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Location Audio for Film Prepared by: John Grace Film Instructor, DATA Charter HS Member of IATSE Local 480 Albuquerque, NM

Location Audio

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Capturing quality sound on location is one of the greatest challenges student filmmakers face. The public will forgive bad video but not bad sound. This presentation is intended to give high school students a general overview of the equipment and challenges inherent in capturing sound in the field.

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Page 1: Location Audio

Location Audio for Film

Prepared by: John GraceFilm Instructor, DATA Charter HSMember of IATSE Local 480Albuquerque, NM

Page 2: Location Audio

Location Audio Systems

• There are 2 Types of Location Audio Acquisition in Film Production : Single System – The audio is recorded

on the same medium as the visuals - ie: on a camcorder – max 16 bit.

Dual-System (aka Double System) – The audio is recorded separately from the visuals on a secondary device. This type of recording requires that the two sources be synchronized and linked in post production – max 24 bit.

Page 3: Location Audio

Location Audio – Single System

• Typically, these are Camcorders with External Microphone Inputs

Page 4: Location Audio

Location Audio – Dual System

• Dual Systems usually feature Digital Cinema or Film Cameras

Page 5: Location Audio

Location Audio Systems

• In Dual System, we synchronize the audio with the picture with a Slate:

Page 6: Location Audio

Location Audio Systems

• In Dual System, we synchronize the audio with the picture with a Slate:

Page 7: Location Audio

Location Audio Systems

• In Dual System, we synchronize the audio with the picture with a Slate:

Page 8: Location Audio

Location Audio – Positions

• Mixer (AKA Recordist)

Page 9: Location Audio

Location Audio – Positions

• 1st Assistant (Boomer)

Page 10: Location Audio

Location Audio – Positions

• 2nd Assistant (Utility)

Page 11: Location Audio

Location Audio - History

• Vitaphone and Photophone Recorders Single system Optical recorders record on film Large and heavy Very expensive Poor sound quality 1930’s and 1940’s

Page 12: Location Audio

Location Audio - History

• Fantasound Recorder Double system Optical playback in theaters 3-4 channel sound Made for Fantasia Good sound quality Throughout 1940’s

Page 13: Location Audio

Location Audio - History

• Nagra Reel to Reel Recorders Monaural (single track) recording ¼” Tape on 5” or 7” reels at 7.5-15 IPS Popular from the 1950’s through the 1990’s Fairly expensive

Page 14: Location Audio

Location Audio - History

• Tascam DA-P1 DAT Recorder 2 channel recorder External recording to DAT Tapes No time code

Page 15: Location Audio

Location Audio Current Devices

• Fostex PD4 DAT Recorder 6 channel recorder 6 channel mixer External backup to DAT Tapes Internal 60GB HDR Time code I/O

Page 16: Location Audio

Location Audio Current Devices

• Zoom R8 SDHC Recorder Recording to SDHC Cards 2 channel recorder 8 channel mixer No time code

Page 17: Location Audio

Location Audio Current Devices

• Deva 16 Recorder by Zaxcom 16 channel recorder 16 channel mixer Time code generator External backup to Compact Flash Media Internal HDR

Page 18: Location Audio

Location Audio Current Devices

• Zoom H4N Field Recorder 4 channel recorder 4 channel mixer Records to SD Cards Low Price ($269. List) Ideal for DSLR’s

Page 19: Location Audio

Location Audio Current Devices

• Current Popular Brands Lectrosonics – Top of the Line Wireless Kits

Page 20: Location Audio

Location Audio Current Devices

• Current Popular Brands Sennheiser – Wireless Lavs and Shotguns

Page 21: Location Audio

Location Audio Current Devices

• Current Popular Brands Shure – Wireless Lavs and Field Mixers

Page 22: Location Audio

Location Audio Current Devices

• Current Popular Brands Azden – Low priced Shotguns and Wireless

Page 23: Location Audio

Location Audio Current Devices

• Current Popular Brands Audio Technica – Wireless & Headphones

Page 24: Location Audio

Location Audio Current Devices

• Current Popular Brands Wireless Lavs – UHF or VHF? VHF is Very High Frequency and

wireless transceivers operating on this band often have problems with RF (Radio Frequency) interference

