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DISCO GTXTTAK BIBLE
2
9
t4
2L
28
34
40
47
52
5/
6'1.
7't
76
79
85
90
95
101
107
118
128
135
144
't_52
'1.57
t6't't64
168
17't
175
180
ISBN 0-h3q-08I35-b
ZHAL.LeoTARD.7ALacor?poRATrot\7777 W. BLUEMOUND RO. pO, BOX 1 381 9 MTLWAUKEE, Wt 5321 3
For all works contained herein:Unauthorized copying, arranging, adapting, recording or public performance is an in{rrngement of copyrighl
lnfringers are liable under the law.
Y s'r !a !ea^a': C- ^e alwww.halleonad.corn
BAD GIRLS-{}r,;* lt* liiut**lt :,
BOOGIE NIGHTS- j ,:.. ,
BOOGIE OOGIE OOGIE-:\'il;r:,,(* *t i:ir.roi"1.
BRICK HOUSE- i r .' i " ,'r,. ,: ..i....
DA YA THINK I'M SEXY-l{q:* $tq'",*;ri:rl
DANCE WITH ME-ilut.*r Br*r,r,ir
DANCING MACHINE-'ilj:c,{x,rirsr:rt li
DECEMBER 1963 (OH, WHAI A NIGHT)-i:rer:kiq: V;rlli *n* i];t $r:ur L{*xs*nrDISCO INFERNO-T'irt' ['r*nrrnpr:
FUNKYTOWN-' , r,.. 1
GET DOWN TONIGHT-Kil s.r 'X'tr* $us:*liir:{:3i$sd
GET OFF-l'*;'ivGOOD TIMES-," "
I LOVE THE NIGHT LIFE-Atiri* S+.i* g*:x
KUNG FU FIGHTING-{.;,yi $*lrgt*irLE FREAK-{,hi*
LOVE ROLLERCOASTER-$.-\iri* tsl*_v*ris
MACHO MAN-\,'it i * gr'$!*r+ pi *NATIVE NEW YORKER-g.3* vx**.,i
NEVER CAN SAY GOODBYE-{ii*ti* {-i,r1's;jp.
PICK UP THE PIECES-.,\u;r*lx$* !Yltii* lian*{
SHADOW DANCING-;\ x#y {,i ii,i:SHINING STAR-$:;ryth,. \,\l** $r Fir,*
STAYIN, ALIVE-;i.,, . ,, q. .
SUPER FREAK-;-...0 : ,
SUPERSTITION-$i*r.i * \\qr*e *rTHAT'S THE WAY (I LIKE IT)-HL & Th*: liri**]ri*r, jScnd
WE ARE FAMILY- .. , , .i",;";,.Y.M.C.A.-Vili *51* $:'**pi *YOU SHOULD BE DANCING-$}** fi*srs
Cuitar Notation Legend
AUTHENTTC IRANSGRIPTIONSwlTH NOTES AND TABLATURE
=
F4.
:--.,
--+
=
t
-
7
IntroModerately .J = 124
*FGrr 2 tclean t
Riff A
Bad Girls
+++
,rf
End RiffA Rhy. Fig.2A
Words and Music by Joe "Beans" Esposito, Edward Hokenson, Bruce Sudano and Donna Summer
eb Am Gm Asus4 A
H'* C" H H'"'H"311
eb
Am7 Gm7
Dm7 Gm7
Am7End Voc. Fig. I
(Toot -
End Rhy. Fig.28
End Rhy. Fig.2A
Am7
End Rhy. Fig. I Rhy. Fig.2r3 ---r
\roc. Fig. 1
Gtr.3 (clean)Rhi'. Fig.28
+ +++
rJ-:
Copyright @ 1978 by Rightsong lvlusic Inc., Earborne Music and Sweet Summer Night MusicAll Rights for Earborne Music Administered by Rightsong Music lnc.
International Copyright Secured All Rights Feserved
xChord symbols reflect overall harmony
End Rhy. Fig.2
"t
Gtr. l: w/ Rhy. Fig. I (1st 2 meas.) (2 times)Gtrs. 2 & 3: w/ Rhy. Figs. 2A & 2B (3 times)
Dm7 Am7
ChorusGr. 1: w/ Rhy. Fig. I (2 times)
Dm7 Am7 CrmT
Gtr. 2: w/ RIy. Fig. 3
Dm7 Am7 Gm7
VerseGtr. 1: w/ Rhy. Fig. I (1 l/2 times)Gtr. 2: w/ Riff A (2 times)Gtr. 3: w/ Rhy. Fig. 2B (3 times)
Dm7 Am7
Am7 Gm7
beep beep. Toot - toot.
Gtr. 1: w/ Rhy. Fig. 2
Dm7
Am7
beep - beep.)
Am7
Am7 Gm7
in' 'bout
Am7 Gm7
yeah.
-
if your pock - et's right. -
Am7 Gm7
End Voc. Fig.2
Bad girls,
Rhy. Fig.3
(Wa1k - in')
the price You can'l
/
End Rhy. Fig.4r:_J---
)//. n7Gm
l)/
Am
ff Pre-ChorusGtr. 3 tacet
Bb' Rhy. Fig.S
cr, ) ) l
Gtt.Z Rhy. Fig.5A
Am Bb
n, )
You ask vour - selfNow don't you ask your self- I
Amn Bb
\//
2nd time, Gtr. 3: w/ Riff B
Asus4
InterludeGtr. 1: w/ Rhy. Fig. IGtr. 2: w/ Riff A
Dm7End Rhy. Fig.5
Am7 Gm7
w) w 1.....:tlt J t / t-
they come fromthev wan - na be
near anda_ star.
End Rhy. Fig.5A
oh,
oh,
To Coda $Am7 Gm7
Am7 Gm7
=-------.---
yeah.
-
girls.
-
ChorusGtrs. 1 & 2: w/ Rhy. Figs. I & 3 (2 times)
Dm7 Arnl Gm7
rSad
Badl'
Dm7
sad girls,girls,(Bad gir1s.
-
Am7 Gm7 Am7 Gm7
sad gir1s, in' 'bout bad.
VerseGtr. 1: w/Rhy. Fig. 1 (1 ti2 times)Gtr. 2: w/ Riff A (2 times)Gtr. 3: w/ Rhy. Fig. 28 (3 times)
Dm7 Aml Gm7
2. Fri day night and the
Am7 Dm7
look hot.
BridgeGtrs. I & 2: w/ Rhy. Figs. 1 & 3 (2 times)
Dm7
Am7 Gm7
and thev're
Gtrs. I & 3: w/ Rhy. Figs. ,1 & 4,A
Am7 Dm7 A
strip is hot, out to trot. _
Am7 Gm7
\-,high legs
-
and
Out trot - tin'.)
D.S. al Coda
girl. Beep -
End Riff C
$coaa
*Gtrs.,1 & 5
*Gtr. 4: clean tone w/ slight reverb:Gtr. 5: synth. an. for gtr.
yeah,
-
---/that's us.
Do you wan - na get down? -
Am7
girl, you're such a baddirtBad
Riff C
girl,
"!fw/ clean tone
Gtrs. 4 & 5: w/ Riff C (3 times)
Dm7 Gm7
bad(Bad
girl, youoirl
sad girl, you'resad girl, you're
suchsuch
difi -
dirt - ygirlgirl Beep beep,
Am7
Am7
Versectr. 1; w/ Rhy. Fig. I (lst 2 meas.)Gtr. 2: w/ Riff A (2 times)Gtr. 3: w/ Riy. Fig. 28 (3 rimes)Ctrs. 4 & 5: w/ Riff C (,1 times)
Dm7 Am7Gtr. 1: w/ Rhy. Fig. 2
Dm7
6
3. Now vou and
(Both the same. _But you call your - self_
Gtr. l: w/ Rhy. Fig. I (lst 2 meas.)
Dm7
name. _ when sheDif f'rent name.
-
Gtrs. 1 & 3: w/ Rhy. Figs. 4 & 4,A
Dm7 Am7
out _Finds out.)
-
Guitar SoloGt$. I & 2: w/ Rhy. Figs. 5 & 5,A
Bb Am Bb N.c. BbGrr 4
Bb N.C.
Am Gm
Now your ma - ma won't like-
girl
-
Gtr. 4 tacel
Asus4cr.5
Bkgd. Voc.: w/ Voc. Fig. I
A
7
InterludeBkgd. Voc.: w/ Voc. Fig. 2 (4 times)Gtr. 5 tacet
N.C.
Toot - toot,
Blgd Voc.: u/ Voc. Fig. 3 '2 rimer1Gtrs. I & 2: w/ Rhy. Figs. I & 3
F'CR
OutroBkgd. Voc.: w/ Voc. Figs. 2 & 3 (till fade)Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 3 (till fade)
Dm7
beep- beep
Have you got dime? -
beep - beep.)
Am7
Toot- toot,
Bb
Hey,
Am7 Gm7
Am7 Dm7 Am7 Gm7
CBb
ba by, come and spend me. _
Begin fadeDm7
I',lt spend some
Gm7
Do you wan spend - somg time? -
got what you want you got what I need.
Am7
Hey, mis
Wirh
Fade out
Am7
\fis terl
Am7 Gm7 Am7 Dm7
Ooh, yeah.
Gm7
be your
8
you.-
Am7
You fine
trme with you
With you.
Am7 Gm7
Gtr. 3: Drop D tuning:(low ro high) D-A-D-G-B-E
To match recording, tune up 1/4 step
IntroModerately .J = 124
Boogie NightsWords and Music by Rod Temperton
---\
*N.c.
(Harp) (Drums)
approx.7 sec. .---
Em9Voc. Fig, 1
*Chord symbols reflect overall hmony
Copyright @ 1976 RODSONGSAll Rights Administered by ALMO MUSIC CORP
All Rights Reserved Used by Permission
7
ff v"..uBkgd. Voc.: w/ Voc. Fig. 2 (2 times)Grrs. I & 2: w/ Rhy. Fig. 1 (2 times)ctr. 3: w/ Riff A (2 times)
E7|de
End Voc. Fig.2
End Rhy. Fig. I
End Riff A
Chorus-{m
no doubt,that groove,al1 right
I
2
3
,!fw/ phase shitter
we are
let itwhen you
Come on out.Make it move,Hold it tight,
'Cause boog
start - ea. )11-rel
deal - in.e. I
Gtrs. 1 & l
Dance with
Rh1. Fig. 2
+'
the
got to get itset this place ongot to keep on
here to par - ty.take you high - er.got that feel - ing.
the best in town.
End Voc. Fig.3
get
End Rhy. Fig.2
InterludeGtrs. I & 2: w/ Rhy. Fig. 1 (2 times)Gtr. 3: w/ Riff A (2 times)
right
right,
To Coda $
(Got to keep on danc - in',- keep on danc - in'.-
Can you show that you know how to
keep on danc - in'.)
it?doBoog
it,- do-ie nights.
End Riff B
phase shifter off
Get on down with the sound of the s1c,muBoog
s1c, _ie nights.)
/$coau
Synth. Soloctrs. I & 2: w/Rhy. Fig. I (4 tines)Gtr. 3 : w/ Ritl A (4 times)_)l ^h/'l+9
+Synth. a[. for gtr
danc
2-
==-
keep on
^+
dancon
-7Boog(Cot
B9(no3rd)P#mBkgd. Voc.: w/ Voc. Fig. 3
Em
ChorusGtn. 1 & 2: w/ Rhy. Fig. 2Am
InterludeBkgd. Voc.: w/ Voc. Fig.4Gtrs. I & 2: w/ Rhy. Fig. 1 (2 times)Gtr. 3: w/ Riff A (2 times)
1..I t9
*Synth. m. for gtr
GtIs.t&2
OutroBkgd. Voc.: w/ Voc. Figs. I & 4 (till fade)Gtr. 5 tacet
Em9Riff cl
,+/+-
Rhy. Fig.3
w/ phase shifter
__----------
Play 5 times dnd.fadew/ ad lib. talkingGtrs. I & 2: w/ Riy. Fig. 3Gtr. 3: w/ Riff Clst & 2nd times. Gtr.4: il RiffClEm9
Dm13
End Rhy. Fig.3
(lf you wan - na boog - ie, wan na boog - ie boog - ie, boog - ie nights.)
13
I
IntroModerate Disco J
xDTsus4Gtr. 1 (clean)
Bb/D
Plal 4 times8vq------mf:-\
w/ wah-wah
fGtr. 2 (clean)
*Chord symbols reflect overall harmony.++Set fbr quarter note triplet regeneration w/ 7 repeats
tClavinet and gh. ar. for gtr., composite mangement
Gtrs.l&2tacatDm7
xctr.4Bb/C
Boogie Oogie OogieWords and Music by Janice Marie Johnson and Perry Kibble
= 124
Dm7
Copyright @ 1978 Conducive Music and On Time MusicAll Rights Controlled and Administered by Spirit One Music (BMl)
lnternational Copyright Secured All Rights Reserved
2nd, 3rd & 4th timesGtr. 3: w/ Rhy. Fill I
Gtr. 3 (clean)
Riff A
*Clavinet m. for gtr*+Bass m'. for gtr.
14
Bb/CFill 1
Gtr. l
End Fill 1
mf
D7sus4R}ty. Fig. I
*Gtr. I
Dm7
€!--=_----
Rhy. Fig. 1AGtt.2 -
*Doubled throughout
End Rhy. Fig. 1A
15
IS( v"rr./') 2nd rime. Bkgd. Voc.: u/ Voc. Fig. I
Gtr. 1: w/ Rhy. Fig. I (3 3/4 times)Gtr. 2: w/ Rhy. Fig. 1A (4 times)2nd time, Gtr. 6: w/ Fill 1
D7sus4 Dm7
1. If you're think2. There's no time
you're
- too cool
waste,
- let's get
Dm7
lngto this show
to boog - iethe road.
-D7sus4
boy,Lis - ten
2nd time, Bkgd. Voc.: w/ Voc. Fig. 2
D7sus4
ohto the
boy, havemu - sic and
Dm7
here
-
tolong - er we've
night -
mustgot _ to
you. _flow.
