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Teaching Strategies that Work: Copyright, Fair Use and Digital Learning Renee Hobbs Workshop for the Association of College and Research Libraries April 7, 2011 Philadelphia Why Copyright Matters for Digital Learning

Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

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Renee Hobbs shows how to use pair-share, active reading of print and video, building an evidence chart, lecture, hyopthetical reasoning and collaborative reading and discussion to support people's understanding of copyright and fair use for teaching and learning.

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Page 1: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Teaching Strategies that Work: Copyright, Fair Use and Digital Learning

Renee HobbsWorkshop for the Association of College and Research Libraries

April 7, 2011Philadelphia

Why Copyright Matters for Digital Learning

Page 2: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

http://copyrightconfusion.wikispaces.com

Page 3: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

WHEN STUDENTS USE COPYRIGHTED MATERIALS IN THEIR ACADEMIC WORK

IllustrationDigital StorytellingCritical AnalysisRemix

Page 4: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

http://youthvoices.net

Page 5: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work
Page 6: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

ILLUSTRATION

1. Develop a piece of writing2. Create or select a relevant image to accompany it3. Use principles of graphic design to create a pleasing composition

that includes a headline, text and image4. Share with others and get feedback5. Revise and publish

Page 7: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

ILLUSTRATION

1. Develop a piece of writing2. Create or select a relevant image to accompany it3. Use principles of graphic design to create a pleasing composition

that includes a headline, text and image4. Share with others and get feedback5. Revise and publish

What makes this an effective learning experience for students

Page 8: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work
Page 9: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

DIGITAL STORYTELLING

1. Develop a story, often in a collaborative process where feedback is provided2. Compose a script. 3. Make an audio recording if desired.3. Create or select images and sequence them in relation to the story4. Use editing to assemble audio, text and images, adding music or transitions5. Share final project with an authentic audience

Page 10: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work
Page 11: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

CRITICAL ANALYSIS

1. Select an image and actively interpret it, often within a small group experience where diverse interpretations are valued

2. Use the writing process to develop an argument3. Gather information from a variety of sources to develop ideas4. Combine text and images5. Present or publish

Page 12: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Remix Culture is our Culture

Page 13: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

REMIX

1. Find a piece of meaningful media2. Develop a thesis statement, argument or main idea3. Use editing, voiceover, manipulation or other types of juxtaposition

to reframe the original media text to create new meaning4. Share with others and get feedback5. Revise and publish

What makes this an effective learning experience for students

Page 14: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

What are some other examples of how and why students may use copyrighted materials in their academic work?

Page 15: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Teaching Strategies that Work: Copyright, Fair Use and Digital Learning

Renee HobbsWorkshop for the Association of College and Research Libraries

April 7, 2011Philadelphia

Hosing Out Myths and Misinformation

Page 16: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Technology makes it easy

to:

Use and share

Copy

Modify & Repurpose

Excerpt & Quote From

Distribute

Page 17: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Owners forcefully assert their rights to:

Restrict

Limit

Charge high fees

Discourage use

Use scare tactics

Page 18: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

See no Evil Close the Door Hyper-Comply

How Teachers Cope

Page 19: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

NEGOTIATED AGREEMENTS BETWEEN MEDIA COMPANIES AND EDUCATIONAL GROUPS

Problem:

Agreement on Guidelines for Classroom Copying in Not-for-Profit Educational Institutions

Fair Use Guidelines for Educational Multimedia

Guidelines for the Educational Use of Music

Educational Use Guidelines are Confusing!

Page 20: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

The documents created by these negotiated agreements give them “the appearance of positive law. These qualities are merely illusory, and consequently the guidelines have had a seriously detrimental effect. They interfere with an actual understanding of the law and erode confidence in the law as created by Congress and the courts”

--Kenneth Crews, 2001

Educational Use Guidelinesare NOT the Law!

Page 21: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

It’s time to replace old knowledge

withaccurate knowledge

Page 22: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Teaching Strategies that Work: Copyright, Fair Use and Digital Learning

Renee HobbsWorkshop for the Association of College and Research Libraries

April 7, 2011Philadelphia

Distinguishing between Attribution, Plagiarism and Copyright Violation

Page 23: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

PLAGIARISM

Using other people’s creative work by passing it off as your own

COPYRIGHT INFRINGEMENT

A legal violation of the rights of authors, who can control access to their creative work

ATTTRIBUTION Citing Your Sources

Page 24: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

PLAGIARISM

Using other people’s creative work by passing it off as your own

COPYRIGHT INFRINGEMENT

A legal violation of the rights of authors, who can control access to their creative work

ATTTRIBUTION Citing Your Sources

FINES & OTHER PENALTIES

Page 25: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

PLAGIARISM

Using other people’s creative work by passing it off as your own

COPYRIGHT INFRINGEMENT

A legal violation of the rights of authors, who can control access to their creative work

ATTTRIBUTION Citing Your Sources

FINES & OTHER PENALTIES

Page 26: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

When & How to Cite Your Sources:Teaching Attribution

Academic Writing Video PSAs Poetry Informal Writing Documentary Film Journalism Websites

NORMS OF THE GENRE HOW TO USE SOURCES

Summarizing

Paraphrasing

Direct Quotation

Page 27: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

When & How to Cite Your Sources:Teaching Attribution

Academic Writing Video PSAs Poetry Informal Writing Documentary Film Journalism Websites

NORMS OF THE GENRE HOW TO USE SOURCES

Summarizing

Paraphrasing

Direct Quotation

Page 28: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

APA CITATION: Caramanica, J. (2010). At 40, circling back to teenage life. New York Times, August 27.

