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Principle of designs

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Page 1: Principle of designs
Page 2: Principle of designs

Principles of Design•Balance• Emphasis

• Proportion

• Pattern

• Rhythm

• Unity

• Variety

Page 3: Principle of designs

Balance is an equal arrangements of specific elements within a composition deliberately organized by the artist. Elements could include color, line, shape, or texture. There are three types of balance; symmetrical, asymmetrical and radial.

Page 4: Principle of designs
Page 5: Principle of designs

Hawk maskNuna peoples, Burkina Faso

Wood, pigment

Page 6: Principle of designs

Symmetrical Balance

Joseph Stella, Bridge, 1936, WPA Federal Arts Project

Page 7: Principle of designs

Informal Balance is created when an asymmetrical layout is used.

James Whistler (American)1834-1903, Arrangement in Grey and Black: Portrait of the Painter's Mother , 1871; Oil on canvas, 144.3 x 162.5 cm; Musée d'Orsay, Paris  

Page 8: Principle of designs

George Seurat, (French) 1859-1891, Sunday Afternoon on the Island of La Grand Jatte, 1884, oil on canvas, 81 x 120 inchesThe Art Institute of Chicago, USA

Page 9: Principle of designs

Rose window, Notre Dame Cathedral

Radial Balance starts from the center of the design and goes out.

Can you think of something in nature that

has a radial balance?

Page 11: Principle of designs
Page 12: Principle of designs

Emphasis is used by artists to create dominance and focus in their work. The focal point may be the largest, brightest, darkest, or most complex part of the whole, or it may get special attention because it stands out

for some other reason.

At the Moulin Rouge: The Dance, oil on canvas by Henri de Toulouse-Lautrec, 1890; in the Philadelphia Museum of Art.

Page 13: Principle of designs

Ambassadeurs, Poster

Toulouse Lautrec

What is the

emphasis?

Page 15: Principle of designs

Leonardo da Vinci - Lady with an Ermine in Cracow

What is the

emphasis?

Page 16: Principle of designs

Concerned with the size relationship of one part to another.

Diego Rivera's "Richest of California"

Page 17: Principle of designs

Spoonbridge and Cherry, 1988Stainless steel and aluminum painted with

polyurethane enamel29 ft. 6 in. x 51 ft. 6 in. x 13 ft. 6 in. (9 x 15.7 x 4.1

m)Minneapolis Sculpture Garden, Walker Art Center,

MinneapolisPhoto courtesy of Walker Art Center

What is out of proportion?

Page 18: Principle of designs

What is out of proportion?

Page 19: Principle of designs

What do you notice about

the proportions of these figures?

The General And His FamilyArtist:Fernando

BoteroCountry of Origin:ColombiaDate of

Creation:1977 ADTagged With:N/A

Page 20: Principle of designs

A sense of visual or

actual motion in an

artwork created by

repeating an element of

artMC Escher

Page 23: Principle of designs

Alternating Rhythm

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Progressive Rhythm

Marcel Duchamp. Nude Descending a Staircase, No. 2 (1912). Oil on canvas.

57 7/8" x 35 1/8". Philadelphia Museum of Art.

Page 25: Principle of designs

Is the use of different lines, shapes, textures, colors, and other elements

of design to create interest in artwork.

Page 26: Principle of designs

Kazimir Severonic Malevich (Russian, 1878–

1935)The Knife Grinder (Principle

of Glittering), 1912–13Oil on canvas, 31 5/16 x 31

5/16 in. (79.5 x 79.5 cm)Gift of Collection Soci 鴩

Anonyme1941.553

What gives this piece variety?

Page 27: Principle of designs

a way of combining

elements of art to accent their

similarities and bind the picture

parts into a whole. It is often achieved through the use of

repetition and simplicity.

Page 28: Principle of designs

Kazimir Severonic Malevich (Russian, 1878–

1935)The Knife Grinder (Principle

of Glittering), 1912–13Oil on canvas, 31 5/16 x 31

5/16 in. (79.5 x 79.5 cm)Gift of Collection Soci 鴩

Anonyme1941.553

What gives this piece

unity?

Page 29: Principle of designs

Toulouse-Lautrec, Henri de." Online Photograph. Britannica Student Encyclopædia. 27 Jan. 2008  <http://student.britannica.com/eb/art-16801>

http://pictures.polandforall.com/images/leonardo-da-vinci-lady-with-an-ermine.jpg

http://www.artsology.com/gfx/african_masks/benin_ivory_mask.jpg

http://www.brigantine.atlnet.org/GigapaletteGALLERY/websites/ARTiculationFinal/myimages/myimages/aaapoppies.gif

http://www.brigantine.atlnet.org/GigapaletteGALLERY/websites/ARTiculationFinal/MainPages/PrinciplesMain.htm

http://www.pueblopotteryme.com/acoma2.htm#

Page 30: Principle of designs

Thomas Eakins American, 1844 - 1916Baby at Play, 1876oil on canvas, 81.9 x 122.8 cm (32 1/4 x 48 3/8 in.) John Hay Whitney Collection1982.76.5

2

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Georgia O'KeeffeJack-in-the-Pulpit No. IV,

1930Alfred Stieglitz Collection,

Bequest of Georgia O'Keeffe

1987.58.3

1

Page 33: Principle of designs

How is this

painting balanced?

4

Page 34: Principle of designs

How is this painting

balanced?

5