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Introduction of Greek Pottery Reading: Stokstad, 117-119, 127-128, 141-142. Range: 600-31 BCE Archaic, Classical, Hellenistic Terms/Concepts: black figure, red figure, white ground, kiln, slip, oxidization, reduction, reoxidization, pinax, slip, kylix, amphora, lekythos, alabastron, krater, symposium, libations, Panathenaic festival, kottabos, hetaira, Monument List: Euphronios (painter) and Euxitheos (potter), Euphronios Krater, Archaic, c. 515 BCE. Exekias, Achilles and Ajax Playing a Game, Black-Figure Amphora, Archaic, 540-530 BCE Priam Painter, Women at Fountain House, Greek, Attic, Black-Figure, ca. 520-510 BCE Red-Figure Lekythos with Domestic Scene, Attica, Greece, Early Classical, 475- 450 BCE Niobid Painter, Niobid Krater, Early Classical, 475- 450 BCE

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Introduction of Greek PotteryReading:Stokstad, 117-119, 127-128, 141-142.

Range:600-31 BCEArchaic, Classical, Hellenistic

Terms/Concepts:black figure, red figure, white ground, kiln, slip, oxidization, reduction, reoxidization, pinax, slip, kylix, amphora, lekythos, alabastron, krater, symposium, libations, Panathenaic festival, kottabos, hetaira,

Monument List:Euphronios (painter) and Euxitheos (potter), Euphronios Krater, Archaic, c. 515 BCE.Exekias, Achilles and Ajax Playing a Game, Black-Figure Amphora, Archaic, 540-530 BCEPriam Painter, Women at Fountain House, Greek, Attic, Black-Figure, ca. 520-510 BCERed-Figure Lekythos with Domestic Scene, Attica, Greece, Early Classical, 475-450 BCENiobid Painter, Niobid Krater, Early Classical, 475-450 BCE

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Why Study Greek Vases?

1. Greek pottery depicts many scenes from everyday life that often go unrecorded.

2. It expands our understanding of paintings on a larger scale.

3. It extensively explores mythology/literature beyond the text.

4. Residue from pots gives valuable insight into the Greek diet.

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Chronology

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Euphronios (painter) and Euxitheos (potter), Euphronios Krater, Archaic, c. 515 BCE.

“Euphronios painted me”

“Euxitheos made me”

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Digging the Clay

Corinthian Pinax, c. 750 BCE

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Settling the Clay

Modern Clay Pits, c. 1960.

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Forming the Pot

Skyphos with Potter’s Wheel, c. 550 BCE

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“Painting” the Pots

Red-Figure Bell Krater, Pottery Workshop, Early Classical, c. 480-450 BCE

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Black FigureRed Ground: made from a black clay that fires black

Black Figure:painted on slip that fires black

Details: scratched out of the fired slip

Exekias, Achilles and Ajax Playing a Game, Black-Figure Amphora, Archaic, 540-530 BCE

Reddish Pigment: metals mixed with slip.

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Red Figure

Euphronios (painter) and Euxitheos (potter), Euphronios Krater, Archaic, c. 515 BCE.

Details: painted on slip with a fine brush

Black Ground: figures mapped out by the application of slip

Red Figure: no slip applied

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White Ground

White Ground: white-firing slip

Color: either pigments with white slip or tempera

*Tempera is a water-based paint with a egg white and/or glue binder

*This is much like the buon fresco technique.

White Ground Lekythos, Woman Playing Lyre, Late Classical, c. 420 BCE

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Feeding the Kiln

Black-Figure Hydria, Pottery Workshop, Archaic, c. 550 BCE

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Firing

1. Oxidation2. Reduction3. Reoxidation4. Cooling

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The KilnIf you will pay me for my song, O potters,Then come, Athena, and hold thy hand above the kiln!May the kotyloi and all the kanastra turn a good black,May they be well fired and fetch the price aked,Many being sold in the marketplace and many on the roads,And bring in much money, and may my song be pleasing.But if you (potters) turn shameless and deceitful,Then do I summon the ravagers of kilns,Both Syntrips (Smather) and Smaragos (Crasher) and Asbetos (Unquenchable) too, and Sabaktes (Shake-to-Pieces)And Omodamos (Conquereor of the Unbaked), who makes much trouble for this craft.Stamp on stoking tunnel and chambers, and may the whole kilnBe thrown into confusing, while the potters loudly wail.As grinds a horse’s jaw so may the kiln grindTo powder all the pots within it.[Come, too, daughter of the Sun, Circe of many spells,Cast cruel spells, do evil to them and their handiwork.Here too let Cheiron lead many Centaurs,Both those that escaped the hands of Heralkles and those that perished.May they his these pots hard, and may the kiln collapse.And may the potters wail as they see the mischief.But I shall rejoiced at the sight of their luckless craft.]And if anyone bends over to look into the spy-hole, may his whole face Be scorched, so that all may learn to deal justly.