SUMMARY: The producer of 16 and Pregnant has had a turbulent career after having a successful early start in Hollywood followed by a string of failures and personal problems. Now that “16 and Pregnant” is a hit, he has a mission to tell the complex life stories of teenagers who are struggling with life challenges (Caramanica, 2010).PARAPHRASE: More than 2.4 million viewers watch “16 and Pregnant” each week (Caramanica, 2010).DIRECT QUOTATION: Morgan J. Freeman has helped “reposition MTV’s reality slate from tracking the lives of the young, beautiful and rich to capturing the lives of the young, beautiful and resilient” (Caramanica, 2010, p. D1).

Page 29: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Teaching Strategies that Work: Copyright, Fair Use and Digital Learning

Renee HobbsWorkshop for the Association of College and Research Libraries

April 7, 2011Philadelphia

Exploring the Purpose of Copyright

Page 30: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

What is the purpose of

Page 31: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

To promote creativity, innovation and the spread of knowledge

Article 1 Section 8U.S. Constitution

Page 32: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

EVERYTHING IS COPYRIGHTED

Page 33: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Creative ControlThe Copyright Act grants five rights to a copyright owner:

1. the right to reproduce the copyrighted work;

2. the right to prepare derivative works based upon the work;

3. the right to distribute copies of the work to the public;

4. the right to perform the copyrighted work publicly; and

5. the right to display the copyrighted work publicly.

Page 34: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Copyright law enables people to control the creative works

they produce

LOVE HATE

Page 35: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Violating Copyright Can Be ExpensiveThe Copyright holder may receive statutory damages for all infringements

involved in the action… not less than $750 or more than $30,000 as the court considers just. [...]

When infringement was committed willfully, the court in its discretion may increase the award of statutory damages to a sum of not more than

$150,000."

LOVE HATE

Page 36: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

EVERYTHING IS COPYRIGHTED

…BUT THERE ARE EXEMPTIONS

Page 37: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

--Section 107Copyright Act of 1976

The Doctrine of Fair Use

For purposes such as criticism, comment,

news reporting, teaching (including multiple copies for classroom use),

scholarship or research

Page 38: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

The Doctrine of Fair Use“It not only allows but encourages socially beneficial uses of copyrighted works such as teaching, learning, and scholarship. Without fair use, those beneficial uses— quoting from copyrighted works, providing multiple copies to students in class, creating new knowledge based on previously published knowledge—would be infringements. Fair use is the means for assuring a robust and vigorous exchange of copyrighted information.”

--Carrie Russell, American Library Association

Page 39: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work
Page 40: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Teaching Strategies that Work: Copyright, Fair Use and Digital Learning

Renee HobbsWorkshop for the Association of College and Research Libraries

April 7, 2011Philadelphia

Making a Fair Use Determination

Page 41: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

The Doctrine of Fair Use“It not only allows but encourages socially beneficial uses of copyrighted works such as teaching, learning, and scholarship. Without fair use, those beneficial uses— quoting from copyrighted works, providing multiple copies to students in class, creating new knowledge based on previously published knowledge—would be infringements. Fair use is the means for assuring a robust and vigorous exchange of copyrighted information.”

--Carrie Russell, American Library Association

Page 42: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work
Page 43: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Judges are more likely to rule that a particular use of copyrighted materials

Is a fair use when the social benefits of the unauthorized use outweigh the private costs to the copyright holder

Page 44: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Bill Graham Archives vs. Dorling Kindersley, Ltd. (2006)

Page 45: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

An Example of Transformative Use

The purpose of the original: To generate publicity for a concert.

The purpose of the new work: To document and illustrate the concert events in historical context.

Page 46: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Fair Use Music Video

Page 47: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Using Copyrighted Materials in Creative Work

. CASE 1. Someone uses an image of John Lennon in a class assignment when discussing how musicians share their political beliefs with their fans.

CASE 2. Someone uses an image of John Lennon on the cover of the high school literary magazine.

Page 48: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Sharing Creative Work Online

.

CASE 1. Someone uses “Little Mermaid” image in a personal blog writing about childhood memories.

CASE 2. Someone uses a “Little Mermaid” image in online fan fiction about the sexual adventures of Ariel.

