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images of fine art vocabulary with definitions
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Brassaï
Staircase, Montmartre, Paris
1935-36gelatin-silver print
Gradational:
a smooth transition between black and white, one colour and another, or colour and the lack of it.
Man Ray
Fingers
1930gelatin-silver print11 1/2 x 8 3/4 in.
delineated edges:
object or imagewith the outlines shown
Piet Mondrian
Composition A
1920oil on canvas36 x 36 1/4 in.
colour scheme:
The colours an artist uses and the way they are combined in an artwork
Kurt Kranz
Eye Series
1930-3116 Gelatin-silver prints mounted on board13 7/8 x 19 3/4 in. overall
Crop/cropping/cropped : To trim one or more of a picture’s edges, or to place one or more of the edges of an image so that only part of a subject can be seen within the image.
Barbara Kruger
Untitled
1981
The use of text...
Text can be used explicitly or conceptually to enhance your image, or give it another dimension or message
André Kertész
Distortion No. 40
1933gelatin-silver print
Distorted /contorted: twist and manipulate out of shape
Ellsworth Kelly
Red Blue Green
1963oil on canvas83 5/8 x 135 7/8 in.
geometric shapes describing shapes and forms such as squares, circles, cubes, and spheres.
Piet Mondrian
Broadway Boogie Woogie
1943oil on canvas50 x 50 in.
Composition : The plan, placement or arrangement of the elements of art in a work, usually according to the principles of design.
Carefully arranged composition
Jean-Michel Basquiat
Hollywood Africans
1983synthetic polymer and mixed media on canvas84 x 84 in.
Hue : The name of any colour as found in its pure state in the spectrum, or that aspect of any colour.
James Rosenquist
I Love You with My Ford
1961oil on canvas 6 ft. 10 3/4 in. x 7 ft. 9 1/2 in.
There is a sense of balance in the image, created by…
Roy Lichtenstein
Whaam!
1963oil and magna on canvas 5 ft. 8 in. x 13 ft. 4 in.
flat blocks of colour
Robert Smithson
Spiral Jetty (Great Salt Lake, Utah)
1970black basalt and limestone rocks and earth1,500 ft.
carefully arranged
Roy Lichtenstein
Little Big Painting
1965oil and synthetic polymer paint on canvas 68 x 80 in.
alludes to: To refer to something indirectly or by suggestion
El Lissitsky
Prouenraum (Proun Room)
1923wood, metal, paint
Construction : A term referring to a sculpture made by joining together various components of various materials or of the same substance.
Laurie Simmons
Pink Bathroom
1984Cibachrome print20 x 16 in.
Vivid:
Intensity of colour; having the highest saturation; "vivid green"; "intense blue"
Alberto Giacometti
Man Pointing
1947bronze70 1/2 in. high
Elongated: extensive in length; stretched
Alberto Giacometti
Figure from Venice II
1956painted bronze47 1/2 in. high
Tactile: A texture you can feel with your hands
Claes Oldenburg
Clothes Pin
Philadelphia, Pennsylvania
1976Cor-ten steel 45 ft. x 12 ft. 3 in. x 4 ft. 6 in.
Monumentality: an artwork or object which islarger than life, an exaggerated form ... this can give everyday objects a statusthey do not enjoy in reality
Man Ray, Yves Tanguy, Joan Miró, Max Morise
Exquisite Corpse
1928ink on paper
Collaboration : Two or more artists working together in a joint effort to produce an artwork or artworks.
Francis Bacon
Study After Valasquez’s Portrait of Pope Innocent X
1953oil on canvas
The artist has … to imbue the image with...
