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The Hyper’Classical Artist expresses the sacred. He causes others to participate in manifest reality as self-transcendent ecstasy. Hyper’Classical art invites self-transcendence enabling the viewer to transcend themselves. When the culture and politics are harmonious and in sacred association true art appears. Where the sacred is absent, then the best art can do is meditate on the beautiful and bring people to feel that. But there is nothing beautiful without love. True art is a sacred performance, an act of love. And the highest sacred performance can only occur in a sacred setting with a sacred culture and sacred society, transcending egoity.
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1 Philip Randolph Lilien [email protected]
New Space changes our Dreams and Subjec3ve Reality
• New realiza3ons of Space penetrates into the psyche, changes our dreams and subjec3ve reality.
• New space and new geometry express new beauty.
• Our historic geometries of space are inadequate to express our contemporary experience. – From the Flat space of the Ancients – To the Empty rigid space of the renaissance – To the Field Filled aggressive space of 20th century – To the holo’linked space of modern media connec3ng all places
at once. – To the space of Coherent Source
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Holo’Space Philosophy Holo’Space spiritualizes art and science. Holo’Space as a perceptual mode
guides principles of a spiritually unified art-‐science philosophy. Holo’Space is a fusion, a new quality of percep3on. The world as a whole is organized according to cosmic laws and harmonic
aesthe3c principles. The Holo’Space provides the paradigm organiza3onal understanding of Space
offering path for new technologies. Holo’Spa3al Beings will learn by these new principles to func3on as terrestrial
antennae to moderate the electroscalar field directly and establish communica3ons with cosmic civiliza3ons throughout the universe.
Liberated from the mental material concept of space rooted as an arbitrary point and returned to living wholeness, we can understand space and 3me, ac3on and fields as principled mediums of art. Vistas open beyond what most ar3sts have begun to consider.
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This Manifesto is a Vision for a new direc3on in art
Domains of Space
– Bring understanding of Space as Life – Point to how our understanding of Space is fundamental to our Subjec3ve Life
– Art as a tool for scien3fic, philosophical, spiritual and crea3ve realiza3on and evolu3on
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Holo’Space coalesces the random energies of light and mind to transmit syntropic and negentropic effects. Color, textures, shapes and rela3onships and connec3on are portals to the open system of Crea3on.
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How Art Heals Crea3on • Art are Acts designed to bring about healing of Crea3on
• We assimilate the lessons of the Coherent Complexity. They are laws and emergent proper3es of nature itself.
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Visionary Art
The Post Postmodern Visionary Ar3st expresses images that embody their vision of the Spiritual and Sacred Realms. These are found through myriad methods for enhancing visionary and imagina3ve facili3es.
However, Visionary Art is s3ll an extension of the ar3st’s subjec3ve experience. They are not engineering Space.
Visionary Language
Visionary language has largely been trapped in the inadequacy of using material and subjec3ve space contexts.
Coherent Space is the source of visionary space Holo’Qubism’s aim is to make coherent space part of our collec3ve reality.
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Founda3on Objec3ves
• Arrive to a broad and general understanding of the Divine Psyche as light, energy, and magne3sm… seeking expression through The Manifested Whole.
• The primordial quali3es of Divinity and how to induce their appearance through the Body of Humanity.
• The rela3onship of these Divine Quali3es understood and developed in man and the responsibility of an Enlightened Humanity to ground these quali3es as the Founda3on of The New Civiliza3on/Neu Epoch.
• The Laws and Principles of The Universe and Nature understood to be the immutable Nature of Source.
• Arriving at a set of characteris3cs which contain The Psyche from THE DIVINE POINT OF VIEW. Then apply these to understand the nature and development of individual humanity and the func3onal guidelines for the development of The NEW CIVILIZATION.