-Bb/C
booggroove. _
letgot- news- for
your bod - y
Ev - 'ry-bodThe soon - er we be - gin,
D7sus4
you, youLis - ten
ChorusGtr. 1 tacet
Am7
Rhy, Fie.2
are no exto the mu - sic and
Dm7 c
vthe
rheceptell - tlonlet your
to_bod-r
Voc. Fig. 1
the floor \\e re gon-na
End Rir. Fig. 2
boog - ie oog - le we'
Voc. Fig.2
Cer on_fNovn get on _ i
Rhy. Fill2 End Rhy. Fill 2
up
Gtt.2
16
Gtr. 2: w/ Rhy. Fig. lA (2 times)
D7sus4 Dm7
boog - ie
Gtr. 1: w/ Rhy. Fig. I (last 2 meas.)
86/C
\v-more, _ boog - ieno
(No more more _
End Riff B
V
RiITBGtr. I
You
Gtr. l: w/ Rhy. Fig. 1
2nd time, Gtr. 1: w/ Rhy. Fig. I (1st 3 meas.)
:--:
-2nd time, Gtr. 1: w/ Rhy. Fill 2
t.vmore _ boog -
-
boog
InterludeGtrs. 1 & 2: w/Rhy. Figs. 1 & 1A (2 times)
D7sus4 Dm7
ro Coda S
Bb/C
LisLis
mubass,
toto
themy
----.----
*Top notes of bkgd. voc. re sung by male voice and sound one octave lower than written
= ---^-----_--\
17
IDTsusJ
D.S. al Coda
-'-^-\ _-_\loco
1/2a..--\) . t_a--)
$ coaa
InterludeGtr. 5: w/ Riff A
N.C.(Dm7)
2nd time, Gtr. 1: w/ Rhy. Fill 2
18
Guitar Solo
. Gtr. l: w/ Rhy. Fig. I (3 3/4 times)Gtr. 2: w/ Rhy. Fig. lA (4 times)
D7sus4 Dm7 ,----=-----_
Boog - ie!
a ^'i.i/.!i/.lA/.l
A/.|'i'f ./t/I/tit'.A't/IA
^-^ tAA,.ta^^^^AAAa
,--=-2-.--=:
l/2a--*_\).1
19
I:---
^Boog-ie!
tA/.l A '.!--..T-:
-.-------t--
.,+-\^2
Gtr. 1: w/ Rhy. Fill 2
1 a/v|a ^t
----\
Gtr. 2: w/ Rhy. Fie. 2 (2 times)Gtr. 6 tacet
Am7 Dm7 Am7 Dm7
boog
Gm9
Ie oog - re oog - le dori n. -
Dm7
ie oog - ie oog - ie
Am7
OutroCtr. l: w/ Riff BGtr. 2: w/ Rhy. Fig. lAD7sus4 Dm7
Gtr. 1: w/ Rhy. Fig. I (last 2 meas. )
Bb/C ,-- -----\------
Repeat andfade
----\_---.
down, -
Gt6. I & 2: w/Rhy. Figs. I & lA (tillfade)
D7sus4 Dm7
20
l---
Brick HouseWords and Music by Lionel Richie, Ronald La Pread, Walter Orange,
Milan Williams, Thomas McClary and William King
Aml1
ffiror.FII+N
341 I
IntroModerately J
Gtr. I i
(clean)
* (drums)
*Key signature denotes A Dodan.
= 102N.C.
SIMp
.FFi-E ffii-EfTni-E**Tap body of gtr. neu pickup w/ pick.
i-Ei-Ti-Ti-T] fiTtrtrffiffi i
mm,
-
7[Tli '!'TT;i ,! i-'---_-..-=-
ittttttt^(cont. ln notatron)
Ow, she's a
Am
End Rhy. Fig. t
letnng----------l
*Chord s1'mbols reflect tonalit-v of gtr. i
O 1977 JOBETE MUSIC CO., INC., LIBREN MUSIC, CAMBRAE MUSIC, WALTER ORANGE MUSIC,OLD FASHION PUBLISHING, MACAWRITE MUSIC and HANNA MUSIC
All Rights Controlled and Administered by EMI APRIL MUSIC lNC.All Rights Reserved lntemational Copyright Secured Used by Permission 21
IGtr. 1: w/ Rhy. Fig. 1, 5 times, sinile
Bm
no - thin
PM.--------------. letring ---------
she's a brick
I like la - dies stacked- and that's a fact.-
P.M --------------. letdng------------,-r
this is how the stoknows -End Rhy. Fig. 1A
22
we re to - geth er ev - 'rv - bod
P.M.-------------------------------r
Am7 Am7add6 Am7 AmTadd6
knows she's thing.
-
O,.. , Rhy. Fie,2
Rhy. Fig.2,A
P,M,
AmTadd6 Am7 Am7add6 AmTadd6 Am7
End Rhy. Fig.2
23
IGtr. l: w/ Rhy. Fig. 2, simile
AmTadd6 Am7 AmTadd6
AmTadd6 Am7 AmTadd6
ChorusGtr. 1: w/ Rhy. Fig. 1, 6 times, simile
Gtr. 2: w/ Rhy. Fig. 1A, simile
Am Bm Am Bm Am
Bm Am
AmTadd6 Am7 AmTadd6
AmTadd6
She's might-y,might y- just let-tin' it all*hang out. - Ah, she's a
la - dies stacked
Am7
and that's a fact.
Am,--)
oh. _
24
Ain't hold-in' noth - in back.- Oh, she's brick -
house. -
Yeah,
-
She,S
Verse
the one, -
the on ty one
-built like an Am - a - zon.
-2. Mm.
-
Ctr. 2: w/ Rhy. Fill I
make an
Am7add6 Am7 AmTadd6
AmTadd6 Am7 AmTadd6 Am7
Gtr. 1: w/ Riy. Fig. 2, 2 times, simile
Gtr. 2: w/ Rly. Fig. 2A, simile
AmTadd6 Am7 AmTadd6 Am7 AmTadd6 Aml AmTadd6
the clothes she wear, -
her y ways _
AmTadd6 Am7 AmTadd6 Am7
o1d- man- wish
Am7 AmTadd6
and knows how to
ChorusGtr. 1: w/ Rhy. Fig. I , 4 times, simile
Gtr. 1: w/ Rhy. Fig. 1A., 1st 7 meas., simile
Am Bm Am
Am7
young - er days- yeah,- She-knows she's built
AmTadd6 Am7AmTadd6 Am7
+r
AmTadd6 Am7 Am
BmBm
a sffong_
Am
man to his knees.- 'Cause she's a brick
Am
Yeah.-
house. -
Bm Am
y
-
jusl let-tin' it all- hang out.- Hey -
la - dies stacked - and that's a fact. -
Rhy. Fill tGtr.2
Rhy. Fill 2
Gtr.2
Bm Am
brick
Gtr. 2: w/ Rhy. Fill 2
Ain't hold-in noth - in' back. Ow
Sure 'nough can knock
she's might - y, might
25
IBridge
Aml I
)at t)' /.-o
-t/' /',
like an Am
,,-l_r
11.
FI/' /'
Gtr. 2: */ RIl. Fig. 1.\. lst 1 mero.- simile
ChorusGtr. 1: w/ Rhy. Fig. l, 4 times, simile
Gtr. 2; w/ Rhy. Fig. I A, lst 3 meas., simile
Am Bm Am
Brick
Gtr. 2: w/ R}ty. Fill I
built
Yeah. she's might - y. might y
-
I12.
house.
-a just
Am
brick
Bm Am
house. -
BridgeGtr. 1: w/ Rhy. Fig. 1. 2 times. sinileGtr. 2: w/ Rhy. Fig. 1A, lst 1 meas.. simileAm Bm
Shake it down. shake it down. shake it
Bm
Yeah.
-Am Am
l-l r/' /r
A shake it down, shake it down now.- A shake it down, shake it down, down, down.
-A shake it down say, "Ow."
she's the one.- theon - ly one-
now. _
let-tin' it all - hang
Shake it down, shake it down, shake it now, now.
-
Shake it down, shake it down, shake it now, now. -
26
Shake it down, shake it down, shake it, shake
l12.
down, shake
11.
Interlude
Am(elec. piano)
Gtr. I tacet
AmA
sChord symbols reflect implied tonality
27
I
C]xxxx ^rT-a8tr
ffiII
GmxxxxErrrn
ffilt
CTT---l 5tr
ffilll
IntroductionModerateDiscoJ =l12
Da Ya Think I'm SexyWords and Music by Rod Stewart and Carmine Appice
Dm
iiffi'nl-t+Hl
3121
AmTtrTT-'5ti
ffi11
ebmxxxx ^mT-461r
ffil1
Both notes vib.i^/t't'll/t/t/l|a/\
----.._- +' - --\-
O 1978 MUSIC OF UNICEF, EMI FULL KEEL MUSIC, WB MUSIC CORP. and NITE STALK MUSICAll Rights for MUSIC OF UNICEF Controlled and Administered by EMI APRIL MUSIC lNC.
All Rights for EMI FULL KEEL MUSIC and NITE STALK MUSIC Controlled and Administered by WB MUSIC CORPAll Rights Reserved lnternational Copyright Secured Used by Permission28
w/Rhy. Fig. I
w/Riff ADm
w/Rhy. Fill I
Dm
1st VerseRhy. Fig.2
Dm
Gtr.2 O
(end Rhy. Fig. 1)
29
I
what they're think- ing?_ If-
you want my bod - y and- you think I'm sex y come- on sug-ar let
you real- ly need reach out and touch me. Come _ on tell (Tell me so, baby)
30
w/Riff A
Dm
(end Rhy, Figs. 1 and 4)
C
ff z"a and 3rd Versesw/Rhy. Figs. 2 and 3 (1 1/2 times)
Dm_t_
Dm
He's act - ing shy -They wake at dawn-
look-in' for an an - swer'cause a1l the birds are sing - in'.
Come on- hon-ey,Two to- tal strang- ers,
let's spend the night to - geth- erbut that ain't what they're think-in
Now
hold on- a min-ute.Out - side - it's cold,
They catch a cab -He says, "I'm sor- ry
Chorusw,Rhy. Figs. 1 (2 times) and 4
Dm
high*rise a- pafi-mentout of milk and cot - Iee". -
can tell hermind, sug-ar,
act - ly what hiswatch the ear - ly
be - fore we
it's mist- ygo much fur - ther,and it's rain-ing.
give me a dime - so
They got each oth-er.I can phone my moth - ernei - I her one s com - plain- ing.
tobut
hisI'M
last he
Nev-er we can
you want my bod - y and
- you think I'm sex
telllet
heart needs.)
mov- ie. llf-
I on hon-eyY come - lD.s.r on (sug - ar
31
you real-ly need me just- reach out and rouch me come- l:: ;:1_3;lettell
me know. _me so. _
JFJ
Ow.
-
Ooh).
- Last Time x
Repeat and Fade
(end Rhy. Figs. 1 and 4)
His*Use repeat on D.S. only,
vocals ad lib. usingchorus lyrics.
< vol
tA /!l,.ll
w/Riff A (repeat until fade on D.S.)Dm
D.S. Sug - ar
BridgeAm
ctz/ |
Dm
J I ) J
C7
) .t
Bbm
t,l /
* Solow/Fill 1
ctr.2 Dmlr
-1 tl!* / /
Re * lax now we're all
he's got
*Sax solo an. for Gtr
32
Dm C]ltr///////Dm
)) )a
^'.,t,!
vol.<aAA
^A ^f
< vol./l't/IA,'A
c'7
)a
Dm
t )t )w/FiU I
)I
C7
)t
:1
similea,. ,t
R}Iy. cont
Dm
Words and Music by Peter Brown and Robert Rans
Dance With MeF RbmaiT Fj BbTsus4
llx ^x
/ l/Fffisrr m6k FFrTlr0li FmEriffiffiHffi
)=tr2
*Kybds. an. for gtr.
**Chord symbols reflect overall htmon)
IntroModerately slow
** AbmaiT BbTsus4
lt/wwvwvr/llltt
N.C.
nlf
Gtr. 1: w/ Riff A (2 times)
Cm7Rhy. Fig. I
Cm1
34O 1977 EMI LONGITUDE MUSIC and SONGS OF UNIVERSAL, lNC.
All Rights Reserved lnternational Copyright Secured Used by Permission
Gtr. 3: w/ Rhy. Fig. I
Cm7
(You got - ta keep
1. If you're feel - ing
high, - you got - ta
You got - ta keep mak - in' me high, - you got - ta
mak - in
and blue,
keep
keep
mak - in high. -
VerseGtr. I : w/ Riff A (3 3/4 times)Gtr. 3: w/ Rhy. Fig. I (3 3/4 times)
Cm1
andsad
can make your dreams come
come on _ dance with -
come on
La - dies, get up off seatsl -
e._
and
with -
come on _
Gen-tle - men. get on _ your
and with
come on and dance
35
IChorus
Abmaj7
End Rhy. Fill 1 Rhy. Fig.2A
.\/ /^ /'
End RiffB Rhy. Fig.2
i---
BbTsus4
.\/ /^o
w
,/
with mv hand.
be-
Abmaj7
End Rhy. Fig.24.
-\l/ / /'
your- mind- andyour bod-y
End Rhy. Fig.2
InterludeGr. l: rv/ Riff AGtr. 3: w/ Rhy. Fig. i
Cml
36
(You got - ta keep on mak - in' me high, - you got - ta keep on mak - in' me high.) -
Piano SoloGtr. 1: w/ Riff A (1st 2 meas.) (2 l/2 times)Gtr. 3: w/ Rhy. Fig. I (lst 2 meas.) (2 1/2 times)
Cmj
*Pimo an. for gtr.
Gtr. I : w/ Riff RCtr. 3: w/ Riy. Fill I
F
Gtr. I : w/ Riff A
Interlude
Cm9 N.C.
x*Kybds. an. for gtr.
***Set for eighth note regeneration w/ 7 repeats
Eb AbnajT
Gtrs. I & 2: w/ Rhy. Figs. 2 & 2,A (1st 2 meas.)Gtr- 4 tacet
F'7
Gtr. 5 tacel
BbTsus4
Gtr. 3 tacel
<---'----__
r<nwgrad. release
(You got - ta keep danc - in' 'cause it's mak- in' me high: - you got - ta keep, keep danc - in'.