Robert Doisneau
Hell
1948gelatin-silver print
tactile
Robert Doisneau
Hell
1948gelatin-silver print
… is dominated by…
Morris Louis
Saraband
1959acrylic on unprimed canvas257 x 378 cm
contemplative
Henry Moore
Tube Shelter Perspective
1941chalk, pen and watercolor8 1/2 x 6 1/2 in.
directional lines
Henry Moore
King and Queen
1952bronze
reductive / stylised
Lucio Fontana
Spatial Concept: The End of God
1963oil on canvas70 x 48 1/2 in.
punctured surface
Alberto Giacometti
Annette
1961oil on canvas21 5/8 x 18 1/8 in.
intensity
Henri Cartier-Bresson
Seville
1933gelatin-silver print
delineated edges
Roy Lichtenstein
Hopeless
1963oil on canvas 3 ft. 8 in. x 3 ft. 8 in.
delineated edges:
object or imagewith the outlines shown
Eadweard Muybridge
Walking and Throwing a Handkerchief
1884-85gelatin-silver print
sequence:
arrangement in whichthings follow in logical order or a recurrent pattern
Kenneth Noland
Magus
1967acrylic on canvas225 x 686 cm
Non-objective Art / Non- representational Art : Art works having no recognisable subject matter such as houses, trees or people.
Henri Cartier-Bresson
Behind the Gare Saint-Lazare
1932gelatin-silver print
tonal contrast
Yves Klein
Anthropometry
1960
Organic / organic shapes - A word describing shapes and forms similar to those in nature and the opposite of geometric.
Giorgio De Chirico
The Melancholy and Mystery of a Street
1914oil on canvas34 1/4 x 28 1/4 in.
Deep shadows
Claes Oldenburg
Floor Cake
1962synthetic polymer paint and latex on canvas filled with foam rubber and cardboard boxes58 3/8 in. x 9 ft. 6 1/4 in. x 58 3/8 in.
Form : Form refers to an element of art that is three-dimensional (height, width and depth) and encloses volume.
Exaggerated form
Antoni Tàpies
Ochre Relief with Rose
1965mixed media on plywood5 ft. 3 1/8 x 3 ft. 8 1/2 in.
muted
David Hockney
Ian Washing His Hair
1983collage of chromogenic-development prints30 x 33 in.
A palette of… is employed to…
Mark Tansey
A Short History of Modernist Painting
1982oil on canvasthree panels, each 4 ft. 10 in. x 3 ft. 4 in.
Monochrome/Monochromatic : A painting, drawing or print in one colour, including that colour’s shades and tints.
Carl Andre
Stone Field Sculpture
1977thirty-six glacial bouldersHartford, Connecticut
Earth Art / Documentation / Environmental sculpture
David Hockney
Ian Washing His Hair
1983collage of chromogenic-development prints30 x 33 in.
fragmentation
Francis Bacon
Three Studies for Figures at the Base of a Crucifixion
c. 1944oil and pastel on hardboardeach panel 145 x 128 cm.
unsettling: puts the viewer in an uncomfortable space
Francis Bacon
Study from the Human Body
1949oil on canvas57 7/8 x 51 1/2 in.
Highlights – Areas of direct light (or implied light) on an object.
Balthus
Therese
1938oil on canvas
Asymmetry/ Asymmetrical : The parts of an image organised so that one side differs from the other without destroying the overall harmony in the composition.
Andy Warhol
Ambulance Disaster
1963silkscreen ink and synthetic polymer paint on canvas 9 ft.11 1/4 in. x 6 ft. 8 in.
Converging lines
Henri Cartier-Bresson
Rue Mouffetard, Paris
1954gelatin-silver print
Background : The part of a picture or scene that appears to be farthest away from the viewer, usually nearest the horizon.
Richard Prince
Untitled (Three Women Looking in the Same Direction)
19803 Ektacolor prints40 x 60 in. each
The use of repetition produces the effect of...
Karel Appel
Exploded Head
1958oil on canvas
Warm colours- The family of colours that includes reds, yellows, and oranges.
Robert Doisneau
From the series The Sideway Glance
1949gelatin-silver print
Foreground : The area of a picture or field of vision, often at the bottom, that appears to be closest to the viewer.
Roy Lichtenstein
Drowning Girl
1963oil and synthetic polymer paint on canvas 67 5/8 x 66 3/4 in.
meandering line
Richard Hamilton
Just what is it that makes today’s homes so different, so appealing?
