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ARCHITECTURAL AND ENGINEERING PORTFOLIO
ENZO PASQUA
«Architecture is the art and science of making sure that our citiesand buildings fit with the way we want to live our lives».
Bjarke Ingels
PERSONAL INFORMATIONS
NAME
ADDRESS
PHONE
NATIONALITY
DATE OF BIRTH
GUIDE LICENSE
Enzo Pasqua
G. D’Annunzio 4 st.,Darfo Boario Terme (BS), Italy
+39 3463266095
Italian
23-05-1989
B
EDUCATIONAL BACKGROUNDS
2008-TODAY
2003-2008 Scientific Liceum Diploma, Liceo Camillo Golgi of Breno,Brescia,ItalyScore: 93/100
Undergraduate student of Architectural Engineering at «Università degli studi di Brescia»DICATAM department.
WORK EXPERIENCES
2008-TODAY Occasional co-workerGhitti Engineering StudioDarfo Boario Terme (BS), Italy
2012-2014 Freelance CAD designer & 3D modelerEli-fly spaEsine (BS), Italy
2012-2013 Freelance graphic designerEMP sncDarfo Boario Terme (BS), Italy
2011-2013 Freelance graphic designerAktiva gymRogno (BG), Italy
COMPETITIONS
Participation in the competition for the new «Leopoldo II» bridge - Prato, ItalyMar. 2011
Feb. 2012 Participation in the competition for the new bridge of Darfo Boario Terme, Italy
CV
«Architecture is the art and science of making sure that our citiesand buildings fit with the way we want to live our lives».
Bjarke Ingels
PERSONAL INFORMATIONS
NAME
ADDRESS
PHONE
NATIONALITY
DATE OF BIRTH
GUIDE LICENSE
Enzo Pasqua
G. D’Annunzio 4 st.,Darfo Boario Terme (BS), Italy
+39 3463266095
Italian
23-05-1989
B
EDUCATIONAL BACKGROUNDS
2008-TODAY
2003-2008 Scientific Liceum Diploma, Liceo Camillo Golgi of Breno,Brescia,ItalyScore: 93/100
Undergraduate student of Architectural Engineering at «Università degli studi di Brescia»DICATAM department.
WORK EXPERIENCES
2008-TODAY Occasional co-workerGhitti Engineering StudioDarfo Boario Terme (BS), Italy
2012-2014 Freelance CAD designer & 3D modelerEli-fly spaEsine (BS), Italy
2012-2013 Freelance graphic designerEMP sncDarfo Boario Terme (BS), Italy
2011-2013 Freelance graphic designerAktiva gymRogno (BG), Italy
COMPETITIONS
Participation in the competition for the new «Leopoldo II» bridge - Prato, ItalyMar. 2011
Feb. 2012 Participation in the competition for the new bridge of Darfo Boario Terme, Italy
CV
LANGUAGE SKILLS
ITALIAN Mothertongue
ENGLISH Intermediate level:B1 level - PET University of Cambridge ESOL ExaminationsB2 (Listening and reading comprehension)
INFORMATIC SKILLS
MICROSOFT OFFICE SUITE
AUTODESK AUTOCAD
NEMETSCHEK ALLPLAN
MAXON CINEMA 4D
COREL DRAW
COREL PHOTO PAINT
ADOBE PHOTOSHOP
ADOBE INDESIGN
ADOBE ILLUSTRATOR
SKETCHUP
PYTHON
Advanced Level
Advanced Level
Advanced Level (work & academic knowledge)
Advanced Level
Advanced Level
Advanced Level
Intermediate Level (Academic knowledge)
Intermediate Level (Academic knowledge)
Intermediate Level (Academic knowledge)
Intermediate Level (Academic knowledge)
Basic Level
CV
OTHER SKILLS
COMUNICATION
TEAMWORK
FLEXIBILITY
DINAMIC APPROACH THROUGH ALL THE WORK’S PHASES
PLANNING CAPABILITY
INCISIVE AND SCIENTIFIC APPROACH WITH A PROBLEM
INQUIRING NATURE
PUBLICATION AND EXHIBITION