37
(You got - ta
/
Gtr. i: w/ Riff A
got - ta keep danc- in"cause it's mak- in' me high; - you got - ta
Gtr. 1: wi Riff A (1 3/4 times)
keep
11.,2.,3
)c
(You got - ta keep on mak - in'(You got - ta make
got - ta keep danc- in' 'cause it's mak
Gtr. l; w/ Riff BGtr. 3: w/ Rhy. Fig. 2A (last meas.)
keep on
me high; - you got - ta keep,
meme
meme
you got - tayou got - ta
mak - inmake
BhTsus4
?^
keep high.) -high.) -
l+.
keep, keep danc
Gtr. 3: w/ Rhy. Fig. 2A (1st 2 meas.)
AbmajT F7
rn',
-
yeah.) -Rhy. Fig.3
mak- in' memake me
high.)high.)
Gtr. 1: w/ Riff AGtr. 3: w/ Rlly. Fig. I
Cm7End R}ty. Fig.3
38
(You got - ta keep mak - in high, - you got - ta keep mak - in' me high.)
2. If you're feel - ing sad and b1ue. come on -
and dance with me.
VerseGtr. l: w/ Riff A (1 3/4 times)Gtr. 3: w/ Rhy. Fig. I (l 3/4 times)
Cm'l
Cm7
I can make your dreams come - true;
ChorusGtI. l: w/ Rhy. Fig. 2Gtr. 3: w/ Rhy. Fig. 2A (t 1/2 times)
Gtr. l: w/ Rhy. Fig. 3
BbTsus4
your- mind- and vour bod-y be
- fiee;
-
InterludeGtr. 1: w/ Riff A (lst 3 meas.)Gtr. 3: w/ Rhy. Fig. I (lst 3 meas.)
C.m1
come on _ dance with -
dance with -
me.
-
and
Gtr. l: w/ Riff BGtr. 3: w/ RIy. Fill. I
FEb
Let
OutroGtr. 1: w/ Rhy. Fig. 3
Gtr. 3: w/ Rhy. Fig. 2,A (1st 2 meas.)
F7
BbTsus4
Say the word
-
and I'll sum- mon the band _ with my - hand. -
Eb
(You got - ta keep on mak - in' me high, - you got - ta keep on
Gtr. 1: w/ Riff BGtr. 3: w/ Rhy. Fill I
F
you.r
- mind
-You got - ta keep mak - in you got - ta keep on...)
AbmaiT
Abmaj7
Abmai7
BbTsus4
and rour bod - 1 be free;
-
high, -
dance with -
me.
39
I
Dancing MachineWords and Music by Weldon Dean Parks, Hal Davis and Donald E. Fletcher
Tune down 1/2 step:(low ro hish) Eb-Ab ob cb eb-pb
IntroModerately .l = 107
N.C. *A5 D5c5
ln,- danc 1n' ma chine.) -(Danc
Riff AGtr. 1 (slight dist.)
Am9It --
-:
+2++-a-^-aQ
Move
-
me,
End Riff Aw
lllvlvtttttt
VerseAm7
++Yoc.
7
Fig. 1
+1) --rr) rt^ -
-
=-= l\oc'Fig'l
+2+2a^2++^+
l.bop,
Riff B
matbop
Audit
fu11
bop, ditof col - or,ty, bop.
tained.
ffi
m
@ 1973 (Renewed 2001)JOBETE MUSIC CO., lNC. and STONE DIAMOND MUSIC CORP.All Rights Controlled and Administered by EMI APRIL MUSIC lNC. and EMI BLACKWOOD MUSIC INC
All Rights Reserved lnternational Copyright Secured Used by Permission
*Chord symbols reflect implied harmony
*xApplies to downstemmed part
40
ffi
Bkgd. Voc.: wi Voc. Fig. 1 (2 1/2 times)Gtr. 1: w/ Riff B (2 times)
neled to_
*Voc. Fig.2 End Yoc. Fig.2
xApplies to downstemmed part
p#r.lbs
hn
,'::...,........--'.
w/ Riff B
stops,
Gu. 2 (slight dist.)
Gtr. 1
Am7
now. _ Yeah.
41
IVerse
Bkgd. Voc.: w/ Voc. Fig. I (3 U2 times)Gtr. 1r w/ Riff B (3 times)Gtr 2 facet
Am7
2. Rhv - thm bat She,S dy mlte
the drop of
She's
InterludeAm7
Ctr. 1: w/ Riff A (1st 2 meas.)
N.C. A5
coln _
knows what- she's She's
-per bad, now. _
sheAt
<---------...-->+-\+'+
t!!vttt/r!!tt
vwr /tft i/t!
mind.
tltttlyltlt
++t-.,1
she's a
Bkgd. Voc.: w/ Voc. Fig. 2
42
tn,- in'.
-
C5 D5
danc - in' ma - chine.; _
Gtr. 1: w/ Riff AGtr. 2 tacet
==t-,,1she's a
I /^\x r)' iL'-a'
Am/Ff
danc - in' ma - chine. - Watch her get down, watch her get down as shedance.
- dance,
Gffs.1&2tacetAm7
dance,
xvoc, Fig.4
-/-\
End Voc. Fig.3
dance, -
dance, dance, danc - in' ma - chine.
-Watch her get down, watch her get down as she
Am9
onr _Oo,
Bkgd. Voc.: w/ Voc. Fig. 4 (6 times)
Am/F# AmiF#
bop, dit - ty, bop.Come on, ba
Oo,)Oo, ba
*Applies to downstemmed parls
Am/F#
Oo, ba(Bop bop.
Dance,
-She's a
End Rhy. Fig. I
Bkgd. Voc.: w/ Voc. Fig. 3 (till fade)ctr. 2: w/ Rlty. Fig. 1 (till fade)
45
Am/Ffi
Am/G'-'------\_
46
December 1963 (Oh, What a Night)Words and Music by Robert Gaudio and Judy Parker
Tune up 1/2 step:-)(low to high)E! Ar+-Dl-Gi]-Br+-El
IntroModerately J = tOS
*Gtr. I
(Drums)
*Piano arr. for gtr
F/D
cial time for -
me,
-
@ 1975 (Renewed 2003) JOBETE MUSIC CO., lNC. and SEASONS MUSIC COMPANYAll Rights Controlled and Administered by EMI APRIL MUSIC lNC.
AII Rights Reserved lnternational Copyright Secured Used by Permission
F/D CIE
ber what a night. -
*xChord symbols reflect overall harmony
CIG
VerseCtr. 1i w/ Rhy. Fig. I (2 times)
C F/D CIE F
What a
-
ber back
CIE
47
VerseGtr. l: w/ Rhy. Fig. (2 times)
Gtr. 2: w. Rhy. Fig. 2 (3 times)
C F/D CIF'
clc G
You know I- did
W
ven
End Rhy. Fig.2
nev
c FID
walked
-e
gon - na
F
the -
same. _
G
gr
CIF'
I got a fun - ny feel - in' when she
(Ah.)
€>
48
G7
my, _ ed much too - (Oh, what a
VerseGtr. 1: w/ Rhy. Fig. I (2 times)Gft. 2: w/ Rhy. Fig. 2 (4 times)
c F/D CIE C
she
Seemed
C
EV
wrong, _
FID
dreamed
S9EMS
F
sura_
F/C
CIE
meJ _light?
-G
der, whatdy, what
3. Hvp4. why'd
TIZ
take
-CIF,
she'd - be.
-so
-
right. -
noit
1ng,
SO
mes
longmer - iz - in'-to see the
was _so_
'rybut
CIE
thingnow
SweetWhat
renla
InterludeAm
*Gtrs. 2 & 3
xComposite mangement; Gtr. 3, homs m. for gtr*xctr.4
C D DAm C
ffi .rr /t y$vryt /Vl/!V
e \J1r!f
x*xw/ octavgr & dist. ffi
"-Slrl u- l-or sr. ---o-'.. -r ri ior ona 6-a!.e abo\.e
lttttvtwwltt/!\!
49
BridgeDm7
FmajT
Gtr. -1 tacet
Em1
Gtr 3ana
divisi
To Coda S
50
InterludeGtr. 3 taoet
c F/D
tw/ wah-wah
"!fw/ dist.w/ fingers
C
^t+
(Do,
FID
$coaaOutro
Gtr. 1: w/ Rhy. Fig. 1 (till fade)Gtr. 2: w/ Rhy. Fig. 2 (till fade)
c F/D
CIE
ctr. 2: w/ Rhy. Fig. 3 (2 times)
End Rlry. Fig.3 C FIG CIE F
2
Gtr. 5: w/ Riff A (3 times)
c FID clB
2nd time, Begin fade
do,
- do, do.
-F/G G
) r:L-
lth time, Fade out
Play 4 times
++I
do,
+n?
do,
- do,
CIE
do.
-
do,
-F
do.Oh. what a
"+Clavichord an. lbr gtr
D.S. al Coda
do.
-
do.
-
Disco InfernoWords and Music by Leroy Green and Tyrone G. Kersey
IntroModerately .J = 136
N.C.
Gtr. I (clean)
ab F Cm7*Cm7
eb F Cm7
Copyright @ 1977 Songs Of DreamWorks (BMl)Rights lor Songs Of Dreamworks Administered by Cherry River Music Co.
Rights outside of the United States for Songs Of Dreamworks Administered by Peermusic lll, Ltdlnternational Copyright Secured All Rights Reserved
sb
eb
(Drums, bass & strings.)
xChord symbols reflect overall hamony
52
It. llzDm7
ba- by, burn.
Rhy. Fig. 1
ff v"..uGtr. 1: w/Riff A
F/A Gm
Bum, - ba -by, burn.
2nd time, Bkgd. Voc.: w/ Voc. Fig. 1
Eb F cm7
End Rhy. Fig.1 Rhy. Fill 1
nb r7e Cml
End Rhy. Fill I
Bb Cm'l
CIE
1. To
2.,3. Sat
sur - prlse, _is-fac - tion
my lis - ten, hun - dred
came
sto
inz- ries
- high.
-
(..-u" - tion. Ichain-lre-ac - rion. Look-ahere.j
Gtr. l: w/ Riff B (2 times)
peo -ple- get -tin
I could - n't get
2nd time, Bkgd. Voc.: w/ Voc. Fig. I
Bb Cm7
loose, -
y'a11,
e - nough
they're
F Cm7
get - tin' downdlll I had roso)
on_self
the
de
roof.- Look-a here.
struct. -
The funk was flam - ingThe heat was on.
-
11s
out ofin' to the
con - trol. It was so -
To Coda $F
top. _
Gtr. l: w/ Riff C 2nd time, Bkgd. Voc.: w/ Voc. Fig. I ( l st 2 meas.)
en-ter - tain - ingEv-'ry-bod-y go- in' strong,
start to ex-plode'- | r rr.-a some-bod-y say'park got hot. )
when the boog-ie
Voc. Fig. 1
(Oo, hoo, hoo! -
Eb F Cm7
that
- is when my spark (Burn, -
53
ChorusGtr. 1: w/ Rhy. Fig. I (1 3/4 times)
CIE Dm7 Bb
ba - by, burn
CIE
ba - by, bum.
J Brrn that moth - er down. II Burn that moth-er down,- y'a11. J
ba - by, bum. Burn, -
FIC
Dm7
Dis - co in - fer
Burn, -
F/A Gm F/C
Dis - co in - fer - no,
-
yeah. - Burn thatBurn,
- ba - by, burn.
C
--\
Gtr. I : w/ Rhv. Fill I' Bb FIA cm7
moth - er downBurn - in'!)
lu
Bb"l FIABridge
Bbmaj7
Csus4 C
54
D.S. aI Coda
Cm1
$coauOutro-Chorus
Gtr. 1: w/Rhy. Fig. 1 (4 times)
CIE Dm7
moth - er Dis - co
,bJI->
ba - by, burn.
55
ba - by, burnBurn that
Begin fade
moth - er down.ba - by, burn
Gm
\l)
)a
moth - er down.
loco
b.
ba - by, burnBurn that
by, burn.)
grad. bend
tFade out
FlccF
ba - by, burn.
56
I.IYWVYYwI!!
IntroModerately J = 128
C5
Riff A
FunkytownWords and Music by Steven Greenberg
F
ra-rT-F 8frI A1TI-IT--1ttL
Gtr. 1: w/ Riff A (2 times)
End RiffA Riff B** Gtr.2
x*Kybds. an. for gtr.
VerseGtr. 1: w/ Riff A (4 times)
C5
End Riff B
*Synth. bass an. for gtr
Gtr. 2: w/ Riff B
right
-
to keep me mov - in', keep me groov- in' with some en - er - gy.
-
that's
Gtr. 1: w/ Riff C
talk a - bout it, talk a - bout it, talk a - bout it. talk a - bout it,
-Gtr.2
End Riff C
Copyright @ 1980 by Rightsong Music Inc. and Steven Greenberg MusicAll Rights Administered by Rightsong Music lnc.
lnternational Copyright Secured All Rights Reserved 57
Gtr. 1: \\/ Riif .\ {4 rimes)
C5
move on. Got - ta move on.
58
ChorusGtr. 1: w/ Riff D (4 times)
Cm7
A vnon't 1ou take me lo
-Funk-v - town? Won't you take me to- Funk-y - town'/
-End Rhy. Fig. 1
*Gtr.3(clean) RhY. Fig. 1
xDoubled throughout
Gtr. 3: w/ Rhy. Fig. I
Won't you take me to
-Funk-v - town? Won't 1ou take me to- Funk-y - town?-
InterludeGtr. l: w/ Riff D (4 times)Gtr. 3: w/ Riy. Fig. I (2 times)
Cm1
*xviolin ar. for gtr.
It.Gtr. 3 tacelGff. 4 tacet
F
L , ,lr l Ictr.i f /7 f 7 17 f /, r"-"Crr.5
*--Sa\ d. to. Sr
- -llt lt )r ) ),t
t:
Gtr. 3 tacet
$coauChorus
ChorusGtr. l: s'/ Riff D (,1 times) ctl. 5 tacetGtr. 3: w/ R}ly. Fig. I (2 times)
Cm'l
Won't you take me to
-Won't you take me to- town?