• Not Human alone has Soul, but Soul or Psyche pervades all. So the characteris3cs of Soul must be seen in opera3on through all aspects of manifesta3on. Doing as serves to reveal the nature and method of ac3vity of Cosmic Impulse of Love called Cosmic Christ.
• These characteris3cs when properly understood explain the manifesta3on of consciousness on Earth through every form. Just as the life purpose of a human being is both limited and condi3oned by his psychological equipment, so too the Divine in His Psyche is condi3oned by His Ins3nctual Quality of Psyche. In 3me the condi3on of the vehicle limit the expression of the Divine Psyche.
• The invoca3on, precipita3on and distribu3on of cultural matrices with their impulsive origin from a trans-‐human realms of significance; planetary, solar, inter-‐stellar. These seeds form the basis for New Forms that approximate the nature of the conceived truths in their quality and appearance.
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What is Art in the World?
In our world art is banal drihing without meaning or significance. We have reduced art to something fundamentally deriva3ve, another commodity to observe and judge.
Visionary Space
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Crea3ng Living Art Powerful crea3ve energe3cs release through Mul3-‐Space.
Holo’Space answers the mystery of the three-‐dimensional appearance of complexity and form and life. When space breaks poten3alized hypersymmetry then the infinite, unexpressed, can show its crea3ve expression through mul3plica3on of harmonic complexi3es. Breaking the symmetry of Real Space shihs unity to interdependence, so consciousness can Emerge.
Life is Holo’dimensional Coherent Space desire-‐vortexed through Material Lenses.
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Percep3on is organized by Holo’Space.
Syntropic scaling of order increase meaning.
Syntropic images transform the Being from Pure Sensa3on to Representa3on to Invoca3on of Superconscious Currents of Soul Reorganiza3on.
Percep3ons via Crea3on are replaced by released vectors resona3ng Coherence.
Tendencies conserved in the subjec3ve space as mind respac3alize as distribu3on of non-‐linear harmonic transients.
Principled Intelligence • All forms of energy and maier, life and form are supported by an implicate domain that is neither energy or maier, that is everywhere exis3ng having no physical dimension, the very root of all that is.
• Creator's Realm Coherent Space Principled Intelligence. From out of this arises all that is.
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Life inherent as the very Source of Deep Field Crea3on is Infinitely Alive and Emerges naturally and spontaneously when condi3ons are met. When condi3ons are on the edge of chaos, maximum stability coupled with maximum novel spontaneity then life as pure intelligence naturally arises from the very ground of space through dimensional densifica3on of the Prior. This is Dynamic Satvic Presence. The frameless is a projec3on of dimensional space. The denser the harmonic mass the more conscious the life.
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Ordering the field of poten3al ini3ates reordering of harmonic wavepairs. The binding of form is released through Holo’Dimensional expression. Holo’Space Expression radiates informa3on as Sustained Intelligence.
Poten3al converges from hyperspace complexity while energy flow diverges from surface space as Shak3 negentropic Crea3ve Space as Coherent syntropy transmutes Subjec3ve Ground.
Harmonic resonant space rela3ons are themselves densifying lifetronic fields. Holo’Art can help syntropically from Source organize the randomized energies of the viewer giving rise to coherence effects such as visionary insights and levita3on.
Gravita3onal effects through Holo’Space airac3on can be engineered as an induc3on of Coherent-‐Shak3. Scalar Field propulsion arises without a material reac3on medium.
Art is about Space
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Detail of Life Emerging from Art
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Wheelwork of Crea3on
• Ar3sts will succeed in aiaching art to the very wheelwork of Crea3on. Art will access the power that is obtainable everywhere.
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Holo’Space Understanding Point to
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Holo’Dimensional Compared to Fractal Space
Frac3onal Dimension such as 2.34
More than 2 dimensions and less than 3
Example are the surface of a cloud
Used in CGI to mimic reality
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Fractal Form • Fractal Space formally did not exist as part of human
consciousness un3l the first images in 1975 by Mandelbrot. Since then it has impacted and transformed nearly every science. Fractal Space has shown up from the cosmic to the atomic. Fractal complexity is created with only a few bits of code, z2 + C.
