Kyle Fountain Portfolio

3 - 4 C U R R I C U L U M V I TA E P R O F I L E

5 - 1 2 M O N T R E A L F I L M I N S T.

1 3 - 1 4 C O N S T R U C T I O N D O C U M E N T S

3 5 - 4 0 D I S A S T E R R E L I E F S H E LT E R

1 5 - 2 6 O B A M A P R E S . L I B R A R Y

2 9 - 3 0 F O R S I N C F A U X F I R M

3 1 - 3 4 U N I V E R S I T Y B I K I N G C E N T E R

2 7 - 2 8 P H O T O G R A P H Y / W O O D W O R K I N G

TABLE OFCONTACTP H O N E( 2 1 7 ) 3 6 9 - 9 5 4 7

E M A I L< k f o u n t @ s i u . e d u >

A D D R E S SK y l e F o u n t a i n

1 7 0 E L a k e S t A p t 1 0 8

E l m h u r s t , I L 6 0 1 2 6

nt”Co-wrote and recorded the soundtrack to a senior thesis film In order of preferred method of contact, feel free to reach me all hours, seven days a week. I will answer phone calls unless I’m working, although, will rapidly return messages as soon as available.

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ROOF

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05121

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226

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335

165

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030000

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051200

030000

050900

020600

055200

PROJECT NO:

DRAWN BY:

CHECKED BY:

STUDENT:

SHEET OF

SHEET TITLE

COPYRIGHT:

PROJECT ARCHITECT:

PROJECT MANAGER:

CONSULTANTS:

1 2 3 4

1 2 3 4

A

B

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SCHOOL OFARCHITECTURE

SOUTHERN ILLINOIS UNIVERSITY

ARCHITECTURE 342: BUILDING TECHNOLOGY III

MIDWEST MECHANICAL ENGINEERS

NATIONAL FIRE PROTECTION, LLC

SOUTHERN CONSULTING, INC.

SALUKI ENGINEERING, INC.

CARBONDALE, ILLINOIS

MARION, ILLINOIS


MT. VERNON, ILLINOIS

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BOARD OF TRUSTEES

ARC342 KFountain A102

KRF

KYLE FOUNTAIN

KYLE FOUNTAIN

COMMERCE BANK

808 W GREEN STCHICAGO IL60118

KYLE FOUNTAIN

3/2

3/2

01

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AM

A501

EGRESSDRAWINGS

JKD

1 : 50

STAIR SECTIONA2

1 : 50

ENLARGED SECONDFLOOR STAIR 02 PLANC1

1 : 50

ENLARGED BASEMENTSTAIR 02 PLANA1

1 : 50

ENLARGED FOURTHFLOOR STAIR 02 PLANB1

1 : 50

ENLARGED GROUNDFLOOR STAIR 02 PLAND1

1 : 50

SECTION THROUGHELEVATOR SHAFTA3

1 : 50

ENLARGED ELEVATORPLAND3

1 : 20

INTERMEDIATE LANDINGSUPPORTB4

1 : 20

FLOOR LANDING ANDSTRING CONNECTIONA4

1 : 20

THICKENED SLAB ATSTAIR LANDINGC4

020600 GRAVEL FILL030000 CONCRETE050900 FASTENING051200 STRUCTURAL STEEL053000 METAL DECKING055100 STAIRS AND LADDERS055200 HANDRAILS AND RAILINGS078100 SPRAY APPLIED FIRE PROOFING (2 HR)078400 75 FIRESTOPPING142000 ELEVATOR

GENERAL NOTES

REFERENCE KEYNOTES

SHEET KEY NOTES

1. DRAWINGS DO NOT SCALE.2. ALL DIMENSIONS IN MILLIMETERS UON.3. EXTERIOR WALL DIMENSIONS TO FACE

OF MASONRY.4. INTERIOR WALL DIMENSIONS TO FACE

OF STUDS.5. OPENINGS IN WALLS ARE M.O. OR R.O.

AS APPROPRIATE.6. ALL DOOR RETURNS 100MM UNLESS

OTHERWISE NOTED OR DIMENSIONED.7. PROVIDE BLOCKING IN WALLS FOR ALL

CASEWORK, FIXTURES, AND ACCESSORIES

1. 75 FIRE STOPPING2. 172 CONCRETE SLAB3. 172 GRAVEL FILL4. C - CHANNEL5. CONNECT GUARDRAIL BACK TO WALL6. ELEVATOR CAR7. ELEVATOR COUNTER WEIGHT8. ELEVATOR COUNTER WEIGHT BUFFER9. ELEVATOR GUARDRAIL10. FIRE RATED ELEVATOR DOOR (1.5 HR MIN)11. FOUNDATION PIPE DRAIN12. GOVERNOR13. HOIST BEAM14. KONE ECO DISC HOISTING MECHANISM15. KONE ELEVATOR THRESHOLD MECHANISM16. METAL COPING17. PAINT ON FIREPROOFING (2 HR MIN)18. PARTIALLY RECESSED FIRE EXTENGUISHER19. PIT LADDER (450 MAX FROM DOOR)20. SPRAY ON FIREPROOFING (2 HR MIN)21. STEEL JOIST22. SUMP23. SUPPLY LIGHT FOR PIT

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Kyle fountain kfount@

siu.edu (217)369-9547

E D U C AT I O N

A C A D E M I C / L E A D E R S H I P

W O R K E X P E R I E N C E Although I have been interested in architecture most of my life, it wasn’t until myfirst years at Southern Illinois University that I began learning what architecturaldesign really encapsulated. Here, I have applied strengths learned, prior to aknowledge of the built environment. For example, I have a natural ability tolead and teach others. That is, I began training during my first part time job atage 16 and have been selected to train new/current employees at every job since. Furthermore, this strength has benefited when it came time to work in groups for design projects.

Although I was forced to learn time management skills during high school whilejuggling sports, a part time job, finalizing my eagle scout project, and homework; they were not fine-tuned until I was a full time student in the SIUC architecture program and worked two part time jobs while continuing to earn A grades.

I began to understand early that I was a kinaesthetic learner when I enjoyed taking art classes and wood design/build classes in high school. For instance, I enjoyed drawing, painting, and especially the process of sketching, to creating detail CAD drawings, to actually building. That is because I believe one really understands how to solve problems in the third dimension when forced to go through all of those steps. This is why I am fascinated with all things built, as it takes the process in order to understand how every component works and how it feels to move through a space.

My goals for the future are to acquire a position at a credible architectural design firm, while working toward an M-ARCH degree and completing the Architectural Registration Exam. In the office, I plan to bring elements of persistence, patience, and an open mind for learning from professionals. Also, I can apply almost a decade of service skills learned from sales, and expanse service applications. That is, as most of my professors have taught me, the practice of architecture is primarily a service industry.