-Funk-y - town?
-Funk-y
-
Won't 1 ou take me lo
-
Funk-v - town? Won't you take me to- Funk-v-town.
\
Gtr. 1: w/ Riff D (,1 times)Gtr. 3: w/ Rhy. Fig. 1 (2 tines)
Cm1
f TJJJ-T T)
Won't vou take me to
Won't you take me to
-
Funk- y Funk
,--=:4
town.Won't you take me to _
nDoun.temmed nole. <ung b) male roice.
'-S....--.
V Ufr1 ) 7RFunk-) - town?
-t /
Won't you take me to-
InterludeGtr. I : w/ Riff D (4 times)Gtr. 3: w/ Rhy. Fig. I (2 times)Gtr. 4: w/ Riff E
Cm7
OutroGtr. 1: w/ Riff D (till fade)Gtr. 3: w/ Riy. Fig. I (till fade)
Cmj
D.C. al Coda
Won't you take me down to Funk - y town? -
Fade outBegin fade
60
Won't you take me down- to Funk-v - town? Won't you lake me down - to Funk-y-town?
lntroModerately .J = 116
** F7sus4
Get Down TonightWords and Music by Harry Wayne Casey and Richard Finch
loco
*Kybd. an. for gtr.
Gtr. 1
(clean) Rhy, Fig.1
Gtr. 1: w/ Rhy. Fig. I (3 times)
F7sus4
End Rhy. Fig. 1
\
C}
1
)
@ 1975 (Renewed 2003) EMI LONGITUDE MUSICAll Rights Reserved lntemational Copyright Secured Used by Permission
**Chord symbols reflect overall hamony
'j'
61
VerseGtr. 1: w/ Rly. Fig. 1 (4 times)
F7sus4
do the things, -
do the things _
Gtr. l: w/ Rhy. Fig. I
F7sus4Gtr. 1: w/ Rhy. Fig. 2
Cm
Get down to - night. _ Do a lit - tle dance,
Gtr. 1: w/ Rhy. Fig. 1
F7sus4
VerseGtr. l: w/Rhy. Fig. 1 (4 times)
F7sus4
2. Ba- by, babe, -
meet you -
F7sus4
33-^-iC-
some place, -
get to - geth - er
\
Gtr. l: w/ Rhy. Fig. I
F7sus4
Gtr. 1: w/ Rhy. Fig. 2
Cm
Gtr. 1: wi Rhy. Fig. I
F7sus4
Keyboard SoloGtr. 1: w/ Riy. Fig. I (4 times)
F7sus4
Do a lit - tle dance make a
Gtr.1:w/Rly.Fig.1F7sus4
Get down
Gtr. l: wi Rhy. Fig. 1
F7sus4
down downto - night. Gel
InterludeGtr. 1: w/Rhy. Fig. I (4 times)
F7sus4
F7sus4
OutroGtr. l: W Rhy. Fig. 1 (till fade)
F7sus4
,b3
Get down. get
'bD
ba
down,
-
ger down,
by.
-wooJ woo' woo'
down,
l^.D?^D*
down to - night, -
[-:2t:
get down to - night, -
P.M. - ----l ,P,
No, no, no, no,
- no,
get down, get get down,
ba - by.- Woo. woo, woo, \ oo.
no,
,'ino,
F7sus4
ir-
woo. woo woo.
P.M.- -------------------l P.M. - -- ---------l
F7sus4
Woo, woo, woo, woo,- woo, woo, woo,
n
Get down, get down, down,
-get down, down to
bf^
Fade out a
P.M. ---------l
Come on,
- come on, come on, child,
-
come on
P.M.---------J P.M.----------- ---- l
/ \/ \^,ot? r L)
Words and Music by Carl Driggs and lsmaelAngel Ledesma
Get OffBm
fTT-517frtitl
H+H111
Gtr. 2 tacet** Bm/E
(oo, -
End Riff Al Riff B
Bm/E
IntroModerately .J = 136
N.C.
RiIT AI
w/ Bkgd. Voc. ad lib. (next 4 meas.)Gtr. 1: wi Rhy. Fig. 1
Yeah!
*Gtr.2 8vo---- l
End RiITA Rhy. Fig. 1
+Kybds. arr. for gtr
A Bm
a: :-.\_
oo,- oo,- oo,- oo.- Woo!
Gtr.3 (dist.)
ngf w/ talkbox
*xBass plays E
a)
End Riff B
End Rhy. Fig. I
\
Get off!)
O 1978 EMI FULL KEEL MUSIC, TOTER BACK MUSIC, EMI LONGITUDE MUSIC and LINDSEYANN MUSIC COAll Rights for TOTER BACK MUSIC Controlled and Administered by EMI FULL KEEL MUSIC
All Rights lor LINDSEYANN MUSIC CO. Controlled and Administered by EMI LONGITUDE MUSICAll Rights Reserved lntemational Copyright Secured Used by Permission 71
VerseGtr. 1: w/ Rhy. Fig. 1 (4 times)Gtr. 3 tacet2nd time, w/ Bkgd. Voc. ad lib. (next 16 meas.)
Bm
1. Cra - zy la - dies2. Look - in' through her
aredress,
at
itour
drives
We keepSen - su- al
off.
-off.
-
our l - maglove me cra
dis - creme cra
and
on
un - der
i-ty
make
how
sheets
-ex - cites
Said,If
love - lys
tronzy
so we can get off. -and makes me get off. -
the withmy
twomind
so we canand makes me
the1
getget
getget
hope that wewere you, I'd
\
prom - ise, la - dies,good per - spec - tive
me
toget off.
-get off.
-
TakeI-ove
irme
from girls
-wild
-
withand
can get off. -
Pre-Chorus
Em7 Aadd9
*Piano ar. for gtr
72
can love you cra
the heat vou will
that's what makes a la
Bm7
F#m7
ChorusGtr. 1: w/Rhy. Fig. 1 (1 3/4 times)Gtr. 4 tacet2nd time, Gtr. 3 tacat (next 4 meas.)
Bm
Find out what she wants in(To get
let ring - )
\
to get off.
-t/r^ /tf!!!!tlw!*wv!w
It.Gbs. 1 & 2: wi Riffs A & ,41
N.C.
Gtr. 3 tacet
to get off,
-to get off to ger,
73
InterludeGtr. 1: w/Gtt.2: wl
Bm
Rny. Fig. IRiff B
Bm/E Bm
8va---
(Oo, - oo,
- oo,
- oo,
-oo, _ oo, _ oo, _ oo, _ oo. _ oo, oo, _ oo, _ oo,
- oo,
- oo, oo.) -
lz
Gtrs. I & 2: w/Riffs A & A1
N.C.
Guitar SoloGtr. l: w/ RIy. Fig. I (3 3/4 times)Gtr. 2: w/ Riff B
Bm BmlE A8ra -- '
a* *t-* ;-i -t-* {^* ,(-* *t-* *'-p -d
(Oo, - oo,
- oo,
- oo.
-oo,- oo,- oo,* oo.- Woo!
GtI.3ffi
=+ tlt'f
la ) ) J)
Gtr.5 (dist.)divisi
Gtr. 3 tacet
Bm/E
lr.lJ)
w/ Bkgd. Voc. ad lib. (next 8 meas.)Gtr. 5 tacat
A BmGtr.5
74
BmRhy. Fill 1
Il) q ) -l/.
ABm/EEnd Rhy. Fill 1
Gtr. l
Bm
Interludew/ Bkgd. Voc. ad lib. (next 4 meas.)Gtr. 1: w/ Rhy. Fig. 1
Gtrs.3&5tacet
Bm/E
2nd time, Begin fadelst time, Gtr. 1: w/ Rhy. Fill 1 Gtr. 1: w/ Rhy. Fig. 1
Bm
Outro-Chorusw/ Bkgd. Voc. ad lib. (till fade)l st time, Gtr. 1: w/ Rhy. Fig. 1 (lst 3 meas.)2nd time, Gtr. l: w/ Rhy. Fig. I
Bm Bm/E A,----->-.
(So get off,
-
J Bo g.t off.- I
I to get off. - J
to get off,
-
to get,
(Get
To get off...)
Bm/E A
sel off. Get off. -
to get off,
-to get off, to get off.
-To get off
75
Good TimesWords and Music by Nile Rodgers and Bernard Edwards
IntroModerately j = 116
* Em7 E7sus4
Rhy. Fig. 1Gtr.1 (clean)
*Chord svmhols reflect ovenll hamonv
It.A6
**Vocals doubledthroughout.
ff cto.o.Ctr. l: w/Rh5. fig. I 14 timerr
Em7 E7sus4
good times. - Leave
good times. -
Copyright @ 1979 Sony/ATV Songs LLC and Bernard's Other MusicAll Rights on behalf of Sony/ATV Songs LLC Administered by Sony/ATV Music Publishing, I Music Square West, Nashville, TN 37203
lnternational Copyright Secured All Rights Reserved
Good times.
76
good times. -
ro Coda $
VerseEm7
Gtr. I Rhy. Fig.2
2.A ru - mor has- it that
time is right -march - es on,
-
the
time
End Rhy. Fig.2
77
Gtr. l: w7 Rhy. Fig. 2 (3 times)
Em7
Let's get to-geth-er;The clock keeps turn - in',
do it a - gain. -change your fate. -
F'm'7
Boys wlllLet's cut
cute po - ny tailswe won't set - tle
how'bout a
whyquar - ter to ten?
-hes - i-tate?-Come to - mor-row.
You sil - ly foo1,
let them have their toys.,jive and jit - ter - bug.-
let'syou
to thispaf -
A6
allcan't
be boys,
the rug, -
bet - ter(a) lit - t1e
A6 Emj
Girls willWe want
be gir1s, -the best.and curls.for less.
-
Must put an end -Don't be a drag,
\
ll.Asus4 AA6
Goodthelive hmes, -stress and strife;tic - i -pate;-
Asus4
D.S. al Coda
A
clams the half shell and rol ler skates, -Good
skates.lerrolt1mes,-
$coauOutro
Gtr. 1: w/ Riy. Fig. 1 (till fade)
Em7
lz.
78
E7sus4
Play 3 times and.fade
I Love the Night LifeWords and Music by Alicia Bridges and Susan Hutcheson
C Cmaj7 Ci FmajT Fm6 G Fx oo x ooo x o xx o xx x xooo xx A
-:T + -Ti Etrarr rarar olllta larrF++N F++N f++l+ FH-+N
32 I 32 3241 321 3 14 3 4 32tt
eb ebma17 ebo Ab tYPe2 Frc Fm Fm7A^nlx
F+FFi4,, FFffirrr FFru5ri FFffiar tlTTt ffi TFi]ffiffiffi#ffiffiffi32tt 1321 324 32t 3 421 311 314
D Dmaj7 D7 GmajT Gm6 GmXXO XXO XXO XX XX X XX X
-
i-
-
'_ Ti i-Lril*j trr+fr' rffi' # C+rl lldirrl+ Hi. +rrh rl-j-n Til-r i#,
132 r11 213 4321 314 311
IntroModerately ; = 128
c
+Gtr. I <)J.,!f
Gtr. 2 (clean)
CmajT
D-1
to - night; -
Gtr. 2 tacet
FmajT
^o(cont. in notation)
CmajT
o
please don't talk a - bout
Fm6c'l
VerseCRny. Fig. 1
GrlO
C]
o\
sweet love. ,1. Please don't talk a - bout
Gtr. 2
1cont. ln slashes)
+Kybd. ar. for gtr
FmajT
o
Please don't talk a - bout be - ing
Fm6
o
and a1l the trou - ble -
End Rhy. Fig. I
we've been through. -
Ah,
79
Copyright O 1 977 Sony/ATV Songs LLCAll Rights Administered by Sony/ATV Muslc Publishing, I Music Square West, Nashville, TN 37203
lntemational Copyright Secured All Rights Reserved
ff Pre-chorusznd time, Gtr. 2: w/ Rhy. Fill 2
G
o
please don't talklove them all
all of the plansu hen you're through.
-
peo - ple
Rhy. Fill 1
we had
-may - be that -
I want some
End Rhy. Fill 1
F
o
ro - mance. _of you.
-
AbmajT
A!
go where the
Rhy. Fill2Gl(.2
2nd time, Gtr. 2 tacet
Ab6 Abmajz
I/' /^a
2nd time, Gtr. 2: w/ Rhy. Fill 2
Ab6 A.btvpe2
I f lt' /^ /
80
F/G
\7ll
C
!
G
. \l///o
ChorusC
Id' D^) DCmajT
I love the night- life,
Fm6
!
on the
\--l
oh, _
Cmaj7n-l r)-)
*Refers to upstemed notes only
81
Bkgd. Voc.: *y' Voc. Fig. 1
FmajT
o
To Coda ftFm6
oFm7
) r)^nFm6 Fm
/
VerseGtr. l: w/Rhy. Fig. I
C
love
-
+ -v-to - night;
-your sweet talk
D.S. al Coila
\
$coau
Fm6
o". ' "J.
!
Sax Solo
D
\t
D]
l)-ollt/vttlltttlt
GmajT
o
ffiIIIITAAA AA AA/* f
-,a.
+
83
Gm6
)! )
Gtr. 2: u,/ Rll1.'. Fig. 2
DRhy. Fig.3
Io' n'_-l
oh. _
D7
/ /^
DmajTGm6 Gm
<r)
Outro-Chorusw/ Lead Voc. ad lib.Gtrs. I & 2: w/ Rhy. Figs. 2 & 3Gtr. 3 tacet
Gm6 DEnd Rhy. Fig.3
I
love the night-life,love the night-iife,)
tt.rt!*rv!!t!,|
lrwrvwlrnr
Kung Fu FightingWords and Music by Carl Douglas
Em DVrr Emvllt AOOOOvrxTl.1- f::.tETrr ::::::rexrr rrr.siraat I rr r I tat####23 111 342 3211
It
Em
----\o- -<'
Darrr-ttaTaffi
132
IntroFreely
D
-
i.i:"'", o -<t
'rnlp wl amp ltremolo
',ry w/ wah-wah as filter
E-\
ChorusModerately Slow .l = 108
D
Evrry-bod-y was kung fu
-Rhy. Fig. 1
fight
wah-wah off
those cats were
nlf w/ wah-wah*o -+
*Wah-wah indications: o = open (toe up);+ = closed (toe down)
Gtr. 2 tacet
Copyright O 1974 (Renewed) Schact Music, Inc.All Rights Reserved Used by Permission 85
Gtr. 1: $r Rh\. Fig. iGr.3: u7 Riff.AD
fact, it was a
End Riff A
End Rhy. Fig. I
\
but they fought with
na - men_ly Chin
-
pert -
J 1. There *ere
i 2. There was
Verse
Dvil
funk - yfunk - y
funk - y Chilit - tle Sam
chiBil
na - town. -my Chung. -
86
d wah-wah as filter
DVtr EMVtrI
Wethem -get it
rc^ff) fll/E rc^N,Tlrcthem- up,
-
"Here comes th" big -b*r;
they were chop - ping
Emvllt
and ev-'ry - bod - y knew- their- ed swing - ing with
part. _the hand.
