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Presented to
you by:
M. DALIL
M.KBABRA
M. HARB
Table of contents
• 1. Comics:- A Historical preview- Types of comics- Comics in France
• 2. Angouleme’s International Festival:- Presentation of the Festival (Figures)- Organisation and Content- Awards
• 3. SWOT Analysis and the intercultural aspect- SWOT of the festival- Intercultural aspect- Conclusion: The future of the festival
1- COMICS
A HISTORICAL PREVIEW:
*Comics and movies were born at the same time in the late 19th
century
*The hieroglyphics and the comics
* The Japanese “Manga”
were a series of drawings accompanied by text 2000 years before Christ
*Comics as an art form established itself in the late 19th and early 20th century
The three types of comics
Comics in France
• Last year the production of BD increased by 2.4% and revenue is expected to have exceeded
320million Euros.
• The French network of specialized bookstores also contributed to the development of this artistic genre.
• Angouleme festival, which each year in late January, offers exceptional visibility to comics and its actors.
2- Angouleme international comics festival
Every year since1974, in January
AWARDS: Best Album ("Golden Wildcat") The "Revelation" Essential… etc.
The largest comicsfestival in Europe
300.000 visitors
Organisation
• Venue:
Museum, library, artistsresidencies, Art houses, exposition center, multimédia technicalcenter.
ASSOCIATION DU FESTIVAL
A la carte
Indie
ClassicalYouth
Manga
Essential
Content
Awards
• Best Album("Golden Wildcat")
• AngoulêmeInternational Comics Festival Essentials
• The "Revelation" Essential (for "best newcomer")
• The Fnac-SNCF Essential (elected by the public)
• The Youth Essential (youth panel)
• The Heritage Essential (grand jury)
3- SWOT analysis and
Interculturality
• SWOT analysis
Strengths Weaknesses
• Festival international reputation – a Brand• Strong attendance• France N°1 comics publisher in Europe• Financial benefits for the whole region
• Lack of funding• It is losing its heritage, less amateurish • The business aspect is taking over the artistic connotation of the festival
Opportunities Threats
• New applications on Smartphones and Tablets• The flourishingmarket of digitalComics • Taking advantage of its media coverage for fund collecting
• Environmental issue on paper consumption• It is mainly depending on the region’s funds for the culture• By depending on private funds it might loose its artistic originality and become simply business
• Interculturality
• Twining festivals:
Thanks to a highly international attendance, The BoomFest in Saint Petersburg in Russia
• Japanese and American presence:
It is a must for manga's and comics books’ editors to attend and promote their novelties.
• The presence of Hong Kong stars :
A reflection of Chinese ideology
through Asian manga.
Conclusion: The future of the
Festival
• Digital comics:Apple and Android have created the buzz
• Eco-Festival: Angouleme is becoming year by year more responsible concerning the environment and hence is working side by side with the local environment associations.
• Edition 2012:Spirou and its editor won’t attend this year, it becomes to expensive in time and money
Comics in the future
Webography
• http://www.bdangouleme.com/• http://www.toutenbd.com/rubrique.php3?id_rub
rique=19• http://news.bbc.co.uk/2/hi/programmes/from_o
ur_own_correspondent/7246634.stm• http://www.citebd.org/• http://www.24hdelabandedessinee.com/public/i
ndex.php• http://www.sudouest.fr/2011/11/21/la-cci-de-la-
charente-versera-230-000-euros-au-festival-de-la-bd-559222-4953.php