Southern Illinois University: 2007 - 2011Parkland College: 2004 - 2006Associate degree in applied scienceDean’s list with a graduating accumulative GPA of 3.3/4.0

Monticello High School: 2000 - 2004Cabinetmaking/wood design classes using CAD softwareFour years of art classes, presented an exhibition of work

Architecture Design Studio: fall 2009 - spring 2010Awarded for leadership in timely completion of group projectsNominated group leader for pre design projects

American Institute of Architectural Students(active member)

Precast Concrete Institute(active student member)

Boy Scouts of AmericaEagle Scout merit: October 2003Built signs for Piatt County Park District (pg. 24)

Film/MusicCo-wrote and recorded the soundtrack to a senior thesis film: “A Wager of Testament”Twenty years experience playing guitar and drum setTen years experience writing/recording music

Computer ProficienciesMicrosoft Office, Auto Desk - Auto CAD 2003-2010, Revit 2008-2011,

Architectural Desktop 2008. Corel Draw. Google SketchUp Pro 2010. Adobe - In Design CS4-5, Photoshop CS4-5. Rhinoceros 3d modeling.

(in order of experience)

Buffalo Wild WingsCarbondale, Illinois

August 2008 - presentJob Titles: Server, Bartender, Cashier, Certified Trainer

(consistently top ten branch in nation)

SIUC TransitCarbondale, Illinois

August 2008 - May 2009Job Titles: Transit Driver, Disability Van Driver

Delivered disabled, and injured students to class

Samuel Music CompanyChampaign, Illinois

September 2005 - August 2007Job Title: Product/Service Specialist

(musical instrument sales and service)Consistent monthly leader in sales

Excelled in merchandising(designing displays to feature unpopular items)

references and hard copies available upon request

LEED GREEN ASSOCIATECompleted a LEED Green Associate workshop with Vertegy, Alberici’s LEED consultants. Plan to pass exam during summer 2011.

M O N T R E A L , Q U E B E C 2 0 0 9 C O N T E X T D E S I G N S T U D I OI N S T I T U T E

The design for the Montreal World Film Institute became a synthesis of a life of enjoying films, living with a film major, helping produce a motion picture, and researching the tectonics required to house that program complexity. The project was for context studio, therefore, as in the real world, a site visit is critical in order to understand how the building should live on the site. This site was chosen due to it’s proximity to downtown, within an urban corridor. Surrounded by typologies composed of a proposed symphony, Place Des Arts, an art museum, shopping centers, hotels, and Montreal University of Quebec. Also, a connection to several transportation media is adjacent below grade. Furthermore, a major highway that connects to New York is just one block away. Therefore, inspiration for the building came not only from film, but the ability to transpire the structure seamlessly with several different modes of transportation.

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kyle fountain [email protected] (217)369-9547

21 21 21 18 20 161919

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The layout of this structure stresses horizontality, as Montreal is a horizontal city with a strong underground economy, as well as having two downtown areas. The box like structures on the south side (offices/editing) represent the fading approach to editing film by hand cutting and pasting.

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1. Entrance 2. Reception 3. Gift Shop 4. Snack Bar 5. Restroom 6. Sm Viewing 7. Lg Viewing 8. Lg Theatre 9. Sm Theatre 10. Historical Display 11. Archives 12. Viewing Station 13. Soundstage 14. Storage 15. Workshop 16. ADR Studio 17. Foley Studio 18. Mixing Room 19. Editing 20. Animation21. Offices 22. Distribution Services 23. Work Room 24. Conference Room25. Dressing Room

GEOMETRY The Geometry is

based on a film strip and music staff at

the entrance. The strip and staff split

and rejoin at the rear entrance. On the left, the broken

geometry represents film editing by hand cutting and pasting.

PARTI The initial parti

was fundamentally derived from the

major components of modern film:

SOUND and PICTURE. This

directly relates to the architecture -

SOUND = theatres, PICTURE = offices.

REGULATE This sketch is a

populace of those that typically come

to the Montreal Film Festival. The red

lines represent travel from the site to their

respective countries. Blue represents

rivers surrounding Montreal.

SPATIAL DIAGRAM The idea,

progressed from the first sketch, is to

have a celebrated barrier in between

the theatres and the offices/editing rooms. The area in between is the

outdoor theatre projected onto the

SPATIAL DIAGRAM II The relationship

analysis in this sketch seeks further variables

that determine how a building is pieced

together, in this case, the spaces with the least fenestrations - Theatres

should be located on the north side and offices

should be located with ample sunlight.

CIRCULATION There are two main

entrances in this design determined by whether

one wants to watch a film (west), or make a

film (east). The outdoor theatre can be accessed

by all four directions and both levels whether

biking or walking. Ample parking is located off site.

There are two built-in accessibility features that are opposite to give the client the option to decide. In the plans shown, and the rendering on the previous page illustrate the four legs that extend from the earth to the second story as walkable and bikeable elevated paths to access the upper level viewing and cafe areas. This structurally powerful statement deviates from the alternative option, an environmental approach, including an earth berm blocking north winds, shown in the section on the next page.

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A

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15’ 30’ 45’N

UPPER LEVEL NORTH

UPPER LEVEL SOUTH

17

10


1. Entrance 2. Reception 3. Gift Shop 4. Snack Bar 5. Restroom6. Sm Viewing 7. Lg Viewing8. Lg Theatre9. Sm Theatre 10. Historical Display 11. Archives 12. Viewing Station

13. Soundstage 14. Storage 15. Workshop 16. ADR Studio 17. Foley Studio 18. Mixing Room 19. Editing 20. Animation21. Offices 22. Distribution Services 23. Outdoor Theatre

SECTION A - A

8

23

21

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NORTH SOUTH

5’ 10’ 15’

The first image is a spatial analysis concept model that was done before most of the sketching and modelling. Likewise, we were producing the site model on the right simultaneously in order to achieve a good contextual bearing for our designs. Unlike the buildings, the roads, contours, and sidewalks were hand cut in order to limit hard, burnt lines produced from laser cutting. The last model below and left, was a final presentation small scale model. The color was chosen to be dark to let the interior stand out when the roofs are taken off. In the end, I was thanked by our client after she had seen several presentations, for having a design that appreciates the art of cinema, and excitedly pronounced that she never became lost when describing conceptual and architectural drawings.

12


DOCUMENTS

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UP

UP

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UP

DN 15R

UP 14R

SECOND FLOOR

4300

BASEMENT

-4900

FIRST FLOOR

0

THIRD FLOOR

8600

FOURTH FLOOR

12900

ROOF

21500

4 3.75 3.5

PENTHOUSE ROOF

25800

B4

A501

A4

A501

C4

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26603

4900

4300

4300

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1

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1

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3 3 3

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-4900

FIRST FLOOR

0

FIFTH FLOOR

17200

ROOF

21500

3.5

20

20

20

20

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226

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335

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030000

055100

051200

030000

050900

020600

055200

PROJECT NO:

DRAWN BY:

CHECKED BY:

STUDENT:

SHEET OF

SHEET TITLE

COPYRIGHT:

PROJECT ARCHITECT:

PROJECT MANAGER:

CONSULTANTS:

1 2 3 4

1 2 3 4

A

B

C









MARION, ILLINOIS



CR

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BOARD OF TRUSTEES


KRF

KYLE FOUNTAIN

KYLE FOUNTAIN

COMMERCE BANK


KYLE FOUNTAIN

3/2

3/2

01

0 5

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AM

A501

EGRESSDRAWINGS

JKD

1 : 50

STAIR SECTIONA2

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ENLARGED SECONDFLOOR STAIR 02 PLANC1

