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Digital storytelling at CPUT Daniela Gachago & Veronica Barnes

Train the trainer digital storytelling workshop at CPUT May 2013

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Page 1: Train the trainer digital storytelling workshop at CPUT May 2013

Digital storytelling at CPUT

Daniela Gachago & Veronica Barnes

Page 2: Train the trainer digital storytelling workshop at CPUT May 2013

• My computer is the nucleus of my workspace • When I need information I go online • Besides IM or email my cell phone is my primary method of

communication • I’m usually juggling five things at once• My attention span is very small• I want instant gratification• I get bored very easily

Oblinger 2008

New generation of students

Page 3: Train the trainer digital storytelling workshop at CPUT May 2013

What is/are the most important skills your students have to develop?

BUZZ

Changing student skill requirements

Page 4: Train the trainer digital storytelling workshop at CPUT May 2013

What Happens When You Turn Your Back In A 21st Century Classroom…

http://www.teachthought.com/technology/what-happens-when-you-turn-your-back-in-a-21st-century-classroom/

Page 5: Train the trainer digital storytelling workshop at CPUT May 2013

Challenges

Page 6: Train the trainer digital storytelling workshop at CPUT May 2013

Five fundamental digital literacies, online skills:– attention, – participation, – collaboration, – critical consumption of

information (or "crap detection"),– and network smarts

Harold Rheingold

Page 7: Train the trainer digital storytelling workshop at CPUT May 2013

Oblinger

Page 8: Train the trainer digital storytelling workshop at CPUT May 2013

Axel Bruns

Page 9: Train the trainer digital storytelling workshop at CPUT May 2013

We want stories. We love stories. Stories keep us alive. Stories that come from a place of deep

insight and with a knowing wink to their audience, and stories that tease us into examining our own feelings and beliefs, and stories that guide us on

our own path. But most importantly, stories told as stories, that honor the simple idea that we want to

relvice wat the autor experienced in time and place.BUZZ

Joe Lambert, 2013

Page 10: Train the trainer digital storytelling workshop at CPUT May 2013

Digital storytelling at CPUT

Page 11: Train the trainer digital storytelling workshop at CPUT May 2013

Definition – digital stories / narratives

Page 12: Train the trainer digital storytelling workshop at CPUT May 2013

• Digital literacies• Alternative to research essay• Authentic acquisition of content• Flexibility• Link to communities – transfer of academic

content to personal lives• Student engagement• Alternative assessment tool

Why digital narratives?

Page 13: Train the trainer digital storytelling workshop at CPUT May 2013

Student feedback

If you’re reading something and you get to watch it , so you’re absorbing it, hearing it and you’re doing it especially because part of you were doing the whole thingy. So as you’re doing it, you’re learning from it and it was fun like most videos it was fun. So you kind of want to play the video over and over and you know… it was the fun part like apply what you learnt into the movie …

Thembani: I feel like the video it’s kind of good way of learning like I will prefer the video like in anything.

Interviewer: Why?

Page 14: Train the trainer digital storytelling workshop at CPUT May 2013

Planning of DST projects

Intro

Research / brainstorming

Scripting Storyboarding

Images

Photostory Narration

Background sounds

Screening

Visual literacy

Academic literacy

Perfomance

Multimedia skills

Information literacy

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Work in progress

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• Focus on open source / freely available software on the web

• Audacity & MovieMaker• Photostory

Software & media used

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Creative commons

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Course models of DST projects

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Digital Storytelling

Page 20: Train the trainer digital storytelling workshop at CPUT May 2013

Digital storytelling

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Storytelling

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Storytelling

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• From consumption to production to contribution, Stetsenko 2008

Human development and learning

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4th year Education student

Hayley Whitcomb’s story

Page 25: Train the trainer digital storytelling workshop at CPUT May 2013

So yes, if you get exposed to another person’s culture,

surely you will respect that culture eventually and you

will learn about that person and you see that person

with more respect and in a better light.

Real stories

Everybody has their own story to tell. So digital story allows you to tell your specific story and share it amongst everybody in your classroom.

Page 26: Train the trainer digital storytelling workshop at CPUT May 2013

Mobile learning and digital storiesParticipatory Learning and Action Techniques

Page 27: Train the trainer digital storytelling workshop at CPUT May 2013

• Aim: establishing needs of various groups in communities in order to develop some form of action on this need

• Important: critical self-consciousness on the part of the researchers as well as a concern with social justice

• Characterized as process, not a one-off event which is interactive, uses visual methods, is aimed at action and reflection and is usually practiced in a group setting.

• Good for students with diverse academic literacy skills

• Examples: Community Mapping or River of Life

Participatory Learning & Action Techniques

Page 28: Train the trainer digital storytelling workshop at CPUT May 2013

Community mapping - urban

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Community map - rural

Page 30: Train the trainer digital storytelling workshop at CPUT May 2013

River of Life

Page 31: Train the trainer digital storytelling workshop at CPUT May 2013

Planning of DST projects (7 steps of DST)

Intro

PLA / Storycircle

Scripting Storyboarding

Images

Photostory Narration

Background sounds

Screening

Owning your insights

Owning your emotions

Finding the moment

Seeing your story

Hearing your story

Assembling your story

Sharing your story

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• Social cohesion / social pedagogy• From vulnerability to pride, pedagogy of

discomfort• Social justice education• Engagement with issues around diversity• Critical reflection• Student identity

Benefits of digital storytelling

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• Technology• Assessment• Time• Access• Diverse literacy skills• Adapting model to specific discipline• Process vs product• Dissemination of stories (access, copyright)

Challenges of DST projects

Page 34: Train the trainer digital storytelling workshop at CPUT May 2013

Any questions?

• www.cput.ac.za/blogs/edutech• http://www.cput.ac.za/blogs/edutech/digital-s

torytelling-resources/

• YouTube channel: http://www.youtube.com/user/CPUTstories

[email protected] or [email protected]

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