CV
MONTUORI M. (2012). Circoli virtuosi. In: CELEGHINI G. «Polesella ritrovata, esercizi di rigenerazione urbana» Officina Edizioni, Roma, ISBN: 9788860490964
PASSAMANI I. (2012).«Gli assi prospettici di Brescia. Il disegno come strumento di lettura e codificazione»Gangemi Editore, Roma, ISBN: 9788849224870
28-29 Marzo 2015«La Cittadella di Lonato del Garda e il progetto dell’Albergo diffuso per il rilancio di un’economia turistica e sostenibile»Lonato del Garda (BS), Italy
PUBLICATIONS
EXHIBITIONS
16-24 Giugno 2012«Polesella ritrovata»Polesella (RO), Italy
13 Ottobre-20 Novembre 2011«Concorso di Progettazione per un nuovo ponte ciclo-pedonale nella sede del Ponte Leopoldo II»Poggio a Caiano (PO), Italy
25 marzo-8 aprile 2011«Le forme dell’acqua.Progetti per Moceniga»Venezia (VE), Italy
HOBBIES
COOKING
BASKETBALL
TECHNOLOGY
PHOTOGRAPHY
TRAVELLING
LANGUAGE SKILLS
ITALIAN Mothertongue
ENGLISH Intermediate level:B1 level - PET University of Cambridge ESOL ExaminationsB2 (Listening and reading comprehension)
INFORMATIC SKILLS
MICROSOFT OFFICE SUITE
AUTODESK AUTOCAD
NEMETSCHEK ALLPLAN
MAXON CINEMA 4D
COREL DRAW
COREL PHOTO PAINT
ADOBE PHOTOSHOP
ADOBE INDESIGN
ADOBE ILLUSTRATOR
SKETCHUP
PYTHON
Advanced Level
Advanced Level
Advanced Level (work & academic knowledge)
Advanced Level
Advanced Level
Advanced Level
Intermediate Level (Academic knowledge)
Intermediate Level (Academic knowledge)
Intermediate Level (Academic knowledge)
Intermediate Level (Academic knowledge)
Basic Level
CV
OTHER SKILLS
COMUNICATION
TEAMWORK
FLEXIBILITY
DINAMIC APPROACH THROUGH ALL THE WORK’S PHASES
PLANNING CAPABILITY
INCISIVE AND SCIENTIFIC APPROACH WITH A PROBLEM
INQUIRING NATURE
PUBLICATION AND EXHIBITION
CV
MONTUORI M. (2012). Circoli virtuosi. In: CELEGHINI G. «Polesella ritrovata, esercizi di rigenerazione urbana» Officina Edizioni, Roma, ISBN: 9788860490964
PASSAMANI I. (2012).«Gli assi prospettici di Brescia. Il disegno come strumento di lettura e codificazione»Gangemi Editore, Roma, ISBN: 9788849224870
28-29 Marzo 2015«La Cittadella di Lonato del Garda e il progetto dell’Albergo diffuso per il rilancio di un’economia turistica e sostenibile»Lonato del Garda (BS), Italy
PUBLICATIONS
EXHIBITIONS
16-24 Giugno 2012«Polesella ritrovata»Polesella (RO), Italy
13 Ottobre-20 Novembre 2011«Concorso di Progettazione per un nuovo ponte ciclo-pedonale nella sede del Ponte Leopoldo II»Poggio a Caiano (PO), Italy
25 marzo-8 aprile 2011«Le forme dell’acqua.Progetti per Moceniga»Venezia (VE), Italy
HOBBIES
COOKING
BASKETBALL
TECHNOLOGY
PHOTOGRAPHY
TRAVELLING
TRAVELS
CV
EUROPE
SPAIN ValenciaCastellonLas Palmas
ENGLAND LondonCanterbury
ITALY
NETHERLANDS AmsterdamRotterdamUtrecht
BergamoMilanoGenovaMantovaVeronaVeneziaFerraraRavennaPerugiaAssisiTodiUrbinoSpoletoSienaArezzoPisaRomaPompeiCanosaTrani
FRANCE ArlesNimesCarcassonneAvignonVers-Pont-du-GardAix-an-ProvenceMenton
GERMANY Berlin
POLAND KrakowOświęcimWieliczka
CZECH REPUBLIC Prague
SLOVAKIA Bratislava
HUNGARY Budapest
GREECE AthensCorfù
SAN MARINO
SLOVENJA LubjanaPostumia
ASIA UNITED ARAB EMIRATES DubaiAbu-Dhabi
TRAVELS
CV
