PHOTO SHOOT

I wanted to do some medium shots with focus on facial expressions so I got my model to try looking directly at the camera and looking into the distance.I asked my model to give a very slight smile and I hoped to achieve the cool look and narcissistic look as I felt this would go with the theme perfectly.

I felt as if the photo looking directly towards the camera was too harsh looking and I liked the composition of the other photo as it leaves space for writing on the left meaning it could work as a double page spread background.

These shots went for a more relaxed look using the bench as a prop. The difference being the distance, one being a long shot and one being a medium shot.

I decided on the medium shot as it showed more detail and facial expression without compromising on background or clothing.

The skate park shots did not turn out as well as I hoped so only a couple come out as I wanted including the picture on the right.

I didn't like the composition of the picture on the left as it was too central but wasn’t symmetrical. The angle was too low to see much detail in the facial expression as well.

These shots were a spur of the moment idea that probably wont be used in my final magazine. I found this prop and wondered if I could work it into my magazine by showing off strength. Looking back on them I should have taken the bag off the floor so I could photo-shop it out.

I preferred the picture on the left as it pulls focus on to the model through framing.

I liked both of these shots as they portrayed a darker image. The graffiti is a convention of rock and the dull lighting in the tunnel also portrays the rock genre.

I liked the above picture because of the strong stance and the neutral facial expression. The shot is quite far away but still focused and is fairly symmetrical. I could lighten the image slightly and this will leave empty space to write in. perfect for the double page spreads.

These two images are in separate locations but both with a slight, satisfied smile. I prefer the left shot as the background is darker yet his face is lit and in detailed. I didn't like the shot on the right due to the background with a blurred car in it.

I really liked these shots, especially the one on the right. The detail in them within the tree and the leaves as well as the models facial expression, made the shot perfect. As well as the composition, it is central and takes up a large portion of the shot whilst leaving just enough free space for the mast head and cover lines on the front page of my magazine. I preferred the right one as the placement was slightly lower and the face could be seen, an important aspect of attracting an audience.

I wasn’t sure about these shots as the face cant be seen so the feeling of the image depends solely on the stance and background. On these aspects alone, I didn't feel as if the image portrayed anything. Although I do prefer the picture below more as it has better composition and a message of ‘someone looking thoughtfully over a bridge’ could be seen however the picture on the right doesn't show enough to warrant being in my magazine.

This is an image I knew I wanted in my magazine as soon as I saw the graffiti, it follows the political issue of Britain leaving the EU. Although the graffiti might not have been specifically aimed at this issue, it is enough to make a link between the artists opinion and world issues. This could lead to an article. Upon seeing the graffiti, the model and I joked about taking a picture with it but once the images came out, I realised how easily I could use them. This portrays a sense of realism as it wasn’t planned and the satisfied smile and emphasis on meaning were purely my models feelings. This is perfect for a magazine where a link between the artist and the audience is crucial for loyal customers.