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Shot 1 – Performance Shot Eye level angle Long shot Tilts up to another eye level shot for shot 2 ‘let me hit you with that one ride’ x2

Performance Storyboard

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Page 1: Performance Storyboard

Shot 1 – Performance Shot

Eye level angle

Long shot

Tilts up to another eye level shot for shot 2

‘let me hit you with that one ride’ x2

Page 2: Performance Storyboard

Shot 2 – Performance Shot

Eye level angle

Long shot

Panning into a low angle shot 3

‘let me tell you that one line’

Page 3: Performance Storyboard

Shot 3 – Performance shot

Low angle

Long shot

Canted angle shot from low to high shot 4

‘me and you forever, like whatever the weather’

Page 4: Performance Storyboard

Shot 4 – Performance shot

High angle shot

Long shot

Pans down to eye level shot 5

‘what you doing? What you saying?’

Page 5: Performance Storyboard

Shot 5 – Performance Shot

Eye level angle

Medium shot

Jump cut to eye level angle shot 6

‘Taking off where we left, I know that you been waiting, I know that you been playing’

Page 6: Performance Storyboard

Shot 6 – Performance Shot

Medium shot

Eye level angle

Continues/flows to a mid shot 7

‘yeah I know that you been playing this game before,But times have changed now man its more like a War’

Page 7: Performance Storyboard

Shot 7 – Performance Shot

Medium shot

Eye level angle

Transition to a high angle shot 8

‘She said you’re different to the other guys, theyDon’t really know me’

Page 8: Performance Storyboard

‘like they are in it for a minute, then they fade awayLike Kobe,But you, you're different, come on show me Something different – yeah’

Shot 7 – Performance Shot

Eye level angle

Medium shot

Horizontal pan to shot 8

Page 9: Performance Storyboard

Shot 9 – Performance shot

Medium shot

Eye level angle

Fade to shot 10

‘let me hit you with that one ride, hit you with thatOne ride,Come on baby on try,Lemme love you long time,Sippin’ on some fine wine,Blinging on the hotline,I’ll never put you on the frontline’

Page 10: Performance Storyboard

Cos what’s mine is yours and what’s yours is mine,You don’t need to make sure nah,And can tell you a diamond even when I feel the Pressure, its just you and me forever – real’

Shot 10 – Performance shot

High angle shot

Long shot

Tracking shot to shot 11

Page 11: Performance Storyboard

‘and I know I aint good enough,But I’m still trying even though I know you’re lying,Yeah its written on your face, I can see it in your eyes,I can see it in your eyes’

Shot 11 – Performance shot

Canted angle

Long shot

Fade to shot 12

Page 12: Performance Storyboard

‘Yeah, I know you too well and you ain’t being honest,Cos I’m here for good. You got my word and I promise’

Shot 12 – Performance shot

Oblique angle

Medium shot

Horizontal pan to shot 13

Page 13: Performance Storyboard

Shot 13 – Performance shot

Medium shot

Eye level angle

Jump cut to shot 14

‘I cant take the silent treatment anymore, Just be honest, I mean I just be honest,Yeah’

Page 14: Performance Storyboard

Lemme hit you with that one ride,Come on baby one try,Lemme love you long time,Sippin on some fine wine’

Shot 14 – Performance shot

Close up shot

Canted angle

Tracking shot to shot 15

Page 15: Performance Storyboard

Shot 15 – Performance shot

Eye level angle

Medium shot

Pan to shot 16

‘blinging on the hotline,I’ll never put you on the frontline’

Page 16: Performance Storyboard

Shot 16 – Performance shot

Low angle shot

Medium shot

Vertical pan to low angle shot 17

Cos what's mine is yours and what's yours is mine,You don’t need to make sure, nah,And I ain’t ever been a chaser but for you I go out of myWay and put my pride aside – yeah’

Page 17: Performance Storyboard

Shot 17 – Performance shot

Canted angle

Medium shot

Vertical pan to shot 18

‘Cant lie I’m moving sideways,All up in my feelings and it still aint making sense,I don’t want it to be tense, I don’t want it to be Awkward’

Page 18: Performance Storyboard

Shot 18 – Performance shot

Low angle shot

Long shot

Jump cut to shot 18

‘I just want it to be real, yeah you always keep it trill,Cos you realer than the others,Paint the picure black and white they be asking ‘Where the colours?’’

Page 19: Performance Storyboard

Shot 19 – Performance shot

High angle

Mid shot

Tracking to shot 20

“But I feel it deep within, let’s be undercover lovers. Let’s be undercover lovers”.

Page 20: Performance Storyboard

Shot 20 – Performance shot

Long shot

Eye level shot

Track to shot 21

‘let me hit you with that one ride, hit you with thatOne ride,Come on baby on try,Lemme love you long time,Sippin’ on some fine wine,Blinging on the hotline,I’ll never put you on the frontline’

Page 21: Performance Storyboard

Shot 21 – Performance shot

Mid shot

Eye level shot

‘Cos what’s mine is yours, and what’s yours is mine, and you don’t need to make sure nah. This shit’s forever, I mean it it’s forever’.