EUROPE
SPAIN ValenciaCastellonLas Palmas
ENGLAND LondonCanterbury
ITALY
NETHERLANDS AmsterdamRotterdamUtrecht
BergamoMilanoGenovaMantovaVeronaVeneziaFerraraRavennaPerugiaAssisiTodiUrbinoSpoletoSienaArezzoPisaRomaPompeiCanosaTrani
FRANCE ArlesNimesCarcassonneAvignonVers-Pont-du-GardAix-an-ProvenceMenton
GERMANY Berlin
POLAND KrakowOświęcimWieliczka
CZECH REPUBLIC Prague
SLOVAKIA Bratislava
HUNGARY Budapest
GREECE AthensCorfù
SAN MARINO
SLOVENJA LubjanaPostumia
ASIA UNITED ARAB EMIRATES DubaiAbu-Dhabi
INDEX
pag. 02
pag. 06
pag. 12
pag. 16
pag. 20
pag. 38
pag. 46
pag. 50
HISTORICAL AND ICONOGRAPHIC SURVEY OF THE SS. ANNUNCIATA MONASTERY (Brescia)
RIQUALIFING MOCENIGA - A 25 MQ «O» HOUSE (Rovigo)
EXHIBITION CENTRE FOR PISOGNE (Brescia)
4 POLESELLA - A PROJECT FO(U)R POLESELLA (Rovigo)
ARCHITECTURAL SURVEY OF PALAZZO BENASAGLIO (Brescia)
«LA CITTADELLA» - A SPRAWLING HOTEL FOR LONATO DEL GARDA (Brescia)
SHAMBERG HOUSE | RICHARD MEIER (New York)
AMATEUR PHOTOGRAPHY - HOW I SEE THE WORLD
INDEX
pag. 02
pag. 06
pag. 12
pag. 16
pag. 20
pag. 38
pag. 46
pag. 50
HISTORICAL AND ICONOGRAPHIC SURVEY OF THE SS. ANNUNCIATA MONASTERY (Brescia)
RIQUALIFING MOCENIGA - A 25 MQ «O» HOUSE (Rovigo)
EXHIBITION CENTRE FOR PISOGNE (Brescia)
4 POLESELLA - A PROJECT FO(U)R POLESELLA (Rovigo)
ARCHITECTURAL SURVEY OF PALAZZO BENASAGLIO (Brescia)
«LA CITTADELLA» - A SPRAWLING HOTEL FOR LONATO DEL GARDA (Brescia)
SHAMBERG HOUSE | RICHARD MEIER (New York)
AMATEUR PHOTOGRAPHY - HOW I SEE THE WORLD
HISTORICAL AND ICONOGRAPHIC SURVEY OF THE SS. ANNUNCIATA MONASTERYDISEGNO DELL’ARCHITETTURA - 2008
PROF. ARCH. V. VOLTAARCH. L.MORANDINI
3
Geometrical survey of the entire fifteen century’s monasteryincluded the cloisters and the other communal areas.
«Qui in alto su la costa all’altezza di un miglio dal piano è il convento de la Nunziata de’ Padri Riformati, notabile, tutto a’ volto, con due chiostri, nel primo de’ quali gioca una fontana spruzzante, che cade in una conca rotonda di pietra recipiente: ma più notabile per la singolar prospettiva, che senza uscir di convento fa godere à Religiosi la vista con l’occhio di molte Terre con gran tratto di paese, compartito come in teatro per la varietà de dossi, seni, monti, convalli, pianure, fiumi, e rivi corenti».Gregorio di Valcamonica,1698.
HISTORICAL AND ICONOGRAPHIC SURVEY OF THE SS. ANNUNCIATA MONASTERYDISEGNO DELL’ARCHITETTURA - 2008
PROF. ARCH. V. VOLTAARCH. L.MORANDINI
3
Geometrical survey of the entire fifteen century’s monasteryincluded the cloisters and the other communal areas.
«Qui in alto su la costa all’altezza di un miglio dal piano è il convento de la Nunziata de’ Padri Riformati, notabile, tutto a’ volto, con due chiostri, nel primo de’ quali gioca una fontana spruzzante, che cade in una conca rotonda di pietra recipiente: ma più notabile per la singolar prospettiva, che senza uscir di convento fa godere à Religiosi la vista con l’occhio di molte Terre con gran tratto di paese, compartito come in teatro per la varietà de dossi, seni, monti, convalli, pianure, fiumi, e rivi corenti».Gregorio di Valcamonica,1698.