1956collage on paper10 1/4 x 9 3/4 in.
A theme that emerges...
Balthus
The Mountain
1937oil on canvas98 x 144 in.
Figurative : Describes artwork representing the form of a human, an animal or a thing.
Cindy Sherman
Untitled #35
1979gelatin-silver print10 x 8 in.
The low vantage point...
Karel Appel
Angry Landscape
1967oil on canvas51 1/4 x 76 3/4 in.
...use of brilliant colours...
Words to include
• Luminous• Linear Perspective : A system of drawing or
painting in which the artist attempts to create the illusion of depth on a flat surface.
Barbara Kruger
We Won’t Play Nature to Your Culture
1983gelatin-silver print73 x 49 in.
Barbara Kruger
You Rule By Pathetic Display
1982gelatin-silver print73 x 49 in.
John Baldessari
Some Rooms
1986gelatin-silver prints and gouache96 1/2 x 109 1/2 in.
Christian Boltanski
Les Suisses morts (The Dead Swiss)
1990mixed media installation
Mike and Doug Starn
Blue Hands
1987toned silver prints and tape64 x 76 in.
Andy Warhol
Grace Jones
1984-869 gelatin-silver prints and thread40 x 33 in.
William Wegman
Family Combinations
1972six gelatin silver printsedition of 10each 12 3/8 x 10 3/16 in.
Jean Dubuffet
Group of Four Trees
1972epoxy paint on polyurethane over metal structure38 x 40 x 34 ft.
Henri Cartier-Bresson
Alberto Giacometti
1954gelatin-silver print
Robert Doisneau
The Accordianist
1949gelatin-silver print
Robert Doisneau
Picasso
1952gelatin-silver print
Henry Moore
Reclining Figure
1945bronze
Barbara Hepworth
Group III
1952marble9 in. high
Alberto Burri
Composition
1953oil, gold paint and glue on canvas and burlap34 x 39 3/8 in.
Lucio Fontana
Spatial Concept
1962watercolor on canvas9 x 13 3/4 in.
Yves Klein
Untitled Blue Monochrome
1960IKB pigment on canvas199 x 153 cm
Yves Klein
Anthropometry
1960pigment in synthetic resin on paper on canvas145 x 248 cm
Arman
Le Plein
at galerie Iris ClertOctober 1960
Eduardo Paolozzi
It’s a Psychological Fact Pleasure Helps Your Disposition
1948collage on paper14 1/2 x 9 1/2 in.
Jasper Johns
Flag
1954-55encaustic, oil and collage on fabric mounted on plywood3 ft. 6 1/4 in. x 5 ft. 5/8 in.
Jasper Johns
Three Flags
1958encaustic on canvas 78.4 x 115.6 x 12.7 cm
Jasper Johns
Painted Bronze
1960painted bronze5 1/2 x 8 x 4 3/4 in.
Robert Rauschenberg
Bed
1955oil and pencil on pillow, quilt, and sheet on wood 6 ft. 3 1/4 in. x 31 1/2 in. x 8 in.
Robert Rauschenberg
Estate
1963oil and silkscreen ink on canvas 8 ft. x 70 in.
Andy Warhol
Water Heater
1960synthetic polymer paint on canvas 44 3/4 x 40 in.
Andy Warhol
Turquoise Marilyn
1962silkscreen ink and synthetic polymer paint on canvas40 x 40 in.
Andy Warhol
Marilyns
1965nine silkscreen prints on paper from a portfolio of ten36 x 36 in. each
Andy Warhol
Marilyn Diptych
1962silkscreen ink and synthetic polymer paint on canvas6 ft. 10 in. x 6 ft. 9 ft..
Andy Warhol
Double Elvis
1963silkscreen ink and synthetic polymer paint on canvas 7 x 7 ft.
Andy Warhol
210 Coca-Cola Bottles
1962silkscreen ink, synthetic polymer paint and pencil on linen 6 ft. 10 1/2 x 8 ft. 9 in.
