Upload
alisha-noel
View
104
Download
0
Embed Size (px)
Citation preview
Alisha N. Mejia
Cinema as Multicultural Communication
AFRICAN AMERICAN, MOARI, JAPANESE
AFRICAN AMERICAN• AT FIRST:
• I AM NOT AFRICAN
• BEST FRIEND’S EXPERIENCE WITH FAMILY IN MARYLAND
• TALKING LIKE A “WHITE” PERSON
• ASSUMING SHE THOUGHT HERSELF AS “HIGHER”.
• HER EXPLAINATION OF BLACK LIVES MATTER IN CLASS.
AFRICAN AMERICAN• CATHOLIC SCHOOL VS. PUBLIC SCHOOL
• Bullying
• MORACCAN SUPERVISOR’S RACAIL EXPERIENCE
• “You work for me!”
AFRICAN AMERICAN• NOW:
• MALCOM X
• MUSLIM
• HIS BELIEFS VS MLK
• CHURCH COMMUNITY
• ORAL TRADITION
• UNITY
• UPLIFTING GATHERING
• SAME ISSUES TODAY
AFRICAN AMERICAN• Identity:
• Diverse hair textures and skin hues
• Negative
• Violent crime victimization rates
• Incarceration Rates
• Victims in criminal justice system
• More unemployment rates
AFRICAN AMERICAN• Political
• 90% Democrat (more loyal than any other ethnic group)
• Malcolm X
• Expected to follow his conservative views
• Conservative Traditionalist
• Survival Based Ideology of Islam.
AFRICAN AMERICAN
• Culture:
• Developed in the ‘Crucible’ of the New World.
• White majority outnumbered black people.
• Connection through sharing oppression as radicalized minority and language.
• 1650-1750 Search for identity.
• Mix of African traditions
• European practices (Christianity)
• Indian Influences
• Journey:
• 12 Years a Slave
• Nominated for nine Oscars
• Won three (including best movie)
• Pre-Civil War
• Solomon Northtup From New York
• Struggle for life and dignity
• 12th year meets Canadian abolitionist
• Severe beatings, lynching, and chopped off feet.
• TRUE STORY!
AFRICAN AMERICAN
“I never, in my life, felt more certain that I was doing right, than I do signing this paper. If my name ever goes into history it will be for this act, and my whole soul is in it.”
–Abraham Lincoln.
MAORI• AT FIRST:
• LOCATION:
• NEW ZEALAND
• HAKA
• ALL BLACKS (RUGBY TEAM)
• POLONIYSAIN
MAORI• CULTURE:
• Tribal Differences (Slight)
• Visiting Tribe had to follow tikanga
• Believe to have control over destiny
• Own laws
• Rangatira (Chief)
• Tohunga (Expert)
• Mokai (Slave)
MAORI
• Culture…
• Education to insure every person would be loyal and hardworking.
• Valued both males and females
• Land (whom you bow to)
• Never for personal gain
• Unions by arragement
• Elders cared for until death
• Mauri (life force)
• Sneeze of life
MAORI• Culture:
• Face tattoo
• Mana
• Haka
MAORI• Journey
• European Colonization
• New laws set
• Loss of millions of land
• Mana (honor) weakened
• Native Schools
• No Native Language (Illegal)
• Customs/traditions were being lost
• Trained to be Domestic Help
MAORI• Journey:
• Land was being taken away or sold
• Iwi would try to fight for them back
• Work or court
• Hapu was being almost non-existent
• Sub-tribes went back to main tribes
• Old spiritual was almost lost
• Only Maori who didn’t leave homeland saved some of the old ways.
MAORI• Whale Rider:
• Setting: Whangara (East Coast)
• Paikea
• Pai- 11 years old
• Koro-Grandfather
JAPANESE• AT FIRST:
• RICH CULTURE
• FOOD/TREATS
• ATTIRE
• Animation
JAPAN• Culture
• Land of the Rising Sun (Nippon)
• Isolated from foreign influence for 250 years.
• 1845 –Opened port and began to modernize and industrialize
JAPAN• Culture:
• Weddings
• Season-Spring & Fall
• Used to be arranged
• Gifts
• Groom- Hakama Pants (fidelity)
• Bride- Obi Kimono Sash (Virtue)
• Before a Shinto sanctuary
• San-san-kudo
• Three times three exchange of nuptial cups.
JAPAN • Wedding Cont.
• Sake between members of family
• Sakaki –sacred tree in worship gods to end main part of ceremony.
JAPAN• More Ceremonies & Celebrations:
• Tea Ceremony
• New Year Festival
• Bon Festival
• Seasonal Change
• Doll festival
• Childerns Day
JAPAN• Ceremony:
• Rites of Passage (Coming of Age)
• Three Steps:
• Separation- the child is removed from the presence of the mother. (Separation from former status)
• Transition- subjected to series of experience with intention of finding new status/state of being.
• Re-incorporation-reintegrated into new secure statue in the context of society, being new adult role.
JAPAN• Religion:
• 96% Buddist
• Shintoism
• Animistic Belief
• Native to Japan
• State Religion
• “The Way of the Gods”
JAPANESE• SPIRITED AWAY
• Chiriro (Sen)
• Spirits
• Bathhouse
• Greetings
FIN.
WORK CITIED:• Alberto Gonzalez, Alberto González, Marsha Houston, Victoria Chen. Our Voices:
Essays in Culture, Ethnic, and Communication.
• Valkeakari T. “New Negro” Men, World War I, and African American Masculinity in Guy Johnson’s Standing at the Scratch Line. Melus [serial online]. December 2014;39(4):50-68. Available from: Academic Search Premier, Ipswich, MA. Accessed December 9, 2015.
• Thompson, C. S., & THOMPSON, C. S. (2011). Japan's Showa Retro Boom: Nostalgia, Local Identity, and The Resurgence of Kamadogami Masks In the Nation's Northeast. Journal Of Popular Culture, 44(6), 1307-1332. doi:10.1111/j.1540-5931.2011.00902.x
• Shu Min, Y. (2011). Kusanagi Tsuyoshi x Chonangang: Transcending Japanese/Korean Ethnic Boundaries in Japanese Popular Culture. Asian Studies Review, 35(1), 1-20. doi:10.1080/10357823.2011.552708
• Hall, N., Hornby, G., & Macfarlane, S. (2015). Enabling School Engagement for Māori Families in New Zealand. Journal Of Child & Family Studies, 24(10), 3038-3046. doi:10.1007/s10826-014-0107-1