1 : 50

ENLARGED BASEMENTSTAIR 02 PLANA1

1 : 50

ENLARGED FOURTHFLOOR STAIR 02 PLANB1

1 : 50

ENLARGED GROUNDFLOOR STAIR 02 PLAND1

1 : 50

SECTION THROUGHELEVATOR SHAFTA3

1 : 50

ENLARGED ELEVATORPLAND3

1 : 20

INTERMEDIATE LANDINGSUPPORTB4

1 : 20

FLOOR LANDING ANDSTRING CONNECTIONA4

1 : 20

THICKENED SLAB ATSTAIR LANDINGC4

020600 GRAVEL FILL030000 CONCRETE050900 FASTENING051200 STRUCTURAL STEEL053000 METAL DECKING055100 STAIRS AND LADDERS055200 HANDRAILS AND RAILINGS078100 SPRAY APPLIED FIRE PROOFING (2 HR)078400 75 FIRESTOPPING142000 ELEVATOR

GENERAL NOTES

REFERENCE KEYNOTES

SHEET KEY NOTES

1. DRAWINGS DO NOT SCALE.2. ALL DIMENSIONS IN MILLIMETERS UON.3. EXTERIOR WALL DIMENSIONS TO FACE

OF MASONRY.4. INTERIOR WALL DIMENSIONS TO FACE

OF STUDS.5. OPENINGS IN WALLS ARE M.O. OR R.O.

AS APPROPRIATE.6. ALL DOOR RETURNS 100MM UNLESS



1. 75 FIRE STOPPING2. 172 CONCRETE SLAB3. 172 GRAVEL FILL4. C - CHANNEL5. CONNECT GUARDRAIL BACK TO WALL6. ELEVATOR CAR7. ELEVATOR COUNTER WEIGHT8. ELEVATOR COUNTER WEIGHT BUFFER9. ELEVATOR GUARDRAIL10. FIRE RATED ELEVATOR DOOR (1.5 HR MIN)11. FOUNDATION PIPE DRAIN12. GOVERNOR13. HOIST BEAM14. KONE ECO DISC HOISTING MECHANISM15. KONE ELEVATOR THRESHOLD MECHANISM16. METAL COPING17. PAINT ON FIREPROOFING (2 HR MIN)18. PARTIALLY RECESSED FIRE EXTENGUISHER19. PIT LADDER (450 MAX FROM DOOR)20. SPRAY ON FIREPROOFING (2 HR MIN)21. STEEL JOIST22. SUMP23. SUPPLY LIGHT FOR PIT


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C H I C A G O , I L L I N O I S S P R I N G 2 0 0 8B U I L D I N G T E C H N O L O G Y I I I - S T E E L

DN 15RDN 15R UP 14R

D

1

09250.D13

05210

09110.E4

07810.A1

300

152

363

179

09270.A1

185

150

08410

A

3

160

507

251

256

193

05121.K36

07810.A1

09110.E4

09250.D13

09270.A1

09260

09270

E.5

3.5

09250.G1

05120.K14

09110.E4

07810.A1

09270.A1

244235

479

505

255

250

A201

2

A2021A202

2

A201

1

A A.5 B C D E E.5 F

5

4

3.75

3.5

2.5

2

1

3

112

120

119

123 121

122

108

104

109

106

111

118117116115

103

RECORDS

109

BOOKKEEPING

108

CONFERENCE

107

VAULT LOBBY

105

LOAN OFFICE

104

TELLER

102

VESTIBULE

101

MENS

116

WOMENS

118

OFFICE

120

OFFICE

111

OFFICE

112

OFFICE

113

OFFICE

114

OFFICE

115

JANITOR

117

BANK LOBBY

103

BREAK ROOM

106

OFFICE

121

125

124

BUILDING LOBBY

122

107

101

102

STAIR 1

STAIR 2

SERVER

123

126

VENDING

124

127

128

SECRETARY

WAITING AREA

129

119

119

119

119

119

101

101

101

101

101 101 101 101

101

101

101

101101

101101

ELEV 1ELEV 2

1

1

1

1

1

2

1

1

1

4

3

2

5

4

4

3

3

3

3

3

3

44

4

4

4

4

2

4

4

4

4

3

3

3

3

3

3

3

4

444

4

4

33

3

3

3

3

3

CORRIDOR 1

CORRIDOR 2

C2

A102

D2

A102

B2

A102

E2A102

A2

A102

1212 3658 MO 7315 3658 MO 6077 3658 MO 7315 3658 MO 6096 3658 MO 1676

4750 4750 9500 9500 9500 4750 4750

47951

845

4266 M

O3658 M

O6020

1015 M

O8458

3658 M

O3657

9500

4000

4000

4000

4750

4750

4750

4841

31475

36316

608

711

3658 M

O1226

3658 M

O4800

915 M

O9677

3658 M

O3179

4815

31462

36277

711 3658 MO 1223 3658 MO 203 10021 9568 2245 3658 MO 8502 3658 MO 880

9452 19589 18942

47983

1449

1850 R

O1460

9980 9502 9453 9548 9226

2113 1604 1640 1760 1601 1049

4734 16089 7987 9324 9534

9638

8000

2221

3048

3629

4667

4895 3250 12719 4452 3431 1440 3431 6128 3154 4810

3

6844 4136 3461 6423

3031 2305 296617751415

1970

3300

2690

4040

3904

5631

5400

2200

1500

3

5100

2191

3170

3340

4670

6734

4738

4854

2900

B2

A101

1

A407

1310

2064

A1A408

3

3

3D3

A501

A1

A301

B2

A301

A1

A302

1

ELEVATION: +0

ELEVATION: +200

2

3 4

5Sim

D2

A102

Sim

C2A102

Sim

C2

A102

Sim

C2

A102

Sim

D2A102

Sim

D2

A102

Sim

C2

A102

Sim

B2A101

Sim

B2A101

Sim

B2A101

Sim

B2A101

Sim

C2

A102

Sim

B2

A101

Sim

B2A101

Sim

B2

A101

Sim

C2A102

Sim

D2

A102

Sim

C2A102

A1

A101

Sim

E2

A102

Sim

D3A501

Sim

B2

A102

Sim

B2

A102

Sim

B2

A102Sim

A1

A101

Sim

B2A102

Sim

B2A102

Sim

E2

A102

Sim

A1A101

Sim

E2A102

Sim

E2

A102

6

2

Room

125

6

4668 1850 RO 3136

7

7

7

Sim

A2

A102

Sim

A2

A102

Sim

A2

A102

-

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3

3

2100

A2A502

A106A1

4

4

4

4

4

4

5

4

4

5

5

130

131

4

4

4

4

4

4

4

3491

3 3

3

1215 1575

3313

5601

4854

ELE

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0

ELE

VA

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0

D1A501

3

3

3

3

1

4

242

0238

329

245

9390

3 3

3

33

3

A2

A501

A3

A502

D

3

05120

07810.A1

09250.D13

09110.E4

15160

262198

476

272

341

613

15060

09270.A1

C

3

05120.K4

07840

09110.E4

09250.D13

09270.A1

250250

500

244

241

485

PROJECT NO:

