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Women Witnesses to the Resurrection

Women Witnesses to the Resurrection

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Page 1: Women Witnesses to the Resurrection

Women Witnesses to the Resurrection

Page 2: Women Witnesses to the Resurrection

The earliest known architectural art of the crucifixion was carved on the door of St. Sabina church in Rome in the 430s.

Here also appears the earliest architectural art of both resurrection scenes :

• The women at the Empty Tomb

• The women with the risen Christ

Page 3: Women Witnesses to the Resurrection

430s, St. Sabina Church, Rome. The crucifixion on a carved wood panel.

Page 4: Women Witnesses to the Resurrection

430s, St. Sabina Church, Rome. Two women at the Empty Tomb with the angel

Page 5: Women Witnesses to the Resurrection

430s, St. Sabina Church, Rome. Two women with the Risen Christ

Page 6: Women Witnesses to the Resurrection

Late 400s, Ravenna.

Ivory with two scenes:

Two women with theangel at the Empty Tomb

and

Two women with the Risen Christ

Page 7: Women Witnesses to the Resurrection

1100s, Venice. Two scenes: With the angel and with the Risen Christ

Page 8: Women Witnesses to the Resurrection

1310-1325, Italy. Three women with the angel at the Empty Tomb.

Page 9: Women Witnesses to the Resurrection

1310-1325, Italy. Three women with the Risen Christ.

Page 10: Women Witnesses to the Resurrection

One more look . . .

Compare the women’s posture in the earliest scene with Christ

to their posture in the later scenes.

Page 11: Women Witnesses to the Resurrection

Two women stand with Christ. St. Sabina Church, Rome, 430s.

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Two women kneelbefore Christ.

Ravenna, late 400s.

Page 13: Women Witnesses to the Resurrection

Two women fall at the feet of Christ. Venice, 1100s.

Page 14: Women Witnesses to the Resurrection

Three women fall at the feet of Christ.1310-1325, Italy.

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What happened to the women?

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Art as Text

By Ally Kateusz

In honor of Ann Graham Brock