1

EXT. ITALIAN BAR – NIGHT

In the heart of Little Italy New York, three men discussing are seated in a VIP seating lounge.

INT. ITALIAN BAR – TOKO LOUNGE – NIGHT

ANTONIO, CARLO and SALVATORE are all discussing on a round table. Carlo wearing an extravagant suit leans into Salvatore with authority.

CARLO:

You know Sal, we’ve always looked out for you right?

INT. SCHOOL PLAYGROUND – DAY

SAL, CARLO and ANTONIO are with one another

INT. ITALIAN BAR – TOKO LOUNGE – NIGHT

CARLO:

We hope that you agree

SALVATORE:

You guys are brothers to me.

ANTONIO:

We want you to do a little something for us. Carlo and I have an unorthodox job for you.

SALVATORE:

A job?

He looks puzzled and alarmed at both of the twins

CARLO:

A certain client, Sal; black listed, let’s say.

SAL:

You want me to kill him? That’s for me Carlo

CARLO:

Take this package; inside there’s a note. You’d better get used to the plan, Sal. No cock-ups

CARLO and ANTONIO leave the bar, and SAL is on his own

SALVATORE’S CAR – NIGHT

He goes home, opens a safe containing documents and exits.

INT: ANTONIO’S CAR- DAY

Antonio:

Squeezing the Binoculars fiercely and shakes his head

He’s taking too damn long…?

2

Carlo:

He would’ve told us by now.

EXT: NEAR THE DEBTOR’S HOME- DAY

Antonio (V.O):

I ain’t waiting anymore

INT: CAR-DAY

SALVATORE THROWS A GUN AND A PHOTOGRAPH ON THE BACKSEAT

EXT: DEBTOR’S STREET- CONT’D

ANTONIO GETS OUT OF THE CAR AND WALKS TO THE DEBTORS HOME

The DEBTOR OPENS the door, calmly

DEBTOR:

(Screams) No

CARLO SHOOTS THE DEBTOR IN THE STOMACH TWICE

EXT: SAL’S STREET

Carlo:

Open up Sal, we know you’re in there

HAZEL:

Sal’s not here. Go. Get away

Antonio:

Don’t lie to us, Broad.

Hazel:

I know everything

Antonio:

You know too much

Pushes her backwards and shoots her dead

(PHONE Ringing)

CARLO Reaches into HAZEL’s pocket and pulls out her phone

Salvatore (On the PHONE):

Hazel

Antonio:

Sal?

Salvatore:

Where’s Hazel?

Antonio:

3

Listen up; we’re coming for you now

(Hangs up)

EXT. SUBURBAN STREET – EVENING

The street is lighted by street lights. To one side is a park enclosed by a gate; to the other, the road and a block of buildings.

SALVATORE – Wearing a dark brown jumper, white shirt with a black tie and black trousers. He is carrying a brief case in one hand and in the other, a mobile phone.

SALVATORE is walking down the street.

In his left hand he holds a mobile phone to his ear. In his right hand he holds a brief case.

INT. DWAYNE’S HOME OFFICE - EVENING

DWAYNE – Black, wearing a dark blue suit and purple tie with a cream overcoat.

DWAYNE has his mobile phone raised to his ear in his right hand.

DWAYNE

How can I trust you?

EXT. SUBURBAN STREET – EVENING

HITMAN – Wearing a black leather jacket, black jeans and black shoes.

SALVATORE is walking down the street.

Black car pulls up beside SALVATORE.

HITMAN exits the car and hits SALVATORE in the stomach.

DWAYNE:

Hello?

INT. HITMAN’S BLACK CAR – EVENING

SALVATORE is thrown into the backseat of the car.

SALVATORE’S mobile phone fall onto the floor of the car below the back seat.

INT. DWAYNE’S HOME OFFICE – EVENING

DWAYNE (CONT’D):

Sal?

DWAYNE pulls the phone away from his ear and looks at it

DWAYNE LOOKS AT HIS COMPUTER FINDS AN ADDRESS AND RUNS OUT WITH A GUN

EXT. DARK FOREST – NIGHT

HITMAN ties a not in the thick rope that is wrapped around SALVATORE.

HITMAN uses a shovel to thrown dirt into the ditch on SALVATORE.

4

DWAYNE has his gun pointed at the HITMAN and shoots.

DWAYNE produces a knife and cuts the rope around SALVATORE’S hands.

SALVATORE

They’re looking for the evidence I was meantto destroy

DWAYNE

That evidence can charge these men for life

INT. DWAYNE’S LIVING ROOM – NIGHT

DWAYNE and SALVATORE are sitting on a sofa at a brown wooden coffee table.