4 5
4 5
RIQUALIFING MOCENIGA - A 25 MQ «O» HOUSECARATTERI MORFOLOGICI E TIPOLOGICI DELL’ARCHITETTURA - 2010
PROF. ARCH. M.BOTTIARCH.GENNY CELEGHINI
7 Rosolina and the Moceniga area
During the course of «Caratteri
m o r f o l o g i c i e t i p o l o g i c i
dell’architettura» we tried to set a
redevelopment for tourism in the
area of Moceniga (RO).
The theme was to design a series of
modular homes (no more than 25
square meters) for temporary
residence and tourist purposes.
The small size has stimulated the
s t u d e n t s t o a n a l y z e t h e
environments and choices till the
minimum detail.
Fur ther, to each group were
assigned 1 of 3 different typologies
o f c o n s t r u c t i o n ( b a s e d o n
arrangement of the exterior walls) :
«O» «U» and «II».
The final aim was to create a
dwelling energetically self-sufficient
and compatible with the natural
environment of the Po’s Delta.
Photo of the architecture scale model
RIQUALIFING MOCENIGA - A 25 MQ «O» HOUSECARATTERI MORFOLOGICI E TIPOLOGICI DELL’ARCHITETTURA - 2010
PROF. ARCH. M.BOTTIARCH.GENNY CELEGHINI
7 Rosolina and the Moceniga area
During the course of «Caratteri
m o r f o l o g i c i e t i p o l o g i c i
dell’architettura» we tried to set a
redevelopment for tourism in the
area of Moceniga (RO).
The theme was to design a series of
modular homes (no more than 25
square meters) for temporary
residence and tourist purposes.
The small size has stimulated the
s t u d e n t s t o a n a l y z e t h e
environments and choices till the
minimum detail.
Fur ther, to each group were
assigned 1 of 3 different typologies
o f c o n s t r u c t i o n ( b a s e d o n
arrangement of the exterior walls) :
«O» «U» and «II».
The final aim was to create a
dwelling energetically self-sufficient
and compatible with the natural
environment of the Po’s Delta.
Photo of the architecture scale model
8 98
Ground floor plan
Longitudinal section with furniture Detail CAD drawings (coating,green roof,structural glass)
Entry prospectus
8 98
Ground floor plan
Longitudinal section with furniture Detail CAD drawings (coating,green roof,structural glass)
Entry prospectus
10 Exterior scene render
Absonometrical render view
Model assembly phases
10 Exterior scene render
Absonometrical render view
Model assembly phases
EXHIBITION CENTRE FOR PISOGNECOMPOSIZIONE ARCHITETTONICA 1 - 2011
PROF. ARCH. F.FONATTIING.L.GHEZA
13
«The more abstract is form, the more clear and direct its appeal»Wassily Kandinsky
Territorial integration of the exhibition centre
EXHIBITION CENTRE FOR PISOGNECOMPOSIZIONE ARCHITETTONICA 1 - 2011
PROF. ARCH. F.FONATTIING.L.GHEZA
13
«The more abstract is form, the more clear and direct its appeal»Wassily Kandinsky
Territorial integration of the exhibition centre
14 15
Ground floor plan - the sharp geometric shapes take inspiration from the intertwining of painting "Composition No. 8" by Wassily Kandinsky
Longitudinal section - At the entrance you will find the hall that anticipates the exhibition area characterized by full-height skylight. In the hypogean zone develops a small room for meetings and conferences.
Render of the exhibition areaRender of the exhibition areaRender of the exhibition area
External render view
External render view
14 15
Ground floor plan - the sharp geometric shapes take inspiration from the intertwining of painting "Composition No. 8" by Wassily Kandinsky
Longitudinal section - At the entrance you will find the hall that anticipates the exhibition area characterized by full-height skylight. In the hypogean zone develops a small room for meetings and conferences.
Render of the exhibition areaRender of the exhibition areaRender of the exhibition area
External render view
External render view
16 17
16 17
TYPE OF EPISODES
19
4 POLESELLA - A PROJECT FO(U)R POLESELLACOMPOSIZIONE ARCHITETTONICA 2 - 2012
PROF. ARCH. M.MONTUORIARCH. B.ANGI
COMPOSITIONAL PRINCIPLEBASIC ELEMENT
4X4mEPISODE
8X8m
BASIC GRID16X16m
PATHS
EPISODES
GRIDELEMENTS
Cycling
On feet
The aim of the project was to try redeveloping the area of Polesella (Rovigo) characterized by the presence of the bed of an anchient r iver (cal led «Fossa») reclaimed after the disastrous flood of 1951. For this reason we realized an agricultural theme park supported by pedestrian and cycle paths and a hotel area, that could gift to the city a second life as cultural and touristical standpoint. In this way we worked with a moduled scheme of 4x4 meters that generates the basic form of all the project.
