19
upporting Extended Writing

Extended Writing - Caroline Sherwood

Embed Size (px)

DESCRIPTION

 

Citation preview

Page 1: Extended Writing - Caroline Sherwood

Supporting Extended Writing

Page 2: Extended Writing - Caroline Sherwood

Low road transfer happens when stimulus conditions in the transfer context are sufficiently similar to those in a prior context of learning to trigger well-developed semi-automatic responses.

High road transfer, in contrast, depends on mindful abstraction from the context of learning or application and a deliberate search for connections: What is the general pattern? What is needed? What principles might apply? What is known that might help? Such transfer is not in general reflexive. It demands time for exploration and the investment of mental effort.

If they’re doing it in English – why can’t they do it in my subject?

Salomon, G., & Perkins, D. (1988, September). Teaching for transfer. Educational Leadership, 22-32.

Page 3: Extended Writing - Caroline Sherwood

Explain/analyse the planning and organisation of recording sessions, within health and safety requirements.

Write a description of your composition.

Why did people believe in witches in the 16th and 17th century?

Explain/analyse how Steinbeck uses language to influence the reader’s view of Curley.

Page 4: Extended Writing - Caroline Sherwood

Explain/analyse how Steinbeck uses language to influence the reader’s view of Curley.

“Curley attacked his

stomach and cut off his

wind”

“Curley’s rage exploded”

“He slashed at Lennie with his left, and then smashed down

his nose with a right”

Page 5: Extended Writing - Caroline Sherwood

An example from a Year 9 student

Steinbeck uses powerful verbs in chapter 3 of ‘Of Mice and Men’ to influence the reader’s view of Curley. “he slashed at Lennie with his left and then smashed down his nose with a right”. The powerful verb “smashed” suggests that something has broken into loads of pieces because when you smash a plate for example, it breaks beyond repair. Perhaps the other powerful verb “slashed” runs along side of it as alliteration to suggest Curley’s fists have different was of fighting. Furthermore, maybe Steinbeck uses “slashed” to suggest that when Curley is hitting Lennie he is not only hurting him physically, he’s also breaking his emotions on the inside; “slashing” their dreams; “slashing” the light and letting in the dark; “slashing” the goodness inside of Lennie to get him to fight. This has influenced my view of Curley – I do not feel sorry for him. He is clearly using his power as the boss’ son and is dangerous to both Gorge and Lennie.

Page 6: Extended Writing - Caroline Sherwood

Explain/analyse how Steinbeck uses language to influence the reader’s view of Curley.

“Curley attacked his

stomach and cut off his

wind”

“Curley’s rage exploded”

“He slashed at Lennie with his left, and then smashed down

his nose with a right”

Page 7: Extended Writing - Caroline Sherwood

Explain/analyse how Steinbeck uses language to influence the reader’s view of Curley.

“Curley attacked his

stomach and cut off his

wind” “Curley’s rage exploded”

Let’s start together…

Complete as a share piece of writing.

Page 9: Extended Writing - Caroline Sherwood

To complete the process you’d then

be expected to analyse a quote by

yourself – independently.

“His arms gradually bent at the elbows and his hands closed into fists. He stiffened and

went into a slight crouch.”

Page 10: Extended Writing - Caroline Sherwood

The result is… This results in…

As a result… Resulting in…

Initiating… Triggering…

The effect of this is… As a consequence…

Consequently… Inevitably…

This, in turn, causes…Furthermore…This suggests…

Because…Perhaps…

You need to know the ingredients for every piece of writing you ask your students to do…

To explain how/why something

works/has happened

chronological order

present tense active voice third person connectives related to sequencing

and cause and effect Paragraph cohesion

may include a glossary of key words impersonal language

Writing to explain

Page 11: Extended Writing - Caroline Sherwood

Super-challengeTriggering…

The effect of this is… As a consequence…

Consequently… Inevitably…

This, in turn, causes…Furthermore…

You need to know the ingredients for every piece of writing you ask your students to do…

To explain how/why something

works/has happened

chronological order

present tense active voice third person connectives related to sequencing

and cause and effect Paragraph cohesion

may include a glossary of key words impersonal language

Writing to explain Core:This suggests…

Because…Perhaps…

Challenge:The result is…

This results in… As a result…

Resulting in…Initiating…

Page 12: Extended Writing - Caroline Sherwood

Your first challenge task…

Create an ingredients list for an extended piece of writing you ask your students to complete.

Want more of a challenge? Begin to differentiate your ingredients list (like we did with the connectives).

Need some help?Take a look at some of the help sheets at the front.

Page 13: Extended Writing - Caroline Sherwood

Your second challenge task…

Create an example of the writing you are asking for.It does not need to be ‘perfect’…in fact it can be very constructive to have an example which needs a little

attention.

We must be able to identify the ingredients within your example.

Want more of a challenge? Begin to differentiate your examples – can you create an A/A* a B and a C example?

Page 14: Extended Writing - Caroline Sherwood

Your last challenge task…

In your lessons use the materials you’ve created today and follow

the sequence for writing.

I’ve created these PowerPoint slides…might they be useful?

Your last challenge task…

Page 15: Extended Writing - Caroline Sherwood

Extended writing task title

Here is an example … what are the key ingredients? Let’s annotate them…

Do we need to find the key words within the question? What are we being asked to do?

Wwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwww

Page 17: Extended Writing - Caroline Sherwood

So let’s start this one together…

How could I start?

Page 18: Extended Writing - Caroline Sherwood

Over to you!

Want more of a challenge? ...................................................................................................

Need some help?...................................................................................................

Don’t forget to include our key ingredients:*****

Page 19: Extended Writing - Caroline Sherwood

Would this be useful to support extended writing?