Andy Warhol
Green Coca-Cola Bottles
1962silkscreen ink, synthetic polymer paint and pencil on linen 6 ft. 10 1/2 x 4 ft. 9 in.
Andy Warhol
Brillo Box
1968silkscreen ink and synthetic polymer paint on wood 17 1/8 x 17 x 14 in.
Andy Warhol
White Burning Car III
1963silkscreen ink and synthetic polymer paint on canvas 8 ft.4 1/2 in. x 6 ft. 6 3/4 in.
Andy Warhol
Lavender Disaster
1963silkscreen ink and synthetic polymer paint on canvas 8 ft. 10 in. x 6 ft. 9 7/8 in.
Andy Warhol
Empire
196416mm film, silentshot at 24 fps, projected at 16 fps8 hours, 5 minutes
Andy Warhol
Shadows
1979silkscreen ink and synthetic polymer paint on canvas 102 canvases, each 6 ft. 4 in. x 52 in.
James Rosenquist
President Elect
1960-61oil on masonite 63 3/4 x 51 1/8 in.
James Rosenquist
F-111
1964-65oil on canvas and aluminum10 x 86 ft.
Roy Lichtenstein
Girl with Ball
1961oil on canvas 153.7 x 92.7 cm
Roy Lichtenstein
Mirror #1
1969oil and magna on canvas 63 x 48 in.
Tom Wesselmann
Still Life No. 12
1962mixed media and collage on board 48 x 48 in.
Claes Oldenburg
Pastry Case
1961-62enamel paint on nine plaster sculptures in glass showcase20 3/4 x 30 1/8 x 14 3/4 in.
Claes Oldenburg
Installation at Greene Gallery
1962
Claes Oldenburg
Giant Soft Fan
1966-67construction of vinyl filled with foam rubber, wood, metal, and plastic tubing10 ft. x 58 7/8 in. x 61 7/8 in.
Claes Oldenburg
Lipstick (Ascending) on Caterpillar Tracks
Yale University, Beinecke PlazaNew Haven, Connecticut
1969Cor-ten steel, aluminum, cast resin, polyurethane enamel 23 ft. 6 in. x 24 ft. 11 in. x 10 ft. 11 in.
Claes Oldenburg and Coosje van Bruggen
Spoonbridge and Cherry
Minneapolis, Minnesota
1985-88Aluminum, stainless steel and paint29 ft. 6 in. x 51 ft. 6 in. x 13 ft. 6 in.
Claes Oldenburg and Coosje van Bruggen
Spoonbridge and Cherry
Minneapolis, Minnesota
1985-88Aluminum, stainless steel and paint29 ft. 6 in. x 51 ft. 6 in. x 13 ft. 6 in.
George Segal
The Diner
1964-66plaster, wood, chrome, masonite and formica8 ft. 6 in. x 9 ft. x 7 ft. 3 in.
George Segal
Parking Garage
1968installation
Helen Frankenthaler
Mountains and Sea
1952oil on unprimed canvas7 ft. 2 7/8 in. x 9 ft. 9 1/4 in.
Helen Frankenthaler
Sun Shapes
1963acrylic on unprimed canvas81 1/2 x 56 1/2 in.
Helen Frankenthaler
Bayside
1967acrylic on unprimed canvas6 ft. 2 in x 6 ft. 9 in.
Morris Louis
Kaf
1959-60acrylic on canvas8 ft. 4 in. x 12 ft.
Morris Louis
Moving In
1961acrylic on unprimed canvas7 ft. 3 1/2 in. x 41 1/2 in.
Frank Stella
Die Fahne Hoch
1959oil on canvas
Bridget Riley
Loss
1964oil on canvas
Bridget Riley
Cataract
1967oil on canvas
Carl Andre
Lever
1966137 firebricks4 1/2 in. x 8 7/8 in. x 29 ft. 5 in. overall
Donald Judd
Untitled
1966galvanized iron and blue lacquer on aluminum40 in. x 190 in. x 40 in. overall
Donald Judd
Stack
1969laminated plastic and stainless steel
Robert Morris
Installation at Green Gallery
1964painted plywood
Dan Flavin
Untitled
1963green fluorescent light8 ft. high
Dan Flavin
Monument for V Tatlin
1968cool white fluorescent light8 ft. high
Dan Flavin
Untitled
1971yellow, blue and rose colored fluorescent lights290 x 240 cm
Tony Smith
Die
1971steel6 x 6 x 6 ft.
