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IMPRESSIONISM

Impressionism

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Page 1: Impressionism

IMPRESSIONISM

Page 2: Impressionism

PAINTING:

Developed in France in late 19th century

Artists who shared a set of related approaches & techniques

Interest in natural colour and landscapes and the effects of light on the colour

Page 3: Impressionism

Broke every rule of the French Academy of Fine Arts

1st artistic revolution since the Renaissance

Term comes from Claude Monet’s painting Impression-Sunrise.

Page 4: Impressionism

EDOUARD MANET1832-1883

Trained as a traditional painter

Message of them painter was in the brush strokes & the paint on the canvas

Did not want to compete with the camera, but the viewer should look at his paintings

Page 6: Impressionism

Luncheon on the Grass, 1863

Page 7: Impressionism

Olympia, 1863

Page 8: Impressionism

Gare Saint-Lazare, 1873

Page 9: Impressionism

The Bar at the Folies-Bergere, 1882

Page 10: Impressionism

CLAUDE MONET,1840-1926

Became leader of the Impressionist movement

Span Realism to contemporary Abstract

Loved to work outdoors Fascination with light

Page 14: Impressionism

Style changed-flat brush strokes gave way to a shimmering effect with colour & light

Use dabs of colour & mixed them on the canvas—technique is called optical mixing became the basis of the Impressionist theories of colour & light

Page 15: Impressionism

Poppies Blooming, 1873

Page 23: Impressionism

CAMILLE PISSARO, 1830-1903

Born in the West Indies, came to Paris at 25 Years old to be an artist

Favourite subject was street scenes of Paris

Page 24: Impressionism

The Stage Coach at Louveciennes , 1870

Page 26: Impressionism

PIERRE AUGUSTE RENOIR,1841-1919

1st job was painting nudes in a porcelain factory

1st period: interested in bright effects of light, typical of Impressionists

Page 31: Impressionism

2nd period: -gave up the effects of

Impressionism & painted solid, carefully defined forms

Page 35: Impressionism

3rd period: -tried to unite by combining the

formal; balance of traditional approaches with the shimmering effects of Impressionism

Page 36: Impressionism

Girls at the Piano, 1892

Page 39: Impressionism

4th period: -fingers were crippled with arthritis exaggeration of brushstrokes & more intense colours

Page 42: Impressionism

BERTHE MORISOT,1841-1895

Sister-in-law of Manet

Posed for many of her friends

Subjects were feminine

Page 44: Impressionism

Eugene Manet on the Isle of Wright, 1875

Page 46: Impressionism

EDGAR DEGAS,1834-1917

Began under Ingres

Master of line drawing

1st artists to exhibit sketches

Amateur photographer

Painted in series, ballet, horses

Page 49: Impressionism

New Orleans Cotton Exchange, 1873

Page 55: Impressionism

MARY CASSETT,1855-1927

Born in the USA, but came to Paris to study the Impressionist

Mothers and children were her favourite subjects

Page 57: Impressionism

JAMES ABBOTT WHISTLER, 1834-1903

American who moved to Paris to study art

Worked in grays & blacks. Used thin glazes of colour to build up grays

Influenced by Japanese prints

Page 60: Impressionism

Arrangement in Gray & Black No. 1: The Artists Mother, 1871

Page 61: Impressionism

POST-IMPRESSIONISM

By the end of the 19th century Impressionism was changing

Artists such as Renoir, Degas & Monet were exploring new styles

Looked for something more substantial wished to combine the colour & light of Impressionism with design & composition of traditional paintings

Page 62: Impressionism

PAUL CEZANNE1839-1906

Spent most of his life in Aix

Started with Delacroix, but met Pissarro & adopted is styles

Works refused by the Salon

Painting should remain as flat canvases with paint on them

Page 68: Impressionism

Still Life with a Curtain, 1895

Page 69: Impressionism

GEORGE SEURAT1859-1891

Sunny pictures Pointillism-result is

grainy

Page 71: Impressionism

Sunday Afternoon on the Island of Le Grande Jatte,

1884-`1886

Page 73: Impressionism

HENRI de TOULOUSE-LAUTREC1864-1901

Born into noble family, but became a dwarf at 14

Moved to Paris to paint

Drew caricatures of night life

Page 77: Impressionism

VINCENT VAN GOGH1853-1890

Worked as an art dealer, etc. began painting at 27

Mental depression & was admitted into sanatoriums

Produced over 800 paintings in 10 years

Committed suicide at 37

Lead the movement that became known as Expressionism

Page 80: Impressionism

Still Life: Vase with Twelve Sunflowers, August 1888

Page 81: Impressionism

The Café Terrace on the Place de Forum, Arles, at Night. September 1888

Page 85: Impressionism

ARCHITECTURE

Became innovative as structural steel freed up the limitations that allowed architects to go as high as they pleased

1st skyscapers in Chicago in the 1880’s

Lines were simple

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The Brookline Bridge, 1869-1883

Page 88: Impressionism

MUSIC

Rise of national music, folk songs, & national history provided the inspiration for operas

Era of the travelling performer who played to audiences.

Composers wrote music to amaze the audience

Page 89: Impressionism

FRANZ LISZT1811-1886

Hungarian composer Over 1200 compositions Innovative piano

compositions based on gypsy music

1st composer to perform solo piano concerts turned the piano sideways, so the audience could see his hands

Taught music in Vienna to 100’s Faust Symphony (1854) Hungarian Rhapsody

http://www.youtube.com/watch?v=ejXPcv9MS7s

Page 90: Impressionism

Peter Ilyich Tchaikovsky

Russian composer who was educated in Law school, but left to study music

wrote symphonies, operas, ballets & popular concert music, including: Swan Lake, Sleeping Beauty, The Nutcracker, The 1812 Overture

http://www.youtube.com/watch?v=u2W1Wi2U9sQ

http://www.youtube.com/watch?v=FY4Y1gTO9HE

Page 91: Impressionism

RICHARD STRAUSS1864-1949

Wrote symphonic poems & operas-to convey emotions, Don Juan (1888) Thus Spake

Zarathustra (1896)

Don Quixote (1897)

http://www.youtube.com/watch?v=SLuW-GBaJ8khttp://www.youtube.com/watch?v=_CTYymbbEL4

Page 92: Impressionism

LITERATURE

A great period for fiction Not content with realist’s aim to

reflect life with accuracy , but to deal with human development & their problems

Prose literature dealt with protests & exposed people as greedy, selfish, combative, etc.

Page 93: Impressionism

GEORGE BERNARD SHAW1856-1950

Born into poverty in Ireland

Self-educated in economics & politics

Prominent Fabian, expressing views on feminism war, religion & socialism

Considered the greatest dramatist in the English language since Shakespeare won Nobel prize for literature in 1925

Page 94: Impressionism

Plays included: Mrs. Warren’s Profession

(1893) Arms & the Man (1894) Caesar & Cleopatra

(1898) Man & Superman (1905) Pygmalion (1913) St. Joan (1923)

Page 95: Impressionism

H.G. WELLS,1866-1946

Studied zoology Fabian Society in

1903 Liberal Democrat

Research Committee for the League of Nations (1918)

Pioneered modern science fiction

Believed in the perfectibility of mankind through evolution

Page 96: Impressionism

Works included: The Time Machine

(1895) The Island of Dr.

Moreau (1896) The Invisible Man

(1897) The War of the

Worlds (1898) A Modern Utopia

(1905) The New Machiavelli

(1911)