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'Thorn lane'Storyboard
1 Long Shot
WS
MS
This will be an establishing shot of the church the wedding will be held from the outside to allow the audience to become familiar with the location.
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Edited: Demons – Tanner Howe
Slow Track of the bride walking into the church
This will be a shot from the perspective of the bride walking in to the church, the place the characters are situated in
Thorn lane
This shot will be of the bride entering the church, introducing her to the audience
This will be a mid shot of the bride playing with her ring while walking down the aisle, connoting she's nervous?
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POV N/A
Cut
Cut
Cut
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Cut
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Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Slow Back Track from the front of the bride as she walks down the aisle
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Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
2 secs
2 secs
1 secs
2 secs
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
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CU
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LS/GS
Cut
Cut
Cut
Cut
Bride making her way down the aisle. View of the guests looking onto her connotes to the audience that the guests are judging the bride; feels distant from the altar.
Bride turning to look at her left side towards the guests connotes that the bride is looking for some sort of approval from the audience or reassurance.
Bride turning to look at her right side towards the guests connotes that the bride is looking for some sort of approval from the audience or reassurance.
Bride finally reaches the groom at the end of the aisle and takes his hand. Shows to the audience that there’s a connection between the two despite the judgmental looks and her own “event”.
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N/A Camera closes in on the bride and groom (sort of a zoom)
Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
4 secs
2 secs
2 secs
1 secs
Thorn lane
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
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LA
HA
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Bride finally reaches the groom at the end of the aisle and takes his hand. Shows to the audience that there’s a connection between the two despite the judgmental looks and her own “event”.
MS (not shown in image)
Cut
MS
Cut
MS
Cut
Cut
CU
Edited: Demons – Tanner Howe
N/A
Bride and groom walk up the platform towards the altar. Bride looks back at best man sitting on first row. This presents to the audience the affair between the two.
Edited: Demons – Tanner Howe
N/A
Edited: Demons – Tanner Howe
N/A
Edited: Demons – Tanner Howe
N/A
Tracking of bride and groom walking up the platform
Best man looks back at her (sorrowful/regretful expression), which connotes to the audience that the best man isn’t happy with her getting married to someone else.
Sorrowful/regretful expression continued then looks away. This connotes to the audience that the best man isn’t happy with her getting married to someone else
Thorn lane
Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
2 secs
2 secs
1 secs
2 secs
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
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OTS
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HA
Bride and groom looking into each others eyes. Connotes to the audience some form of romance.
Thorn lane
MS N/A
Edited: Demons – Tanner HoweCut
View of the best man over the shoulder of the bride looking discerned. Connotes he’s uncomfortable with what’s happening.
OTS
Cut
CU
Cut
MS
Cut
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N/A
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Close up of bride looking down at the best man. Connotes to the audience she’s thinking about him in some way.
Close up of bride looking down at the best man. Connotes to the audience she’s thinking about him in some way.
Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
2 secs
1 secs
2 secs
3 secs
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
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HA
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HA
Thorn lane
MS
Cut
CU
Cut
MS
Cut
CU
Cut
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N/A
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Best man hands over the ring in a mid shot to the groom while the groom looks angry. Connotes to the audience that he may be suspicious.
Cut in of the groom putting the ring on the bride. Connotes to the audience 1 of the 2 meanings. Bride is being tied down to that man, or the man is willing to continue even with his suspicion.
Mid shot of the ring being put on, cut from previous shot. Connotes the same as above.
Close up of groom holding brides hand tightly with the ring fully on. Connotes to the audience the confirmation of 1 of the 2 meanings to be the latter as if he’ll forgive her.
Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
2 secs
1 secs
1 secs
3 secs
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
2 secs
3 secs
4 secs
MS/ broken Shots
cut
cut
cut
OTS
MS
Characters moving around, broken frame by Groom.
Best man receives text from bride, who is out of focus in background.
Angry; groom drops phone on table after reading the text.
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
N/A
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N/A
Thorn lane
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EL
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EL
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
5 secs
3 secs
3 secs
2 secs
Wide
CU
cut
Swipe
Cut
OTS
MS
cut
Flips the table in anger from the text reciieved.
Bride tries to stop the groom from looking at the best man.
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Best man storms out of the room in anger/depression.
Best Mans POV of the couple as the bride tries to stop the groom looking.
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Thorn lane
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HA
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Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
3 secs
5 secs
4 secs
3 secs
Broken frame/ Mid shot
CUT
CUT
CUT
CUT
WIDE SHOT
Mid Shot
OTS
Best man out of the room.
Bride tries to hold back the best man from investigating.
Best Man checks out phone.
Bets man is staring at his bride.
30 seconds from Mars- Up in the air.
30 seconds from Mars- Up in the air.
Edited: Demons – Tanner Howe
Edited: Demons – Tanner Howe
Thorn lane
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Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Sarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene Fernandes
Bride looks upset/guilty as the best man has found out.
30 seconds from Mars- Up in the air.
30 seconds from Mars- Up in the air.
30 seconds from Mars- Up in the air.
Thorn lane
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EL
Groom walking overwith phone, shocked to
Best man outsideBuilding distraught/upset
Point of call showingschedule.
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CUT
POC
CUT
LS
CUT
MS
CUT
MS
5 secs
4 secs
3 secs
1 minute 40 seconds run time.
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
Static camera – To keep a steady focus on the characters
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2 secs
Voiceover: “Thorn lane, a brand new twist to BBC3”