-
T_tt Yt ll
Ev-'ry-bod-y was
From a feint-A sud-den mo-
DVII
start
DVX
ing from-to a brand
the hip. Inew trip. I
rc^Ft fllfT m^m f7lrc- cient Chi
and
87
ff cno.otGtr. 1: il Riy. Fig. 1 (2 times)Gtr. 3: w/ Riff A (2 times)
D
those cats were(Huh!*Refers to upstemmed notes only.
as
- light
Bkgd. Voc: w/ Voc. Fig. I
--J-
ning.
-
lit - tle bit
ToCoda $
ex - pert - yeah.
(Oh, ho. ho.
InterludeBm
Rhy. Fie.2Gtr. I :.
Bkgd. Voc.: w/ Voc. Fig. I
End Voc, Fig. 1
ho, ho, ho. -
End Rhy. Fig.2
88
Gtr. 1: w/Rhy. Fig.2 Bkgd. Voc.: w/Voc. Fig. 1
Bm
rfrcoau
D.S. al Coda
Oh, ho, ho, ho.) -
Keep on, -
keep on, keep on, -
keep on. Sure -'nough,
ev -'ry-bod-y was
OutroGtr. 1: w/ Rhy. Fig. 1 (till fade)Gtr. 3: w/ Riff A (till fade)
ho,ho,oh.
had
Lead Voc. tacet (next 4 meas.)
Dx Voc. Fig.2
Huh!ho.
\ xRefers to upstemed notes only.
to-Oh, ho,
beho, ho. oh, ho, ho,
oh
Begin fadeBkgd. Voc.: w/ Voc. Fig. 2 (2 times)
Huh!ho.
Oh, ho, ho,
lng! _
ho, ho,
on,Oh, ho, ho, ho.
Yeah, -
yeah! Ev -'ry-bod-y wasOh, ho, ho,
rJ-
kungho.ho
had tooh
beho. ho.
lastho
Fade out
Kung fu
-
fast
- as light
as_ light
fu
- fight
Oh, ho, ho...)
89
)=Da
Le FreakWords and Music by Nile Rodgers and Bernard Edwards
"clc
ChorusModerately
N.C.
One, two.
Gtr. I (clean)
ff v".r"Gtr. 1: w/ Riff A (5 times)
Am
1. Have2.. 3. A1l
sure you'11 be
spin - ning all
/-\
Ah.
-
freak out!
Riff A
Le Freak, c'est Chic.
Lis - tenhas
youthat
heardpres
bout the new - dance craze'lgot you down,
Am
Big fun -Feel the rhy - thm,
to us,
-your head
by ev - 'ry - one.-chant the rhyme. -
a - mazed.a - round.
Copyright @ 1 978 Sony/ATV Songs LLC and Bernard's Other MusicAll Rights on behalf of Sony/ATV Songs LLC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
lnternational Copyright Secured All Rights Reserved
*Bass plays G
90
It's upCome on
to you,a - long- of
ltand
sure - ly can behave a real- good
done.
timeYoung and oldLike the days -
2nd & 3rd times, Gtr. 1: wi Riff A (2nd meas.)
DC
do - in'stomp- in' at the Sa - voy, -
Just one trynow we're free,
told. and you toooh,
Riff B
will bewhat a
GtI. l: w/ Riff A (2 times)
Am
End Riff B
we'llout
\
D
show you theyon the
Ah, _ Le Freak,
Al - low us,
find a spot -
c'est Chic.
It's ca11ed "Le Freak."Jusl come on down-
they're do - in' it night and day. -to Fif - ty - four, -
ro Coda $Chorus
lst time, Gtr. 1: w/ Riff A (2 times)2nd time, Gtr. l: w/ Riff A (1 1/2 times)
Am CDC
freak
It.D
llz
way.- Ifloor.
- |
91
92
\
93
$coauOutro-Chorus
Gtr. 1: w/ Riff A (3 l/2 times)
Am
Play 4 times &fadeGtr. 1: w/ RiffB
Ca-)
94
Ah,- freak out! Ah,
- freak.
Love RollercoasterWords and Music by Ralph Middlebrooksn James Williams, MarshallJones,
Leroy Bonner, Clarence Satchell, Willie Beck and Marvin R. Pierce
coast- er of 1ove.
of love
oo, oo,
End Rhy. Fig. 1
PIat 3 times
End Rhy. Fig.2
Roll - er
Roll - er
IntroModerately ) = ttl
C
Rhy. Fig.2
Gtr. l: w/ Rhy. Fig. 1
ebA
Chorusband enters
Gtr. 1: w/ Rhy. Fig. 2 (7 U2 times)
c Bb Aaddg A
Gtr. 1: w/ Riy. Fig. 2
Bb Aaddg A
eb Aadd9 A
Say what? Huh. huhRoll - er coast-er.
Bb Aadd9
Roll - er coast-er.
i---......--\
coast yeah.
Roll - er
Copyright O 1976 by Rick's Music, lnc.All Rights Administered by Rightsong Music, lnc.
lnternational Copyright Secured All Rights Reserved
BbBb
(Roll
\
)t e
C
\b.t'4
C
hEl+
sbBb Aaddg A
oo,
Bb
Bb
)n
roll - erof lovecoast - er
Bb Aadd9
coast - er,
Bb Aadd9
95
CI
J)5
C
\, t,Y!4t-l
Rightoo.
Bb Aaddg A
Roll - er coast - er of love.
-
Bb Aaddg A
Whispered: Sh.Roll - er coast - er,
roll - er coast - erroll - er coast - er, ba - by,
roll - er coasl - er, love
Your love is like
G] Ab'l
oo, oo,
Bb
loveba - by.Iike
1.,2. On theA
Rhv. Fill 1Gtr. 1
End Rhy. Fill 1
(Your loveVoc, Fig. I
I Wt y don't - you ride. -I A cra - zy ride,
-
\-/child?
-
igirl. t
End Vm. Fig. I
ro11 - er coast - er, ride
Ail I do is ride. -
roll - er coast - er, ride.
To Coda $'
roll - er coast - er. rideA1l I do is ride. -
96
ro11 - er coast - er. love roll - er coast - er. Bah, -
bah, bah.)
InterludeGtr. 1: w/ Rhy. Fig. I (4 times)
CBbA
girl? -
ChorusGtr. 1: w/
C
)t -
Say what?of 1ove.
Roll - er coast - er
Roll - er coast-er,
Roll - er coast - er
Bb Aaddg A
Love roll - eroo,
huh.Ro1l - er
Rhy. Fig. 2 (5 U2 times)
Bb Aaddg A
Well, well.
-
Aadd9
(Ro1l - er coast - er
C
"l)I
coast - er,oo,
C
"l-Aadd9 A
coast - er,Love roll - er
of love. -
C
Nh.t's
D.S. al Coda
real - lyoo,
wild. -oo.)
Gtr. 2: w/ Rhy. Fig. 3 (3 times)
BbA
Don't you want to ride, -End Rhy. Fig.3
* Homs an. for gtr
BbA
Gtr. I : w/ Rhv. Fill I
child. - Roll - er coast - er.
Lov - in' you
97
$coaaInterlude
Gbs. 1 & 2: w/ Rhy. Figs. 1 & 3 (2 times)
C BbA I
tj 2J. ---_lt4ebc
Huh. huh.
Rhy. Fig. I
Bb
Love
you _
--=--.--
BreakdownLead & Bkgd. Voc.: w/Voc. ad lib. (1st & 2nd timesr
Gtr. t: w/ Rhy. Fig. I (4 times)
CBbA
girl. -
Huh.Rol1 - er
ChorusGtr. l: w/C
)t -Bb
(Roll - er coast - eI
Aadd9 A
roll - er coast - er,of love.
-
Bb
)t
world,
-Roll - ercra - zyoo.
Bb
)C
me_ ride
-
Bb Aadd9 Bb
ltETA
)
BbC
\bJ'
dtt-l
High,Roll - er
high, -love. -
98
of
now.Ro1l - er
high. -Roll - er
Bb Aaddg A))it
Bb Aadd9 A
))tt
Bb
)--T---
OutroBkgd. Voc. : w/ Voc. Fig. I (till fade)
2nd,3rd & 4th times. Lead Voc.: w/ Voc. ad lib.
G9
Bah, bah, bahoo, oo,
bah. -oo.)
coast - er, loveba - by, ba-by(Your love is like
RiffA
99
G9sus'lPlat 4 imes
on the roll - er coast - er, ba - by,
ro11 - er coast-er, ba - by, ba - by
roll - er coast-er.)
roll - er coast - er.)
coast - er,
do is
Lead Voc.: w/ Voc. ad lib. (til fade)
Gtr. l: w/ RIy. Fig. 4 (till fade)
Gtr. 2 tacet
G9
you let meRide
ride
End RiffA
End Rhy. Fig.4
Gtr. 2: w/ Riff A (till fade)
G9
100
on the roll - er coast-er, ba - by, roll - er coast - er.)
Macho ManWords and Music by Jacques Morali, Henri Belolo, Victor Willis and Peter Whitehead
Gm7 ebmlx x "A"
IntroModerately J = 136
GlI. I (clean)
C5 D5
ffi4fr
ffi
F5D5C5D5C5
Bod - y,Bod - y,
wan - na feelCheck it out.
mymy
C5 D5 F5
wan - nacheck it
bod y?
bod - y.
\
t_AD5
Gtr. 1: w/ R}ty. Fig 1
C5 D5G5 F5D5C5 D5
bod - y, ba
bod - y,oy!ba
Such a thrill, - my
-Don't you doubt- my-bod - y,bod - y,
Bod - y,Bod - y,
yeah, - yeahyeah, - yeah
Bod - y,Bod - y,
such a thrill.don't you doubt-
mymy
bodbod
wan - na touch -talk - in' 'bout-
Copyright @ 1978 by CAN'T STOP MUSICAll Rights Reserved Used by Permission 101
Wan-na touch myTalk- in' 'bout my
It's too much, my
c5 D5 Ab5 lt
my bod - y?
my bod - y.Bod- y,Bod- y,
ff v..r"Gm7Rhy. Fig.2
crrtg
-l
AbmT
)
AbmT
)
Gm7
! \ot
I.2
Gl(.2(clean)
Ev -'ryEv -'ry
Rhy. Fig.2.{
wants - to beought- to be
have the kind o[ bod - vlir e a lile ol free dor, \
Gm7
o
Gtr. I tacet
CEnd Rhy. Fig.2
c9C6Db
al - ways in de - mand. -ma - chos make a stand. _
Jog - ging in the momHave your own life
go.deals.
102
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2,A
CrmT Abmi'
Work out in the health spa;
sess the strength and con - fi-dence;
ma - cho man. -withson in
You can best be - liere
an - y - onewho "an.- |an-y-bod-y's land.-i
Hey! Hey!
>>
Hey!) cho man.
['re sor ro be u J ma - cho' imu-cho
ma - cho man. -mll - cho ma - cho
cho man. -
Voc. Fig. 1
got to be
To Coda ftBkgd. Voc.: w/ Voc. Fig. IGtr. 2: w/ Rhy. Fig. 3
Bb
got to be
got to bea ma-cho..a ma-cho..
Ma - cho, ma - cho man, -
yeah,
-
got to be
I've got to be a ma - cho...
I've got to be a
Dig the hair on my chest.
End Voc. Fig. 1
End Rhy. Fig.3
Bod - y.
Ma - cho, ma-cho man,-
Interlude2nd time. Gtr. 2: w/ Riff A
N.C.(Dm)2nd time. Gtr. 2: w/ Riff B
y, wan - na
y, love to
uh.yeah
right.right.
Bod -
feel mypop my
bod -
bod -
f
tHoms m. for gtr
104
feel
-
mymy
bod - y,bod - y,
by?yeah.
al - right
Bod-y
Ri{T AGtr.2
End RiffA
wah-wah off
w/ Lead Voc. ad lib. (ti1l D.S.)
Bod- y,So hot,
come and
SO
thrill - myhot. Yeah.
Bod - y, come
Bod - y, it'sand
SO
thrillhot.
mybod-ymybod-y
105
$coaaBgkd. Voc.: w/ Voc. Fig. I (till fade)Gtr. 2: w/ Rhy. Fig. 3 (till fade)
F
my big, thick mous
2nd ime. D.S. al Coda
t? i -,t
A1 - right
Al - right
Talk- in' 'bout a
I say, dig
\
be mu - cho. mu - cho ma - cho. ma - cho man.
Big broad shoul - ders, yeah. - my mus - cles
Begin fadeBb
ma - cho. ma - cho
I've got
Dig
106
cho. mu - cho
man. _
man. _
['ve go1
Fade out
Native New YorkerWords and Music by Sandy Linzer and Denny Randell
IntroFree time*** Dbg
+Gtr.2 (clean)
***Chord symbols retlect overall humony++Strings an. for gtr.
ModeratelySlow;=98Gtrs.1 &2tacetCmaj7
Gtr. 3 (dist.)
---\
+Sax an. for gtr
**Gtr.1 (clean)
\
fPiano au. for grr
Copyright @ 1977 by Featherbed Music Co. and Three Wise Boys Music LLCAll Rights Reserved Used by Permission 107
Gr. 3 mcer
Cmaj7
Young and New York Cit - y(Twen- ty - five, thir- ty - five. Hel - lo, ba
New York Cit-yby, New York Cit - y
Runclos
ff v".r"CmajT
e.