DRAWN BY:

CHECKED BY:

STUDENT:

SHEET OF

SHEET TITLE

COPYRIGHT:

PROJECT ARCHITECT:

PROJECT MANAGER:

CONSULTANTS:

1 2 3 4

1 2 3 4

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MARION, ILLINOIS



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BOARD OF TRUSTEES


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KYLE FOUNTAIN

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FIRST FLOOR PLAN

Checker

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EXT. CORNER COLUMNC2

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EXT. PERIMETER COLUMND2

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INT. 2-HOUR FIRECOLUMNB2

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FIRST FLOOR PLANA1

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INT. WET COLUMNA2

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INT. 1-HOUR FIRECOLUMNE2

1. CABINETS2. CHECK WRITING STATION3. TELLER COUNTER4. ATM5. NIGHT DEPOSIT6. D.F.7. EXT LANDING SLOPE AWAY FROM

BUILDING AT 1MM/20MM

GENERAL NOTES

SHEET KEYNOTES

REFERENCE KEYNOTES

N

05120 STRUCTURAL STEEL05210 STEEL JOISTS07810.A1 25 MM SPRAYED ON FIREPROOFING08410 METAL FRAMED STOREFRONT09110.E4 100 MM C SHAPED METAL STUD @ 600MM OC HORIZ09270.A1 GYP BOARD CORNER BEAD15060 HANGERS AND SUPPORTS15160 406 MM STORM DRAINAGE PIPE

1. DRAWINGS DO NOT SCALE.2. ALL DIMENSIONS IN MILLIMETERS UON.3. EXTERIOR WALL DIMENSIONS TO FACE OF MASONRY.4. INTERIOR WALL DIMENSIONS TO FACE OF

STUDS.5. OPENINGS IN WALLS ARE M.O. OR R.O. AS

APPROPRIATE.6. ALL DOOR RETURNS 100MM UNLESS




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14

6

LIBRARYWith a main conceptual focus on Interactionism - a sociological impetus for the parti and sketches that ultimately developed into the final design development phases. Interactionism - more than a technological pun, is a topic Erving Goffman talked about in his “Presentation of Self in Everyday Life.” He theorized that everyone lives with a faux facade, or a mask. A good portion of the presidential libraries give stark, up front, White House - like experiences. In his book, Goffman stated that interactionism “. . .is about organization of experiences and not organization of society. Aside from the deviation of normal architectonics, my design sought to contextualize to the fullest. For instance, rather than designing an elevated walkway from building to building that is only accessible by employees like Lincoln’s Museum and Library across the street; my design connects underground parking to the actual Amtrak station two blocks away. Still, the walkway will pierce both the museum and library for entrance to both buildings, all the while being accessible by public 24/7.

S P R I N G F I E L D , I L L I N O I S S P R I N G 2 0 1 1I N T E G R A T I O N S T U D I O - S E N I O R T H E S I S


Here are three concept models that were developed alongside the sketches to help with scale and design throughout the semester. Clockwise from top left: The first model was exploring how the building’s second level could be accessed by earth berms in order to further the context - interactionism driving forces. The second model was an exploration into the idea of heavy geometries to appear floating. This was a minor failure with scale, and the walkway was neither integrated, nor accessible. Lastly, this model is closest to the final, with exploration into the expressive structure that would hold this expanse walkway.

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O C C U P A N C Y A N A L Y S I S F O R S T R U C T U R A L A N D L I G H T I N G C A L C U L A T I O N S

During the last semester of SIU’s 4-year Arch program, there is an integration of classes from studio to structures to lighting/acoustics.

For our structural analysis, we considered only gravity loads due to the alotted time and program complexity.

For our lighting analysis, we considered a 3,000 sq ft. area within our building to calculate lighting loads and required luminaires by code.

Note: this is only a couple pages of my senior project book. Please inquire for the entire 60 page project manual.

GROUND LEVEL STRUCTURAL ANALYSIS OF GRAVITY LOADS

Tributary Area - 558 sq ft Total Column Length - 20’-0”Live load(exhibition, storage, mechanical, atrium floor)1/4 of tributary @ 125 psf = 17437.5 + 3/4 @ 100 psf = 41832 = 106.25 psfLive Load = 106.25 psf

Dead Load(ceilings, walls, floors)Ceilings: -MEP/HVAC/Sprinkler - 9psf, -Plaster Ceiling -5psf, -Suspended Lighting and Air dist -3psfWalls: -Steel Studs @ 16” OC - 4psf, -Curtain Wall(interior Storefront Glazing) - 10psf, -Plaster Walls -5psfFloors: -Oak Flooring - 2.5 psf, -Lightweight Concrete on Steel Deck -55.0 psf

Dead Load = 90.5 psfDL+LL = 113.8 psf X 473.7 sq ft = 53.9 K

N 5’ 10’ 15’

RAMP ENTRANCE TOROOF (LEVEL 1)

MAIN ENTRANCE TO LIBRARY

AFTER HOURS ENTRANCEFOR CINEMA/LECTURES

RAMP ENTRANCE TO LEVEL 1 LANDSCAPE ENTRANCE TO GREEN ROOF (LEVEL 1)

MAIN ENTRANCETO EXHIBITION

AFTER HOURS CAFE ACCESS

SERVICE/DELIVERY ENTRANCE

SHAFT/X BRACE

EXHIBITION

BACK OF HOUSE PRODUCTIONUNLOADING/PROCESSING

RETAIL/CAFE

ATRIUM/GATHERING/LIGHT WELL

BACK OF HOUSEEGRESS/CORRIDOR

THEATER/AUDITORIUM

EXHIBITION

EXHIBITION

STORAGE

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ELECTRICAL LIGHTING ANALYSIS OF REQUIRED LUMINAIRES FOR ATRIUM/EXHIBITION

6” LED DOWNLIGHT FOR ATRIUM/EXHIBITIONATRIUM SQ FT GROUND FLOOR = 8173WATTAGE OF LUMINAIRE = 36 WATTS

8173 X 0.5 (ATRIUM/CORRIDOR) = 113.5 = 114 LUMINAIRES

TRAC MASTER CONIX TRACK LIGHTINGEXHIBITION SQ FT GROUND FLOOR = 3,800WATTAGE OF LUMINAIRE = 50 WATTS

3,800 X 1.1 (EXHIBITION) /50 = 83 LUMINAIRES

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CAFE51

MENS52

WOMENS53

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STORAGE54

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EXHIBITPRODUCTION/STUDIO

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COAT/LOCKER60

WELCOME DESK61

STORAGE62

SECURITY63

WOMENS64

MENS65

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STAIR 1

ELEV 1

ELEV 2STAIR 2

SERVICE ELEV 1

LOADING72

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MUSEUM GROUND PLANSCALE: 1/32" = 1'-0"

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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT G R O U N D F L O O R S T R U C T U R A L P L A N

SYMBOL LEGENDCOOPER SELF POWERED LED EXIT SIGN WITH EMERGENCY LIGHTS

FLOOR OUTLET

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LUMINAIRE SYMBOLSCOOPER SELF POWERED LED EXIT SIGN WITH EMERGENCY LIGHTS

