Film Magazine Front CoversA

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The magazine includes their web address so the target audience of film lovers can

find out more exclusive news about new releases and

more. It is positioned under and is in the same colour as

the masthead yet it does not steal any focus from the

central image or cover lines because it is in a small font. The website is simply the

name of the magazine so it is easy to remember and instantly recognisable.

The date and price are in a small font near the masthead. The

price is in a small font because the front cover attracts the

target audience before they find out how much it costs. The price is £3.99 which is expensive for a magazine yet it denotes quality. The date is only ‘August 2008’ which indicates that this is a

monthly magazine as no specific date of publication is mentioned. This also links to the cost of the magazine as it is more expensive because it is only released once a

month. The mention of a date helps collectors/ subscribers

keep up to date with the magazine as well as having a

sense of exclusivity because the magazine is only released

monthly.

THE BASICS

A barcode is included on the front cover so it can be

processed when purchased and therefore the presence

of a bar code denotes professionalism. It is

positioned at the bottom right of the magazine so it

does not invade the left-side third and it does not steal

focus from any other feature.

The menu strip at the bottom is one of the last things that the target audience looks at because of it’s positioning. The text is the same font as most of the other text which doesn’t make it

stand out because it fits it in with the rest of the layout as well as the fact that it also fits in with the same colour scheme that

has been established.

THE TEXTThe tagline of the magazine reads ‘The world’s biggest movie

magazine’ which will attract potential readers because it

guarantees quality as it states its popularity. The colour of the

tagline is the same as the masthead and it is in a small font so it doesn’t draw attention away from the bigger storied yet it is

still stated.

The masthead is the biggest text on the front cover and is in the boldest

colour so people will be drawn to it as it stands out above everything else. It

covers the image so it does not appear inferior to the

central image. The point on the poster which arouses curiosity is the

statement of ’45 new movies you need to know about right now!’.

The use of the word ‘need’ implies to the target audience that it is necessary that they

know this information and they will be missing out if they do no

read the magazine. Furthermore, the phrase ‘right now’ suggests that the target audience must

buy the magazine instantly otherwise they will fail to benefit from and know the

important information in the magazine.

The phrase ‘Bloody Hell’ on the front cover is the puff and the audience are navigated here by the bright * on the opposite side of the front cover. It is a well known phrase that makes the

magazine cover more appealing to the target audience plus it has a comical double meaning which is shown in the

statement below. This statement equally stands out as it is in another

bright colour against the dull background. All of this text is

positioned on the right hand side which makes sure the target audience

explores the whole front cover as it steals their focus away from the left

side third.The * navigates the audience to another

heading on the front cover which captures their interest even more as it involves them in

the text. The colour only appears with this symbol which makes it easy to find the second half of the title because the brighter colour

stands out against the dull background.

THE TEXT

LEFT-SIDE THIRDThe left-side third presents a lot of important information to attract the target audience and other potential

readers. This also considers the distribution of the magazine as they are

often displayed in a vertical fashion which would mean the audience would still be

able to see what to expect in the edition even though they may not see the

complete cover.

In this magazine the left-side third advertises the main feature as well as

secondary leads. The cover lines vary in size, colour and font which helps to separate them

from one another as well as attract the audience by making the layout easy to read

and therefore accessible. The colours of the font fit in with the dark colour scheme that the magazine has established to accompany the central image. The headline of ‘Massive Preview Special!’ is in the sweet spot so it is the piece of text that the audience will be

drawn to first. This, as well as the prominence of ‘Harry Potter’, stands out as they are in

white whereas the other writing in grey is not as outstanding because it is not as highlighted

against the dull background.

IMAGESIn the feature article photo the person is looking directly

into the camera which engages the target audience as they have eye contact with the character that features in

the magazine. The character is noticeably Harry Potter which the audience can tell because the central image of is him in character i.e. the glasses. This gives the audience a

sense that the feature containing Harry Potter will be more about the film than the personal life of the actor unlike other magazines. This would attract the target audience of film lovers as it appeals to their interests. The non-verbal codes, such as the character’s facial

expression, denote a look of fear and awareness which connotates that the next film he is starring in is dark and serious. The technical codes, such as the lighting, back up

these connotations as one side of his face is poorly lit which casts doubt on his character as the audience feel

they are not seeing Harry in his true light.

The image in the left hand third is smaller so it does not draw attention away from the central image and it shows 3 characters from the list of films that has been mentioned above.

These characters are dressed as their alter-ego characters and the target audience would easily be able to connect the character to the film and therefore the magazine is using the

strengths of their target audience to draw them in. The characters are both male and female, thus appealing to both genders, and are also from different genres including action and sci-fi. They are grouped together against a bland, undistinguishable background which makes them

stand out more whilst not directing focus away from the central image.

IMAGESIn the feature article photo the person is looking directly

into the camera which engages the target audience as they have eye contact with the character that features in

the magazine. The character is noticeably Harry Potter which the audience can tell because the central image of is him in character i.e. the glasses. This gives the audience a

sense that the feature containing Harry Potter will be more about the film than the personal life of the actor unlike other magazines. This would attract the target audience of film lovers as it appeals to their interests. The non-verbal codes, such as the character’s facial

expression, denote a look of fear and awareness which connotates that the next film he is starring in is dark and serious. The technical codes, such as the lighting, back up

these connotations as one side of his face is poorly lit which casts doubt on his character as the audience feel

they are not seeing Harry in his true light.

The image in the left hand third is smaller so it does not draw attention away from the central image and it shows 3 characters from the list of films that has been mentioned above.

These characters are dressed as their alter-ego characters and the target audience would easily be able to connect the character to the film and therefore the magazine is using the

strengths of their target audience to draw them in. The characters are both male and female, thus appealing to both genders, and are also from different genres including action and sci-fi. They are grouped together against a bland, undistinguishable background which makes them

stand out more whilst not directing focus away from the central image.