116

03 the language of art

Embed Size (px)

DESCRIPTION

The language of art - visual arts and architecture

Citation preview

Page 1: 03 the language of art
Page 2: 03 the language of art

Medium and Technique

Elements

Subject Matter

Style

Principles of Design

Page 3: 03 the language of art
Page 4: 03 the language of art

Medium: materials used by the artists by

which they create their works

Technique: refers to how artists use their

medium

The choice of material and technique is

always a deliberate act of the artist; it is

neither neutral nor incidental

Important consideration is in the

availability and accessibility of materials

Page 5: 03 the language of art

Two-dimensional expressions: pigments

and techniques on surfaces

: it has height and width (flat work)

: wall-based and viewed from the

front

: composed of a surface or ground

and a coloring or marking substance

that is applied to surface or ground

Page 6: 03 the language of art

Boxer Codex

Page 7: 03 the language of art

Pintados – early inhabitants of the

Visayan region who covered their bodies

with tattoos

Barks of trees, flattened bamboo reeds,

leaves

Oil on canvas – most traditional of

painting materials and techniques

Page 8: 03 the language of art

Spoliarium, Juan Luna, 1884, oil on canvas, 425cm x 775cm, National

Museum collection

Page 9: 03 the language of art

Virgenes Christianas Expuestas al Populacho, Felix Resureccion HIdalgo

Page 10: 03 the language of art

Acrylic – acrylic vinyl polymer emulsion,

a water-based and quick-drying paint;

can be used on canvas or on paper

Paper – widely used painting surface;

made from papyrus or plant fibers such

as rice, bamboo and cogon

Watercolor – commonly used by Filipino

painters on paper

Page 11: 03 the language of art

Invisible Forest, Wire Tuazon, 2007, acrylic on canvas, 244cm x 244cm

Page 12: 03 the language of art

Letras y Figuras, Jose Honorato Lozano, 19th Century, watercolor on

paper, Lopez Museum

Page 13: 03 the language of art

Printmaking – another technique that

uses paper; printmaking techniques

includes relief printing, serigraphy,

lithography and intaglio

Woven Mat – use plant materials that are

abundant in the area; banig

Embroidery – widespread in the

Philippines

Page 14: 03 the language of art

Lichonan (detail), Manuel Rodriguez, 2011, etching, 40.64cm x 50.80cm

Page 15: 03 the language of art

Woven by widowed B’laan women of Cagayan de Sulu, Mindanao

(pandan and buri leaves)

Page 16: 03 the language of art

Gemma Perez, Lumban, Laguna, jusi (banana fibers) and piña

(pineapple fibers)

Page 17: 03 the language of art

Stained Glass – employs small pieces of

colored glass to form an image;

popularly used in churches

Mosaic – uses small pieces of colored

stone (tesserae) combined to form an

image, usually on floors or walls

Photography – uses technical process to

create images on highly sensitive paper

Page 18: 03 the language of art

The Call to Arms, The Supreme Sacrifice, and Peace, Cenon Rivera, Mt.

Samat Three-Paneled Stained Glass

Page 19: 03 the language of art

River of Life, Arturo Luz, Church of the Holy Sacrifice, University of the

Philippines, Diliman

Page 20: 03 the language of art

Beautiful Lady, Cedric Cruz, 2012

Page 21: 03 the language of art

Three-dimensional expression: has

height, width and depth

: sculpture is the most prominent form

Wood – common sculptural material

Taka – intricately painted paper mache

figures

Stone – popular sculptural material;

marble, granite, alabaster

Page 22: 03 the language of art

Allegorical Harpoon, Napoleon Abueva

Page 23: 03 the language of art

Paete, Laguna

Page 24: 03 the language of art

Bonifacio Monument, Guillermo Tolentiino, Ambrosio Morales, et.al., 1931

Page 25: 03 the language of art

Metal – includes bronze, brass-casting,

lead, copper

Glass – can also be made by assembling

colored bottles together

Clay – commonly used for pottery;

terracotta is baked clay used for

sculpture

Page 26: 03 the language of art

Checkmate, Daniel Dela Cruz, 2011, copper, and lead

Page 27: 03 the language of art

Passive Multiplayer Online, Ramon Orlina, 2011, glass

Page 28: 03 the language of art

Maranao, Julie Lluch, 2004, terracotta, 68.1cm x 71.1cm x 80cm

Page 29: 03 the language of art

Basketry – common traditional art form

found all over the Philippine

Mixed Media – combination of different

materials

Installation Art – uses mostly found

objects and recycled materials

Page 30: 03 the language of art

Pasiking (backpacks) made of rattan and/or bamboo

Page 31: 03 the language of art

Musmos, Imelda Cajipe Endaya, 1991,, Mixed Media (oil on canvas and

assemblage mounted on plywood,), 122.5cm x 122.5cm

Page 32: 03 the language of art

Sandata Indi Magua Dona, Lirio Salvador, Stainless Scrap Metal Bass

Guitar Sculpture

Page 33: 03 the language of art

Architectural materials: considers the

availability of the materials

: considers the suitability of the

material for the locale’s climate and

weather conditions

Rock – often used for architecture;