You grew - subdanc
1
2
upp1ays,
ning wither and,Mu - sic-
Rhy. Fig. 1
Har - lem. down onfriends and find - in
nothe
Broadlov
wayers.
Gtrs. ,1 & 5; w/ Rhy. Fig. I2nd time, Gtr. 6 tacet
CmajT
You'reThere
but you'relost - in
tramp
-are
*Gtr. 5: Elec. pimo m. for gtr. Composite arangement
**Vocals doubled next 8 meas
108
End Rhy. Fig. IGrr. 6 (clem)
ryp
Gtr. 6 tacet2nd time, Gtr. 3 tacat
Am7
2nd time, Bkgd. Voc.: w/ Voc. Fig. 1
Dm7
la - dy,-shad - ows, -
Gr. 3
talk - in' that street talk. *search - in' for some-one
You're the heart and soul -
of Newto set you free
- from New
YorkYork
Pre-ChorusGtr. 3 tacet
Em7 LTbs2nd time, Gtr. 10: Fill I
Dm7
\'---//AndAnd
love,
-
word.
-
whoalove - is
where did al1
a pass
yes - ter
- lngdays
-
go?
*Clavichord dr. for gtr
Voc. Fig. 1
+'+
Search - in New Yorkset you
Fill 1
**Gtr. I 0
*=Homs m. for gtr.
109
Gtr. 6: s/ Rhv. Fig. 2
Em'7
the thought -you still
you had -be - lieve
a taxcould real
goIa
End Rhy. Fig.2
*2nd time, vocals doubled next 3 1/2 meas
2nd time. Gtr. 3 tacet2nd time, Gtr. 10: w/ Fill I
Dm7
To Coda $Gtr. 3 tacet
G7sus4
the curb -show.
------when he dropped - off _
-xGtrs.
6 &.',I
Rhy. Fig.3
xComposite mangement
ChorusGtrs.6&Ttacet
CmajT
East Eight y - third. - You're a na - tive New
EndRhy.Fig.3 RiffA
**Elec. piano ffi. for gtl
/
You should
Gtr. 8: w/ Riff A (1st 2 meas.)Gtr. 9: w/ Rhy. Fig. 4 (1st 3 meas.)
CmajT
the score bv
(You should know -
End Rhy. Fig.4
1'11
now.
InterludeGtrs. ,l & 5: w/ Rhy. Fig. I
CmajT
(Yeah.
-
oo, _ oo. _oo,
- oo.)
-oo, _ oo.) _
rfrCoauGtrs. 6 & 7: w/ Rhy. Fig. 3
GTsus?
t
close?
-
'-- /were the star.
Na-tive New York - er.
ohdid
(You were the Did
ChorusGtr.8: w/Riff A (1 1/2 times)Gtr.9: u/ Rh1.l ig.4 (i 3/4 limes)
Cmaj7
Am7
D.S. al Coila
112
o - pens - the door
The door, - no sir.
-
for a na-tive New York- er
Young and pret- ty New York Cit-y gir1.)
Sax SoloAb6sus2Cmaj7
lltwvttlf
let ring - a
Rhy. Fig.5
GtI. 4 tacet
e,. t /i- --:.-^-rtf i
Gsus2 Gb6sus2 F6sus2 F#6sus2 G6sus2
(Oo, oo, _
firl w
113
Gu. 10: s/ Rhi. Fig. 5
Ab6sus2 ftsus2 Gb6sus2 F6sus2
oo.)by by.
-
Oo
BreakdownGtr. 2 tacet
F,b6sus2 T)
8l a
b-0{> /i; ltrhr'r/i- b+^ -3A
E6sus2
114
Pre-ChorusGtr. 6: w/ Rhy. Fig. 2 (1st 3 meas.)
Eml
Ctr. 6: w/ Rhy. Fig. 2 ( l.t 3 meas. r
D#m7 Em7 A1b9
When you still be - lieve love -
could real ly
Gtr. 8: w/ Riff A (1 l/2 times)Gtr. 9: w/ Rhy. Fig.,+ (1 1/2 times)
CmajT
Broad - way You're the
Gtr. 10: w/ Fill I
Dm7
*Vocals doubled next 7 meas
You're a na - tive New York
-
115
Gtr. 6: w/ R}ly. Fig. 6 (lst 2 meas.)
CmajT
the score You're a New York(York er. )
(La dy,
Rhy. Fig.7Gtr. 6 r
.,
116
You're a na - tive New York
Begin.fade
Gtr. 6: w/ Rhy. Fig. 7
Ab:-
Gtr. 6: uy' R-hv. Fig. 6 ( I l/2 times)Gtr. 8: $/ Riff A (1 l/2 times)Gt.. 9: w/ Riy. Fig. 4 (l l/2 times)
CmajT
You're a na - tive New
Fade out
117
Never Can Say GoodbyeWords and Music by Clifton Davis
IntroModerately J = 127
FmajTRhy. Fig. I
Eml Dm7
O 1 970, 1971 , 1975 (Renewed 1 998, 1 999, 2003) JOBETE MUSIC CO., lNC.All Rights Controlled and Administered by EMI APRIL MUSIC lNC.
All Rights Reserved lnternational Copyright Secured Used by Permission
PIGEnd Rhy. Fig. 1
1 (clean) -
End Rhy. Fig. 1A
*Homs an. for gtr
,!fw/ phaser
118
F/G
----/nev - er can _ say.- "Cood - b)e."
_J
-
Rhy. Fig.2
Gtr.4(clean)
letring---1
Rhy. Fig.24
\--_--)no. no.
119
End Rhy. Fig.2
End Rhy. Fig.2A
think nough -
and start
h ,---
for the door. -/
,-,2 + \
120
Rhy. Fig.3A
CmajT
plerc
--------_,........'...---a
'll
121
You know you- love- him more
-
and - more. _
w ,'-----
Em7 Dm7
----/is it so?
(Tell me why.)
-6va
122
ChorusC----\
Don't wan - na let vou go. _Voc. Fig. 1
nev - er can _
0
-
--- -0
Riff Aloco
End Rhy. Fig.3
End Rhy. Fig.3A
Rhy. Fig.4
a-'--^----__.?t-
123
nev - 9r can _ say,
Gtrs. 1& 3: w/ RIy. Figs. 2 & 2-A
FmajT
"Good - bve.
no, _ no, _ no! _
No, no, no, no, no,
h"y.
End Voc. Fig. J
End Riff A
2
End Rhy. Fig.4
no,
I nev - er can
-
say, "Good
++I
'r/
(I can't
rsay,
j-\-a<
FmajT
===-L--'l'-- V
Good - bye," -
boy )
7-2.r
124
can _ Sav- --( rood
l-r
VerseGtrs. I & 3: wi RIy. Figs. 3 & 3,A
Cmaj9
that our prob
\-un hap - py leel
same old diz - zy hang
soon ale _ all
-
gon - na work
and that
v \--/
and that doubt.
do
- with
-
you or
-
with - out.
aS;-\
FIG N.C
Tell me
125
ChorusBkgd. Voc.: u'/ Voc. Fig. I (2 times)Gtr. I ; w/ Riff A (2 times)Gtr. 3: w/ Rhy. Fig. 4 (2 times)
C
nev - er can say, "Good - bye,"
A:-\^
er can _ say, no. _
Oo, - hoo,
-
ba -
no. _ oo. _
no, _ no
nev - er
126
nev - er can -
say, "Good - bye," no, no, _ no, no.
InterludeGtrs. I &2: w/Rhy. Figs. I & 1AGtr. 4 tacet
FmajT
Outro-ChorusGtr. 1: w/ Riff A (till fade)Gtr. 3i w/ Rhy. Fig.4 (till lade)
C
hoo. hoo.
-
hey,
-
can -
say, "Good - bye," -
boy.
-
ibl-- -^
Begin fade
C
say, "Good - bye."
-No, no,
- no,
No, - no, -
no, ba -
Bkgd. Voc.: w/ Voc. Fig. I (last 4 meas. only)
DIC Dblc
please - don't make - me
i- -_-.. ^,+,?| r- . b!>
Letring'--------)
Bkqd. Voc.: u/ Voc. Fig. i rtill fadet
127
E
Pick Up the PiecesWords and Music by James Hamish Stuart, Alan Gorrie,
Roger Bail, Robbie Mcrntosh, owen Mcrntyre and Marcorm Duncancl lf 9 BbtUC
ffiroi' fu{srrFH+N ffi
ModerateFunkJ =106c11#9
:=::::::::::::" "-urr)tu))u))D nryry[T7 nwmm*f
End RiffAfA^ ^^
^
/t.r I
mf
^f
Rhy. Fig. I
** Sax m. for gtr
128
* Chord symbols reflect overall hilmony.
@ 1974 (Renewed 2002) AVERAGE MUSIc (AscaP)/Administered by BUG MUStc and JoE,s soNGS, tNc. (ASCAP)All Rights Reserved Used by Fermrssion
(cont. in notationl
XE4th time, Gtr. 5 tacel* Fm7
End Rhy. Fig. I
Gtr Gtrs. 1 & 2: w/ RifT A & Rhy. Fig. 1 (4 times)
3rd time, to Coda 1 S4th time, to Coda 2 O,
Gtr. l: w/ Riff A (2 times)
2nd time, Gtr. l: w/ Riff A (1 1/2 times)
Gti. 2: w/ Rhy. Fig. I (2 times)
Fm7
2nd time. Gtr. 1: w/ Fill I
.AAA/IAAAAAA'
129
Bb 11Riff B
Rhy. Fig.2A
D.S. al Coda ICtrs. I & 2: w/ Riff A & Rhy. Fig. I
Fm7c7#eEnd Riff B
Fiil 2le End Fill 2
End Rhv. Fill .l
* Gtr. 3 to left of slash in tab
End Rhy. Fig.2 Rhy. Fill Ia' -o
End Rly. Fig.2,A
130
>^)' --o
$ coaa rGtr. 1: w/ Riff A (1st meas.)
Gtr. 2: w/ Rhy. Fig. I
Gtn. 3 & 4 tacet Gtr. 1: w/ Fill I
Fm7
EGtrs. 1, 2, 3 & 4: w/ Rhy. Figs. 2 & 2A & RifT B
Bb 11
kupPic
le
the piec Pick up the piec
a
Gtrs. 1 & 2^.o.
le
Pick up the piec Pick
_e
the piec
(Gtr. 2 cont. in slash)
131
*')-nt'/
Riff c
)v | )'End Rh1'. Fig. -1
N- - N-J','l '/ /',t
-uu
/' ) Jl l'/ t
Gr. 1: w/ Riff C (4 times)
ctr. 5 Gtr. 2: w/ Rhy. Fig. 3 (5 times)
x Sax an. for gtl
132
Gtrs. 3 & 4: w/ Riffs D & Dl (3 times)
a^ /r ^ ^,1
Gtrs. I & 2: w/ Riff A & Rhy. Fig. I (2 times)
Fm7
133
D.S. al Coda 2
$ coaa z
Gtr. 1: w/ fuff A ( l st meas.)
Gtr. 2: w/ Rhy. Fig. 1
Gtrs.3&4tacet
Fm7
Gtr. l:w/Fill I
trGtrs. 1,2,3 & 4: w/Rhy. Figs.2 & 2A & RiffB (1st meas.4 times)
Bb 11
GtIs. 1 & 2: w/ Rhy. Fill ICtrs. 3 & 4: w/ Fill 2
tr
Gtrs. 1, 2, 3 & 4: w/ Rhy. Figs. 2 & 2,A & Riff B
Gtr. 1: w/ Riff A (4 l/2 times)
Fm7
Gtr. 2: w/ Rhy. Fig. 4 (2 times)
Fm7
Woo.
Pick up
Gtr. 2: w/ Rhy. Fig. I (2 times)
Fm7
the plec
F7sus4
Pick up the plec
c7l,e
134
Shadow DancingWords and Music by Maurice Gibb, Robin Gibb,
Bb F ebmajz Gm
m'" ffi'' ffi ffi1312
IntroModerately .l = 100
AndyCm
ffitt-t].1taa I
I 3,12
Gibb and Barry GibbD
ra-rTTr 5fr
n--fl-ttt1333
Gtr. 1 p nb(clean)
sbto pb
End Rhy. Fig.2
,
Gtr. 2 tacet**Gm
End Rhy. Fie. I Oo. ,
Gtr. 3 (clean)
Rhy. Fig.2
Copyright @ 1978 by Gibb Brothers Music, Warner-Tamerlane Publishing Corp.,Crompton Songs LLC, Unichappell Music Inc., Hugh and Barbara Gibb Music and Joy USA Music CompanyAll Rights for Gibb Brothers Music throughout the world Administered by BMG Music Publishing lnternational
All Rights for BMG Music Publishing lnternational in the U.S. Administered by Careers-BMG Music Publishing, lnc.All Rights for Crompton Songs. LLC Administered by Warner-Tamerlane Publishing Corp.
Ai; Rights for Hugh and Barbara Gibb Music and Joy USA Music Company Administered by Unichappell Music lnclnlernational Copyright Secured All Rights Reserved
*Strings m. for gtr
**Chord symbols reflect basic hilnony
135
VerseGm
1. You
Rhy. Fig.3
chas - ing your - di - rec I was tel - ling you - no was lov-ing when the words -
\--my head. And in a
End Rhy. Fig.3
(cont. in slashes)
ff Pre-Chorus
Eb
o, ' )'
F
r/^!Bbmaj7
t)
Crm
/^-r
worldsweet
noth-ing come - be - tween - us
breathe when )ou're a - way.- it
Eb
l/
^-l ^
(How
-
can I hold -
on-lyliv - ing
of peo
sen - sa
you
- and
in
-
your
Gm
o
D
!Cm
!,
\ .-....-l-----
fhe endln_pulls - me down. (Ah, you are the ques
yolr when - yoution and the
let ring - )
Bbmajl
)
Gm
l)/^a
Cm
o
ro Coda t $To Coda2 $
D
)
A@7fr
\laa
ain't e - ven
an - swer am
---:-\
mlne?)
- l
r.) _ '
/---:
On-ly you can see me through,- I
- leave it up
- to you.