Richard Serra
Titled Arc
1981Cor-ten steel12 ft. x 120 ft. x 2 1/2 ft.
Richard Serra
Titled Arc
1981Cor-ten steel12 ft. x 120 ft. x 2 1/2 ft.
Sol LeWitt
Serial Project No. 1 (ABCD)
1966-67baked enamel on aluminum51 x 39 x 399 cm
Sol LeWitt
Wall Drawing #811
1996acrylic paint on gallery wall
Douglas Huebler
Site Sculpture Project—Air Marker Piece, The Contrails from Three Jet Airplanes (Flying Simultaneously) Will Mark the Space between Vancouver, B.C. and St. Johns, Newfoundland, Portland Ore., and Halifax, N.S., Eureka, Calif., and New York City. (All Planes Will Leave at the Same Time from the West Coast)
1968felt tip pen and colored pencil on photocopy on paper8 1/2 x 11 in.
Lawrence Weiner
A 36” x 36” removal of the lathing or support wall of plaster or wallboard from a wall
1969
Lawrence Weiner
from Statements
1968
Robert Barry
Closed Gallery
1969announcement card13 3/4 x 13 3/4
Robert Barry
88 mc Carrier Wave (FM)
and 1600 kc Carrier Wave (AM)
1968
Robert Barry
Radiation Piece, Cesium 137
1969
Robert Barry
Inert Gas Series (Krypton)
March 5, 19693 color photographs and typewritten text11 3/4 x 15 3/4 in. overall
Joseph Kosuth
One and Three Chairs
1965folding chair, photograph of chair and photostat of the definition of a chair
Joseph Kosuth
One and Three Hammers
1965hammer, photograph of hammer and photostat of the definition of a hammer24 x 53 3/8 in. overall
Joseph Kosuth
Art as Idea as Idea (water)
1967photostat on paper mounted on wood47 x 47 in.
Vito Acconci
Step Piece
19705 black and white photographs type on 4 sheets of bond paper, mounted on paperboard with felt-tip annotations30 x 40 in.
Vito Acconci
Following Piece
1969black and white photographs with text and chalk, text on index cards, mounted on cardboard30 1/4 x 40 1/4 in.
Gordon Matta-Clark
Splitting Exterior
1974six black and white photographs
Gordon Matta-Clark
Splitting
1974black and white photo collage40 x 30 in.
Gordon Matta-Clark
Splitting: Four Corners
1974four building fragments
Richard Long
A Line Made by Walking
December 1967
Michael Heizer
Displaced-Replaced Mass #3/3 (Silver Springs, Nevada)
1969granite and concrete in playa surface100 x 800 x 9 ft. 6 in.
Robert Smithson
Spiral Jetty (Great Salt Lake, Utah)
1970black basalt and limestone rocks and earth1,500 ft.
Robert Smithson
Spiral Jetty (Great Salt Lake, Utah)
1970black basalt and limestone rocks and earth1,500 ft.
Walter De Maria
Lightening Field (Quemado, New Mexico)
1977stainless steel polesoverall 5,280 x 3,300 ft.
Walter De Maria
Lightening Field (Quemado, New Mexico)
1977stainless steel polesoverall 5,280 x 3,300 ft.
Christo and Jeanne-Claude
The Gates
Central Park, New York, New York
2004pencil, charcoal, pastel, way crayon, fabric sample, aerial photograph, tape and hand-drawn technical dataIn two parts: 15x96 in. and 42x96 in.
