We start the music video with stock footage of grass being sped up and being reversed so the grass goes back into the soil.

The shot then slowly moves into the environment in which the music video is based in and zooms into a mid shot of the drummer.

Further through, the shot changes to a crane shot giving the viewer a high perspective of the band members. This is unconventional but works.

The shot then changes to another crane shot but this time giving the viewer a areal view of the DJ. This is conventional and used all across music videos. As it gives a good perspective to what the DJ sees.

At the end of the music video, it is the opposite to the beginning so we end with the grass growing up in really fast speed. This lasts about 5 seconds and does a good job in relating back to narrative and the point of the music video.

The music video has a lack of locations but does a good job in executing this and a wide range of shot types/movements have been used throughout and very effectively. The tempo of the music video is kept at a fast speed and this increases intensity which is very conventional in this genre.