TYPE OF EPISODES
19
4 POLESELLA - A PROJECT FO(U)R POLESELLACOMPOSIZIONE ARCHITETTONICA 2 - 2012
PROF. ARCH. M.MONTUORIARCH. B.ANGI
COMPOSITIONAL PRINCIPLEBASIC ELEMENT
4X4mEPISODE
8X8m
BASIC GRID16X16m
PATHS
EPISODES
GRIDELEMENTS
Cycling
On feet
The aim of the project was to try redeveloping the area of Polesella (Rovigo) characterized by the presence of the bed of an anchient r iver (cal led «Fossa») reclaimed after the disastrous flood of 1951. For this reason we realized an agricultural theme park supported by pedestrian and cycle paths and a hotel area, that could gift to the city a second life as cultural and touristical standpoint. In this way we worked with a moduled scheme of 4x4 meters that generates the basic form of all the project.
2120
The logo and the brand of the project
The masterplan based on the form of the «Fossa»
2120
The logo and the brand of the project
The masterplan based on the form of the «Fossa»
2322
Ground floor plan of the auditoriom(on the left)
Section E-E of the final part of the cyclo-park near the levee built after the flood of 1951.You can see the new square of Polesella and a new ramp to pass the levee and connect the Borgo Santa Maura hotel area with the rest of the park . (on the right)
Section B-B where you can see the museum of the and some episodes for temporary exhibitions
2322
Ground floor plan of the auditoriom(on the left)
Section E-E of the final part of the cyclo-park near the levee built after the flood of 1951.You can see the new square of Polesella and a new ramp to pass the levee and connect the Borgo Santa Maura hotel area with the rest of the park . (on the right)
Section B-B where you can see the museum of the and some episodes for temporary exhibitions
2524
Section F-F You can see the ramp structure and the new square. All the buildings’ facades facing the Park were covered with vegetation. (on the left)
Section D-D you can see some episodes included in the park, like a bar, a bike rental and a location where you can admire the seventeenth-century Villa Rosetta. (at the bottom)
Render of the cyclo-park Render of the cyclo-park The new square The new square and a a stage for an outdoor theatre The new square and a a stage for an outdoor theatre The new square and a a stage for an outdoor theatre
2524
Section F-F You can see the ramp structure and the new square. All the buildings’ facades facing the Park were covered with vegetation. (on the left)
Section D-D you can see some episodes included in the park, like a bar, a bike rental and a location where you can admire the seventeenth-century Villa Rosetta. (at the bottom)
Render of the cyclo-park Render of the cyclo-park The new square The new square and a a stage for an outdoor theatre The new square and a a stage for an outdoor theatre The new square and a a stage for an outdoor theatre
Render of Santa Maura hotel area
Masterplan of the Santa Maura area
Prespective view of the compact hotel
Render section of the compact hotel
Render of Santa Maura hotel area
Masterplan of the Santa Maura area
Prespective view of the compact hotel
Render section of the compact hotel
Render of Santa Maura hotel area Render of Santa Maura hotel area
Render of Santa Maura hotel area
2928
Render of Santa Maura hotel area Render of Santa Maura hotel area
Render of Santa Maura hotel area
2928
PALAZZO BENASAGLIO GIA’ MAGGIPALAZZO BENASAGLIO GIA’ MAGGI
PROF. ARCH. I.PASSAMANIPROF. ARCH. I.PASSAMANIING.M.PONTOGLIOING.M.PONTOGLIO
PALAZZO BENASAGLIO GIA’ MAGGIRILIEVO DELL’ARCHITETTURA - 2011
PROF. ARCH. I.PASSAMANIING.M.PONTOGLIO
INQUADRAMENTOAEROFOTOGRAMMETRICO
Palazzo Benasaglio già Maggi
Santa Giulia Museum
Musei street
31
«E’ necessario mantenere la sesta negli occhi«E’ necessario mantenere la sesta negli occhie non nella mano. Alle mani l’esecuzione mae non nella mano. Alle mani l’esecuzione maall’occhio il giudizio»all’occhio il giudizio»Michelangelo BuonarrotiMichelangelo Buonarroti
«E’ necessario mantenere la sesta negli occhie non nella mano. Alle mani l’esecuzione maall’occhio il giudizio»Michelangelo Buonarroti
Grading viewGrading viewGrading view
The goal of the exhibit of «Rilievo dell’architettura» was to analyze Palazzo Benasaglio (a 18th c e n t u r y ’s b u i l d i n g ) , f ro m architectural and historical point of view. This survey allowed us to have a global vision of the theme, revealing the salient features of the palace and allowing us to set properly the survey project.