UHF is Ulta High Frequency and is less susceptible to RF interference from power lines, walkie talkies, radio stations and the like

Page 25: Location Audio

Location Audio - Mixer Cart

Page 26: Location Audio

Location Audio - Mixer Cart

• UHF Wireless ReceiversUHF Wireless Receivers

Page 27: Location Audio

Location Audio - Mixer Cart

• UHF Wireless ReceiversUHF Wireless Receivers

• UHF Wireless TunersUHF Wireless Tuners

Page 28: Location Audio

Location Audio - Mixer Cart

• UHF Wireless ReceiversUHF Wireless Receivers

• UHF Wireless TunersUHF Wireless Tuners

• HDR Backup RecorderHDR Backup Recorder

Page 29: Location Audio

Location Audio - Mixer Cart

• UHF Wireless ReceiversUHF Wireless Receivers

• UHF Wireless TunersUHF Wireless Tuners

• HDR Backup RecorderHDR Backup Recorder

• Camera #1 MonitorCamera #1 Monitor

Page 30: Location Audio

Location Audio - Mixer Cart

• UHF Wireless ReceiversUHF Wireless Receivers

• UHF Wireless TunersUHF Wireless Tuners

• HDR Backup RecorderHDR Backup Recorder

• Camera #1 MonitorCamera #1 Monitor

• Computer MonitorComputer Monitor

Page 31: Location Audio

Location Audio - Mixer Cart

• UHF Wireless ReceiversUHF Wireless Receivers

• UHF Wireless TunersUHF Wireless Tuners

• HDR Backup RecorderHDR Backup Recorder

• Camera #1 MonitorCamera #1 Monitor

• Computer MonitorComputer Monitor

• Camera #2 MonitorCamera #2 Monitor

Page 32: Location Audio

Location Audio - Mixer Cart

• UHF Wireless ReceiversUHF Wireless Receivers

• UHF Wireless TunersUHF Wireless Tuners

• HDR Backup Recorder HDR Backup Recorder

• Camera #1 MonitorCamera #1 Monitor

• Computer MonitorComputer Monitor

• Camera #2 MonitorCamera #2 Monitor

• 8 Channel Mixer8 Channel Mixer

Page 33: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Recording Clean DialogueRecording Clean Dialogue

Page 34: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Recording Clean Dialogue Recording Clean Dialogue

• Inverse Square Law as it applies to Sound:Inverse Square Law as it applies to Sound:““Halving the distance between mic and the sound Halving the distance between mic and the sound

sourcesource  quadruples the usability of the soundquadruples the usability of the sound”

Page 35: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Capturing Room ToneCapturing Room Tone

Page 36: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Capturing Room ToneCapturing Room Tone

Page 37: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Capturing Location Sound EFXCapturing Location Sound EFX

Page 38: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Capturing Location Sound EFXCapturing Location Sound EFX

Page 39: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Minimizing Background NoiseMinimizing Background Noise

Page 40: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Minimizing Background NoiseMinimizing Background Noise

• Furniture (furnie) pads

Page 41: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Utilizing Various MicrophonesUtilizing Various Microphones

Page 42: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Utilizing Various MicrophonesUtilizing Various Microphones

Page 43: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Utilizing Various MicrophonesUtilizing Various Microphones

Page 44: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Utilizing Various MicrophonesUtilizing Various Microphones

Page 45: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Utilizing Various MicrophonesUtilizing Various Microphones

Shotgun – Directional

Page 46: Location Audio

Location Audio Acquisition

• Priorities: Priorities: • Utilizing Various MicrophonesUtilizing Various Microphones