Page 49: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Exercising Your Fair Use ReasoningInvolves Critical Thinking

Page 50: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Reflects the “best practices” of

educators who use copyrighted material

to build critical thinking and

communication skills

Supported by a grant from the John D. and Catherine T MacArthur Foundation

Page 51: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Educators can:

1. make copies of newspaper articles, TV shows, and other copyrighted works and use them and keep them for educational use

2. create curriculum materials and scholarship with copyrighted materials embedded

3. share, sell and distribute curriculum materials with copyrighted materials embedded

Learners can:

4. use copyrighted works in creating new material

5. distribute their works digitally if they meet the transformativeness standard

Five Principles Code of Best Practices in Fair Use

Page 52: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Organizations Supporting the Code of Best Practices

Action Coalition for Media Education (ACME)

National Association for Media Literacy Education (NAMLE)

National Council of Teachers Of English (NCTE)

Visual Studies DivisionInternational Communication Association

(ICA)

Association of College and Research Libraries (ACRL)

Page 53: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Educators Can Rely on Fair Use

National Council of Teachers of English (NCTE) has adopted the “Code of Best Practices in Fair Use for Media Literacy Education” as its official policy on fair use

Page 54: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Teaching Strategies that Work: Copyright, Fair Use and Digital Learning

Renee HobbsWorkshop for the Association of College and Research Libraries

April 7, 2011Philadelphia

Understanding Licensing Schemes

Page 55: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

USING COPYRIGHTED MATERIALCHOICES FOR THE CREATIVE INDIVIDUAL

PAY A LICENSE FEE Ask Permission

CLAIM FAIR USEJust Use it

DON’T USE IT

SELECT PUBLIC DOMAIN, ROYALTY-FREE or CREATIVE COMMONS LICENSED CONTENT

Page 56: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

People need to ask permission & pay a license fee when using copyrighted materials for promotional or advertising purposes

Page 57: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Owners Control Copyright through the Licensing Process

Page 58: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work
Page 59: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work
Page 60: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Licensing and Permissions

Page 61: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

BE AWARE:Licensing Trumps Fair Use

Page 62: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work
Page 63: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Teaching Strategies that Work: Copyright, Fair Use and Digital Learning

Renee HobbsWorkshop for the Association of College and Research Libraries

April 7, 2011Philadelphia

Legal Process: How the Law Actually Works

Page 64: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

1. Cease and desist letter

2. Decide whether to pursue legal action

3. File a lawsuit4. Build a case using

evidence and reasoning

5. Judicial decision

Page 65: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

1. Cease and desist letter

2. Decide whether to pursue legal action

3. File a lawsuit4. Build a case using

evidence and reasoning

5. Judicial decision

Judges determine fair use after considering the context and situation of the use in relation to the harms to the copyright holder and the social benefits of the unauthorized use.

Page 66: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Teaching Strategies that Work: Copyright, Fair Use and Digital Learning

Renee HobbsWorkshop for the Association of College and Research Libraries

April 7, 2011Philadelphia

Understanding and Challenging DMCA Takedowns

Page 67: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

1. RIPPING. Criminalizes the use of technology, devices, or services intended to circumvent digital rights management (DRM) software that controls access to copyrighted works.

2. ONLINE TAKEDOWNS. Protects Internet Service Providers against copyright liability if they promptly block access to allegedly infringing material (or remove such material from their systems) if notified by copyright holder; offers a counter-notification provision if use is exempted under fair use

Digital Millennium Copyright Act of 1998

Page 68: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Teaching Strategies that Work: Copyright, Fair Use and Digital Learning

Renee HobbsWorkshop for the Association of College and Research Libraries

April 7, 2011Philadelphia

The Politics of Intellectual Property

Page 69: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Teaching Strategies that Work: Copyright, Fair Use and Digital Learning

Renee HobbsWorkshop for the Association of College and Research Libraries

April 7, 2011Philadelphia

The Future of Copyright

Page 70: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Remix Culture is our Culture

Page 71: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Copyright Law Adapts to Changes in Technology and Society

Page 72: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

1. RIPPING. Criminalizes the use of technology, devices, or services intended to circumvent digital rights management (DRM) software that controls access to copyrighted works.

2. ONLINE TAKEDOWNS. Protects Internet Service Providers against copyright liability if they promptly block access to allegedly infringing material (or remove such material from their systems) if notified by copyright holder; offers a counter-notification provision if use is exempted under fair use

Digital Millennium Copyright Act of 1998

Page 73: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work
Page 74: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

The Results of our Advocacy

Users may unlock DVDs protected by the Content Scrambling System when circumvention is for the purpose of criticism or comment using short sections, for educational, documentary or non-profit use.

Page 75: Copyright and Fair Use for Digital Learning; Teaching Strategies that Work

Renee HobbsTemple UniversitySchool of Communications and TheaterMedia Education LabPhiladelphia PAEmail: [email protected]: http://mediaeducationlab.comTwitter: reneehobbs

Copyright: Teaching Strategies that Work