INDY DESIGNER 6 LED DOWNLIGHT

TRAC MASTER HALOGEN TRACK LIGHTING4 BULBS PER TRACK

GROUND FLOOR LIGHTING PLANN

5' 10' 15'LUMINAIRE SCHEDULE

MARKMANUFACTURERAND DESCRIPTION TYPE VOLTS WATTS

LENSLAMPS FINISH MOUNTING NOTES

6" INDY LUMEN LED DOWNLIGHT LED 120 35 30'CEILING HEIGHT 40', LUMINAIRESUSPENDED FROM STRUCTURE

CONIX TRAC MASTER HALOGEN 120 35 16'TRACK LIGHTING IN EXHIBITION SPACES, FLOOR TOFLOOR HEIGHTS ARE 20'

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SYMBOL LEGENDCOOPER SELF POWERED LED EXIT SIGN WITH EMERGENCY LIGHTS

FLOOR OUTLET

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GROUND FLOOR ELECTRICAL PLANN

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HOMERUN CIRCUIT TO PANEL BOARD

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LUMINAIRE SYMBOLSCOOPER SELF POWERED LED EXIT SIGN WITH EMERGENCY LIGHTS

INDY DESIGNER 6 LED DOWNLIGHT

TRAC MASTER HALOGEN TRACK LIGHTING4 BULBS PER TRACK

GROUND FLOOR LIGHTING PLANN

5' 10' 15'LUMINAIRE SCHEDULE

MARKMANUFACTURERAND DESCRIPTION TYPE VOLTS WATTS

LENSLAMPS FINISH MOUNTING NOTES

6" INDY LUMEN LED DOWNLIGHT LED 120 35 30'CEILING HEIGHT 40', LUMINAIRESUSPENDED FROM STRUCTURE

CONIX TRAC MASTER HALOGEN 120 35 16'TRACK LIGHTING IN EXHIBITION SPACES, FLOOR TOFLOOR HEIGHTS ARE 20'

COOPER SURE-LITE EXIT LED 120 35 8'

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G R O U N D F L O O R E L E C T R I C A L P L A N

Below are two schematic plans for beam, column, luminaire, and electrical elements. The structural plan is a preiminary study of ideal beam/column layouts although the calculations on the previous page were for gravity loads only, structural cross bracing has been considered, and strategically placed in the circulation and mechanical shafts.

The lighting calculations on the previous pages were determined for this drawing in order to understand the density of luminaires required, and likewise.


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D A Y L I G H T I N G A N A L Y S I S A T R I U M O F M U S E U M

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Again for the lighting portion of this project, we were instructed to analyze the same areas natural lighting characteristics. Previous studies revealed that although the glazing was facing north, ultraviolet radiation would penetrate into the exhibition spaces, causing harm to prospective artifacts. By adding a louvre system to the north wall revealed that very little sunlight would be allowed in the space, therefore, a skylit roof above the atrium was added with a custom perpendicular louvre system to allow for double refraction of summer sun entering. (for detailed, turn page)

1/2" BEARING PAD

PRECAST CONCRETE FOOTING

5' X 10' PRECAST CONCRETE PERMEABLE GRADE PLATE

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TO LIVING MACHINE FOR GRAYWATER CLEANING

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1/2" BEARING PAD

PRECAST CONCRETE FOOTING

5' X 10' PRECAST CONCRETE PERMEABLE GRADE PLATE

GRASS/SOD

SOIL COLLECTED FROMCONSTRUCTION

5' X 10' PRECAST CONCRETE PLANTER BOX

TO LIVING MACHINE FOR GRAYWATER CLEANING

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SITE PLAN AND SITE MODULAR COMPONENT DETAILDRAWINGS DO NOT SCALE


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SOUTHGround

0' - 0"

Level 110' - 0"

Level 220' - 0"

Level 330' - 0"

Level 440' - 0"

Level 555' - 0"

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5' 10'

EXHIBITION 2

EXHIBITION 1

STORAGE

DIRECTOR'S SUITE

LIGHT WELL GARDEN/ PLAZA

STEEL AND GLASS WALKWAYK WALL 100 TRANSLUCENT SYSTEMPRECAST PLANTERRAISED FLOOR AIR DISTRIBUTION SYSTEMANODIZED ALUMINUM STOREFRONT

K SERIES STEEL TRUSSEXTRUDED ALUMINUM LOUVER (N-S)

BUR WITH 1' PARAPET LT WT CONC ON STL DECK

CAFE

SUSPENDED FABRICWHITE CEILINGTO SOFTEN ACOUSTICSAND ACT AS INTERIORLIGHT SHELF FROMATRIUM ILLUMINANCE

EXTRUDED ALUMINUM LOUVER (E-W)LIGHT DRIVEN WELL

BRUSHED GLASSGUARD RAIL

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6" 1'-0" 1'-6"

NORTH SUN

WINTER SUN DEC 21st SUMMER SUN JUNE 21st

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NORTH

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F I N A L M O D E L A N DP E R S P E C T I V E F R O M R O O F T E R R A C E


26

1822

Above is Frank Lloyd Wright’s Fallingwater. Throughout my undergraduate career, I enjoyed taking pictures of architectural details that I had never seen prior. Wright’s design for these windows become one of the more memorable discoveries. Fallingwater has dozens of windows on this specific corner of the house giving a fascinating sound effect from the waterfall, and surrounding forest. The sound coming from the fenestrations literally sound like someone turning up the volume of a stereo as one opens window after window.

PHOTOGRAPHY

Above are two images that were taken on different site visits for studio class. The top image is of Richard Sera’s commission for the Pulitzer Arts Museum in St. Louis. The image below is Moshe Safdie’s Habitat 67 in Montreal, Quebec.

(beginning with the far left piece, moving clockwise) The first project, completed in cabinetmaking class in high school, is made of cherry ply and solid woods. The next project is an interlocking chair made of oak wood and green canvas. Next, a night stand also completed in high school also constructed of oak solid wood. The next is one of two signs that I drafted and constructed for my Eagle Scout project. One is located in Cerro Gordo, Illinois, the second is in Atwood, Illinois Lastly, is a construct of a modular component that was originally inspired by a series of taxonomical studies of a wild mushroom, done in concept studio class.


WOODWORKING

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2028

FAUX FIRM

twenty ninth November

Mr. Anthony Ryan201 University Oaks Blvd, Suite 1100Round Rock Tx, 78664

FORS Architecture and Interior Design200 S Hanley RdSt. Louis, Mo 63105

A 32,700 square foot retail building for REI Recreation co. in Round Rock Texas. The building is to be LEED Certified with an estimated cost of $8,175,000. The building program will be determined by our interior design team. The program, according to REI, and LEED Gold specifications is to be mixed use. Thereby, adding a mezzanine level to allow for community and recreation meetings during and after store hours. Likewise, the design of the interior, exterior, structure (sequenced by specialized consultants) will all be done by FORS.

two thousand ten

Compensation to be based on a percentage fee of 5.6% based on a Group II Complexity project with an estimated budget of $8,175,000 initially equalling a total fee of $457,800 to be adjusted at the end of each phase and at a project completion per the fee schedule attached.

