes," but they are popularly known as the Shiva Sutras because they are said to have been revealed to Paṇini by Shiva. They were either composed by Paṇini to accompany his Aṣṭadhyayi or predate him. The latter is less plausible, but the practice of encoding complex rules in short, mnemonic verses is typical of the sutra style.

The International Alphabet of Sanskrit Transliteration (I.A.S.T.) is a transliteration scheme that allows a lossless romanization of Indic scripts as employed by the Sanskrit language

Panini Sanskrit used in Information Technology• Panini was a student at a Gurukula (a system of education in the 4th century BC). He was a dull student,

and was often teased by many of his friends. So, worried about his situation, the Gurumata (the wife of the Guru) advised him to go to the Himalayas to do tapas. So he went to the Himalayas and started meditating on Lord Shiva. Lord Shiva, pleased with Panini's strong tapas, came and danced before him . While dancing, the sound from his Damaru (the small drum like musical instrument that Shiva plays) was heard by Panini as the Maheshwara Sutrani. Thus, Panini wrote the Maheshwara Sutras and formed the Sanskrit grammar.

List of IT markers• its or anubandhas are defined in P. 1.3.2 through P. 1.3.8. These definitions refer only to items taught in

the grammar or its ancillary texts such at the dhātupāţha; this fact is made clear in P. 1.3.2 by the word upadeśe, which is then continued in the following six rules by anuvṛtti, Ellipsis. As these anubandhas are metalinguistic markers and not pronounced in the final derived form, pada (word), they are elided by P. 1.3.9 tasya lopaḥ – 'There is elision of that (i.e. any of the preceding items which have been defined as an it).' Accordingly, Pāṇini defines the anubandhas as follows:

• Nasalized vowels, e.g. bhañjO. Cf. P. 1.3.2.• A final consonant (haL). Cf. P. 1.3.3.

2. (a) except a dental, m and s in verbal or nominal endings. Cf. P. 1.3.4.• Initial ñi ṭu ḍu. Cf. P 1.3.5• Initial ṣ of a suffix (pratyaya). Cf. P. 1.3.6.• Initial palatals and cerebrals of a suffix. Cf. P. 1.3.7• Initial l, ś, and k but not in a taddhita 'secondary' suffix. Cf. P. 1.3.8.

Lord Shiva Every Where

Shiva Sutra By Vasu Gupt

Shiva Sutras are a collection of seventy seven aphorisms that form the foundation of the tradition of spiritual mysticism known asKashmir Shaivism They are attributed to the sage Vasugupta of the 9th century C.E.Vasugupta is said to have lived near Mahadeva Mountain in the valley of the Harvan stream behind what are now the Shalimar Gardens near Srinagar. One myth is that he received the aphorisms in a dream visitation of a Siddha or semi-divine being. Another is that Lord Shiva came to him in a dream and instructed him to go to a certain rock on which he would find the teachings inscribed. This rock called Shankaropala is still visited by devotees. The other theory is that Lord Shiva taught the Siva-Sutras to Vasugupta in a dream. Whatever the truth is these myths point to the traditions belief that the Shiva sutras are of divine origin or revelation and are not considered the product of the human mind.

There are many translations of the Shiva Sutras into English. A translation by Swami Shankarananda can be found on Wikisources:Shiva Sutras of Vasugupta. A painstaking Italian translation of the Sutras and the Kshemaraja's Vimarshini by Raffaele Torella is also available. Kriya yogi Shri Shailendra Sharma translated Shiva Sutras from Sanskrit to Hindi with commentary.In 2014 new translation of Shiva Sutras into English has been made available along with innovative commentary organized into chapters called cascades

