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Painting Intermediate First Lesson Glenn Hirsch

Paint intermediate first lesson

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Overview of issues addressed in Painting Intermediate taught by Glenn Hirsch at UC Berkeley Extension's SF Downtown Design Center Mondays, 630pm-930pm February 10 – May 5, 2014. For more information, email [email protected] or visit http://www.glennhirsch.com/id9.html

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Painting IntermediateFirst Lesson

Glenn Hirsch

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Contents

1. Color and Light2. Chromatic Scales to enhance “Light”3. Review of Painting Technique4. Limited Palette Paintings Emphasizing “Light”5. Chromatic Scales examples (apples)

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PART IColor and Light

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• ‘light’ = ‘emotion’ = ‘contrast’• contrast of light and dark • contrast of orange against purple• Contrast of layers: the dark purple is painted on top of the orange under-layer• The technique is called ‘GLAZING” • Transparent layers over each other• Each layer is painted, and then dried, before proceeding to the next

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Light can also be found in an abstract painting

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Part IIWarm/cool color concept in

“Chromatic Scales”

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• Contrast of warm and cool versions of each color

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Chromatic scale in reds to enhance the illusion of “light”

• Lighter b/w value in the light• Brighter intensity in the light• Warmer (orangey) red in the

light (vs bluer purplish) red in the shadow

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Chromatic scale• Step by Step:• Light to dark• Bright to dull• Warm to cool

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Black and white is the “value” of the color

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• Chromatic scale

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• Monet• Variety of

warm and cool blues

• Dragged into each other wet-into-wet

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• This isn’t a ‘rule,’ it’s a ‘recipe’ to enhance the illusion of ‘light’

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Part IIIReview of Painting Technique

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• First do a thumbnail sketch on a separate piece of paper

• No detail – block in the light & shadow

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• A very rough ‘thumbnail’ sketch on a separate piece of paper first

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• First step• Block in the

whole composition, including the light and shadow

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• Then let dry and clarify• Painting the

background also redefines the edge of the foreground shape (eg, in this case, the cheek)

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• Painting in transparent layers = “glazing”

• step 1• let it dry• then step 2

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Part IVA Limited Palette Painting

(black, white, blue and brown)

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Part V “Chromatic Scales”

Examples: still life (apples)

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• Make the color ‘sing’ with contrast of light/dark and warm/cool

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• Chromatic scale• Oil (Georgia O’Keefe)

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• Chromatic scale Watercolor (Charles Demuth)

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• Chromatic scale Acrylic (Robert Haemmerling)

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• Jos Van Riswick

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• Famous artists practice apples (Paul Cezanne)

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• Paul Cezanne