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Bert Groover Fall 2012
Boarding school
Athens polytechnic
Greek Liberation Front
Exile in Paris
Couvent de la Tourette
The Philips Pavilion
Early teachers
Pithoprakta
ST/48 1-240162
ST/10 2-080262
Stratégie
Eonta
Terretektorh
Persephassa
Psappha
• Groups A, B, and C
Wood or Skin?
Groups D, E, and F: Metals
Xenakis’ thoughts on
instruments
Sylvio Gualda
Steven Schick
My setup
How do you learn it?
Densities- Section A
Densities- Section B
Densities- Section C1, C2,
C3
Densities- Section D1, D2
Densities- Section E
BibliographyClark, Philip: “The Wire Primers: A Guide To Modern Music" Xenakis, pages 191-198; Verso, 2009; ISBN 978 1 84467 427
5
DeLio, T. (2001). Xenakis. Perspectives of New Music,39(1), 231-243. Retrieved from http://www.jstor.org/stable/833540
Harley, James. 2004. Xenakis: his life in music. London: Taylor & Francis Books. ISBN 0-415-97145-4
Hill, P. (1975). Xenakis and the performer. Tempo, (112), 17-22. Retrieved from http://www.jstor.org/stable/943471
Hoffmann, Peter. "Iannis Xenakis", Grove Music Online, ed. L. Macy (accessed 23 December 2006), grovemusic.com
(subscription access).
Matossian, N. (1986). Xenakis. New York, New York: Taplinger Publishing Co.
Rosen, M. (1989). An interview with sylvio gualda concerning psappha. Percussive Notes, 27(4), 32-36.
Sallak, B. (2002). Informed indeterminacy: Guidelines for instrument choice in iannis xenakis's "psappha". Percussive
Notes, 40(2), 55-59.
Schick, S. (2006). The percussionist's art: Same bed, different dreams. Rochester, NY: University of Rochester Press.
Varga, Bálint András. 1996. Conversations with Iannis Xenakis. London: Faber and Faber. ISBN 0-571-17959-2
Xenakis, Iannis; Roberta Brown, and John Rahn (1987). "Xenakis on Xenakis". Perspectives of New Music 25 (1/2): 16–
63. Retrieved from http://www.jstor.org/stable/833091
Xenakis, I. (1971). Formalized music: Thought and mathematics in composition. Ontario, Canada: Indiana University
Press.
Yoken, D. (1990). Interview with Iannis Xenakis. Percussive Notes, 28(3), 53-57.
Zaplitney, M. (1975). Conversation with Iannis Xenakis. Perspectives of New Music, 14(1), 86-103. Retrieved from
http://www.jstor.org/stable/832544
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