Lord Shiva, Language became base world wide

Paṇini's work became known in 19th-century Europe, where it influenced modern linguistics initially through Franz Bopp, who mainly looked at Pāṇini. Subsequently, a wider body of work influenced Sanskrit scholars such as Ferdinand de Saussure, Leonard Bloomfield, and Roman Jakobson. Frits Staal(1930–2012) discussed the impact of Indian ideas on language in Europe. After outlining the various aspects of the contact, Staal notes that the idea of formal rules in language – proposed by Ferdinand de Saussure in 1894 and developed by Noam Chomsky in 1957 – has origins in the European exposure to the formal rules of Pāṇinian grammar. In particular, de Saussure, who lectured on Sanskrit for three decades, may have been influenced by Pāṇini and Bhartrihari; his idea of the unity of signifier-signified in the sign somewhat resembles the notion of Sphoṭa. More importantly, the very idea that formal rules can be applied to areas outside of logic or mathematics may itself have been catalysed by Europe's contact with the work of Sanskrit grammarians.

Pāṇini, and the later Indian linguist Bhartrihari, had a significant influence on many of the foundational ideas proposed by Ferdinand de Saussure, professor of Sanskrit, who is widely considered the father of modern structural linguistics. Saussure himself cited Indian grammar as an influence on some of his ideas. In his Mémoire sur le système primitif des voyelles dans les langues indo-européennes (Memoir on the Original System of Vowels in the Indo-European Languages) published in 1879, he mentions Indian grammar as an influence on his idea that "reduplicated aorists represent imperfects of a verbal class." In his De l'emploi du génitif absolu en sanscrit (On the Use of the Genitive Absolute in Sanskrit) published in 1881, he specifically mentions Pāṇini as an influence on the work.The founding father of American structuralism, Leonard Bloomfield, wrote a 1927 paper titled "On some rules of Pāṇini"

Lots of Research work to create new languages

The learning of Indian curriculum in late classical times had at its heart a system of grammatical study and linguistic analysis. The core text for this study was the Aṣṭādhyāyīiof Pāṇini, the sine qua non of learning.[ This grammar of Pāṇini had been the object of intense study for the ten centuries prior to the composition of the Bhaṭṭikāvya. It was plainlyBhaṭṭi's purpose to provide a study aid to Pāṇini's text by using the examples already provided in the existing grammatical commentaries in the context of the gripping and morally improving story of the Rāmāyaṇa. To the dry bones of this grammar Bhaṭṭi has given juicy flesh in his poem. The intention of the author was to teach this advanced science through a relatively easy and pleasant medium. In his own words:

This composition is like a lamp to those who perceive the meaning of words and like a hand mirror for a blind man to those without grammar. This poem, which is to be understood by means of a commentary, is a joy to those sufficiently learned: through my fondness for the scholar I have here slighted the dullard.The terms seṭ and aniṭ refer to classes of roots in Sanskrit grammar. In the terminology of Pāṇini. seṭ (from sa-iṭ, Aṣṭādhyāyī 1.2.18, 6.4.121) means "with an i-sound", and an-iṭ (Aṣṭādhyāyī 3.1.45, 6.1.188, 6.4.51, 7.2.61) means "without an i-sound"

Lord Shiva, Created Civilization

Lord Shiva always Humble for Mankind his 14 words from Damru which Panini has created in all posible language we only heard that all computer languages originated by Sanskrit ,which help to creates language for blind people ,this 14 words creates basic Music Sa Re Ga Maa .most of mathematic symbol root .Lots are software key has been invented by many Philosopher.Lord Shiva is creator of Each and every small and Big thing which help for man kind.Lots of yet to discover and explain

.Pāṇini's grammar is the world's first formal system, developed well before the 19th century innovations of Gottlob Frege and the subsequent development of mathematical logic. In designing his grammar, Pāṇini used the method of "auxiliary symbols", in which new affixes are designated to mark syntactic categories and the control of grammatical derivations. This technique, rediscovered by the logician Emil Post, became a standard method in the design of computer programming languages.Sanskritists now accept that Pāṇini's linguistic apparatus is well-described as an "applied" Post system. Considerable evidence shows ancient mastery of context-sensitive grammars, and a general ability to solve many complex problems. Frits Staal has written that "Panini is the Indian Euclid."

By: Ashu Dubeydubeyashu@gmail.com