Lavaliere – Omni-directional

Page 47: Location Audio

Location Audio Acquisition

• Items in a Wireless Lavaliere Package: Items in a Wireless Lavaliere Package: • Lavaliere MicrophoneLavaliere Microphone

Page 48: Location Audio

Location Audio Acquisition

• Items in a Wireless Lavaliere Package: Items in a Wireless Lavaliere Package: • Wireless TransmitterWireless Transmitter

Page 49: Location Audio

Location Audio Acquisition

• Items in a Wireless Lavaliere Package: Items in a Wireless Lavaliere Package: • Wireless ReceiverWireless Receiver

Page 50: Location Audio

Location Audio Acquisition

• Items in a Wireless Lavaliere Package: Items in a Wireless Lavaliere Package: • XLR Transmitter (“Butt Plug”)XLR Transmitter (“Butt Plug”)

Page 51: Location Audio

Location Audio Acquisition

• Items in a Wireless Lavaliere Package: Items in a Wireless Lavaliere Package: • Mini Plug Input CableMini Plug Input Cable

Page 52: Location Audio

Location Audio Acquisition

• Items in a Wireless Lavaliere Package: Items in a Wireless Lavaliere Package: • XLR Plug Input CableXLR Plug Input Cable

Page 53: Location Audio

Location Audio Acquisition

• Items in a Wireless Lavaliere Package: Items in a Wireless Lavaliere Package: • Camera MountCamera Mount

Page 54: Location Audio

Location Audio Acquisition

• Items in a Shotgun Package: Items in a Shotgun Package: • Boom Pole (fish pole)Boom Pole (fish pole)

Page 55: Location Audio

Location Audio Acquisition

• Items in a Shotgun Package: Items in a Shotgun Package: • Rycote Softie (dead cat)Rycote Softie (dead cat)

Page 56: Location Audio

Location Audio Acquisition

• Items in a Shotgun Package: Items in a Shotgun Package: • Shotgun MicrophoneShotgun Microphone

Page 57: Location Audio

Location Audio Acquisition

• Items in a Shotgun Package: Items in a Shotgun Package: • XLR CableXLR Cable

Page 58: Location Audio

Location Audio Acquisition

• Items in a Shotgun Package: Items in a Shotgun Package: • Suspension MountSuspension Mount

Page 59: Location Audio

Location Audio Acquisition

• Items in a Shotgun Package: Items in a Shotgun Package: • Camera MountCamera Mount

Page 60: Location Audio

Location Audio Acquisition

• Challenges to Capturing Quality Sound: Challenges to Capturing Quality Sound: • KidsKids

Page 61: Location Audio

Location Audio Acquisition

• Challenges to Capturing Quality Sound: Challenges to Capturing Quality Sound: • KidsKids

• DogsDogs

Page 62: Location Audio

Location Audio Acquisition

• Challenges to Capturing Quality Sound: Challenges to Capturing Quality Sound: • KidsKids

• DogsDogs

• PlanesPlanes

Page 63: Location Audio

Location Audio Acquisition

• Challenges to Capturing Quality Sound: Challenges to Capturing Quality Sound: • KidsKids

• DogsDogs

• PlanesPlanes

• TrainsTrains

Page 64: Location Audio

Location Audio Acquisition

• Challenges to Capturing Quality Sound: Challenges to Capturing Quality Sound: • KidsKids

• DogsDogs

• PlanesPlanes

• TrainsTrains

• CarsCars

Page 65: Location Audio

Location Audio Acquisition

• Challenges to Capturing Quality Sound: Challenges to Capturing Quality Sound: • KidsKids

• DogsDogs

• PlanesPlanes

• TrainsTrains

• CarsCars

• SirensSirens

Page 66: Location Audio

Location Audio Acquisition

• Challenges to Capturing Quality Sound: Challenges to Capturing Quality Sound: • KidsKids

• DogsDogs

• PlanesPlanes

• TrainsTrains

• CarsCars

• SirensSirens

• ToolsTools

Page 67: Location Audio

Location Audio Acquisition

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