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Rethinking the Whole Class Novel Donalyn Miller

Rethinking the whole class novel

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Page 1: Rethinking the whole class novel

Rethinking the Whole Class NovelDonalyn Miller

Page 2: Rethinking the whole class novel

www.slideshare.net/donalynm

www.bookwhisperer.com

@donalynbooks

Page 3: Rethinking the whole class novel

What are the benefits of whole

class novels?

Page 4: Rethinking the whole class novel

What are the drawbacks to

whole class novels?

Page 5: Rethinking the whole class novel

“…students are not reading more or better as

a result of the whole-class novel. Instead,

students are reading less and are less

motivated, less engaged, and less likely to read

in the future.”

—Douglas Fisher and Gay Ivey, "Farewell to Farewell to Arms: De-

Emphasizing the Whole Class Novel"

Page 6: Rethinking the whole class novel

Whole Class Novel Benefits

Provides a common text for instructional purposes and reference.

Assures that students read at least a few books.

Exposes students to works with cultural, historical, or literary significance.

Page 7: Rethinking the whole class novel

Whole Class Novel Concerns

No single text can meet the reading levels or interests of the wide range of readers in a classroom.

Novel units take too long. Students cannot read enough to develop strong literacy skills.

Extensions and fun activities reduce authentic reading, writing, and thinking.

Page 8: Rethinking the whole class novel

How can we reap the benefits of

teaching a whole class novel,

and minimize the concerns?

Page 9: Rethinking the whole class novel

If your culture or curriculum

requires reading a whole class

novel…

Page 10: Rethinking the whole class novel

Shorten the amount of time you

spend reading the book.

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Strip units of activities like projects and vocabulary work.

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Alternate whole class novel units with independent reading units.

Page 13: Rethinking the whole class novel

Use read alouds and shared reading, particularly with difficult text.

Page 14: Rethinking the whole class novel

Provide students time to read in class and receive support from you.

Page 15: Rethinking the whole class novel

If you are not required to teach

specific books…

Page 16: Rethinking the whole class novel

Design instruction around genres, themes,

literary elements, or comprehension strategies.

Page 17: Rethinking the whole class novel

Differentiation (Tomlinson, 2000)

Content

Process

Product

Learning Environment

Page 18: Rethinking the whole class novel

Allowing students to choose their own texts

fosters engagement and increases reading

motivation and interest.

--Gambrell, Coding, & Palmer (1996); Worthy & McKool (1996);

Guthrie & Wigfield (2000)

Page 19: Rethinking the whole class novel

Motivation Background Knowledge

Reading Level

Matching Readers to Text

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SAMPLE UNITDystopian Science Fiction

Page 21: Rethinking the whole class novel

Modeling

Teacher identifies characteristics

of dystopian societies, and reads

aloud Suzanne Collins’ The

Hunger Games as a mentor text.

Teacher identifies and reinforces

characteristics when encountered

in the book.

Page 22: Rethinking the whole class novel

Guided Practice

Through class discussion

and written responses,

students analyze the

dystopian society in The

Hunger Games.

Page 23: Rethinking the whole class novel

Independent Practice

Students select another

dystopian science fiction

book and apply the same

analysis. Students compare

their own books to The

Hunger Games.

Page 24: Rethinking the whole class novel

Use common texts like short stories, articles,

and book chapters for modeling and teaching.

Page 25: Rethinking the whole class novel

SAMPLE UNITSuspense and Foreshadowing

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Modeling

Teachers defines suspense and

foreshadowing, and reads

aloud, “The Escape.” Using a

think aloud, teacher identifies

and evaluates moments of

suspense and foreshadowing.

Page 27: Rethinking the whole class novel

Guided Practice

Students and teacher share

read, “The Monkey’s

Paw.” Students identify,

evaluate and discuss

moments of suspense and

foreshadowing.

Page 28: Rethinking the whole class novel

Independent Practice

Students read “The

Landlady” and “Grave

Danger.” Students identify

and evaluate moments of

suspense and

foreshadowing.

Page 29: Rethinking the whole class novel

Independent Practice

Students record and evaluate

moments of foreshadowing

and suspense in several

chapters of their

independent novels.

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Create guiding questions or independent

practice that can be used with any book.

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27

Dust Bowl Reading Ladder

Reading Ladders

(Lesesne, 2010)

Page 34: Rethinking the whole class novel

Guiding Questions for

Examining Historical Events

Who are the people in your text?

How did they get involved in ___________?

What were the short term consequences for

them?

What were the long term consequences?

Page 35: Rethinking the whole class novel

Sample Unit

Nonfiction Text Features

Page 36: Rethinking the whole class novel

Modeling

Teacher reads aloud Mosquito

Bite. Using a think aloud,

teacher identifies text features

and describes how text

features enhance the book and

increase comprehension.

Page 37: Rethinking the whole class novel

Guided Practice

Students and teacher share

read several nonfiction

articles. Students preview

the articles, make

predictions, and evaluate

how the text features

enhance comprehension.

Page 38: Rethinking the whole class novel

Guided Practice

Students preview various

nonfiction trade books,

identifying and evaluating text

features. Students share text

features from their books,

make predictions, and develop

a class chart of text features.

Page 39: Rethinking the whole class novel

Independent Practice

Students select two

nonfiction trade books to

read. Students preview the

text features, make

predictions, and evaluate

how the text features

increase comprehension.

Page 40: Rethinking the whole class novel

Ask students

to apply what

they have

learned to

their

independent

books.

Page 41: Rethinking the whole class novel

Core Idea

Reposition instruction around

independent reading.

Page 42: Rethinking the whole class novel

Books belong to their readers.

--John Green