• New Space open new fields of science. • Biology for example
– Bronchial branching – Urinary collec3ng system – Biliary duct in liver – Network of special fibers in the heart to carry electric current
• Before Fractal geometry it was only Euclidian geometry or hyperspace Euclidian geometry. Plane and solid geometry.
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The path of involution of Soul and Evolution of Soul as Kundalini is its reflection as an Embodied Evolutionary Field. "
Science is driving a planetary disorder. Art reflects this. Art has spiraled into devolu3on of disassocia3on and devalua3on without any clear socially coherent vision.
Modernist and post-‐modernist art side along with pop-‐culture relentlessly descend into ever-‐greater depths of vulgarity, mirroring the schizophrenic loss of the sacred view.
Degenera3on of values based art and science separate disciplines and value systems not mutually interac3ve.
The reversal of world values toward the Earth as sacred Source-‐created will not be halted. A evolu3onary dialec3c operates by principles of self-‐transcendence.
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Hyper’Classical Arts
Hyper’Classical Art originates order through the Reappearance of Crea3on. Hyper’Classical Tools explore science and philosophy to gain insight into the nature of Existence.
Hyper’Dimensional Art expresses alchemical living presences and crea3ve ecologies. Through Space and Poten3al, the nature of Life and Crea3on.
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Changing Human Landscape
Vision proceeds Manifesta3on -‐ Art Proceeds Science The ar3st visions a basis for new sciences and mathema3cs,
philosophy, spirituality, economics and art to the culture through inhabi3ng new space. Art is space and the feelings and understandings revealed through space. From new comprehensions of space come new sciences, economics, philosophies, technologies.
From fixed view Renascence space came Newton. From Fractal Space have come thousands of new applica3ons.
True ar3sts absorb and advance scien3fic and mathema3cal development through revealing new visions of space. They alter the form of subjec3ve mind causing structural changes to the cultural commons.
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Source of Art The sense of what is actually the source of the beau3ful has been lost. The essence and source of art is Love.
Architectural structure and func3on are not the basis of art. True art is par3cipatory.
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Art as Commodity
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Roots of Culture Advancement
Unbinding Space Awareness is the basis of cultural advancement. The more bound the space, the more bound the mind, the more bound the mind the more karma binds, the more locked down our current of spiritual evolu3on, the more bound our crea3ve freedom, the more bound is our recep3on of the Desire of Source.
Hyper’Classical Art awakens new energy sources transduced coherent fields of freeness. We can extract life energies through the precipita3on of Space.
Hyper’Classical Art expresses principles of non-‐dual Coherent Space.
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History through Parallel Lines
– Romans did not realize that parallel lines converge in the distance.
– Renaissance Ar3sts/scien3st realized that parallel lines appear to converge in distance.
– Renaissance Ar3sts/scien3st did not realize that parallel lines really do converge in infinity.
– Parallel lines are fields that emerge and converge. – Modern ar3sts do not realize that parallel lines can converge and diverge through many dimensions in all direc3ons.
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Progression of Art Roman/ancient world -‐ tac3le muscular flat Space 3 Dimensional renaissance art Single Space Projec3ve geometric space 4 Dimensional – Cubism Subjec3ve Space – Dadaist, Surrealists, Expressionism Rela3vity space – Cubism Visionary – Subjec3ve expression of higher or other dimensions Monstrous Forms – Koch Etc Fractal Space – Infinitely Complex FormFractal space was never real to the
culture un3l Mandelbrot produced the first piece of fractal art inaugura3ng a new comprehension of space.
