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Solfège Bootcamp Music since 1900

Solfege bootcamp II: Music sine 1900

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Page 1: Solfege bootcamp II: Music sine 1900

Solfège Bootcamp

Music since 1900

Page 2: Solfege bootcamp II: Music sine 1900

A whole step plus a whole step equals a major third.

From Elementary Training for Musicians (Hindemith)

Page 3: Solfege bootcamp II: Music sine 1900

A scale made entirely of whole stepsis known as the whole-tone scale.

An Olbash original!

Page 4: Solfege bootcamp II: Music sine 1900

In music without a key signature, sharps and flats often apply only to the note immediately following the accidental.

Melody only from "The Cage" from 114 Songs (Charles Ives, 1906)

Page 5: Solfege bootcamp II: Music sine 1900

From Elementary Training for Musicians (Hindemith)

From Mikrokosmos, Book I (Bartok)

Page 6: Solfege bootcamp II: Music sine 1900

A whole step plus a half step equals a minor third

From Elementary Training for Musicians (Hindemith)

Page 7: Solfege bootcamp II: Music sine 1900

The octatonic scale is composed of alternatingwhole steps and half steps.

Page 8: Solfege bootcamp II: Music sine 1900

Pitches that sound the same but are spelled differently (e.g. G# and Ab) are called "enharmonic."

"At day-close in November" from Winter Words (Benjamin Britten, 1954)

Page 9: Solfege bootcamp II: Music sine 1900

In diatonic music, the arrangement of whole steps and half stepsalways follows the same pattern: ...wwhwwwhwwhwwwh...

From Mikrokosmos, Book II (Bartok)

Page 10: Solfege bootcamp II: Music sine 1900

In modal music, the tonic or "home base" may be a note other than Do.

From Mikrokosmos, Book I (Bartok)

Page 11: Solfege bootcamp II: Music sine 1900

To preserve to order of whole steps and half steps in keys other than C major, we must add sharps or flats in the appropriate places.

Page 12: Solfege bootcamp II: Music sine 1900

Linear melodies must always be read vertically as well, i.e. in the proper harmonic context.