Christo and Jeanne-Claude
The Gates
Central Park, New York, New York
1979-2005 (on view February 12-28, 2005)steel, aluminum, vinyl, nylon
Christo and Jeanne-Claude
The Gates
Central Park, New York, New York
1979-2005 (on view February 12-28, 2005)steel, aluminum, vinyl, nylon
Christo and Jeanne-Claude
The Gates
Central Park, New York, New York
1979-2005 (on view February 12-28, 2005)steel, aluminum, vinyl, nylon
Christo and Jeanne-Claude
The Gates
Central Park, New York, New York
1979-2005 (on view February 12-28, 2005)steel, aluminum, vinyl, nylon
Christo and Jeanne-Claude
The Gates
Central Park, New York, New York
1979-2005 (on view February 12-28, 2005)steel, aluminum, vinyl, nylon
Christo and Jeanne-Claude
The Gates
Central Park, New York, New York
1979-2005 (on view February 12-28, 2005)steel, aluminum, vinyl, nylon
Titian
Venus of Urbino
1538oil on canvas4 ft. x 5 ft. 6 in.
Édouard Manet
Olympia
1863oil on canvas51 x 74 3/4 in.
Claude Monet
Gare St. Lazare
1877oil on canvas30 x 40 in.
Camille Pissarro
Snow Effect at Eragny, Road to Gisors
1885oil on canvas33 x 41cm
Edgar Degas
L’absinthe
1876oil on canvas36 1/4 x 26 3/4 in.
Félix Nadar
Sarah Barnhardt
1865gelatin-silver print
Etienne Jules Marey
Chronophotograph
1883gelatin-silver print
Gertrude Käsebier
Blessed Art Thou among Women
ca. 1900platinum print on Japanese tissue9 3/8 x 5 1/2 in.
Paul Gauguin
The Vision after the Sermon
1888oil on canvas2 ft. 4 3/4 in. x 3 ft. 1/2 in.
Vincent van Gogh
The Night Café
1888oil on canvas2 ft. 4 1/2 in. x 3 ft.
Paul Cézanne
Mount Sainte Victoire
1885oil on canvas
Paul Cézanne
Mount Sainte Victoire
1897oil on canvas
Paul Cézanne
Mount Sainte-Victoire
1902-1904oil on canvas2 ft. 3 1/2 in. x 2 ft. 11 1/4 in.
Georges Braque
Houses of L’Estaque
1908oil on canvas28 3/4 x 23 5/8 in.
Pablo Picasso
Les Demoiselles d’Avignon
1907oil on canvas96 x 92 in.
Pablo Picasso
Still Life with Chair Caning
1912oil and oilcloth on canvas with rope frame10 5/8 x 13 3/4 in.
Arnold Böcklin
Self-Portrait with Death Playing the Violin
1872oil on canvas
Edvard Munch
The Scream
1893oil, pastel and casein on cardboard2 ft. 11 3/4 in. x 2 ft. 5 in.
Gustav Klimt
Death and Life
1908-11oil on canvas70 1/8 x 78 in.
André Derain
Turning Road, L’Estaque
1906oil on canvas51 x 76 3/4 in.
Henri Matisse
Harmony in Red
1908oil on canvas70 7/8 x 86 5/8 in.
Henri Matisse
Dance II
1909-10oil on canvas8 ft. 5 5/8 in. x 12 ft. 9 1/2 in.
Ernst Ludwig Kirchner
Nudes in the Forest
1908oil on canvas
Vassily Kandinsky
Sketch for Composition Number 2
1910oil on canvas38 x 52 in.
Pablo Picasso
Ma Jolie
1911oil on canvas
39 3/8 x 25 3/4 in.
Pablo Picasso
maquette for Guitar
1912cardboard, string and wire2 ft. 1 1/4 in. x 1 ft. 7 1/2 in.
Aleksandr Archipenko
Woman Combing Her Hair
1915bronzeapproximately 1 ft. 1 3/4 in. high
Giacomo Balla
Dynamism of a Dog on a Leash
1912oil on canvas2 ft. 11 3/8 in. x 3 ft. 7 1/4 in.