5% of total billing408,750

Compensation to be based on a percentage fee of 5.6% based on a Group II Complexity project with an estimated budget of $8,175,000 initially equalling a total fee of $457,800 to be adjusted at the end of each phase and at a project completion per the fee schedule attached.

5% of total billing408,750

152040520

Typical list of Additional services for level II complexity project

LEED Research: Travel (other REI facilities): Mock up Furniture:Building Model: Building Information Modeling (BIM): Drawing Revisions: per paragraph 3.3.1

This is not a final list of additional services, the above are the ones that have been outlined prior to design. There will be additional compensation for services not mentioned above based on the fee schedule and articles 3 and 12 of the AIA B151 contract.

Compensation for additional project representation rendered by Principals and employees shall be based upon the hourly billing rates set forth below:

Principal: $225.00/hrConstruction Observer: $120.00/hr

Compensation for services rendered by principals and employees shall be based on a multiple of 3.0 times Direct Personnel Expense. Compensation for services rendered by Consultants shall be based on a multiple of 1.1 times their invoice.

Below is a list of prospective additional services based on project type and complexity. Compensation for additional project services rendered by Principals and employees shall be based upon the hourly billing rates set forth below:

Compensation for Additional Servicesper employee type

CEO: $225.00/hourCFO: /hour $225.00/hourHead of Retail Design: $225.00/hourHead of Studio $225.00/hour

Arc. CAD Designer (4) $120.00/hour

I.D. CAD Designers (4) $120.00/hour

Interns (4) $120.00/hour

Compensation for services rendered by principals and employees shall be based on a multiple of 3.0 times Direct Personnel Expense.

1.25

1.1

24

30

Interest at a rate of 10% per month will be applied to invoices (or balances) unpaid after 30 days.

There will be a 10% discount of basic compensation, less additional services if paid 6 months prior to project completion. Additional services will be billed based on fore mentioned fee schedule, and any services that fall under article 3 of the AIA B151.

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Kyle Megan Jason Courtney Finished

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Develop Fax Sheet

Develop Business Cards

Design Brochure

Graphic Design

Create Timesheets

Legal Documentation

1st Year Projects (2 Build Out)

1st Year Projects (2 New Build)

Budget Sheet for Focus Project

Fee Schedule

Develop Mission Statement

Project List

Project Timeline

General Corporation Description

Letter of Understanding

Draft Contract

ARCHIpage Layout

Leasing Office Cost

Furnishings & Equipment for Office

Adjacency Diagram

Develop Floor Plan

Approximate Cost of Above

Yellow Page Price Listing

R: Person is solely responsible for successfully completing task.

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10 APPLIANCES

FORS200 S Hanley Rd Saint Louis, MO 63144

ArchitectsSee Also Home Design and Planning

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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (314)892-6531

HOK211 N Broadway, Saint Louis, MO 63102

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (314)421-20000

MacGoy, Jon E326 Simmons Ave, Saint Louis, MO 63119

. . . . . . . . . . . . . . . . . . . . (314)968-3287

Chiodini Associates1401 S Brentwood Blvd, Saint Louis, MO 63144

. . . . . . . . . . . . . . . . . . . .(314)725-5588

Tao & Lee Associates308 N 21st St Ste 600, Saint Louis, MO 63103

. . . . . . . . . . . . . . . . . .(314)446-0885

Fox Architects500 Washington Ave, Saint Louis, MO 63101

. . . . . . . . . . . . . . . . . . . . . . . . .(314)621-4343

R E T A I L A R C H I T E C T U R E A N D I N T E R I O R D E S I G N

Address: 200 S. Hanley Rd. St. Louis, MO 63105Phone Number: 314-892-6530Fax Number: 314-892-6531Emails: [email protected], [email protected] [email protected], and [email protected]

NAME POSITION HOURLY RATE

Kyle CFO $75.00Megan Head of Retail Design $75.00Jason CFO $75.00Courtney Head of Studio $75.00

Arc. Cad Designer 1 $40.00Arc. Cad Designer 2 $40.00Arc. Cad Designer 3 $40.00Arc. Cad Designer 4 $40.00

I.D. Cad Designer 1 $40.00I.D. Cad Designer 2 $40.00I.D. Cad Designer 3 $40.00I.D. Cad Designer 4 $40.00

Intern 1 $15.00Intern 2 $15.00Intern 2 $15.00Intern 3 $15.00Intern 4 $15.00

Address: 200 S. Hanley Rd. St. Louis, MO 63105Phone Number: 314-892-6530Fax Number: 314-892-6531Emails: [email protected], [email protected], [email protected], and [email protected]

ACTIVE PROJECTS Jan. Feb Mar Apr May JunGodiva Home Cont. Close-outREI Round Rock ConstructionUniversity Biking Center ConstructionThomas starzewski boutique

The faux firm was a project to sum up the pro practice course. Shown on this page are some of the business aspects we worked on as well as completing a letter of understanding to supplement the AIA B151 shown below. At the end of the project we presented boards and a website, shown on the next page, for a client-Interview presentation.

CEO

Kyle Megan Jason Courtney Finished

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Develop Architype Consensus

Develop Slogan Consensus

Development of R-Chart

Staff Relationship Diagram

Develop Invoices

Design Webpage

Design Letterhead & Envelope

Develop Fax Sheet

Develop Business Cards

Design Brochure

Graphic Design

Create Timesheets

Legal Documentation

1st Year Projects (2 Build Out)

1st Year Projects (2 New Build)

Budget Sheet for Focus Project

Fee Schedule

Develop Mission Statement

Project List

Project Timeline

General Corporation Description

Letter of Understanding

Draft Contract

ARCHIpage Layout

Leasing Office Cost

Furnishings & Equipment for Office

Adjacency Diagram

Develop Floor Plan

Approximate Cost of Above

Yellow Page Price Listing

R: Person is solely responsible for successfully completing task.

A/V: Person must approve or veto decisions of other people.

S: Person is to furnish support to complete task.

R-CHART

I: Person must be informed of decisions by other members.

Task

Office Assembly

Real Estate Search

Yellow Page Price Search

home contact about us news projects jobs offices PROCESS

founta

in

owens

reynolds

safranek

FORS is a general corpora-tion firm that specializes in retail design. Following the importance of the built envi-ronment, our principles and employees are structured around an equal combination of Interior design and Archi-tectural design.

firm

principles

architects

interior designers

cad techs

interns

services

awards

clients

mission

firm

principles

mission

Megan Owens is the

Head of Retail Design.

Megan has been an In-

terior Designer for 2

years. Megan received

her BSID degree from

Southern Illinois Uni-

versity, and worked

for KHI Designers in

St Louis for 6 years.

Courtney Safranek is

the Head of Design

Studio.

Courtney has been an

Interior Designer for

5 years. Courtney

received her BSID

degree from Southern

Illinois University, and

her MARCH degree

from University of

Syracuse. Courtney

worked for KHI De-

signers in St Louis for

2 years.

jason reynolds aia

has been an architect

for 4 years. jason is

the CFO of FORS. He

received his BARCH



his MARCH degree

from University of

Wisconsin Milwaukee.