PALAZZO BENASAGLIO GIA’ MAGGIPALAZZO BENASAGLIO GIA’ MAGGI
PROF. ARCH. I.PASSAMANIPROF. ARCH. I.PASSAMANIING.M.PONTOGLIOING.M.PONTOGLIO
PALAZZO BENASAGLIO GIA’ MAGGIRILIEVO DELL’ARCHITETTURA - 2011
PROF. ARCH. I.PASSAMANIING.M.PONTOGLIO
INQUADRAMENTOAEROFOTOGRAMMETRICO
Palazzo Benasaglio già Maggi
Santa Giulia Museum
Musei street
31
«E’ necessario mantenere la sesta negli occhi«E’ necessario mantenere la sesta negli occhie non nella mano. Alle mani l’esecuzione mae non nella mano. Alle mani l’esecuzione maall’occhio il giudizio»all’occhio il giudizio»Michelangelo BuonarrotiMichelangelo Buonarroti
«E’ necessario mantenere la sesta negli occhie non nella mano. Alle mani l’esecuzione maall’occhio il giudizio»Michelangelo Buonarroti
Grading viewGrading viewGrading view
The goal of the exhibit of «Rilievo dell’architettura» was to analyze Palazzo Benasaglio (a 18th c e n t u r y ’s b u i l d i n g ) , f ro m architectural and historical point of view. This survey allowed us to have a global vision of the theme, revealing the salient features of the palace and allowing us to set properly the survey project.
3232
Plan of the ground floor obtained using the method of trilateration based on polygonal lines
The investigation and research of data were carried out at the Archivio di Stato di Brescia and at the Sovrintendenza, and then cont inued in s i te with the production of the architectural facades’ and the ground floor’s CAD designs . Obtained plants and prospects we analyzed the perspective axis through the use of 3D models and simplified representations of the "structure" of the building.
Entrance facade - simple and characterized by well-defined 3 plans from the groups of windows
Entrance facade - Render restitution
3232
Plan of the ground floor obtained using the method of trilateration based on polygonal lines
The investigation and research of data were carried out at the Archivio di Stato di Brescia and at the Sovrintendenza, and then cont inued in s i te with the production of the architectural facades’ and the ground floor’s CAD designs . Obtained plants and prospects we analyzed the perspective axis through the use of 3D models and simplified representations of the "structure" of the building.
Entrance facade - simple and characterized by well-defined 3 plans from the groups of windows
Entrance facade - Render restitution
Optical cone analysis
We tried with the 3D model, derived from the survey, to analize the point of view of the spectator and how the prospectical axis could influence him and his perception of the building conformation.
Perceptual light-shadow analysis
The deep entrance and porch with two double bay create a suggestive play of light and shade that emphasizes the role of perspective and depth of the Vantini’s fountain, which are in contrast with the entrance area.
34 35
Sequence analysis of the optical cone inside the building.
Portal and the prospective sequence
Optical cone analysis
We tried with the 3D model, derived from the survey, to analize the point of view of the spectator and how the prospectical axis could influence him and his perception of the building conformation.
Perceptual light-shadow analysis
The deep entrance and porch with two double bay create a suggestive play of light and shade that emphasizes the role of perspective and depth of the Vantini’s fountain, which are in contrast with the entrance area.
34 35
Sequence analysis of the optical cone inside the building.
Portal and the prospective sequence
36 37
Analysis of the gate and of the Tuscan architectural order that characterizes all the architecture and the proportions of the building.
Symmetrical view of the gate and in the background the Vantini’s fountain. (one the left)
3D simulation of the wrought iron gate
36 37
Analysis of the gate and of the Tuscan architectural order that characterizes all the architecture and the proportions of the building.
