Embed Size (px)
Citation preview
POST-IMPRESSIONISM
Post-Impressionism is a whole a term coined by the British artist and art critic Roger Fry in 1914, to describe the development of European art since Monet.
It’s roughly the period between 1886 and 1892 to describe the artistic movements based on or derived from Impressionism. The term is now taken to mean those artists who followed the Impressionists and to some extent rejected their ideas. Generally, they considered Impressionism too casual or too naturalistic, and sought a means of exploring emotion in paint.
Done by Natalya Timasheva
POST-IMPRESSIONISM
Differences between Impressionism And Post-Impressionism:
Impressionists focused on reproducing the natural world but lost the use of line, shape and color (only reflected)
Post-Impressionists wanted to restore color and shape to art, while others wanted to restore subjectivity rather than painting from nature.
The P.I. created abstract versions of reality to reinforce that art is DIFFERENT from nature (breaking with the tradition since the Renaissance)
POST-IMPRESSIONISM
Henri de Toulouse-LautrecDisabled poster artist known as one of the first Graphic Designers
Paul CezanneLarge block-like brushstrokes; Still lifes, Landscapes
Vincent Van GoghDistrurbed painter of loose brushstrokes and bright, vivid colors
George SeuratFounder of Pointillism; Sunday Afternoon on the Island of La Grande Jatte
Auguste RodinBronze sculptor; Very loose and not detailed. “The Thinker”
Paul GauguinRejected Urban Life and choose secondary-colored Tahitian women
POST-IMPRESSIONISM
French artist Henri de Toulouse-Lautrec (1864-1901) was interested in capturing the sensibility of modern life and deeply admired Degas. Because of this interest and admiration, his work intersects with that of the Impressionists. However, his work has an added satirical edge to it and often borders on caricature.
Toulouse-Latutrec’s art was, to a degree, the expression of his life.
He reveled in the energy of cheap music halls, cafes, and bordellos. In “At the Moulin Rouge’, the influences of Degas, of the Japanese print, and of photography can be seen in the oblique and asymmetrical composition, the spatial diagonals, and the strong line patterns with added dissonant colors.
Henri de Toulouse-Lautrec Henri de Toulouse-Lautrec” At the Moulin Rouge”
Art Institute of Chicago. 1895
POST-IMPRESSIONISM
Henri de Toulouse-LautrecLe Jockey
1899.
POST-IMPRESSIONISM
Henri de Toulouse-LautrecLa Goulue, 1891.
POST-IMPRESSIONISM
Henri de Toulouse-LautrecAmbassadeurs: Aristide Bruant
1892.
POST-IMPRESSIONISM
Henri de Toulouse-LautrecJane Anril 1893.
POST-IMPRESSIONISM
Henri de Toulouse-LautrecLa Toilette 1896.
Oil on Cardboard.
POST-IMPRESSIONISM
CÉZANNE
•“Father” of Modern Art (contact with the Impressionists but creates his own “language”. Known as a Post-Impressionist)
•Took landscape paintings into “something solid and durable”
•His still lifes will influence Cubism (Braque and Picasso)
POST-IMPRESSIONISM Paul Cezanne, Self-Portrait,1879-82.
POST-IMPRESSIONISM
Paul CezannePortrait of the Artist’s Father
1865-66.
POST-IMPRESSIONISM Paul Cezanne, Card Players, 1890-92.
POST-IMPRESSIONISM Paul Cezanne, House Alongside the Road, 1881.
POST-IMPRESSIONISM
Paul CezanneSelf-Portrait with Palette 1885-87.
POST-IMPRESSIONISM Paul Cezanne, The Bathers, 1890-91.
POST-IMPRESSIONISM Paul Cezanne, Mont Saint Victoire, 1885.
POST-IMPRESSIONISM Paul Cezanne, Mont Saint Victoire (CLOSE UP), 1885.
POST-IMPRESSIONISM Paul Cezanne, Still Life with Apples, 1890.
POST-IMPRESSIONISM
Cezanne, The Large Bathers, 1906*
POST-IMPRESSIONISM Paul Cezanne, Still Life with Peppermint Bottle, 1890-94.
POST-IMPRESSIONISM
Van Gogh, The Starry Night, 1889.
Vincent’s paintings had a scientific reality to them. His paintings often depict the world as it is comprised of moving molecules and atoms. He often painted the energy that we don’t actually see in the real world.
This painting was inspired by the Japanese printmaker Hokusai’s image of “The Great Wave”.
Hokusai, The Great Wave, c1828.
POST-IMPRESSIONISM
Vincent Van Gogh
POST-IMPRESSIONISM House where Vincent Van Gogh lived
POST-IMPRESSIONISM Van Gogh, The Potato Eaters, 1885.
POST-IMPRESSIONISM
Van GoghSunflowers, 1888.
POST-IMPRESSIONISM Vincent Van Gogh, The Night Cafe, 1888.
POST-IMPRESSIONISM
Vincent Van GoghThe Night Cafe, 1888.
POST-IMPRESSIONISM Vincent Van Gogh, Undergrowth with Two Figures, 1890.
POST-IMPRESSIONISM Van Gogh, Garden of St. Paul Hospital, Nov 1889.
POST-IMPRESSIONISM Vincent Van Gogh, Starry Night Over the Rhone, 1888.
POST-IMPRESSIONISM Vincent Van Gogh, Starry Night, 1889.
POST-IMPRESSIONISM
Vincent Van GoghSelf-Portrait with Felt Hat,
1887-88.
POST-IMPRESSIONISM
Van GoghPortrait of Dr. Gachet,1888.
POST-IMPRESSIONISM Vincent Van Gogh, Bedroom at Arles #3, 1889.
POST-IMPRESSIONISM
POST-IMPRESSIONISM
SUZANNE VALADON1894, 1st woman painter admitted into the Society National des Beaux Arts — her son, Maurice Utrillo will eclipse her as a painter
Worked as a model for Renoir, Lautrec, etc.—Learned by watching but had her own style
Degas was the first to buy one of her paintings
POST-IMPRESSIONISM
Apart
Suzanne Valadon, The Blue Room, 1923*
POST-IMPRESSIONISM
POST-IMPRESSIONISM
The End
Thank you for watching
