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Music in the Renaissance Era
1420-1600
Part IV: Secular Vocal Music
in the 1500s
This is the first printed music for amateurs—our first significant trace of music-making of the general populace.
SpainVillancico•Developed @ court of Ferdinand & Isabella•On rustic or popular subjects•aristocratic representation of music of the lower classes•Short, strophic, syllabic, homophonic•“authentic,” “simple”•Form:• Refrain• Stanzas
•Melody on top•Often published for voice and solo lute•hemiola•Juan del Encina,Oy comamos y bebamos
ItalyFrottola•Italian counterpart to Villancico•Melismas @ cadences (improvised)•Marco Cara, Io non compro più speranza
Villanella, Canzonetta, Balletto•Villanella• Lively, strophic, homophonic,• Parallel 5ths, rustic• Mocked madrigals
•Canzonetta • “little song”• lively, homophonic, simple harmonies
•Balletto• “little dance”• for dancing; have “fa-la-la” refrains
Madrigal•serious music for Italian poetry•music enriches text•Text• Single-line stanza of 7 or 11 syllables• No refrains or repeated lines• Ends w/epigram
•Music• Through-composed• Variety of contrapuntal & homophonic textures• 1 singer to a part
Early Madrigal (1520-1550)
Jaques Arcadelt
•Franco Flemish, active in Florence & Rome•4 voices•Il bianco e dolce cigno
Middle Madrigal (mid 16th century)
Cipriano de Rore
•Frequent changes of texture: homophony; free polyphony•5 voices•Da le belle contrade d’oriente
Late Madrigal (late 16th century)
Luca Marenzio
•word-painting, musical imagery•5 voices
Orlando di Lasso Carlo Gesualdo
•Solo e pensoso Io parto
FranceNew chanson•Light, fast, rhythmic, syllabic, repeated notes, duple•4 voices, melody high voice, homophonic, occasional pts. of imitation•Various forms w/short sections/strophic•No word-painting•Amateurs; Popular
Claudin de Sermisy
The Later Franco-Flemish Chanson•maintained older Franco-Flemish contrapuntal tradition•di Lasso writes chansons in the Franco-Flemish, new, and madrigal styles.
Musique Mesurèe•Greek ideals•Academy of Poetry & Music• Improve society w/
music• Poetic rhythm• Influential irregular
rhythms in air de cour
Claude le JeuneJan Sweelinck
Revecy venir du printans;chanson
Orlando di Lasso
La nuict froide et sombre;chanson
Tant que vivray;chanson
England•Consort song• voice & string
ensemble
•Madrigals• Italian influence• For amateurs, informal
gatherings
•Lute songs• solo w/accomp• no text-painting• tablature
William Byrd Thomas Morley Thomas Weelkes John Dowland
Flow, my tears; air or lute song
As Vestas was;madrigal
My bonny lass she smileth; ballett
Germany•Meistersingers—sang unaccompanied solo songs•Hans Sachs