DWAYNE unfolds a map of the city onto his desk.

DWAYNE

I may need your help

INT: A CAR-DAY

CARLO:

He won’t hold back and neither will we

ANTONIO:

We’ve got to get those damn files back

EXT: A CAR PARK- NIGHT

DWAYNE is inside his car, on the PHONE to SAL.

DWAYNE:

Listen to me, you’re being paranoid.

INT: MOTEL ROOM- NIGHT

SAL is lying on a BED with black DUVET COVERS, on his PHONE

SAL:

Have you ever been so darn scared in your life, Dwayne?

EXT: THE CITY- DAY

CARLO and ANTONIO are outside a BUILDING and waiting ANTONIO covers his arm with a newspaper, hiding his PISTOL

DWAYNE (V.O):

Yes, I have; I’ve also busted men like them before?

5

INT: THE FIBONACCI HOUSE, OFFICE-DAY

CARLO and ANTONIO are looking at a piece of PAPER

CARLO:

The word’s out; Sal’s got a rookie detective in on all of this

ANTONIO:

Someone’s in trouble

INT: OFFICE- EVENING

PHOTOS of DWAYNE and SAL are on the MONITOR

INT: THE FIBONACCI HOUSE, OFFICE-DAY

CARLO (CONT’D):

Check that number

INT: MOTEL ROOM- NIGHT

SAL is on the FLOOR, in a small room.

ANTONIO (V.O CONT’D):

I’d rather have a shell-check before I start shooting

EXT: CAR PARK-EVENING

ANTONIO SHOOTS HIS FIREARM

INT: IN AN ABANDONED WAREHOUSE- DAY

DWAYNE is interrogating a MAN, BLEEDING in a CHAIR

DWAYNE:

Where are they hiding?

EXT: FORREST- EVENING

SAL a BODY BAG with HAZEL’s BODY inside and takes out a PHONE and a GUN

INT: AN ABANDONED LOCATION- DAY

DWAYNE SHOOTS THE MAN IN THE CHAIR

INT: OFFICE-NIGHT

DWAYNE (On the Phone):

Trust me

INT: CAR-DAY

CARLO IS DRIVING HIS CAR, IN A CHASE

INT: EMPTY ROOM OFFICE- NIGHT

ANTONIO and CARLO cover the ROOM in a FLAMMABLE LIQUID and spark a MATCH on fire

INT: SAL’S HOME- DAY DOCUMENTS and PAPERS are laid around the FLOOR, messy and disrupted

6

DURING THE CREDITS

ANTONIO (V.O):

If he wants to rat on us, he’d better watch his back before I put a bullet in him

MAIN CREDITS: CAST’S NAMES

‘AGATINO D’AGATE- AS SALVATORE VITTI’

EXT: ABANDONED LOCATION- NIGHT

SAL is running through a WAREHOUSE holding a PISTOL

INT: BAR LOCATION- EVENING

SAL is sitting around a TABLE with BULLET SHELLS around it

‘BEN OGLIBIO- AS DWAYNE PALMA

EXT: CAR PAR- EVENING

DWAYNE is sitting beside his CAR, on the GROUND, and is BLEEDING slightly on his CHEEK

INT: ABANDONED LOCATION- DAY

DWAYNE is standing by the tied up CORPSE in a CHAIR DWAYNE HOLDS HIS HAT ON HIS HEAD AND NODS TO THE DEAD BODY

‘ALESSIO PETULLA’- AS ANTONIO FIBONACCI’

INT: THE FIBONACCI HOME- NIGHT

ANTONIO is in an OFFICE, staring at a PHOTO of himself, CARLO and SAL looking happy together

ANTONIO TEARS THE PHOTO OF SAL TO SHREDS

EXT: THE FORREST- DAY

ANTONIO and CARLO, with a MAN, tied up with a STRAW BAG over his head ANTONIO SHOOTS THE MAN IN THE HEAD

‘MARCO PETULLA’- AS CARLO FIBONACCI’

INT: MOTEL ROOM- EVENING

CARLO with a GUN, DISPOSABLE PLASTIC GLOVES and a BODY soaked in BLOOD CARLO WALKS OUT OF THE ROOM

EXT: GREENLAND SPACE-EVENING

CARLO and ANTONIO with SHOVELS, standing around a HOLE, with a BODY BAG CARLO AND ANTONIO ARE DIGGING A HOLE TO BURY THE BODY

TITLE: ‘R.A.T’- Appears on the screen TITLE: Date- ‘In Cinemas 16/01/16’ TITLE: ‘Cast and Crew’ Credits TITLE: Website- ‘WWW.RAT/film.co.uk’