PRESS : James Senese e i Napoli Centrale in "E' Fernut ‘o Tiempo" al Moro Jazz Club

Bruno Chevillon in"Improvisation doesnot happen suddenly,"master class at theCEMM of Busselton

For your trip to theU.S., the largest bookAmerican concerts:tickets for Alicia Keys, American Idols Live ,Tom Petty . Or do notmiss the latest fromBroadway shows suchas Billy Elliott , SouthPacific and Gypsy !

Multiculture XAnniversary "ContestEurope." Competitionfor groups acrossEurope to freeparticipation.Registration beforeMay 5, 2012.Enrolment at theEuropean JazzContest 2012, now inits fifth edition.Conad Jazz Contest inthe first edition of thenational competitionin search of newtalents among youngItalian musiciansJack De Johnette, VonFreeman, CharlieHaden, Sheila Jordanand Jimmy Owens wonthe prestigious NEAJazz Masters 2012

In thepremiere,thesensationalSarah Jane

Morris presents thebrand new "CelloSongs" on the occasionof the tenthAnniversary ofMulticulture 2012

The winners of thereferendum Top Jazz2011: Marcotulli R., L.Minafra, F.D 'Andrea,G. Falzone, BearzattiF., L. Malaguti, E.Pietropaoli, Z. DeRossi, MPDe Vito, F.Sigurtà Van der Nootand D. Betti S. PastorScott Colley &Antonio Sanchez onMarch 5 and March 22

Gretchen Parlatoguests of Saint Louis inRome

Ten Events thatinvestigate the Jazz inevery nuance andevery level: fromJanuary 27 to February26 edition of the XixaValdarno Jazz WinterFestival

He died at the age of88 years, thesaxophonist-composerSam Rivers.

Lucio Ferrara

It's all right with me

Tuscia in Jazz Live 2011

1. Twelve bars for MB 2. Who Can I Turn To

3. Perhaps 4. Beatrice

5. Lagos Blues 6. Body And Soul

7. Silver 8. Oh Lady Be Good

Lucio Ferrara - Guitar Lee Konitz - sax

Antonio Ciacca - piano Ulysses Owens - piano Kengo Nakamura - bass

Yasushi Nakamura - bass Luke Mannutza - hammond organ

Nicola Angelucci - drums

Guitarist of great interest and high-impact, Lucio Ferrara is the general public with this record of exquisite workmanship, greatusability and sophisticated construction.

The idea comes straight off the disc in an afternoon in Manhattan when Ferrara, the first of a departure for Italy, gathers travelingcompanions with whom he shares the music for many years, Ulysses Owens, Antonio Ciacca and Yasushi Nakamura, to record diskafter the experience of many concerts together. The idea appeals to everyone, and two days later, on the night of March in the studyKaleidoscope Sound in New York, takes the form "It's All Right With Me", guitarist, leader of the second disc from Puglia. To completethe record the extraordinary presence of Lee Konitz , a song recorded live in Sorrento, and two talents made in Italy as Mannutza Lucaand Nicola Angelucci , these two tracks "Roman".

Cultured and elegant music breathes the eight tracks that make listening to "It's all right with me", headed by interpreters richimagination, skill and passion. In addition to the extraordinary reinterpretation of five standards, among which the fantastic "Body And Soul", in which appears amonumental Lee Konitz very inspired, and "Oh Lady Be Good" in which the talented Luke Mannutza Hammond B3 gives a real essay of

lyricism and excellent technique, the remaining original songs, most of the same signed by Ferrara, confirming the successful creativeside of this guitar, traveling between America and Italy, always traveling, always listening and musically never stopped. Ferrara demonstrates a refined and eclectic guitarist who knows perfectly dosed his outstanding technical qualities to the passion andlyricism to all shades giving very specific and extremely original, full of personality.

The musicians that make up the rhythmic give their contribution to the success of this excellent disc with dynamism and expertisewithout ever overdoing it, or want to excel. The solos are original, with no repetitions and rich in expressiveness. The harmony and theinterplay is pure, well-balanced distribution of species in space and time variation.

"It's All Right With Me" is an extremely enjoyable, well-maintained and high moments of jazz, but mostly it is just another proof of whatthe Italian jazz is alive and pulsating.

Alessandro Carabelli for Jazzitalia

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