137
ChorusGtr. l: w/ Rhy. Fig. 2 (3 times)
Gm
right.
-
ing me through the -
night. Shad - ow
-\ - +-a_-__,danc - ing,
more. Drag
-
A1l
- this and
Ah,
the -
floor. Shad-ow danc
Gtr. I
*Unison vocals (next 8 meas.)
138
InterludeGtr. 1: w/Rhy. Fig. IGtr. 3 tacet
ctr.2 D BbtD Eb
Gtr. l: w/ Rhy. Fig. 2 (2 times)Gtr. 2 tacet
GmGtr.3
VerseGtr. l: u/ Rh1. Fig. 3 r l.t I mea..t
Crm
chas - ing your -
$coau r ChorusGtr. l: w/ Rhy. Fig. 3
Gm,---
letring---- l
Tak ing me through the - night. Shad-ow danc-Do it light. -
it right. - Give
*Unison vocals (next 7 l/2 meas.)
bv, vou more.- Drag- me a -
the - floor'i. e -1\-
lng more. _
D.S. aI Coda 2(take 1st lyrics)
And in thisShad-ow danc All this and noth
,----
up _ to you.
ler ring-- I
DChorus
GmN.C.j
$coau z
Gfis.1&3tacet
through the -
night
-
by, you do
Do it light. -
*Unison vocals (till fade)
it right. -Shad - ow danc 1ng,
more. _Give me more.
-
Drag - me a - cross the floor Shad-on danc - ing. All -
this and noth-ing
141
Gtr. 1: rv/ R}ly. Fig. 2 (.1 times)
Gm
Do lt
Rhy. Fig.4
Tak lng me the - night. Shad-ow danc
,----:
Ah.
-
Give more.
-
Drag -
me a the floor Shad-ow danc
more.noth
Filt IEnd RhY' Fig' 4
ctr. 3
End Fill 1
OutroGtr. 3: w/ Rhy. Fig. 4 (1st 3 meas.)
Gm
142
ctr. 3: w/ Fill I Gtr. 3: w/ Riy. Fig.4 (till fade)
,-------
do it right. - Give me more.
-
Drag- me a - cross the-floor.
Begin fade
Shad-ow danc -
All this and noth more. , Tak 1ng m9
,----:
through the night
-J
Shad-ou danc - ing. by, you do il right -
Fade oul
143
Shining StarWords and Music by Maurice White, Philip Bailey and Larry Dunn
IntroModerately J = 104
ctr.I(clean) NC
*Composite anangement
O 1975 (Renewed 2003) EMIAPRIL MUSIC lNC.All Rights Reserved lnternational Copyright Secured Used by Permission144
End Rhy. Fig. 1
Gtr. 2: w/ Rhy. Fig. l, simile
Verse
Gtr. 2: w/ Rhy. Fig, 1, 6 times, simile
E7il9
'nerl I I mero
will take - you
)r -<----J'2 '4 : -)
146
nights -
of
i.AAAAAAA/}
Hey.
-
-
the sky -
so yeah.
-
You're a
shin
Interlude(Em)
22
ing star, -
bright to see
-
no mat - ter vou afe.who Shin - ing
tA /IAAA i ryhAf
TAAAAAAAAAAAAAI
what you could tru ly be.
IAAAAAAA/I/}
i^/t/t^ /t/!
i/t/t^/t^At
Guitar Solo
(G7) (G#7) (A7)
147
(Af 7) (87)
-k),
(c7)(87) (cil7)
A.f o2;)
Verse
Gtr. 2: w/ Rhy. Fig. 1, 12 times, simile
(87*e)
148
- your bod y big
- and sfong,
/----_
a man - child yeah,
-
yeah. -of
- the sun. _
149
-----
why- don't_ you find - your self
t
v
01 wis - dom. yes- I You're a
GtI. 1 tacel
(G7) (c7) (B7)
no mat-ter who you are.
-Shin - ing what vou could
(c7) (87)
ty be. - shin - ing star, -
no mat - ter who you are.
-
see, _ You're a
Your're a Shin - ing
151
bright
ing star-for ).ou-to see- u,hat-your life-can tru ly be.- Shin- -
your life-can tru - 1y be.-
Stayin'Alivefrom the Motion Picture SATURDAY NIGHT FEVER
Words and Music by Robin Gibb, Maurice Gibb and Barry Gibb
Fm eb
ffi^n ffio''ffi FH+H
Moderately ) = nlFmRhy. Fig. 1G,rl(ac.us)ffimffiffiffimffim
* Gtr. 2 (elec)
BbRhy. Fig.2
nw
RiffA
mfw/ clean tone
End Rhy. Fig. 1
End Riff A
xTwo gtrs. an. for one.
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2: w/ Riff A
FmEnd Rhy. Fig.2
ffiffiffiffiffiffiffiffil. Well, you can
ff ff v"...ctr. 2: w/ Riff A (2 times)
Fm
Copyright @ 1977 by Gibb Brothers Music, Warner-Tamerlane Publishing Corp. and Crompton Songs LLCAll Rights for Gibb Brothers Music throughoui the world Administered by BMG Music Publishing lnternational
All Rights for BMG Music Publishing lnternational in the U.S. Administered by Careers-BMG Music Publishing, lnc.lnternational Copyright Secured All Rights Reserved152
Gtr. 1: w/ Rhy. Fig. 3
mu - sic loud and wom
S( Pre-Chorus/.)Bb
Rhy. Fig.4
Gtr. lY I I | | I | 'l' //// xx
warm, I'vebeen kicked a - round- since I- was born.- Andnow it's
Gtrs. I & 2: w/ Rhy. Fig. 4 & Riff C (2 times)
)))) ll'/ nffiEnd Rhy. Fig.4
{ t.. r. ana you may
lz. I'tl tive to
End Riff C
all
-RiITC
right
we can try
ChorusGtr. 1: w/ Rhy. Fig. 1 (5 times)
Fm
It's O.look the oth - ersee an - oth - er
to un - der - stand New York Time's - ef fect -
on man. _
Wheth-er you're a broth-er or wheth - er you're a moth-er you're stay
Feel the and ev a - live.ry-bod - y shak-in' and we're stay-in' a- live,
---stay-rn
153
2nd time. Bkgd. Voc.: u/ \-oc. Fill l
ro Coda 1Sro Coda 2S
Gtr. 2 tacel
Cm7
stay-ln Oh, - when you walk. -
Gtr. l: w/Rhy. Fig. IGtr 2: w/ Riff A
Verse
Gtr. 1: w/ Rhy. Fig. 3 (2 times)Gtr. 2: w/ Riff A (2 times)
Fm'--\
Fmn+. ----i\Eht ttbt
Wellnow, I- getlow,- andl-get high,_andif I can'tgetei-ther, I real-ly try. Got the
D.S. al Coda I
(oh.)
-
wings of
154
on mv shoes. - I'm a danc and t Just _ can't lose. You know it's
S coaa tY GlI- 2 tacel
Cm7Gtr. 2: w/ Riff AN.C. Fm
Bridge
Gtr. 1: w/ Rhy. Fig. 2 (1 1/2 times)Gtr. 2: w/Riff B (1st meas.)
BbGtr. 2: w/ Riff B
where.
-
Some -
Gtr. 1: w/ RIy. Fig. 1
Gtr. 2: w/ Riff AFm
me_bod
Some
Gtr. 1: w/ Rhy. Fig.2 (1 1/2 times)Gr. 2: w/ Riff B (1st meas.)
Bb
help
- me. yeah.
-
bod
Gtr. 2: w/ Riff R
Some bod help
- me, yeah. - .,
D.S.S. al Coda 2
3. Well, vou can
Gtr. 1: w/ Rhy. Fig. IGtr. 2: w/ Riff A
stay - 1n
$ coaa z
yeah.
-
155
Outro
Gt.. I I w/ Rhy. Fig. 2 (l 1/2 times)Gtr. 2: w/ Riff B (1st meas.)
Bb
Life
Some bod
Gt6. 1 & 2: w/ Rly. Fig. 1 & Riff A (2 times)
Fm
---.-\-,/
-
help -
me, yeah.
-
Some bod
Gtrs. I & 2: wi Rhy. Fig. 1 & Riff A2nd time, Bkgd. Voc.: w/ Voc. Fill 23rd time, Bkgd. Voc.: w/ Voc. Fill 3
4th time, Bkgd. Voc.: w/ Voc. Fill 4
Fm
Gtr. 2: w/ Riff B
Yeah.
Some bod
(I'm stay-in live.)
(Ah,
-
ah
(Ah,- ah,- ah, ah.)
-
8va-------.
(Oh,- ha,- ha.)
me-
help
- me, yeah.
-
Play 4 times and fade
t
Gffs. 1 & 2: w/ Rhy. Fig. 2 & Riff B
156
Words and Music by Rick James and Alonzo Miller
Am/C
iiimslsttl
G/D
' [[,'lt'
Super Freak
G/D Asus4
iiiffi'* Eiffi"F++N t-t+.i#
Am/CEnd Rtry. Fig. I
- \l\-' /'1"
Am/C
' h[''//'
lntroModerately fast Funk J = 132
N.C. Am/C
Riff A1
slight P.M. throughout
|t;---;;_lz ",
, )), , )),, )), , )),
mf
)
1. She's a
)j End RiffAl
)J
1G,f'1,1
('1""') nin'lLrp.,,ii,., vi, frel'/H =1!J / /t) 7-fir+71 =1/ |
"nu*oro?
tV6t t
VerseGtr. 1: w/ Riff A (3 times)Gtr. 2 tacetGtr. 3; w/ Rhy. Fig. I (2 times)*D5 Am
+Chord symbols reflect combined hmony
ver-y kink-y gir1,
D5 Am7
kind you don't take home to moth - er.
Gtr. 3: w/ Rhy. Fig. ID5 Am
nev - er get your spir- its
Rhy. Fig.2
once you gather
End Rhy. Fig.2
street. She likes the
Am'7
the band. - that I'm her all - time fa - v'rite
O 1981 JOBETE MUSIC CO., lNC. and STONE DIAMOND MUSIC CORP.All Rights Controlled and Administered by EMI APRIL MUSIC lNC. and EMI BLACKWOOD MUSIC INC
All Rights Reserved lntemational Copyright Secured Used by Permission
Rhy. Fig. 1
*ctr.3 , ) ),(drums)
^f
*Kybd. an. for gtr
157
Gt. l: w/ Riff A (last 2 meu.. 2 times)Gtr. 3: w/ Rhy. Fig. 2
D5 Am7Gtr. 3: w/ Rhy. Fig, ID5
make my move to her
ff ere-ChorusCtr. J: w/ Rhy. Fig. I {4 timesi
D5
room it's the right time.
Am)a
The girl's a su - per freak
:'--_
She'sShe's
Gtr. l: w/ Riff BD5
girl is
ChorusF
Am)C
Am)a
...ev-'ry time we meet.)
c Am G Am
Ctr. 3 -
Asus4
' /'^
ThatThe
all
-
right
-
dghr.)
She's nev-er hard - to please.
-
. - (tnu") -rear-ryl
like flo taste _ her.
158
l^o
Esus4
h^/' oI/
To Cotta S
Hey, hey, hey, hey !
Am7
She's su - per freak - y,
2. She's a
with _
InterludeGtr. 1: w/ Riff A (last 2 meas., 2 times)Gtr. 2: w/ Riff Al (2 times)Gtr. 3: w/ Rhy. Fig. 1
D5AmG
Gtr. l: w/Riff AGtr. 3: w/ Rhy. Fig. 1 (2 times)
D5 Am
VerseGtr. 1: w/ Riff A (4 times)Gtr. 3: w/ Rhy. Fig. ID5
Gtr. 3: w/ Rhy. Fig. 2
D5
She's ^
su - per freak,
Am7
rEsu - per fieak
Am
her feet,
Am7
Su - per freak,
(The kind of girl you want love.
Am7
and black and
Three's not a
shin - ing bright.
Gtr. 3: w/ Rhy. Fig.2D5 Am7
su - per freak.
Gh. 3: w/ R1ly. Fig. 2
D5
Gtr. 2: w/ Riff A1 (2 times)Gtr. 3: w/ Rhy. Fig. ID5 Am
G
Gtr. 3: w/ Rhy. Fig. 2
D5 ----
says, _M6-
When IOw.)
-
Room sevlove you.
\l r/'^ 4 ,--/'
Ev-'ry-bod-y sing. -
nage
slne. _(Long
four - teen I'I be wait ing." -
Am7
159
Gtr. 3: *y' Rhy. Fig. ID5
get there she's got in-cense, wine, and
$ CodaInterlude
Gtn. 1 & 2: w/ Riffs A & Al (3 times)Gtr. 3: w/ R}Iy. Fig. 1
D5AmG
Gtr. 3: w/ Rhy. Fig. 1
D-5 Am
It's sucha freak-y-
Gtr. 3: u/ Rhr. Fig. ID5 Am7
su - per freak
Gtr. 3: w/ Rhy. Fig. 2
D5 Am?
D.S. al Coda
Am7
AmGtr. 3: w/ Rhy. Fig. 2
D5 Am7
su - per freak,She's a
Am
She's su - per freak-y,
G Am7
Temp - ta - tions sing
per freak. The girl's
VerseGtr. l: w/ Riff A (2 times)Gtr. 3: w/ Rhy. Fig. 1
D5
(oh.
Su
G
per freak per freak
Am7)t
Am
\<-=3. She's
Am7
kink -
Am7
girl,
And she
Am7
kindthe you
Gtr. 3: w/ Rhy. Fig. 2
D5Gtr. 3: w/ Rhy. Fig. ID5
nev
G
rts down -
won't
G
take home to
Am
1et your spl1
Am7Gtr. 3: w/ Rhy. Fig. 2
D5
get her off
- the Blow,- dad - dyl
Repeat and fadeFGAm
once you
OutroGtr. 1: w/ Riff B (till tade)Gtr. 3: w/ Rhy. Fig. I (til fade)
D5 Am
Gtr. 3: w/ Rhy. Fig. I
*Sax m. for gtr
160
xxsung 1st & 3rd times
SuperstitionWords and Music by Stevie Wonder
c] Bb"]^ ^
m'. m'. m'. m'.B7 A1
Tune down 1/2 step:
(low to hish) Eb-Ab-Db-cb-Bb-Eb
Intro . J r
Moderate Funk.J = gA tfr = fi I(drums)
N.C.(Em7)
tClavinet mr. for gtr
ff ve.seGtr. I : w/ Riff A, 8 times, simile
^N.C.(Em7)
- tious,
-- tious,
-- tious.
