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A presentation on Richard Avedon. Laura Wilson, Owen Wilson, Wes Anderson, Anjelica Huston, Vogue, The New Yorker, I do not own the rights to any of this material it is for a photojournalism class
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Richard AvedonBy: Colton Macaluso
I see pictures of myself and I always knew that what I was feeling didn't look like that guy in the pictures.
-Avedon
May 15, 1923 - October 1, 2004Avedon Worked for many magazines in the
birth of his career.
Later Avedon Also worked for fashion designers: Versace, CK, Revlon
Vogue
I am always stimulated by people. Almost never by ideas.
-Avedon
Life Magazine
I hate cameras. They interfere, they're always in the way. I wish: if I could work with my eyes alone.
-Avedon
StyleBlank BackgroundMinimalisticNo props No soft lightingStraight forward photographyPortraits
Avedon would often probe his subjects with psychologically uncomforting dialogue to provoke a display of their character.
Subjects
Avedon had a wide variety of celebrities he photographed all from different walks of
fame
Andy Warhol displaying The Beatles scars
John/Jackie John FordKennedy
Nepotism?
Or just an over active imagination?
Laura Wilson was Avedon’s assistant for 6 Years
Laura Wilson is the mother to a trio of acting sons
Owen WilsonLuke Wilson
Andrew Wilson
Wilson and Avedon talking to the subject of a shoot
Tying it all together!*Wes Anderson grew up with the Wilson
brothersAvedon’s work can be seen from time to
time as influence in Anderson’s filmsMost notably The Royal Tenenbaums
Anjelica Huston was a frequent subject of Avedon’s work
Anderson also works with Huston regularly
*And my infatuation with him
Wilson’s imitation of Avedon's American West photo of Boyd Fortin
Here Anderson and Wilson reference In The American West to
cast their film Bottle Rocket
Avedon’s change of heartIn ‘74 Avedon started his battle with severe
heart inflammation
This reassurance of mortality caused him to take on a new subject after being
approached by the director of the Amon Carter Museum, in Texas.
In The American Westfocused on everyday working class people:
miners in dirty work clothes, housewives, farmers and drifters
5 Years of work
762 people
17,000 sheets of 8 x 10 film
I've photographed just about everyone in the world. But what I hope to do is photograph people of accomplishment, not celebrity, and help define the difference once again.
-Avedon
In Memory of the Late Mr. and Mrs. Comfort, a fable by Richard Avedon.
Avedon’s last shoot was done for The New Yorker November of ‘95
Avedon died October of ’04 from a brain hemorrhage, at the age of 81, leaving behind the legacy of
his work and philosophy.