Symmetrical view of the gate and in the background the Vantini’s fountain. (one the left)
3D simulation of the wrought iron gate
CittadellaCittadellaCittadella
RoccaRoccaRocca
TowerTowerTower
DomeDomeDome
Podestà’s HousePodestà’s HousePodestà’s HouseCity HallCity HallCity Hall
SquareSquareSquare
LibraryLibraryLibrary
39
«LA CITTADELLA» - A SPRAWLING HOTEL FOR LONATO DEL GARDA RESTAURO ARCHITETTONICO - 2014
PROF. ARCH.B.SCALA
The aim of the course was to look for the redevelopment of an area owned by the municipality of Lonato del Garda with strong artistic and historical value: «La Cittadella». The argument proposed by Ugo da Como Foundation in collaboration with the Università degli Studi di Brescia was designing a citywide sprawling hotel, allowing to exploit the artistic beauty of Lonato, first and foremost the Rocca. Our group focused on the analysis of a particular house going to produce an accurate architectural survey and cataloging the state of d e g r a d a t i o n a n d b u i l d i n g ’s materials. At the end of this phase the goal was to try to create a restoration p r o j e c t a n d a r c h i t e c t u r a l appreciation that would allow the public to make accessible the structure without disrupting the existing system. Our work has focused on the analysis of «Casa Casella», one of the buildings of the Cittadella near the city tower.
Grading viewGrading viewGrading view
CittadellaCittadellaCittadella
RoccaRoccaRocca
TowerTowerTower
DomeDomeDome
Podestà’s HousePodestà’s HousePodestà’s HouseCity HallCity HallCity Hall
SquareSquareSquare
LibraryLibraryLibrary
39
«LA CITTADELLA» - A SPRAWLING HOTEL FOR LONATO DEL GARDA RESTAURO ARCHITETTONICO - 2014
PROF. ARCH.B.SCALA
The aim of the course was to look for the redevelopment of an area owned by the municipality of Lonato del Garda with strong artistic and historical value: «La Cittadella». The argument proposed by Ugo da Como Foundation in collaboration with the Università degli Studi di Brescia was designing a citywide sprawling hotel, allowing to exploit the artistic beauty of Lonato, first and foremost the Rocca. Our group focused on the analysis of a particular house going to produce an accurate architectural survey and cataloging the state of d e g r a d a t i o n a n d b u i l d i n g ’s materials. At the end of this phase the goal was to try to create a restoration p r o j e c t a n d a r c h i t e c t u r a l appreciation that would allow the public to make accessible the structure without disrupting the existing system. Our work has focused on the analysis of «Casa Casella», one of the buildings of the Cittadella near the city tower.
Grading viewGrading viewGrading view
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Analysing the pre-existence we produced the drawings relating to the material and degradation part. T h e n , b a s i n g o n t h e s e investigations, we come to propose new measures, both in s t r u c t u r a l ( fl o o r a n d r o o f reinforcements) and architectural level. For this reason we decided to collaborate with the group that it was analyzing the next-door House (Casa Sacchi) in order to create a more uniform structure and functional as possible. The result is a hybrid project between business proposal , related to typical products of Lonato (like wine and oil), and a hote l structure d iv ided into multiple apartments. The goa l was to c reate an environment that would allow the encounter between citizens and tour ists , reducing the c lear separation between public and private areas.
Architectural analysis - South prospectus
-Pre-existing situation-Materials catalogue -Facade’s degradation
All these phasese are fundamental to the project the interventions needed.(from left to right)
Ground floor plan - You can see the buildings’structure based on two blocks connected by a patio.
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Analysing the pre-existence we produced the drawings relating to the material and degradation part. T h e n , b a s i n g o n t h e s e investigations, we come to propose new measures, both in s t r u c t u r a l ( fl o o r a n d r o o f reinforcements) and architectural level. For this reason we decided to collaborate with the group that it was analyzing the next-door House (Casa Sacchi) in order to create a more uniform structure and functional as possible. The result is a hybrid project between business proposal , related to typical products of Lonato (like wine and oil), and a hote l structure d iv ided into multiple apartments. The goa l was to c reate an environment that would allow the encounter between citizens and tour ists , reducing the c lear separation between public and private areas.
Architectural analysis - South prospectus
-Pre-existing situation-Materials catalogue -Facade’s degradation
All these phasese are fundamental to the project the interventions needed.(from left to right)
Ground floor plan - You can see the buildings’structure based on two blocks connected by a patio.
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Structural rehabilitation of the ceilings and roofWe have chosen an uninvasive solution based on the use of stud connectors inserted in concrete.In this way the original wooden planks could be maintained and the intervention risulted less invasive . For the roof we thought about a total replacement of the insulation package.
