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Photography Ms. Allison Joanis

UPAR 2017 06 Photography

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Page 1: UPAR 2017 06 Photography

PhotographyMs. Allison Joanis

Page 2: UPAR 2017 06 Photography

Photography Visually tell the story

Get your reader/viewer’s attention – communicate information

Help to bring words into focus

Page 3: UPAR 2017 06 Photography

Course Outline Photography Techniques

How to achieve high impact Events

What you will likely shoot Processing

requirements for imagery submission

Page 4: UPAR 2017 06 Photography

Photography Techniques Composition

Pleasing arrangement of subject matter elements. Captures the viewer’s attention. Makes a clear statement. Tell your story.

Center of Interest Rule of Thirds Format Perspective Shot sequence

Page 5: UPAR 2017 06 Photography

Center of Interest The Subject of the photo – the

“who” or the “what.” Keep it simple - Eliminate

distractions – Give the center of interest the most attention

Focus your subject Eyes

Page 6: UPAR 2017 06 Photography

Rule of Thirds Placement of subject in the

frame Mentally (or use camera

feature) to divide your frame into equal thirds horizontally and vertically, then placing your center of interest (and other subjects) in or near one of the four intersections created by the divisions.

Allows the subjects to have direction to be able to “move” into the frame

Page 7: UPAR 2017 06 Photography

Format Horizontal – use

when the subject mater is wider that it is tall

Vertical – use when the subject matter is taller than it is wide

Try both when in doubt

Keep the horizon line straight for photojournalism

Rule of thirds also applies to vertical shots

Page 8: UPAR 2017 06 Photography

Perspective Apparent size and depth of an object within the image –

can affect the story the image tells Low viewpoints make your subjects appear tall or powerful High viewpoints make your subject appear small and non-

threatening Shoot a

variety ofangles if you have the opportunity

Page 9: UPAR 2017 06 Photography

Shot Sequence Allows for complete coverage of subject, event,

action Long Shot – introduces the subject and includes

the environment and surroundings Medium Shot – narrows the scope of the story,

shows part of the subject and includes the action

long shot medium shot

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Shot Sequence Close-up – shows detail of the subject’s face and

clear action of the hands Extreme close-up – shows close detail and does

not show the subjects face Get into the action when you can, take a variety

of shots

extreme close-upclose-up

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Event Photography

Preparation Protocol Events Uncontrolled Action Photos on the fly

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Preparation Equipment check Know your conditions and surroundings The more you know – attend rehearsals – ask for schedules,

programs - talk to leadership or instructors Caption information

Maximum coverage – minimum disruption Maintain poise, confidence, adaptability, military bearing Start shooting before your event begins

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Protocol Events

Types Award Presentations &

Ceremonies VIP visits Group Shots

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Protocol Events Awards & Ceremonies

and VIP visits Precedence

Recipient Item Family/coworkers Presenter

Anticipate the action to capture the main event

Stay flexible and prepared to change

Also look for the informal photos Total coverage is the key to success

Page 15: UPAR 2017 06 Photography

Protocol Events Mug shots and speakers

Framing is key – keep it simple Waist up, chest up, full body

Low to no action Watch the hands Get a variety of shots and facial expressions Eyes up looking at the audience Direction

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Protocol Events Group Shots

Simplicity and Uniformity is key Take charge and instruct your subjects if you can Place Senior members or VIPs to the extreme left

or center Make sure you can see everyone’s face Adopt the same pose throughout Check uniforms! Say Cheese! Take several shots

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Uncontrolled Action Events

Training events, Drill, AT, State Missions, Family Program events, Community events Like sports photography Capturing speed and motion on film Lots of moving parts – people - equipment

Preparation also key Equipment – photo equipment

and attire/uniform Weather Safety Lighting Key information from leadership –

know your environment –caption information

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Uncontrolled Action Events

Remember photography techniques Focus on your subject Direction and rule of thirds to capture action Shot sequence to capture actions and also

emotions Perspective and Format for a variety

Get in there (when safe!) Capture the action at its peak

Get creative Look for things that are out of the ordinary

Take advantage of repetitive action when you can

Take as many shots as possible, but try to make them all count!

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On the Fly Photos Photos that highlight Guard life, camaraderie,

trailing downtime Remember OPSEC, military bearing,

appropriateness May not be attached to a story, but it still

tells one Great for social media and as stand-alone published

photos Photo rules generally still apply but get

and make it fun

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Processing your Photos Go through and delete the definite “no’s”

Out of focus, embarrassing faces/body positions, security violations

Select your favorite or best based on criteria Is there a clear center of interest? Does it tell the story or

enhance the story? Can the photo be misread in anyway? Editing, cropping, resizing

Avoid it IF YOU MUST…please send both edited versions and originals

I can accept all photo formats, most widely used is a .jpg Phone camera photo resolution works, but if you have a

camera, use it. DON’T embed in a word document to fit in in an email.

Contact me to send photos or use AMRDEC SAFE

Page 21: UPAR 2017 06 Photography

Please email your photos and cutline to:

[email protected]@mail.mil

[email protected]

OR send photos VIA AMRDEC SAFE

https://safe.amrdec.army.mil/safe/

Photo and Cutline Resourcehttps://dinfos.blackboard.com/webapps/cmsmain/webui/

library/Library Content/Public Affairs - PAD/Photojournalism

**google “DINFOS Photojournalism”