Kyle has previously

worked for SKBH

Architects in St Louis,

Mo and RKGB Archi-

tecture in Round Rock

Texas.

kyle fountain aia

has been an architect

for 3 years. Kyle is

the CEO of FORS. He

received his BARCH



his MARCH degree

from University of

Wisconsin Milwaukee.

Kyle has previously

worked for SKBH

Architects in Chicago,

Illinois and TYULS

and Associates in

Denver Co.

fors is a corporation dedi-cated to solving creative design solutions for the retail environment. Our de-sign team consists of Archi-tect and Interior Designers to deliver the most creative, innovative, and functional environment that satisfies the needs of the clients and consumers. In addition to focusing on sustaining the environmental conditions, our designers strive to give back by implementing the use of renewable energy sys-tems. Understanding the marketing techniques used in retail gives FORS an edge on its other competitors.

WHERE CREATIVITY AND INNOVATION MERGE TOGETHERF OR S

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P R O F E S S I O N A L P R A C T I C E F A L L 2 0 1 0

n o t e : n o t a l l o f t h e i n f o r m a t i o n b e l o w i s t r u e , a n d t h e R E I p r o j e c t w a s n o t c o m p l e t e d b y F O R S . A l s o , F O R S i s n o t a r e a l

a r c h i t e c t u r a l f i r m .

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C E N T E R

Southern Illinois University already encourages walking and biking by maintaining a vast forest in the center and contouring the campus. Located adjacent to the site is a large under used parking lot. After group research, we developed further site analyses and were encouraged to construct at least two big idea concepts. My first sketch was to have the bike shop the nucleus of a small campus consisting of the programmatic features: bicycle retail/repair shop, base camp, and a camp site. My second idea was the beginning of my final concept, a more holistic approach. Rather than concentrating on the site, I used the campus lake, national and regional bike trails, and the city as regulating lines to allow for the building to be an attraction and elevated above the complex topography, embracing a creek that connects to a residential walk/bikeway. With these trails surrounding the building, the bike shop wouldn’t be a place to find, like the first idea, it will be a outlet passed by thousands of students and citizens that reside south of the site, on their way to work or class. Furthermore, if someone does not have a bicycle, one can be rented from the base camp.

C A R B O N D A L E , I L L I N O I S F A L L 2 0 0 9 C O M P L E X I T Y D E S I G N S T U D I O


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1 First concept study 2 Geometries of bldg taken from bicycle 4 Primary concepts taken from the idea that spokes hold the shape of the wheel and that the frame holds the user 5 Bike frame of two triangles regulate the east facade, curvilinear east facade reflects the bike’s wheel 6 Structural column diagram/truss calculations 7 North/south facade design based on design of logo 8 Further development of logo ideas 9 Bubble diagram 10 Progressed spatial diagram 11 Beginning floor plan sketch 12 A final sketch utilizing the site plan and regulating lines

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winter sun summer sunnatural/cross ventilation

(PREVIOUS PAGES) View approaching the building from the south as seen from a bicyclists perspective. Elevated bike/walk path allows travellers to venture off of the busy highway and through a peaceful forest. A Bioclimatic section showing how clerestory windows and natural ventilation help preserve the forest B Scenic overlook as a break from riding, jogging, or walking, to view the forest that will be minimally disturbed through the use of a pile foundation system. C Dynamic perspective from bicycle approaching the retail space.

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SHELTERThe shelter project began with group research presentations involving issues related to the aftermath of recent earthquakes in Haiti and Chile, aftermath of the Gulf Coast hurricanes of 2005, the ongoing issues of urban homelessness in the USA, the need for shelter in war zones, and the extremes of poverty worldwide. With a strong focus on altruism in our designs, our concept was aimed toward self dignity. With the request from our professor, we were encouraged to make the design “look like architecture,” and not what other shelters are becoming around the world. For instance, one extreme is a horizontally extruded pentagon made of plywood inspired strictly by cost, not modularity. Another extreme that has been given to disaster relief victims is essentially a collapsable clothes hamper. After research, we began to understand that neither of these structures would be something we would be proud to sleep in. Utilizing one simple rectangular slat made of oak plywood, our shelter can be mass produced, and shipped for assembly, or in the case of the model we built, footings, custom cots, and structure can be added for semi permanent capabilities. In the end, our shelter was the only one that survived a trial sleep. Others designed their shelters from the outside in, leaving an after thought decision of making the bed a flat sheet of plywood. Again, our concept was inspired by dignity - would we feel comfortable sleeping in this shelter and would we be proud to have this as our temporary dwelling after a terrible disaster? The test was successful as we woke up from our shelter in the middle of campus with hundreds of students walking passed us, we were proud to emerge from the dwelling.


C O M P L E X I T Y D E S I G N S T U D I O S P R I N G 2 0 1 0

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SECTION THROUGH FOOTINGS

ARC RIB DETAIL FOOTING DETAIL

ARC DIAMETER - 6'0"LENGTH OF SHELTER - 6'-9"

4"

1/2" WOOD SCREW PLYWOOD SLAT (36)

1- 1/2" WOOD SCREW

2"

2"1"

2"1"

2" 2"1-1/2" 1-1/2"1"

1/2" WOOD DOWEL

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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT A NA

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EACH FLAT CAN BE ATTACHED UP TO3 WIDE BY AN INFINITE NUMBER IN LENGTH

Professional altruism is the notion of doing somethingto help others without a direct benefit to oneself.In architecture, specifically design of a shelter; thedwelling should be able to accommodate anycontext, and most inhabitants without homes. Still itshould look architectural instead of the simplest formfor the least amount of money (tent). Our goal forevery design decision was based on dignity. Wouldwe feel comfortable and dignified to stay inside thisshelter temporarily?

ALTR

UISM

RESEAR

CH

CO

NC

EPT

Materials and design tips - required materials were,but not limited to, 1/2" plywood and blue tarpauline.Designs that were requested to avoid consisted oftent-like structures, and tipi dwellings. Designs were,instead, requested to appear architecturally designed

TENT CITIES

CLOTHES HAMPERSHELTER

PORTABILITY IS GOODBUT LIMITS DIGNITY

AN ARC FLAT A shelter should be simple to assemble,fabricate, repair, and accomodate. In it's simplest form,our shelter is comprised of 2 modular components - thewood slat that assembles to make the arc, and the arcbeam that either fits into the flooring/footing system, or isdriven into the ground. Still, the shelter can becustomized through sliding the wood slat module to allowsunlight, fresh air for any given wind direction, or use asa canopy to sit outside blocking a light sprinkle or sun.Lastly, the dwelling is designed to lay flat anddisassemble with minimal hardware

F L A T

CO

DY BASH

AM AR

C 352

KYLE FOU

NTAIN

WESSEL

STUDY MODELS

ONSTRUCTION CHRONOLOGY

EXPLODED AXONOMETRIC

PHASE I PHASE II PHASE III


TIPI SHELTER<cnet.news.com><treehugger.com>

<treehugger.com> <gliving.com>

DETAIL D

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1- 1/2" WOOD SCREW

2"

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1/2" WOOD DOWEL

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A NA

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EACH FLAT CAN BE ATTACHED UP TO3 WIDE BY AN INFINITE NUMBER IN LENGTH

Professional altruism is the notion of doing somethingto help others without a direct benefit to oneself.In architecture, specifically design of a shelter; thedwelling should be able to accommodate anycontext, and most inhabitants without homes. Still itshould look architectural instead of the simplest formfor the least amount of money (tent). Our goal forevery design decision was based on dignity. Wouldwe feel comfortable and dignified to stay inside thisshelter temporarily?