Holo’Dimensional Space – Mul3ples of Simultaneous Space Impressionism – Simultaneous Space Cubism – Subject/Ground Space Holo’Space – Infinitely Complex Sacred Space
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Ancient Roman Percep8on of Space
Roman art was muscular and tac3le. A space showing a predisposi3on towards physicality. In Roman art, objects close by have dimensionality. The further away the space, the flaier the space becomes.
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“Three Fates”
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Renaissance Art • The space our minds inhabit was constructed by ar3sts 5 hundred years ago. This is single point Euclidean Space.
• Space as something exis3ng apart from objects did not exist before this. Renaissance has become our space.
• Alber3, Leonbarsta and others saw that triangles are projec3ons of a single 3-‐D Pyramid according to Euclidean principles.
• This led to the physics of Newton and others mapping the movement of objects through empty space. Ac3on at a distance is a mystery.
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Tradi3onal Representa3ve Art
Material Space is the basis to express Subjec3ve Space. This what we in the west consider proper art for centuries.
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Monet Realized to Express • In his studies of nature he realized that renaissance space is inadequate to show mul3ple and simultaneous space.
• More than one object in the same space at once. Spa3al layering.
• Three dimensional Euclidean space is arbitrary and “corrupted” with point of view. and is inadequate to express simultaneous rela3vity space and frame.
• Monet saw the interpenetra3on of mul3ple different spaces. The surface of the pond, the space below the surface of the water and the sky with clouds reflected. More than one space is in the same frame at once.
• Interpenetra3ng Space was new to the western experience.
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Subjec3ve Space Art Movements “The Scream”
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Pre-‐Renaissance Space
S3ll flat in the distance. Man is the center of crea3on.
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Subjec8ve Collec8ve Space of the Social changes of the 8me Van Gogh
Van Gogh rendered collec3ve space. He rendered the Subjec3ve Space of the changing age around him: the loosening of the connec3on to the land and the movement to a factory mercan3le world with its hopelessness. In a number of his works he was trying to render the subjec3ve space of the changing of the ages around him. Of especial interest was the loose of the connect to the land and the movement to a factory mercan3le world and the hopelessness that came with that.
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Cezanne Landscape
• Neuro Scien3st
• What impressions look like before processed into concept
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Art Manifestos of the 20th century
The first art manifesto of the 20th century was introduced with the Futurists in Italy in 1909 and readily taken up by the Vor3cists, Dadaists and the Surrealists aher them.
The period up to World War II created what are s3ll the best known manifestos. Although they never stopped being issued, other media such as the growth of broadcas3ng tended to sideline such declara3ons. Due to the internet there has been a resurgence of the form, and many new manifestos have appeared to a worldwide audience.
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Cubism Around the turn of the 20th century, ar3sts became deeply interested in expressing the 4-‐dimensional nature of the world and sought to discover this through the study of the direct principles of form.
Cubism was at first an inquiry into the principles behind form and space, fourth dimensional space as it interfaces with percep3on. The result of their explora3ons was a transforma3on of the frame-‐space. The structuring of rela3onships between percep3on and form within the frame-‐space was their method of discovery. It was an explora3on into principles of form, the structuring of rela3onships exis3ng between percep3on and form and their rela3onships. This was a discovery and an altering of our percep3on of form with its space. Like Buddhis3c Space, form and space are inseparable.
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Futurism Futurism (Italian: Futurismo) was an ar3s3c and social movement that originated in Italy in the early 20th century. It emphasized and glorified themes associated with contemporary concepts of the future, including speed, technology, youth and violence, and objects such as the car, the airplane and the industrial city. It was largely an Italian phenomenon, though there were parallel movements in Russia, England and elsewhere.
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Surface of the Art
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Surface as Art Movement – No projec3on
Malevich’s Supremacist Composi3on-‐ White on White
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Post-‐Modern Art Post-‐Modern art expresses and embodies ego-‐based society.
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Visionary Space • Visionary language has been trapped in the context of Material Space.
• Coherent Space is the fundamental source of Visionary Space making it part of our collec3ve reality.
