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ELEMENTS OF DESIGN Shape and Line

Elements of design

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Page 1: Elements of design

ELEMENTS OF DESIGN

Shape and Line

Page 2: Elements of design

Shape

The shape of a garment is its form or silhouette It is the overall

outline It is created by

the cut and construction of the garment

Page 3: Elements of design

Shape

The shape of an outfit is the outline when seen from a distance. Since shape can be seen from a distance, it will be noticed first.

It is a major factor in viewer’s first impression

Clothing can reveal or disguise the natural contour of the body

Page 4: Elements of design

Shape

Full, wide clothing shapes make people look larger.

They look best on people who are slim. Trim, compact silhouettes make people

look smaller.

Page 5: Elements of design

Shape

When choosing clothes, a person should decide where his or her shape is best and feature a silhouette that highlights that feature.

Page 6: Elements of design

Line

A line is a distinct, elongated mark, as if drawn by a pen 1. Lines have direction, width and length 2. The element of line can play up a

person's good points and play down the bad ones. Eyes follow lines

Page 7: Elements of design

Line

3. Line suggest movement or rhythm- where they lead the eyes. Lines lead the eye up and down and side to side.

4. Line can emphasize or create height, conceal weight, or focus the attention on a certain area.

Page 8: Elements of design

Types of Line- Straight

Straight lines are bold and severe. They suggest dignity, power, and formality. They give steadiness and stability. If overdone, they can make an outfit look stiff.

Page 9: Elements of design

Types of Line- Curved

Curved lines can be rounded and circular or somewhat flattened out. They increase the size and shape of the figure. Circles are closed lines, so they stop the

eye entirely. Curved lines are less formal than straight

ones. They give a soft, smooth, graceful and flowing feeling. They can accent the natural curves of the body.

Page 10: Elements of design

Types of Line- Jagged

Jagged lines change direction abruptly and with sharp points like zigzags. Overused they can create a jumpy, confused feeling. Use them sparingly, since they are very noticeable. Jagged lines are appropriate for fun loving who do not need to create a serious image.

Page 11: Elements of design

Line Direction- Vertical Lines Vertical lines go up and

down. They lead the eye up and down.

They give the impression of height and slimness. They also give the feeling of dignity, strength and poise. For the best effect, put

vertical lines over an area of the body you want to look slimmer.

Page 12: Elements of design
Page 13: Elements of design

Line Direction- Horizontal Lines Go from side to side.

They carry the eye from side to side. They give the impression of less height and more width. Tend to give a relaxed, calm feeling. Put horizontal stripes

across parts of the body you want to look bigger.

Page 14: Elements of design
Page 15: Elements of design

Diagonal Lines

Are slanted. The degree of the slant determines their visual effect in clothes. If they have a vertical slant, they are slenderizing. If they have a horizontal slant, they add width.

Diagonal lines draw attention to the areas where they are used. They give a feeling of action and strength.

Page 16: Elements of design

Line Applications

1. Structured lines are formed when parts of the garment are constructed. They are seams, darts, edges of the

garment. They are the details that also create a

visual interested. They are a necessary part of the garment’s

construction

Page 17: Elements of design

Line Applications

2. Decorative lines are created by adding details to the surface of clothing. They are added to decorate the outfit and

make it more interesting.

Page 18: Elements of design

Illusions with Lines

In clothing, line often combines into designs that appear to form an arrow, or the letters T, I, or Y. these create optical illusions.

Page 19: Elements of design

Arrows

Tend to deflect the gaze downward. They shorten the height of a person.

Page 20: Elements of design

“T” Lines

Also stop the upward movement of the eye. Height is cut, but width is given to the top– the illusion of broad shoulders.

Page 21: Elements of design

“I Lines”

Tend to give a vertical feeling that is contained at the top and bottom. Makes the body look taller and thinner.

Page 22: Elements of design

“Y” Lines

Keep the gaze moving upward even farther. The appearance of height is given to the body of a “Y” line dress.