ALTR

UISM

RESEAR

CH

CO

NC

EPT

Materials and design tips - required materials were,but not limited to, 1/2" plywood and blue tarpauline.Designs that were requested to avoid consisted oftent-like structures, and tipi dwellings. Designs were,instead, requested to appear architecturally designed

TENT CITIES

CLOTHES HAMPERSHELTER

PORTABILITY IS GOODBUT LIMITS DIGNITY

AN ARC FLAT A shelter should be simple to assemble,fabricate, repair, and accomodate. In it's simplest form,our shelter is comprised of 2 modular components - thewood slat that assembles to make the arc, and the arcbeam that either fits into the flooring/footing system, or isdriven into the ground. Still, the shelter can becustomized through sliding the wood slat module to allowsunlight, fresh air for any given wind direction, or use asa canopy to sit outside blocking a light sprinkle or sun.Lastly, the dwelling is designed to lay flat anddisassemble with minimal hardware

F L A T

CO

DY BASH

AM AR

C 352

KYLE FOU

NTAIN

WESSEL

STUDY MODELS

ONSTRUCTION CHRONOLOGY

EXPLODED AXONOMETRIC

PHASE I PHASE II PHASE III


TIPI SHELTER<cnet.news.com><treehugger.com>

<treehugger.com> <gliving.com>

DETAIL D

RAW

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4"


1- 1/2" WOOD SCREW

2"

2"1"

2"1"

2" 2"1-1/2" 1-1/2"1"

1/2" WOOD DOWEL

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From the beginning, this arc design was inspired by self customization of the structure to allow fenestrations, and patterns for wind and sunlight to enter. Still, the openings can be closed during a light rain, and for privacy. Aside from hand sketching, computer modelling and drafting, we provided a series of concept models as well as a mock up of the most complex issue, how the footing, cot, and arc all connect. A “T” shaped pin slides through the cot structure and into the adjustable footing to support the thrust of the arc.


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1

1

2 2

3 3

44

1 The first phase of construction was to fabricate the modular slats that would comprise the arc and will allow for customizable fenestrations 2 Second phase was to cut out structural ribs and assemble the arc 3 The third phase was to cut and assemble the floor joists and height adjustable footings that were designed to keep the inhabitants off of the ground away from moisture. The footings were designed to accommodate a complex topography 4 Fourth phase was to assemble and install the cot beds.


F A M I LYF R I E N D S

E M P L O Y E R S40

50’75’

100’150’

300’

Interstate Route

Secondary RoadsPrimary Roads

Water Taxi RouteExisting Metro-LinkProposed Metro-LinkExisting Rail St. Louis Bus RouteUpper East St. Louis

Bus Route

Phase 1

Phase 2Phase 3

Phase 4

Phase 5

RN: 103007

DIALOGIC BRIDGES: THE FUSION OF HORIZONS- PAST, PRESENT, AND FUTURE

COMPETITIONRailroad

Metro Link

Roads

Buildings

1917 Mass Railway Transit

1917 Railway Hub

1957 Mass Industrilazation

1990 Structural Barriers

RN: 103007

r e f l e c t i o n o f p r i o r e c o l o g i c a l s u c c e s s a n d f a i l u r e

Cahokia Mounds -Largest Archaeological site of Mississippian culture Toronado kills 255,

3 billion (1997 USD) damage to buildings. Riots form after African

American migration 244 buildings destroyed.

East St Louis isnamed all american city, highest population recorded to date. New mayor raises

taxes, forces businesses to sprawl, or move across the river to St Louis.

Riots become a regular occurance,racial tensions grow.

Middle class citizens leave as jobs are scarce, sewers become backed

goes on strike, police cars stop functioning.

A once diverse racial city quickly marginalizes. Also, more and more buildings are abandoned, infrastructure is designed solely to direct tourists away from East St Louis.

700 AD 1820 1877 1896 1917 1958 1960 1968 1970 1979Fabric of districts - historic, entertainment, market, retail, housing, and mall will help integrate St Louis’ downtown with East St Louis’ downtown

Currently, East St Louis is

main barriers affecting it’s economy - the freeway and the Mississippi River. Now, population is 30,000, 100% African American, and very uninviting for visitors.

2010

Phase I - Descend freeway and railway below grade to eliminate a physical barrier. Provide exits into new city rather than abundance of roads leading away from the area. To alleviate a new elevated city, provide large green spaces on north and south sides

Phase II - Move geyser and develop green corridors that will be the grid and foundation for districts that mirrors St Louis’ downtown abundant green park system.

Phase III - Develop mixed use skyscrapers and a venue to attract more visitors, businesses, and residents to the area.

Phase IV - Continue developing new urban fabric connecting to the old downtown and current housing.

Phase V - Construct a new transit hub that will support local and statewide, public transportation. Also, travel to and from St Louis will be eased through construction of bicycle/pedestrian bridges as well as redevelopment of current bridges.

2020 2040 2060 2080 21001990

south sides of town will become a balance of recreation green spaces that will prevent unused, impervious space.

d i a g r a m s f o r a n e w b a l a n c e d u r b a n l a n d s c a p e

Illinoistown (East St Louis) established. Vast increase in industrialization, coal mining - post war.

East St Louis area natives Miles Davis and Tina Turner entertain war veterans while attracting tourists.

Background images, Cahokia Mound image taken from GoogleEarth PanaramioHistorical passages paraphrased from Encyclopedia Britannica, <www.illinoistowneaststlouis.org>

e c h r o n o l o g y o f e c o n o m i c p r o g r e s s f o r e a s t s t l o u i s p h a s e p l a n t o r e c o n s t r u c t a t h r i v i n g c i t y

Cahokia was once a very prosperous city that was home to over a hundred mounds built to ascend above the

Americans knew over a millennia -

able elevations would result in poor living conditions and would simply become desolate.

Today, East St Louis has what appears to be green space in their

wasted spaces of empty parking lots, roads, and buildings have been evacuated and, although weeds grow

it carries chemicals off of the impermeable surfaces and into the river.

Grid System - mirroring downtown St Louis and projected from East St Louis, grid joins at a seam where major structures, streets, and green space become the axis for a merging city.

Railroads on strike, springs

N


F A M I LYF R I E N D S

E M P L O Y E R S42

E A S T S T L O U I S , I L L I N O I S 2 0 1 0 U R B A N D E S I G N S T U D I O (AS PRESENTED)

YOU

C R I T /N O T E S

EMPLOYERSFAMILY

FRIENDSPROFESSORS

Technology

Kyle Fountain Portfolio