• True ar3sts absorb and advance scien3fic and mathema3cal developments through expressions of space. They render and emit these to the cultural commons. Structural changes to subjec3ve space and cultural landscapes occur.
• They alter our comprehension of space. 52
Visionary Art • Seeking for an inner vision of a higher world is largely the purpose of this art. Where a higher dimension is sought it is s3ll through a subjec3ve projec3on.
• The post postmodern visionary ar3st expresses space that embodies their vision of the spiritual and sacred realms or service found through myriad methods for enhancing visionary and imagina3ve facili3es.
• The art of the visionary ar3st is s3ll an extension of the ar3st’s subjec3ve perceptual Space however super-‐Consciousness it is. – 53
Visionary Art Path • True Visionary ar3sts seek to discover and express the greater dimension of existence.
• Hyper’Classical Art includes the Visionary ar3st’s path and expands its possibili3es and methods.
• Qubism is visionary, but the visionary expression does not arise from the Subjec3ve Space of the ar3st. From the connec3on of the Subjec3ve Space of the Viewer to the Coherent Space of Source.
• Mul3ple spaces as simultaneous gestalts. 54
First Image of Fractal Space
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Art is a Sacred Ac3vity Art has become entertainment, a way to express one’s mental
contents. That’s no culture, to glorify and gorify the very source of suffering, the bound mind. With no center, no society, no necessity for the ar3st. In our 3me there’s no cultural or social order to the arts. They are secondary to daily living.
Ar3sts embody the failure of the social order to transmit an inspira3on to transcend one’s toxic mind, to master one’s wholeness. Providing social order valued by others has intrinsic fundamental value.
Sacred Art is not just decora3on, but is part of the sacred purpose of the community. Art was originally a sacred ac3vity, generated within a sacred culture.
Sacred Art presents something that is beau3ful to people invoking cultural par3cipa3on.
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Holo’Art
Holo’Art applies to living and non-‐living, the micro and macrocosmic levels and the psychic realm. Qubism can be applied to culture, economics and poli3cs as an unified whole with no dividing different fields of ac3vity and knowledge.
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Art must Generate Love
Art depends on the ability of the viewer to feel love rela3ve to the presented expression.
The art must generate love. It must evoke a par3cipatory feeling.
If it frustrates love, or doesn’t allow it, or does not even try to invoke it, then it’s not art really.
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The surface of the conduit (art) embodies a frameless field, a projector and Projec3on of Space.
The viewed surface Is a projector of complex dimensional space. By building and breaking and evolving the space dimensionally, complex harmonic resonance is generated and amplified.
The flow of informa3on poten3al Is conserved in the complex space but liberated through the surface projector viewer transduced ac3va3on.
Holo’Qubism reveals what is Prior.
This is a nega3ve resistor effect, a negentropic AND syntropic reordering of the surface space poten3al.
The dipole field of the complex space ini3ates harmonic densifica3on. Energy organizing is entropic decrease. New Life manifests from the Substrate of Consciousness.
Holo’Space Reveals What is Prior
Stages of Art Ins3nc3ve
Subjec3ve Perspec3ve Representa3onal
Objec3ve Perspec3ve Forma3ve
Principles of Form Principle of Dimensionality Archetypal Qubism
Form of Principle Meta'Synthe3cal
Dimensions of Principle 62
Divine Art
Releases consciousness from iden3fica3on with differen3ated awareness
Transla3on of the Human Psyche into the state where self-‐centeredness as conven3onally understood, disappears.
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Real Space in Modern Communica3ons
In Shak3 Space all points are connected to every other point. Modern media are wormholes connec3ng all points to every other point.
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Holo’Space in Art
– Art can be used for scien3fic, philosophical, spiritual and crea3ve research and discovery
– Hyper’Classical Art uses tools of art • To explore more deeply to understand science and philosophy
• To gain insight into the nature of Existence and Space and Poten3al
• To explore the nature of life as the nature of Crea3on. – Space as Life expresses through four domains of Space. Thus understanding of Space is fundamental to our understanding of Subjec3ve Life.