Umberto Boccioni
Unique Forms of Continuity in Space
1913bronze3 ft. 7 7/8 in. x 2 ft. 10 7/8 in. x 1 ft. 3 3/4 in.
Kasimir Malevich
Tea Service
1923porcelain
Vladimir Tatlin
Counter Relief
1915wood, metal, paint
Vladimir Tatlin
Corner-Counter Reliefs
1915wood, metal, paint
Vladimir Tatlin
Monument to the 3rd International
1919-20wood, iron and glass
El Lissitsky
Beat the Whites with the Red Wedge
1919oil on canvas
El Lissitsky
The Constructor (Self-Portrait)
1924gelatin-silver print4 1/2 x 4 7/8 in.
Alexander Rodchenko
Lili Brik
1924gelatin-silver print
Alexander Rodchenko
Poster for Leningrad Publishing House
1924gouache and photomontage on paper27 1/2 x 33 7/8
Alexander Rodchenko
Poster for Leningrad Publishing House
1924ink on paper
Dziga Vertov
The Man with the Movie Camera
192968 minute black and white film
Alexander Rodchenko
Assembling for a Demonstration
1928gelatin-silver print19 1/2 x 13 7/8 in.
Alexander Rodchenko
Pioneer Girl
1930gelatin-silver print
Alexander Rodchenko
Marching Column of the Dynamo Sporting Club
1935gelatin-silver print
László Moholy-Nagy
Untitled
ca. 1940photogram, silver-bromide print20 x 16 in.
László Moholy-Nagy
Untitled (looking down from the Radio Tower, Berlin)
ca. 1928gelatin-silver print14 1/4 x 10 in.
Paul Klee
In the Current Six Thresholds
1929oil and tempera on canvas17 1/8 x 17 1/8 in.
Paul Klee
Ad Parnassum
1932oil and casein on canvas39 3/8 x 49 5/8 in.
Piet Mondrian
Ocean 5
1915charcoal and gouache on paper34 1/2 x 47 3/8 in.
Piet Mondrian
Composition No. 2: Composition in Line and Color
1913oil on canvas34 5/8 x 45 1/4 in.
Piet Mondrian
Composition with Gray & Light Brown
1918oil on canvas31 9/16 x 19 5/8 in.
Piet Mondrian
Rhythm of Black Lines
ca. 1935oil on canvas72.2 x 69.5 cm
Piet Mondrian
New York City
1941-42oil on canvas46 7/8 x 44 7/8 in.
Kasimir Malevich
Supresmus No. 56
1916oil on canvas31 3/4 x 28 in.
Giorgio De Chirico
The Great Metaphysician
1917oil on canvas41 1/8 x 27 1/2 in.
André Breton
Performing Far-Sighted Manifesto
Translation of sign: “In order for you to like something it is necessary for you to have seen and understood it a long time ago, you bunch of idiots.”
1920
André Breton
Self-portrait
1925photomontage
Max Ernst
The Robing of the Bride
1940oil on canvas129.6 x 96.3 cm
Max Ernst
Europe After the Rain
1940-42oil on canvas21 1/2 x 58 1/8 in.
Salvador Dali
The Persistence of Memory
1931oil on canvas9 1/2 x 13 in.
Salvador Dali
The Metamorphosis of Narcissus
1937oil on canvas51.2 x 78.5 cm
Salvador Dali and Louis Buñuel
Un Chien Andalou
1929motion picture
Salvador Dali, Joan Miró, Max Ernst, Oscar Domenguez
International Surrealist Exhibition Mannequins
1938installation
René Magritte
The False Mirror
1928oil on canvas21 1/4 x 21 7/8 in.
Frida Kahlo
The Broken Column
1944oil on canvas
Frida Kahlo
Henry Ford Hospital
1932oil on metal12 1/4 x 15 1/2 in.
Brassaï
Bijou
1933gelatin-silver print
Brassaï
Lesbian Couple at Le Monocle, Paris
1932gelatin-silver print
Man Ray
Le Violin d’Ingres
1924gelatin-silver print
Man Ray
Larmes (Tears)
1932-33gelatin-silver print
Man Ray
Yves Tanguy
1936gelatin-silver print
Joan Miró
Ciphers and Constellations in Love with a Woman
1941oil on canvas
Oscar Dominguez
Untitled
1936gouache transfer on paper14 1/8 x 11 1/2 in.
