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GOYA
IES SANTA CATALINA
BURGO DE OSMA (SORIA)
4º ESO. HISTORY . 2016-2017
Bilingual space.
History teacher, Nicanor Otín Nebreda
“I have had three masters, Nature, Velasquez, and Rembrandt” (Francisco de Goya)
Cieegoya-120705130647-phpapp01
1.746-1828
• Was born in Fuendetodos, Zaragoza, in 1746
•At age 14, Goya entered apprenticeship with the painter José Luzán in Zaragoza
• In Madrid he studied with Anton Raphael Mengs, a painter who was popular with Spanish royalty.
• Back in Zaragoza and painted parts of the cupolas of the Basilica of the Pillar and the frescoes of San Antonio de la Florida
Early years
BAYEUby Goya
MENGSselfportrait
GoyaSelfportrait 1771-1775
SPAIN THROUGH THE GENIUS OF GOYA• ONE OF THE GREATEST ARTISTS OF THE
UNIVERSAL PAINTING
• DIFFICULT TO SITUATE HIS WORK IN ANY ARTISTIC MOVEMENTS
• HE ANTICIPATED IMPRESSIONIST, EXPRESIONISTS AND SURREALIST
MONET. Impresión, sol naciente
IMPRESSIONISM
GOYA’S INFLUENCE
Emil Nolde
Máscaras. Vida cotidiana
III, 1911.
EXPRESSIONISM
GOYA’S INFLUENCE
SURREALISM
TEMPTATION OF SAN ANTHONY
GOYA’S INFLUENCE
His early paintings are still Baroque art
La “Adoración del Nombre de Dios por los ángeles” en la bóveda del Coro de la Santa Capilla (El Coreto). Del Pilar de Zaragoza
FIRST PAINTINGS GOYA
Goya. Cúpula del Pilar 1780FIRST PAINTINGS
GOYA
1774-1791 TAPESTRY CARTOONS
• HE PAINTED PATTERNS THAT SERVED AS MODELS FOR THE WEAVING OF TAPESTRIES IN THE ROYAL TAPESTRY FACTORY
• REPRESENT THE LEISURE ACTIVITIES OF DIFFERENT SOCIAL CLASSES
• RELATED TO ROCOCO ESTHETIC
• CHEERFUL VIEW , CAREFREE, RICH AND BRIGHT COLOURS.
GOYA
EL QUITASOL
TAPESTRY CARTOONS GOYA• He designed about 42 patterns; many of them were used to decorate and insulate the stone walls of El Escorial
and the Palacio Real del Pardo.
Baile en el Manzanares
GOYA
El cacharrero
He designed about 42 patterns; many of them were used to decorate and insulate the stone walls of El Escorial and the Palacio Real del Pardo.
TAPESTRY CARTOONS
LOS ZANCOS
TAPESTRY CARTOONS GOYA
MAJOS Y MAJAS EN SAN ISIDROMAJOS Y MAJAS EN SAN ISIDRO TAPESTRY
CARTOONS
LA GALLINA CIEGA
BUCOLIC AND POPULAR SCENES
TAPESTRY CARTOONS
EL MANIQUÍ DE PAJA
TAPESTRY CARTOONS
GOYA
GOYA "Majas en el balcón" (1812-1835,)MANET "El balcon" (1868-1869) GOYA’S INFLUENCE
1792-1808• ROYAL PAINTER
• PERSONAL CRISIS
• REVOLUTIONARY EVENTS IN FRANCE
• PREDILECTION FOR THE SORDID OF THE LIFE
• CAPRICHOS: SATIRE OF THE SOCIETY AND THE HUMAN CONDITION
• COMPLAINT TO CHANGE THE WORLD
GOYA
Frescoes of San Antonio de la Florida 1.798 GOYA
MANUEL GODOY. 1.801
PORTRAITS GOYA
Carlos IV
PORTRAITS
LA FAMILIA DEL INFANTE D.LUIS
PORTRAITS
ERNST LUDWIG KIRCHNER
GOYA’S INFLUENCE
Jovellanos
PORTRAITS
GOYA
La marquesa de Pontejos
La duquesa de Alba
PORTRAITS
LOS DUQUES DE OSUNA Y SUS
HIJOS
PORTRAITS
Influence Christ of Velazquez
GOYA
GOYA’S INFLUENCE
In the portraits and other works, the influence of Velazquez can be seen in Goya's treatment of space, light and
staining techniquesgoya-120705130647-phpapp01
THE FAMILY OF CHARLES IV
PORTRAITS GOYA
GOYA
CarlosMaríaIsidro
Fernando, the heir
King’s sisterdoña María Josefa.
