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Conceptual Connections TV development

Conceptual%20 connections interview lesson

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Page 1: Conceptual%20 connections interview lesson

Conceptual Connections

TV development

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Production Company

•Production•Development

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Production Company

• The creative director

• Responsible for getting further commissions for the production company

• Head of development• Development producers

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Production company

• Which genre?

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Documentary genres and subgenres

• Nature documentary• Travel documentary • Reality documentary• Investigative documentary ……..

• Hybrids:-• Docufiction• Mockumentary • Docudrama

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Docudrama

• AKA• Drama-documentary• Dramatised documentary• Fact based drama• Faction• Dramatic reconstruction

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subgenres - docudrama

• ‘is a staged documentary, using either actors or non-professional performers, sometimes including the actual participants’

Kevin Jackson’s The Language of Cinema.

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Docudrama • Film

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Docudrama• TV

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Film vs TV

• IDEA ---PRODUCT --- AUDIENCE

• IDEA --- AUDIENCE---PRODUCT

• TV needs to think about, episodes, commercial brakes, timing, pacing in parts, running time, transmission slot, watershed, style and target audience a little more than film (serialising).

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subgenres - docudrama

Why?

SecretsInaccessible Danger Past

Definitions change/adapt/evolve

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Ideas

• Historic event?• Current event?• Why would viewers want to see.

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Pitching your idea

• What do you need to consider?

• Channel• Audience• Genre• Timeslot/length • Story• Budget • Talent

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Talent

• Production company/producer• On screen talent• Off screen talent

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The director/cinematrogopher

• Can bring a big name to a pitch (James Strong – United/Broadchurch)

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The director/cinematrogopher

• Can assist in development in some cases eg treatment.• Has views on casting

• ‘The director’s work really starts after the programme has been commissioned with the script’

Neil Rawles (9/11-State of Emergency, Britain's Boy Soldiers, Inside Waco, Animals)

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The writer/director

• Can sometimes assist in the story development (Andrew Grieve – Wire In the Blood, wrote and directed Rome)

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Docudrama

• Is it a genre you want to develop ?

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Further reading

• Paget, D (2011). No other way to tell it: Dramadoc/docudrama on television (2nd ed.). Manchester: Manchester University Press

• Rosenthal, A (1995). Writing docudrama: dramatizing reality for film and TV. Boston, Mass.: Focal Press