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IMPRESSIONISM & POST-IMPRESSIONISM
Presentation by:
Rachel Marchant, Jenna Sanfilippo, and Brianna Sculley
IMPRESSIONISM
IMPRESSIONISM Developed in France in the late 19th and
early 20th centuries
EDGAR DEGAS
“The Green Dancers” “The Dance Class”
CLAUDE MONET
“Impression: Sunrise”
CLAUDE MONET
“The Terrace” “Woman With a Parasol Facing Right”
PIERRE-AUGUSTE RENOIR
“Moulin de la Galette” “The Swing”
PIERRE-AUGUSTE RENOIR
“Jeunes Filles au Piano”
“Luncheon of the Boating Party”
POST-IMPRESSIONISM Reaction against limitations of Impressionism
Advancement of styles and techniques More romantic, emotional, avant-garde, and
shocking than Impressionism Bolder colors, sharper outlines
Sought to combine inner world of mind and spirit and outer world of physical substance Create visual sensation, not record it
Individual painters had different styles and ideals
POST-IMPRESSIONISM Late 19th century – 1880s
Progress of science and industry Conservative backlash, anarchist violence Nietzsche – saw truth in the irrational
Edgar Degas-
“Women on a Café Terrace”
PAUL CÉZANNE
“Madame Cézanne”“Basket of Apples”
GEORGES SEURAT
“A Sunday Afternoon on the Island of La Grande Jatte”
PAUL GAUGUIN
“The Yellow Christ”
VINCENT VAN GOGH
“Self-Portrait Dedicated to Paul Gauguin”
OUR OPINIONS …
“Achille Emperaire” by Paul Cézanne
I personally feel that the majority of impressionist paintings are incredibly beautiful and are the perfect medium between classical and obscure art.
QuickTimeª and a decompressor
are needed to see this picture.
“White Water Lilies” by Monet