Meret Oppenheim
Object
1936fur-Covered cup, saucer and spoon2 7/8 in. high
Feminist CalArts Program
Womanhouse (Womanhouse (Bridal Staircase, Nurturant Kitchen, Sheet Closet)
Los Angeles, California
1971installation
Eleanor Antin
Carving: A Traditional Sculpture
1972148 gelatin-silver photographs and text paneleach photograph 7 x 5 in.
Ana Mendieta
Flowers on Body
1973earth/body work with flowers, executed at El Yaagul, Oaxaca, Mexico
Barbara Kruger
Untitled
1981
Barbara Kruger
Untitled
1983photostat and red painted frame6 ft. 1 in x 4 ft. 1 in.
Annegret Soltau
transgenerativ 79
1998photo collage with thread52 x 98.5 cm
Guerrilla Girls
The Advantages of Being a Woman Artist
1988poster
Romare Bearden
The Block
1971mixed-media48 x 216 in.
Romare Bearden
Jazz II
1980serigraph31 x 41 1.2 in.
David Hammons
Higher Goals
1982wooden poles, basketball hoops, bottle caps40 ft. high
Lorna Simpson
Stereo Styles
198810 black-and-white Polaroid prints and 10 engraved plastic plaques5 ft. 4 in. x 9 ft. 8 in. overall
Lorna Simpson
Guarded Conditions
198918 color Polaroid prints, 21 engraved plastic plaques, 17 plastic letters91 x 131 in.
Lorna Simpson
Untitled (Two Necklines)
19892 gelatin-silver prints and 11 engraved plastic plaques
Renee Cox
The Yo Mama and Yo Mama at Home
1993gelatin-silver printseach 82 x 47 in.
Renee Cox
Taxi
1998Cibachrome print152.4 x 101.6 cm
Anselm Kiefer
Occupations
1969silver-gelatin prints
Anselm Kiefer
Nigredo
1984oil paint on photosensitized fabric, acrylic emulsion, straw, shellac, relief paint on paper pulled from painted wood11 x 18 ft.
David Wojnarowicz
“When I Put My Hands on Your Body”
1990gelatin-silver print and silkscreened text in museum board 2 ft. 2 in. x 3 ft. 2 in.
Jean-Michel Basquiat
Grillo
1984oil on wood with nails8 ft. x 17 ft. 6 1/2 in.
Jean-Michel Basquiat
Charles the First
1982synthetic polymer and oilstick on canvas6 ft. 6 in. x 5 ft. 2 1/4 in.
Chuck Close
Linda
1975-76acrylic on linen9 x 7 ft.
Chuck Close
Study for Self-portrait
1968silver-gelatin print, ink, pencil, and pressure-sensitive tape on board18 5/8 x 13 3/8 in.
Chuck Close
Big Self-portrait
1968acrylic on canvas107 1/2 x 83 1/2 in.
Chuck Close
Phil III
1982cast handmade paper68 7/8 x 52 5/8 in.
Duane Hanson
Tourists
1970 polychromed fiberglass and polyesterapproximately life-sized
Duane Hanson
Supermarket Shopper
1970 polyester resin and fiberglass polychromed in oil with clothing, steel cart and groceriesapproximately life-sized
Sherrie Levine
Untitled (After Walker Evans)
1981gelatin-silver print10 x 8 in.
William Wegman
Fay Ray
1988gelatin silver print6 x 6 in.
William Wegman
Front Faade
1993color Polaroid24 x 20 in.
Jeff Koons
Rabbit
1986stainless steel41 x 19 x 12 in.
Jeff Koons
Vacuum Cleaners: New Hoover Deluxe Shampoo Polishers
1980polishers in Plexiglas boxes with fluorescent lights56 x 22 x 14 in.