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Urban Screens

Urban Screens

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A selection of projection-based projects in urban spaces, some interactive, some not

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Page 1: Urban Screens

Urban Screens

Page 2: Urban Screens

NYC

Page 3: Urban Screens

Target subway ads | CNN

Page 4: Urban Screens

Anti-Advertising Agency

http://antiadvertisingagency.com/

Anti-advertising agency

Page 5: Urban Screens

parasite

Parasite

Page 6: Urban Screens

Anti-Advertising Agency, Bus Stop Project

Anti-advertising agency

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Anti-Advertising Agency, Light Criticism

Anti-advertising agency

Page 8: Urban Screens

David Rokeby, SeenDavid Rokeby, Seen

Page 9: Urban Screens

Graffiti Research Lab

http://graffitiresearchlab.com/

GRL

Page 10: Urban Screens

Walker Art Center exterior

Walker art center

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Uniqa tower, Vienna

Uniqa tower

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SPOTS, light and media installation, Potsdamer Platz, Berlin, 2005;created by realities:unlimited

realities:unlimited

Page 13: Urban Screens

Blickenlights, Berlin, 2002, Chaos Computer Club

Blickenlights

Page 14: Urban Screens

BIX, Kunsthaus Graz, Austria, 2003

BIX

Page 15: Urban Screens

EnterActive, by Electroland

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“Volume,” by United Visual Artists and onepointsix

Page 17: Urban Screens

Climate on the WallClimate on the Wall

Blur + sharpen

Page 18: Urban Screens

Doug Aitken, Sleepwalkers (2007)

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Aitken

“These characters provide a blueprint for the metropolis as a living, breathing organism fueled by the desires, energies and ambitions of its inhabitants”

-Doug Aitken

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Lowry

“A project like this creates a very different dialogue with the public, who we hope will be inspired to think about art in relation to the city itself and to the larger urban experience.”

-Glenn Lowry, MoMA Director

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Aitken

Page 22: Urban Screens

Aitken

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Aitken

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My work reveals the contradiction of the environment and the events actually taking place there. It is to do

with politics of space and the ideology of architecture. City centers are political art galleries.

– Krzysztof Wodiczko

z

Page 25: Urban Screens

Krzysztof Wodiczko

"The attack must be unexpected, frontal, and must come with the night when the building, undisturbed by it's daily function, is asleep and when it's body dreams of itself. This will be a symbol-attack, a public, psychoanalytical seance, unmasking and revealing the unconscious of the building, it's body, the medium of power."

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The Border Projection, Krzysztof Wodiczko, Centro Cultural Tijuana (1988)

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Body Movies, Relational Architecture 6, Rotterdam, Holland, Rafael Lozano-Hemmer, 2001

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Amodal Suspension, Rafael Lozano-Hemmer, 2003

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Vectorial Elevation, Rafael Lozano-Hemmer, 2003

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Pulse Front, Rafael Lozano-Hemmer, 2007

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Underscan, Rafael Lozano-Hemmer, 2005

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Touch, Dexia Tower, Brussels, 2006, by LAB[au]

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pentagram

Touch, Dexia Tower, Brussels, 2006, by LAB[au]

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Holger Mader and Alexander Stublic, Reprojected (Munich 2006)

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Marie Sester, Access (2003)