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Gangstas, Thugs, Vikings, and Drivers Cinematic Masculine Archetypes and the Demythologization of Violence in the Films of Nicolas Winding Refn Christopher John Olson DePaul University September 2014

Gangstas, thugs, vikings, and drivers ppt

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This thesis considers how the depictions of masculinity in the films of Danish director Nicolas Winding Refn function as a critique of mainstream Hollywood cinema’s perpetuation of the notion that violent male behavior represents a heroic ideal for men to emulate. In films such as Pusher, Bronson, Valhalla Rising, and Drive, Refn constructs and presents his male characters by drawing upon recurring archetypal figures such as the gangster, the gangsta, the gunslinger, and the samurai. These figures recur throughout popular culture and across genres, and they perpetuate and reinforce a specific version of masculinity that emphasizes individualism, stoicism, and violence. Mainstream Hollywood films in general and male action cinema in particular often present this narrow and rigid vision of masculinity as a heroic manly ideal, and this, in turn, can inform how male viewers construct their own masculine personae. The male characters in Refn’s films serve to critique and destabilize this ideal by demonstrating how an insistence on appropriating or conforming to this sort of violent masculinity results in negative consequences for both the individual and the society around him. For more, please see my complete thesis, which can be viewed here: http://via.library.depaul.edu/cmnt/25/

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Page 1: Gangstas, thugs, vikings, and drivers ppt

Gangstas, Thugs, Vikings,

and Drivers

Cinematic Masculine Archetypes and

the Demythologization of Violence in

the Films of Nicolas Winding Refn

Christopher John Olson

DePaul University

September 2014

Page 2: Gangstas, thugs, vikings, and drivers ppt

Introduction

Violence in film

Nicolas Winding Refn

Page 3: Gangstas, thugs, vikings, and drivers ppt

Archetypes

Carl Jung◦ Universal patterns

and images

◦ Recur across cultural and historical contexts

◦ Actualized via representation

Robert N. Bellah◦ Individual

unconscious

◦ Developed via interaction with environment

◦ Similarities in socialization process

Page 4: Gangstas, thugs, vikings, and drivers ppt

Cinematic archetypes

Media images reflect cultural values/attitudes

Connect contemporary experience with primordial figures

Screen characters reflect prevailing sociocultural notions of gender

Page 5: Gangstas, thugs, vikings, and drivers ppt

Masculine archetypes

Man with No Name

Samurai Gangster

Gunslinger

Page 6: Gangstas, thugs, vikings, and drivers ppt

The Male Action Hero

Page 7: Gangstas, thugs, vikings, and drivers ppt

Characteristics of archetypes

Stoicism◦ Verbal and

emotional reticence

Individualism◦ Loners who shun

society

Violence◦ Action speaks

louder

Page 8: Gangstas, thugs, vikings, and drivers ppt

Archetypal male figures

The Stoic Man◦ Ex: Man With No Name

(Sergio Leone’s “Dollars” Trilogy)

The Tough Guy◦ Ex: “Little Caesar”

Bandello (Little Caesar)

The Beast in Me◦ Ex: The Incredible Hulk

(The Avengers)

The Greek God◦ Achilles (Troy)

Page 9: Gangstas, thugs, vikings, and drivers ppt

Refn and the archetypes

Alignment with archetypes◦ Stoic tough guys

◦ Rugged individuals

◦ Violent men

Masculinity as performance◦ Tensions between front

and reality

Negative consequences◦ Refusal to abandon

performance

Page 10: Gangstas, thugs, vikings, and drivers ppt

Aligning with the archetypes Pusher

◦ Gangster/Gangsta

◦ Tough Guy

Bronson

◦ Tough Guy

◦ Beast in Me

◦ Greek God

Valhalla Rising

◦ Stoic Man

◦ Greek God

Drive

◦ Stoic Man

◦ Greek God

Page 11: Gangstas, thugs, vikings, and drivers ppt

Archetypes vs. reality

Vs.

Vs.

Vs.

Vs.

Page 12: Gangstas, thugs, vikings, and drivers ppt

Consequences of archetypal

masculinity Isolation

Incarceration

Injury

Death

Page 13: Gangstas, thugs, vikings, and drivers ppt

Conclusion

So what?

Limitations of study

Future directions