Structural rehabilitation options in detail before (on the left) and after (on the right)
Technical solutions in detail
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Structural rehabilitation of the ceilings and roofWe have chosen an uninvasive solution based on the use of stud connectors inserted in concrete.In this way the original wooden planks could be maintained and the intervention risulted less invasive . For the roof we thought about a total replacement of the insulation package.
Structural rehabilitation options in detail before (on the left) and after (on the right)
Technical solutions in detail
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Photorealistic render of the resettlement of the new bistrò
Section A-AYou can see on the ground floor the development of the eno-gastronomic area, while the upper floors are characterized by the hospitality function. Special importance is attributed to the recovery of the cellar under the patio flooring, that can be used for wine tasting.
Photorealistic render of the resettlement of the new bistro
Render of the new entrance
Functional reset of the floor plan
A A
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Photorealistic render of the resettlement of the new bistrò
Section A-AYou can see on the ground floor the development of the eno-gastronomic area, while the upper floors are characterized by the hospitality function. Special importance is attributed to the recovery of the cellar under the patio flooring, that can be used for wine tasting.
Photorealistic render of the resettlement of the new bistro
Render of the new entrance
Functional reset of the floor plan
A A
SHAMBERG HOUSE | RICHARD MEIERINFORMATICA GRAFICA - 2009
PROF. ARCH. M. DE PAOLIING. G.GUANI
«White is the most wonderful color, because whitin it you cansee all the colors of the rainbow. The whiteness of the white isthe almost always transformed by light and which is changing:the sky, the clouds, the sun and the moon»Richard Meier 47
During the course of «informatica grafica» (A.A. 2009-2010) we adopted for the first time some 3D modeling softwares like Archicad and Cinema 4d.All the groups of student had to redesign a building of a famous architect in 3D and after that generate a model with which can be made renders and other graphical il lustrations.My group had to model the Shamberg House designed by Richard Meier.This building, in harmony with Meier’s phi losophy, is based on simple geometrical figures. The house can besubd iv ided in to a sequence of parallelepipedons that describe all the functions of the ambiences (the bigger one identifies the living room).The stair and the gallery represent the uniqueness of the curve.There’s only one colour : the white.
First floor plan and the section with the frontal view of the sinuous stair
Absonometrical view of the house with its sorrounding
SHAMBERG HOUSE | RICHARD MEIERINFORMATICA GRAFICA - 2009
PROF. ARCH. M. DE PAOLIING. G.GUANI
«White is the most wonderful color, because whitin it you cansee all the colors of the rainbow. The whiteness of the white isthe almost always transformed by light and which is changing:the sky, the clouds, the sun and the moon»Richard Meier 47
During the course of «informatica grafica» (A.A. 2009-2010) we adopted for the first time some 3D modeling softwares like Archicad and Cinema 4d.All the groups of student had to redesign a building of a famous architect in 3D and after that generate a model with which can be made renders and other graphical il lustrations.My group had to model the Shamberg House designed by Richard Meier.This building, in harmony with Meier’s phi losophy, is based on s imple geometrical figures. The house can besubd iv ided in to a sequence of parallelepipedons that describe all the functions of the ambiences (the bigger one identifies the living room).The stair and the gallery represent the uniqueness of the curve.There’s only one colour : the white.
First floor plan and the section with the frontal view of the sinuous stair
Absonometrical view of the house with its sorrounding
48 49
Exterior scene render
Longitudinal section - It is clearly visible the golden ratio between voids and the intercolumnio.The purity of Meier's architecture seems reminding to the Greek classical principles.
Trasversal section - The volume is configured by essential lines as a large block, which can be decomposed into other different regular spaces.The object that combines the living room with the other areas is the fireplace, which assumes a preponderant role.
48 49
Exterior scene render
Longitudinal section - It is clearly visible the golden ratio between voids and the intercolumnio.The purity of Meier's architecture seems reminding to the Greek classical principles.
Trasversal section - The volume is configured by essential lines as a large block, which can be decomposed into other different regular spaces.The object that combines the living room with the other areas is the fireplace, which assumes a preponderant role.
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AMATEUR PHOTOGRAPHYHOW I SEE THE WORLD
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AMATEUR PHOTOGRAPHYHOW I SEE THE WORLD
Enzo PasquaTel: +39 3463266095Email: [email protected]: pasqua.enzo