Fernando’s future bride
Infanta MaríaIsabel
Queen MaríaLuisa
Infante Francisco de
Paula
kingCarlos IV
King’s brotherdon Antonio
King’s sisterdoña Carlota
Joaquina
Don Luis. Prince ofParma.
Infanta MaríaLuisa
CarlosLuis
THE COUNTESS OF ALBA
PORTRAITS
GOYA
14. ¡Qué sacrificio!
LOS CAPRICHOS1793-1799
GOYA
LOS CAPRICHOS
¿De qué mal morirá?
LOS CAPRICHOS
GOYA
El sueño de la razón produce
monstruos
LOS CAPRICHOS
Caprichos. Trágala perro
LOS CAPRICHOS
CAPRICHOS. Devota
profesión
LOS CAPRICHOS
GOYA
INDEPENDENCE WAR 1.808-1.813
• THE PESSIMISM IS ACCENTUATED
• REFLECTS THE CRUELTY OF WAR
• IT IS THE ABSOLUTE DEFEAT OF THE REASON
GOYA
LOS DESASTRES 1808-1814A SERIES OF ENGRAVINGS
http://bibliotecadigitalhispanica.bne.es/view/action/nmets.do?
DOCCHOICE=174845.xml&dvs=1392223862716~678&locale=es&search_terms=&adj
acency=&VIEWER_URL=/view/action/nmets.do?
&DELIVERY_RULE_ID=4&usePid1=true&usePid2=true
The Disasters of War
GOYA
Desastres de la guerra GOYA
Desastres de la guerra
Desastres de la guerra
Desastres de la guerra
CARGA DE LOS MAMELUCOSTHE SECOND OF MAY OR THE CHARGE OF MAMELUKES 1814
INDEPENDENCE WAR
INDEPENDENCE WAR
FUSILAMIENTOS DE LA MONCLOA 1814
INDEPENDENCE WAR
FUSILAMIENTOS DE LA MONTAÑA
DEL PRÍNCIPE PÍO
INDEPENDENCE WAR
The shootings on the Prince Pio Hill
Picasso. Massacre in Korea 1951.
GOYA’S INFLUENCE
Manet. Execution of Emperor
Maximilian. 1867.
Manet. Study for "The Execution of Emperor Maximilian"
PICASSO “Massacre in Korea”
GOYA’S INFLUENCE
Portrait of the Duke of Wellington
INDEPENDENCE WAR
EL COLOSO
1808-1812.
Discípulo de Goya indeterminado
AFTER THE WAR
• SUFFERED ILLNESS AND DEAFNESS
• HE TOOK REFUGE IN HIS HOUSE WHERE HE DECORATED THE WALLS WITH HIS BLACK PAINTINGS
FERNANDO VII 1814
("Deaf Man's House")
BLACK PAINTINGS 1819-1823 GOYA
Riña a garrotazos 1819-1823
THE BLACK PAINTINGS ARE PESSIMISTIC AND CONSIDERED AS PRECURSORS TO EXPRESSIONISM
BLACK PAINTINGS
PEREGRINACIÓN A SAN ISIDRO O EL SANTO OFICIO
BLACK PAINTINGS
La pradera de San Isidro (1788).
La romería de San Isidro (1821-1823)CONTRAST GOYA
SATURN DEVOURING HIS SON
BLACK PAINTINGS
GOYA
Diego Olmos GOYA’S INFLUENCE
BLACK PAINTINGS GOYA
Photo made by J. Laurent, toward 1874, showing the state of the work before being moved from the wall of the Quinta del Sordo. You can see a rock and a few possible birds, to which the dog turns his gaze..
Perro semihundido BLACK PAINTINGS
Dos viejas comiendo sopasBLACK PAINTINGS
Francis Bacon .Tres estudios para el retrato de Peter Bear
GOYA’S INFLUENCE
EL ENTIERRO DE LA SARDINA1812-1819
Pictures of Spanish customs, far removed from the themes and aesthetics rococo and neoclassical cartons for tapestries
GOYA
The Burial of the Sardine
CONTRAST
PROCESIÓN DE DISCIPLINANTES 1812-1819
TRIBUNAL DE LA INQUISICIÓN 1812-1819
BULLFIGHT IN A VILLAGE 1812-1819
DISPARATES
DISPARATES
DISPARATES
THE MILKMAID OF BORDEAUX
EXILE AND DEATH
1824-1828
Self-portrait with cap, 1824.