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Final script: Senseless by Dark Arts Production

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Page 1: Final script: Senseless by Dark Arts Production

Senseless (Working title)

By

Dark Arts Production

Page 2: Final script: Senseless by Dark Arts Production

Everyone has a good and a bad side, unfortunately Mila’s

bullies discover both.

1. EXT. MILA IN WOODS 1-DUSK

OCTOBER 3RD 2013

FLASHBACK

LONG SHOT

MILA Dressed in all black with her face hidden with the hood

of her jacket making her appear almost unrecognisable

(Heavy breathing) pushes BULLY 1 aggressively to the floor,

kneels, takes a knife and fatally stabs once with no trace of

remorse.

Fade in to black with a sting

FLASHFORWARD

FADE OUT

2. INT. IN MILAS HOUSE 1- DAY

CLOSE UP

MILA Wakes up (panting heavily) dressed in pyjamas, the

distraught face slowly morphs into confusion from the strange

nightmare. MILA busies herself by frantically searching for

her phone, to her relief she finds and sees notifications from

WhatsApp, Facebook, and Snapchat. Subconsciously, she scrolls

down her phone ignoring it with the nightmare still fresh in

her mind. Mila shrugs of the vivid nightmare and gets up from

bed.

TRACKING SHOT OF HER FEET WALKING TO BATHROOM

JUMP CUTS TO SHOW HER ROUTINE

LONG SHOT OF THE BATHROOM DOOR. CAMERA STAYS STILL.

3. MILA Walks into the bathroom in her PJs

MILA walks out with her outside clothes on

TRACKING SHOT OF HER FEET TO THE KITHCEN

MILA (Silently) Walks to the Kitchen to make toast. Mila uses

her butter knife and cleans.

CLOSE UP SHOT OF ATNIDEPRESSANT BOTTLE

MILA (frantically) opens her bottle of antidepressant pills

and takes a pill with water, hoping to calm her nerves. Mila

sighs in relief.

DISSOLVE

FLASHBACK

4. EXT – SCHOOL PLAYGROUND 1– DAY

BULLY 1 Holds Mila against the wall and grabs her neck

throwing Mila onto the floor,

“Don’t look at my man! Bitch!”

MILA Looks straight into her eyes in fear.

DISSOLVE

INT- MILA’S HOUSE 2- DAY

TRACKING SHOT OF MILA WALKING OUT OF KITCHEN

Page 3: Final script: Senseless by Dark Arts Production

LONG SHOT OF DOOR

5. MILA exits her house for work – DAY

CLOSE UP

MILA takes a pill into her hand and swallows it with water.

MILA grabs her pills and phone and throws it into her bag

(8:30am in white text on bottom right)

MILA re-enters – EVENING

(5pm in white text on bottom right)

MILA Sighs,and goes to her room and lies down on the bed. She

closes her eyes escaping from the dreadful day at work.

FADE IN WHITE

6. INT. OPERATING THEATRE

BULLY Lying on the operating table, lights coming from all

directions.

MILA At a distance but walks closer to the patient struggling

on the table, patient struggles to get out and silently cries,

turns her head and blood is dripping everywhere,

MILA Examines the body with her eyes and sees blood all over

the clothes, she starts the panic and hyperventilates, she

screams from utter fear

FLASHBACK, FADE OUT WHITE

7. And again the notifications wake her up. Her body still,

petrified. She continues to hyperventilate.

MILA Eyes arewide open, her corpse-like body dripping in

perspiration, wipes her sweat. Notifications are still

sounding, faster and faster. She picks up her phone, again

reads through the notifications. Someone has died.

CLOSE UP OF HER EYES READING THE TEXT

CLOSE UP OF THE MESSAGE ON HER PHONE

CLOSE UP OF TEAR COMING OUT OF MILA’S EYE

MILA Gets up from bed, sits on the edge and cups her face in

her hands. She sighs and stands up to walk to the door.

JUMP CUTS TO SHOW HER ROUTINE

LONG SHOT OF THE BATHROOM DOOR. CAMERA STAYS STILL.

8. MILA Walks into the bathroom in her PJs

MILA walks out with her outside clothes on

MILA Makes her toast, eats it,

TRACKING SHOT OF MILA WALKING OUT OF KITCHEN

LONG SHOT OF DOOR

MILA Exits her house for work – DAY

(8:25am in white text on bottom right)

Page 4: Final script: Senseless by Dark Arts Production

9. MILA Re-enters – EVENING

(5:05pm in white text on bottom right)

Tracking shot of Mila walking into the living room. A ready-

made bowl of pasta waits for her on the table and the

television is already switched on. Milawalks into the living

room with her fork, sits down and begins to eat. As the news

plays in the background, Mila lifts her head AND THE FORK

FALLS (she is surprised but interested) on the sound of a

familiar name and looks to the TV.

CLOSE UP OF FORK HITTING GROUND FROM BESIDE IT ON THE FLOOR

BIRD’S EYE VIEW/HIGH ANGLE OF FORK DROP TO GROUND

TRACKING SHOT OF MILA TO KITCHEN

CLOSE UP OF MILA’S HANDS

MILA Rushes to her bag in to kitchen to grab her bottle of

antidepressant pills to calm her nerves.

Anxious to open the bottle of pills

MILA ENTERS THE LIVING ROOM AGAIN

MILA opens the bottle of pills as she gets back to the living

room

The sound of the news reporter gets louder

Her face is pale and shocked, and she is breathing heavily.

WIDE SHOT OF HER STANDING IN FRONT OF THE SOFA

CLOSE UP OF TV, NEWSREPORTER TALKING

NEWS REPORTER Breaking news coming in this morning from East

London, where two young girls were brutally murdered in the

woods. Whilst on their journey to school, some children came

across parts of the victims’ severed body parts, scattered

across Victoria Park. After the police arrived at the crime

scene, it was stated that the deceased were both 19 year olds,

Olivia Carter and Sophie Faldo. Local authorities have found

CCTV footage of the murder. Viewer discretion is advised as

some may find the following content distressing.

PANNING TO TV

ZOOMS INTO CCTV FOOTAGE

10. CCTV footage of a girl stabbing a body ruthlessly.

DISSOLVE IN

FLASHBACK

CAMERA PANS TO MILAS FACE

CLOSE UP OF MILA’S FACE

11. MILA gradually realises that she is the person running on

screen.

CLOSE UP OF HER EYES SHOOTING WIDE OPEN

CLOSE UP OF THE PILLS DROPPING ON THE FLOOR IN SLOW MOTION

BACK TO CLOSE UP OF THE TV, NEW CCTV FOOTAGE OF GIRL RUNNING

DISSOLVE

THE FOOTAGE IS NORMAL, MILA IS THE ONE RUNNING AND PANTING

Page 5: Final script: Senseless by Dark Arts Production

FADE OUT TO BLACK

FLATLINE SOUND

FADE IN, EXTREME CLOSE UP OF MILA

MILA Begins to smirk.

FADE TO BLACK

CREDITS ROLL

The End.