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Seven Ages of Globalizing Civilization
• "Classical Age"• "Post-Classical Age"• "Pre-modern Age"• "Modern Age"• "Postmodern Age"• "Trans'Modern Age"• "Hyper'Classical Age"
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Hyper’Classical Art and Style Frameless Universal Trans'Globalized Context "Omni'Scalar Orientation"Lifetronic Non-relativistic Hyperdimensionality"Meta-Synthetical Star'Net Imagustry, image industry"Circuit Structure Energy Ring Temples of Spiralic Resurrection, Spiricles
Flux"Meraba Grid Vidia Cathedrals"Syn'Optic Principled Intelligence"Good of The Whole Syntropic Natural Enlightened Aristocracy "Isomorphic Mutualization"Multidimensional and Simultaneous Self Sealed Hermetic Wholeness "Holo'Graphic Harmonic Fractalism"Synthesis and Fusion with Open Spontaneous Novelty"Significance oriented"Holo'Lectic and Omni'Lectic Logic base"The 50 Million Year Old Child, Reva-Relational Compassion"Focus Singularities, Explicate/Inplicate/Transplicate Co'Union"
" " "
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Cultural Synthesis " " "
Aesthe3cs is The Merger of Spiritual Materialism as Art-‐Science Philosophy
Transmuta3onal Transcending Divine Love Solar Psyddhis Electronic Tribal Christening Designs of Sacred Social Context Regenera3ve Enlightened Co-‐evolu3on Nourishing Paierns of Resonance Holo'Theurgic Fractal Evolu3on Revealed Eternal Now Hardwire Beyond Dura3on and Space Crea3on as Form in Persistence with definite Rhythms that are on-‐
repe33ve Cyclo-‐Spiralic in nature Will of Divine is the Materializing Power. Our goal is to be thus Possessed Trans’Immanence Changeless Transience
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Healing Power of Holo’Dimensional Art
• We don’t experience all that is real. In the modern conven3onal, the consensus, maier IS reality. The things that really exist are bits of maier. Energy exists as it acts on maier but space itself is not real. It is only the backdrop to maier
• Holo’Space realiza3on frees us from the consensus that maier is Reality or is only Reality.
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Holo’Space
All that happens in one place happens in all other places. All that happened in one 3me happens in all 3me thereaher.
Nothing and everything is local. All Space is global and cosmic. The most cosmic is the most local to Now.
The Mem of All extends to all places and all 3mes.
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Space Is the Most Fundamental of all Elements
That space is empty and passive is the general viewpoint contradicted by new science.
New science says that Space is the most fundamental of all elements.
Maier is semi-‐stable clumping of energy vortexes springing from Mother Space, a waveform disturbance in the connec3ng field, memory of the metaverse, a cloud of dark light in the Coherent Sky.
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Hyper’Classical Art
• Hyper’Classical art evokes par3cipa3on by the viewer by involving the observer.
• Avoiding par3cipation degrades the viewer.
• Hyper’Classical art heals, restores equilibrium, regenerates well-‐being and can trigger spiritual awakening.
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Hyper’Classical Ar3st expresses the Sacred
The Hyper’Classical Ar3st expresses the sacred. He causes others to par3cipate in manifest reality as self-‐transcendent ecstasy. Hyper’Classical art invites self-‐transcendence enabling the viewer to transcend themselves.
When the culture and poli3cs are harmonious and in sacred associa3on true art appears. Where the sacred is absent, then the best art can do is meditate on the beau3ful and bring people to feel that. But there is nothing beau3ful without love.
True art is a sacred performance, an act of love. And the highest sacred performance can only occur in a sacred serng with a sacred culture and sacred society, transcending egoity.
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