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Decorative Motifs: Key Meander

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Decorative Motifs: Palmettes

Euphronios (painter) and Euxitheos (potter), Euphronios Krater, Archaic, c. 515 BCE.

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Decorative Motifs: Ivy

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Decorative Motifs: Egg and Dart

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Everyday Life: Symposium

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Everyday Life: SymposiumKobattos

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Everyday Life: Symposium

Hetaira

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Everyday Life: Symposium

Makron (Painter) and Hieron (Potter), Red-Figure Kylix with Symposium Scenes, Greek, Attic, c. 480 BCE.

Ivy = Dionysus

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Everyday Life: Fetching Water

Priam Painter, Women at Fountain House, Greek, Attic, Black-Figure, ca. 520-510 BCE

Architecture is rarely found on vases, except for fountain scenes

Fetching water was scene as one of the few public acts of women

The hydria was the most practical form for gathering water.

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Everyday Life: Fetching Water

Hydria with Fountain Scene, Greek, Attic, Black-Figure, ca. 510-500 BCE

Fountain houses were also places for women to socialize and interact.

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Everyday Life: Fetching Water

Hydria with Fountain Scene, Greek, Attic, Black-Figure, ca. 510-500 BCE

Fountain houses were also places where women and children could refresh themselves.

*

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Everyday Life: The Toilette

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Everyday Life: The Toilette

Red-Figure Lekythos with Domestic Scene, Attica, Greece, Early Classical, 475-450 BCE

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Everyday Life: The Toilette

Red-Figure Squat Lekythos with Woman Dressing, Attica, Greece, Early Classical, 475-450 BCE

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Everyday Life: The Toilette

Red-Figure Squat Lekythos with Woman Dressing, Attica, Greece, Early Classical, 475-450 BCE

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Everyday Life: TheaterTheater Mask

Theater Scene, Krater, Apulian Red Ware, c. 500 BCE.

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Everyday Life: TheaterTheater Mask

Attributed to the Konnakis Group, Calyx-krater depicting a phlyax masquerading as a reveler, Red-figure, Greek, South Italian, Apulian, ca. 400–390 b.c.;

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Everyday Life: TheaterTheater Mask

Attributed to the Konnakis Group, Calyx-krater depicting a phlyax masquerading as a reveler, Red-figure, Greek, South Italian, Apulian, ca. 400–390 b.c.;

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Everyday Life: Panathenaic Festival

Panathenaic Amphora with a foot race, Attic Black Figure, Archaic c. 540 BCE

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Everyday Life: Panathenaic Festival

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Mythological Scenes: Dionysus and the Pirates

Exekias, Dionysus and the Pirates, Attic Black Figure, Archaic, 540 BCE

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Mythological Scenes: Trojan War

Exekias, Achilles and Ajax Playing a Game, Black-Figure Amphora, Archaic, 540-530 BCE

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Mythological Scenes: Trojan War

Exekias, Achilles and Ajax Playing a Game, Black-Figure Amphora, Archaic, 540-530 BCE

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Mythological Scenes: Trojan War

Exekias, The Suicide of Ajax, Black-Figure Amphora, Archaic, c. 540 BCE

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Mythological Scenes

Achilles killing Penthesilea, Attic Black-Figure Amphora, Archaic, 540-530 BCE

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Mythological Scenes

Niobid Painter, Niobid Krater, Early Classical, 475-450 BCE

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Mythological Scenes

Niobid Painter, Niobid Krater, Early Classical, 475-450 BCE

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Critical Thinking Questions

1. Why are vases an important aspect of Greek art to study?

2. How do the form of the pots correspond to their uses?

3. How is the painted decoration on vases related to their functions?

4. How are Greek vases attributed to some artists?