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MUSC 1800: Popular Music Dr. Matthew C. Saunders Lakeland Community College C-1078

Tin Pan Alley Song Form

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Page 1: Tin Pan Alley Song Form

MUSC 1800: Popular Music

Dr. Matthew C. SaundersLakeland Community College

C-1078

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The Rise of Broadway

• Prior to the 1920s, Broadway shows were similar to vaudeville and minstrel shows

• “Golden Age” of Broadway began with Kern & Hammerstein’s Showboat in 1927

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The Great American Songbook• Song writing still centered on Tin Pan Alley– 1920s and 1930s– Diverse group of composers and lyricists– Songs written for vaudeville, Broadway, and

Hollywood

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The Great American Songbook

• Bridge between high-brow and low-brow entertainment

• “Standards”

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Tin Pan Alley Song Form• Derived from needs of Broadway shows—a smooth transition from spoken dialogue to song

– Example: Ella Fitzgerald’s recording of George & Ira Gershwin’s, “I Got Rhythm” from Girl Crazy

– Example: Frank Sinatra in Cole Porter’s, “Just One of Those Things” from Jubilee – Example: Gene Autry in Johnny Marks’ “Rudolph the Red Nosed Reindeer”

Verse: Days can be sunny… A-section: I got

rhythm… (8 measures)

A-section: I got daisies…(8 measures)

A-section: I got starlight…(8 measures)

B-section: Old Man Trouble…(8 measures)

Bridge

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More Practice with Tin Pan Alley Song Form

• “Jingle-Bell Rock” (performed by Bobby Helms)

• “The Flintstones” (theme by Hoyt Curtin)

• “Heart and Soul” (Carmichael and Loesser) • “This is the Life,” (“Weird Al” Yankovic)