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History of History of Painting Painting 2007-2008 2007-2008 Art 2 Art 2

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History of PaintingHistory of Painting

2007-20082007-2008

Art 2Art 2

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What is Painting?What is Painting?

►PaintingPainting is the practice of applying is the practice of applying pigment suspended in a carrier (or pigment suspended in a carrier (or medium) and a binding agent (a glue) medium) and a binding agent (a glue) to a surface (support) such as paper, to a surface (support) such as paper, canvas or a wall.canvas or a wall.

► humans have been painting for about humans have been painting for about 6 times as long as they have been 6 times as long as they have been using written language. using written language.

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Painting StylesPainting Styles

►Abstract art is that does not depict Abstract art is that does not depict objects in the natural world, but objects in the natural world, but instead uses shapes and colors in a instead uses shapes and colors in a non-representational or subjective non-representational or subjective way. way.

►early 20th centuryearly 20th century Cubist and Futurist artCubist and Futurist art that depicts real forms in a simplified or that depicts real forms in a simplified or

rather reduced way - keeping only an rather reduced way - keeping only an allusion of the original natural subject.allusion of the original natural subject.

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AbstractAbstract

►art that does not depict objects in the art that does not depict objects in the natural world, but instead uses shapes natural world, but instead uses shapes and colors in a non-representational or and colors in a non-representational or subjective waysubjective way

►Started really in 1870s, became Started really in 1870s, became popular in early 20popular in early 20thth century century

►KandinskyKandinsky►Expressionism also included in this Expressionism also included in this ►Van GoghVan Gogh

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Kandinsky, Kandinsky, Composition VIIIComposition VIII

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Van Gogh, Van Gogh, Night CafeNight Cafe

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BaroqueBaroque►exaggerated motion and clear, easily exaggerated motion and clear, easily

interpreted detail to produce tension, interpreted detail to produce tension, exuberance, and grandeur from exuberance, and grandeur from painting. The style started around painting. The style started around

16001600 in Rome, Italy and spread to in Rome, Italy and spread to most of Europe. most of Europe.

►Caravaggio Caravaggio ► It employed an iconography that was It employed an iconography that was

direct, simple, obvious, and dramatic direct, simple, obvious, and dramatic

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Caravaggio, Caravaggio, Supper at Supper at EmmausEmmaus

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CubismCubism

►avant-garde art movement that avant-garde art movement that revolutionized European painting and revolutionized European painting and sculpture in the early 20th century. sculpture in the early 20th century.

►objects are broken up, analyzed, and objects are broken up, analyzed, and reassembled in an abstracted form the reassembled in an abstracted form the artist divides them into multiple facets, artist divides them into multiple facets, so several different aspects, of the so several different aspects, of the objects are seen simultaneously. objects are seen simultaneously. (usually overlapping)(usually overlapping)

►Picasso, BraquePicasso, Braque

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Picasso, Picasso, The Old The Old GuitaristGuitarist

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FauvesFauves

►Les Fauves (French for wild beasts), Les Fauves (French for wild beasts), emphasized painterly qualities, and emphasized painterly qualities, and the use of deep color & values its the use of deep color & values its focus on light and the moment. focus on light and the moment.

►simplified lines, simplified lines, ►Les Fauves paintings also feature flat Les Fauves paintings also feature flat

patterns and anti-naturalism.patterns and anti-naturalism.►Gauguin, MatisseGauguin, Matisse

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Matisse, Matisse, Madam Madam MatisseMatisse

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Gauguin, Gauguin, JoyousnessJoyousness

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ImpressionismImpressionism

►19th century 19th century ►visible brushstrokes, light colors, open visible brushstrokes, light colors, open

composition, emphasis on light, composition, emphasis on light, ordinary subject matter, and unusual ordinary subject matter, and unusual visual angles. visual angles.

►Monet, CezanneMonet, Cezanne

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Monet, Monet, SunriseSunrise

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CezanneCezanne

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Op ArtOp Art

►1960s 1960s ►use of optical illusions. use of optical illusions. ►Op art works are usually abstract, with Op art works are usually abstract, with

many of the better known pieces made many of the better known pieces made in only black and white. When the in only black and white. When the viewer looks at them, the impression is viewer looks at them, the impression is given of movement, flashing and given of movement, flashing and vibration, or alternatively of swelling or vibration, or alternatively of swelling or warping.warping.

►Bridget RileyBridget Riley

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Bridget RileyBridget Riley

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PointillismPointillism

►non-primary colors are generated, not non-primary colors are generated, not by the mixing of pigments in the by the mixing of pigments in the palette nor by using pigments directly, palette nor by using pigments directly, but by the visual mixing of points of but by the visual mixing of points of primary colors, placed in close primary colors, placed in close proximity to each other. proximity to each other.

►1880s1880s►SeuratSeurat

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Seurat, Seurat, Sunday Afternoon in Sunday Afternoon in ParkPark

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Pop ArtPop Art

►Characterized by themes and techniques Characterized by themes and techniques drawn from mass culturedrawn from mass culture

►widely interpreted as a reaction to the widely interpreted as a reaction to the then-dominant ideas of abstract then-dominant ideas of abstract expressionism.expressionism.

►aimed to incorporate popular as opposed aimed to incorporate popular as opposed to elitist culture into art, and targeted a to elitist culture into art, and targeted a broad audience. broad audience.

►1950s1950s►Warhol, Lichtenstein, Johns, ThiebaudWarhol, Lichtenstein, Johns, Thiebaud

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Jasper Johns, Jasper Johns, Three FlagsThree Flags

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Lichtenstein, Lichtenstein, HopelessHopeless

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Warhol and TheibaudWarhol and Theibaud

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RealismRealism

►Realism is everyday people, doing Realism is everyday people, doing everyday things in everyday life. everyday things in everyday life.

►Mid 19Mid 19thth century century►The paintings are the excellent The paintings are the excellent

portrayal of the events and scenes portrayal of the events and scenes that we see around us. that we see around us.

►Gustave CourbetGustave Courbet

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Courbet, Courbet, The Stone BreakersThe Stone Breakers

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RomanticismRomanticism

►1818thth century century►stressed strong emotion, the individual stressed strong emotion, the individual

imagination as a critical authority, There imagination as a critical authority, There was a strong element of historical and was a strong element of historical and natural inevitability in its ideas, natural inevitability in its ideas, stressing the importance of "nature" in stressing the importance of "nature" in art and language.art and language.

►Valued the past, old art forms used Valued the past, old art forms used ►Delacroix, GericaultDelacroix, Gericault

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Gericault, Gericault, The Raft of MedusaThe Raft of Medusa

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Delacroix, Delacroix, Joan of ArcJoan of Arc

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SurrealismSurrealism

►philosophy, a cultural and artistic philosophy, a cultural and artistic movement, and a term used to movement, and a term used to describe unexpected juxtapositions. describe unexpected juxtapositions.

►1920s1920s►embraces idiosyncrasy, while rejecting embraces idiosyncrasy, while rejecting

the idea of an underlying madness or the idea of an underlying madness or darkness of the mind. darkness of the mind.

►DaliDali

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DaliDali

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Media in artMedia in art

►OilOil►WatercolorWatercolor►TemperaTempera►Egg TemperaEgg Tempera►AcrylicAcrylic►Spray PaintSpray Paint►GouacheGouache►FrescoFresco