-
wrlt-lng s onwash your facenoth - ing more
lad-der's 'bout - todo all
- that you
the dev-il's on- his
theandto
wall. -hands. -
say. _
Very-y su-per-sti-Rid me of
- the prob -
Ver-y su-per-sti-
Thir-teen month - old ba -Keep me in a day-Thir-teen month - old ba -
glass.
-strong. _look - ing
End Riff B
fa1l.
-can. _way.-
a-----.---
bydreams.
- by,
-
mm,*Go 2 RiffB
@ 1972 (Renewed 2000) JOBETE MUSIC CO., lNC. and BLACK BULL MUSICc/o EMI APRIL MUSIC lNC.
All Rights Reserved lntemational Copyright Secured Used by Permission
*Homs m. for gtr
161
Gt. 2: s/ fuff B- I timei
Ser - en
- years -
You don't wanSev - en years
-
of
ofna
bad
-SAVE
bad
-
the good thingssad
-good things
ln youris myin your
When you lieve
a?
Chorus
B7Rhy. Fig.1
81 BboT
o,,rfi^-) n^f) n^ff)
-54
simile on repeat[
A'7 N.C.(B+7)End Rhy. Fig. I
(conr. in notrtion)
162
Gtr. 1: w/ Riff A, 2 times, simile
N.C.(Em7)
D.
-
Crr. l:w/Rhy.Fig. l.simileB7 C7
Gtr. 1: w/ Riff A, 2 times, simile
N.C.(Em7)
ScoaaGtr. l: w/ Riff A, till end, simile
To Coda $
B7 Bb"7 A'7,-\^.'--\
11.
ha,
-Gtr. l
3. Ver
D.S. al Coda
N.C.(Em7)xctr. 3
*Horns ffi. tbr gtr
Begin Fade
163
That's The Way (l Like lt)Words and Music by Harry Wayne Casey and Richard Finch
Ir.,2.. z
(Do, do,
-Rhy. Fig. 1
do,
-
do. do, do do. -
ff cno.,r,Cml
O 1975, 1976 (Renewed 2003) EMI LONGITUDE MUSTCAll Rights Reserved lnternational Copyright Secured Used by Permission
IntroModerately .J = 116
Fm9
End Rhy. Fig. I
*Bkgd. voices are female throughout
lq
*xT = Thumb on 6th string.
164
GtI. l: w/ Riff A
/
That's the way, uh - huh, uh - huh,
ro Coda 1 $To Coda2 $
ir,_ uh - huh. uh huh
your lovall
1. When you take -2. When I get
-
manlone
me
toby
be inthe hand,your arms, _
tell me I'm -when we're all-
When you give -When you whis
meper
2nd time, D.S. al Coila I
Verse
allin
your lovemy ear,
do it, babe, -when you turn. -
the ver-y best
turnyoume
can,on.
oh...oh...
and
165
$coaa rInterlude
Gtr. 1: w/ Riy. Fig. 1 (4 times)Fm9
babe.
That's
llzD.S. al Coda 2
npoh.. _
uh - huh.)That's the way,
$coaa zInterlude
Gtr. 1: w/ Rhy. Fig. I (4 times)
Fm9
Rhy. Fig. 2
(Do, do,
-do,
-
do, do.
-
do.
-
do.
huh.
Do,uh-
End Rhy. Fig.2
huh.
Do, do, -
Gtr. 2: wi Rhy. Fig. 2
166
do. do, do, do, do, -
do.
-do,
- do, do, do,
do, -
do.
-
uh - huh,
uh - huh.
__--,__'.-_'O
do,- do,- do,
uh - huh. uh - huh
/-----
Gtr. 3: w/ Rhy. Fig. 3 (2 times)
the way, uh - huh, uh - huh, I like
oh...do,
- do.)
-
the way, uh - huh, uh - huh, I
Uh - huh.Do.
Outro-ChorusGr. 1: w/ Riff A (3 times)
Cmj
That's the way
Rhy. Fig.3
That's
End Rhy. Fig.3
uh - huh. uh - huh
Begin fade
Thet's the uay. uh - huh. it,
- uh - huh, uh - huh. Your love is
(That'shot,
- uh,
the way,yeah.
uh - huh, I
Fade out
oh,
-
and Iuh - huh.
oh, _
like
uh - huh. I
167
IntroModerately
Gtr. I (clean)
)=Da*A
Words and Music by Nile Rodgers and Bernard Edwards
G/ARhy. Fig. I
We Are Famlly
ry. _
ly.
-G
- ly,-
GIA
*Chord svmbols reflect overall harmonv
APlay l times
End Rhy. Fig. I
ff cno.otlst & 2nd times, Gtr. l: w/ Rhy. Fig. 1 (3 3/4 times)3rd time, Gtr. 1: w/ Rhy. Fig. I (3 1/2 times)2nd & 3rd times, w/ Lead Voc. ad lib.
GIA G
We are fam - i
**Vocals doubled throughout chorus.
GIA
GIA
I've got all my sis - ters with me.
-
Get up ev -'ry - bod - y and sing! -
['ve got all my sis - ters with me.-
To Coda $D
Al
arefam-i-lv. Get up ev - 'ry - bod y and sing!
-
168
Copyright @ 1979 Sony/ATV Songs LLC and Bernard's Other MusicAII Rights on behalf of Sony/ATV Songs LLC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
All Rights on behalf of Bernard's Other Music Administered by Warner-Tamerlane Publishing Corp.lnternational Copyright Secured All Rights Reserved
Verse
A
\v_
l.Ev - 'ry - one- can-2. Liv - ing life is fun and we've just be - gun
Rhv. Fig,2,=.---
Gtr. 1: w/ Rhy. Fig. 2 (6 times)
A Emj
And we fly
-
just like birds -High hopes we have
see- we're to - geth -
to get our share -
End Rhy. Fig.2
of a feath -for the fu -
t--.--il(And!)(High!)
as weof this
walk
-world's
-
on_de
by.
-
lights.
-
no_sight.
-(A1l!)(We!)
fam - 'lyfam - 'ly
Al1we don't
the peode - pressed, -
a - round us, theyhere's what we
tell
-goal's in
I
say, _call
-
Noofget
ple
we're giv - ing love inwrong.
- Oh, no. This is
Can they be that close?"our
- gold - en rule:
a
our
Just 1et me state for the rec -
Have faith in you and the things
2nd time, D.S. al Coila
AD9
ordyou do,
dose.jewelyou won'1 go
169
cc#A
Get up ev - 'ry - bod - y and sing!
-
I've got all
7e
fam
.-i - ly.-
LrE^
Get up ev - 'ry - bod - y and sing! -
Y.M.C.A.Words and Music by Jacques Morali, Henri Belolo and Victor Willis
IntroModerately .J = 124
rBlcil
Rhy.Fig. IPlctl' 4 times
End Rhy.Fig. 1
+-- ,+--==- .,--t4l
***Homs arr. for gtr
Rhy. Fig.2(rtl- i
End Rhy. Fig.2
I
I +- -,+-=--
Gtr. 1: w/ Rhy. Fig. I ( 3 times)
*Chord symbols reflect overall htrmony
Gtr. 2: w/ Rhy. Fig. 2 (2 times)8va - -t loco
istrings m. for gtr.
VerseGtrs.3&4tacet
F#
l. Young man,2. Young man,
3. Young man,
there's no need toare you list-'ningI was once in
Pf-
said,said,
said,
feelto
your
171
w/ wah-wah
Copyright O 1978 by CAN'T STOP MUSICAll Rights Reserved Used by Permission
self off the ground." -you wan - na be?"
-out with the blues.
-
place you can go."all by him - seif."
came up to me
"Young man,-"Young man,
-no man
"Young man,
-"Young man,-'Young man,
-
I'm surethe Y.the Y.
said,
said,felt
cause you'reyou cancared if
1namake real
I wsre
new town, there's noyour dreams, but you'vea-live.Ifelt
A{,im Glim
hap
oneso
beknowworld
needgotthe
py. _thing. -jive.
-
Young man,
No manThat's when
I said,I said,
and said,
when you're short onput your pride ontake a walk up
your dough. You can
the shelf and justthe street. There's a
I
havehelpback
waystheystart
you willM. C.
M. C.
andto
find- man - yA.
- I'm sure
A.
- They can
They have
Begin fade
M. C. A., and just go to the Y._ M. C.A
once in
-
your shoes Young man, young man
(J/m (J-m(maj/l
You can get your-self clean. You canYoung man,- young man, there's no
PIay 3 times
self off the ground.
End Rhy. Fig.3
G#m(maj7)
Young man, young man, I was
Fade out
down with -
the blues.
-
It's funlt's fun
to stay at
to stay at
M. C.M. C.
Y._Y.
feel. -your
you _pickman,
have a good mealneed to feel down
You can do what - evYoung man,-
Outro
Gtr. 2: w/ Rhy. Fig. 3
F++
^*-(r+1m /
f
174
You Should Be Dancingfrom SATURDAY NIGHT FEVER
Words and Music by Robin Gibb, Maurice Gibb and Barry Gibb
Gtr. 2 tuning:(low ro high) G-A-D-G-B-E
IntroModerately , = 121
N.C. Gm
Gtrs.2 & 3: w/Rhy. Figs. 1 & 1AGm
Gtr. I Rhy. Fig.2
Copyright O 1976 by Gibb Brothers Music, Warner-Tamerlane Publishing Corp. and Crompton Songs LLCAll Rights for Gibb Brothers Music throughout the world Administered by BMG Music Publishing lnternational
All Rights for BMG Music Publishing lnternational in the U.S. Administered by Careers-BMG Music Publishing, lnc.lnternational Copyright Secured All Rights Reserved
I
G6sus2 C/G
take megive me
End Rhy. Fig. 1A
G6sus2
Rhy. Fig. lA
ff v".r.Gtr. 3: w/ Rhy. Fig. 1A (4 times)2nd time, Gtr. 2: w/ Rhy. Fig. 4 (4 times)
Gm
l.My ba - byjuic - y
End Rhy, Fig,2 6o. 1
moves - at midand she's
lst time, Gtr. 2
Gm
c::2 j{r.1ivlsr/
l
Rhv. Fie.3
3rd time, Gtr. 2: w/ Rhy. Fig
Gm
goes right on till the dawn. -she gets it to me good.
End Rhy. Fig.3 Rhy. Fig.4
G7sus2 G6sus2w/ Rhy. Fig. 3 (2 times)
I G6sus2)t 2
My wom-anMy wom-an
End Rhy. Fig.4
high - er,pow
*Elec. piano ffi. lbr gtr
175
G7sus2 C6sus2 G7sus2
Pre-ChorusCm
What cha do- in' in your bed?Rhy. Fig.5
Grr. I
Cm(maj7)
my wom-an keep me warm.-right down to my blood. -
Cm(mai7) Cm(maj7)
'in your bed? You should be
End Rhy. Fig.5
ChorusGtr. l: w/ Rhy. Fig. 2 (2 times)1st time, GtI. 2: w/ RIy. Fig. 4 (2 times)Gtr. 3: w/ Rhy. Fig. 1A ( 2 times)2nd & 3rd times, Gtr. 2: w/ Rhy. Fig. 4
Gm G6sus2 G7sus2 G6sus2
danc yeah, - danc - ing, - yeah. - 2- She's danc 1ng, -
It llzGtr. 2; w/ Rhy. Fig. 3
J)
Cm(mai7)'1-------->+\
G7sus2 G6sus2 G6sus2
yeah. -
Cm?
Pre-ChorusGtrs. 1 & 2: w/ Rhy. Figs. 5 & 5,A
Cm Cm(maj7) Cm7
Gm
176
G7sus2 CIG
What cha do-in' in vour bed? what cha do-in' in your bed?
Cm(maj7)
ChorusGtr. 1: w/ Rhy. Fig. 2 (2 times)Gtr. 2: w/ Rhy. Fig. rl (2 times)Gtr. 3: w/ Rhy. Fig. 1A ( 2 times)
Gm G6sus2
danc
G7sus2 G6sus2
ro Coda $
G7sus2 G6sus2Cm(maj7)
You should be
InterludeGtr. 3: w/ RIy. Fig. 1A (2 times) Gtr. 2 tacet
Gm
:"1 0'(rTr 4
,.8--^Y
yeah. -
,i,2+ :,
Guitar Solo
Gm Am!v!!t/!!!t!tf!t& n-t
Gtr.5(dist.) n
=I
/------ l-a'--1!v!!vt!
,r,f I \
fw/ wah-wah
Rhy. Fill I End Rhy. Fill 1
Gtr. 3 lacet
6vrr -- --------t
GX).,/il +6€Ji+"
rfrcoauBreakdown
.--Ctr.2 O
fl -D-l
Gtr. 3: w/ Rhy. Fill 1 ( 2 times)
Gm
locot"ffi
I
-/ t t!!!!!!vvvv!t!!!"...!!t!vrvttt!!!!!
Gtrs.l&2tacetN.C.
Gtr 4 tacet
D.S. al Coda(take 1st Iyicsl
(take 2nd endingl
z?.I,danc
f-ring,
ii-7N-/yeah.
-
Yeah. yeah.
-
You should
') -Ll!
r71-l-t/yeah.
t-1
A-\)'l
zt.l_
danc
z?.t_
danc
K-7ring, -
I-lrl-_T?
ing, -=i-ar_t/
l
yeah,
You should be
You should be
End Riff A
OutroGtr. 1: w/ Rhy. Fig. 2 (itl fade)Gft. 2: w/ Rhy. Fig. 3 (till fade)Gtr. 3: WRhy. Fig. 1A (till fade)Gtr. 4: wi Riff A (till fade)2nd & 3rd time, Lead Voc., ad lib
Gm G6sus2 G6sus2 G7sus2G7sus2
G7sus2 clc
179