includes corals, clay, bricks, sandstone

and adobe

Page 34: 03 the language of art

The façade of the Baclayon Church in Bohol is made of white coral

stones collected from the sea, cut into square blocks, and piled on top

of one another

Page 35: 03 the language of art

Organic Materials – such as wood and

grass are also used for architecture

Metals – of different kinds were

commonly used to build bridges and

skyscrapers

Synthetic Material – such as glass

Concrete – considered a hybrid material

made of cement, sand, gravel and

water

Page 36: 03 the language of art

The San Sebastian Church in Manila is known as the only fully-steel

church in Asia. It was built in 1893.

Page 37: 03 the language of art

San Miguel Corporation Building, Jose Manuel and Francisco Mañosa,

Ortigas Center, Mandaluyong City

Page 38: 03 the language of art

MRT

Page 39: 03 the language of art

Architectural Technique: the five basic

methods of architectural construction

includes lashed, post and lintel, arch and

vault, skeleton, and cantilever

construction

Lashed – different parts are manually

tied together wit the use of ropes made

from rattan (e.g. Bahay Kubo)

Page 40: 03 the language of art

Post and Lintel – consists of one horizontal

lintel on top of two vertical posts forming

a right angle

Arch and Vault – usually made of cut

stone; keystone, a wedge-shaped piece

at the topmost portion of the arch, holds

the stone parts of the arch together;

arches of the same size placed together

form a vault

Page 41: 03 the language of art

Bahay na Bato

Page 42: 03 the language of art

Parish of the Holy Sacrifice, UP Diliman, Arch. Leandro Locsin, 1955

Page 43: 03 the language of art

Church of the Risen Lord, UP Diliman, Arch. Cesar H. Concio, 1950s

Page 44: 03 the language of art

Skeleton Construction – dependent on

structural steel and reinforced concrete

(i.e. high rise buildings)

Cantilever Construction – characterized

by a part of the architecture projecting

beyond its support

Page 45: 03 the language of art

Cultural Center of the Philippines, Leandro Locsin

Page 46: 03 the language of art
Page 47: 03 the language of art

These are the basic parts of an art work

They are the building blocks of visual arts

and architecture

Basic Elements: line, color, value, texture,

shape and space (all are used to

convey meaning in art)

Page 48: 03 the language of art

Line – is a mark drawn or carved on a

surface; can be a row of similar things

that can indicate direction; can hint at

movement and direction

Horizontal Lines – can suggest rest, sleep,

stability and death; connotes horizons in

landscapes

Page 49: 03 the language of art

Reclining Mother and Child by Vicente Manansala

Page 50: 03 the language of art

Vertical Lines – can suggest alertness,

equilibrium, strength, formality and

firmness

Diagonal Lines – connote movement

Page 51: 03 the language of art

Bonifacio Monument, Guillermo Tolentino, 1933, Kalookan

Page 52: 03 the language of art

Color – best element to use for the

expression of emotions

Culture is very influential in determining

how people use color

i.e. “bluer that blue” = sad

we “see red” = mad

yellow = jealousy / cowards

“green with envy” = envious

Page 53: 03 the language of art

Properties of Color:

(1) Hue – is a particular kind of color;

primary colors are red, yellow and blue;

white, gray and black are considered

neutrals

(2) Value – the lightness or darkness of a

hue; color can be made lighter by

adding white (tints) and darker by

adding black (shades)

Page 54: 03 the language of art
Page 55: 03 the language of art
Page 56: 03 the language of art

Properties of Color:

(3) Temperature – the warmth and

coolness of a hue; cool colors tend to

recede while warm colors appear to be

closer and bigger

(4) Intensity – also known as saturation or

chroma; the dullness or brightness of a

hue; intensity can be made duller or

brighter by adding neutrals

Page 57: 03 the language of art

Kahapon, Ngayon at Pangarap, Edgar Talusan Fernandez, 1990

Page 58: 03 the language of art

The visual element of value is the

interplay of light and dark in an image

It refers to the lighting effect on the

entire surface area of the work

It is the element that creates mood,

atmosphere, temperature, climate, and

time of day in an artwork

Page 59: 03 the language of art

Photograph by Eduardo Masferre in “A Tribute to Sagada” album

Page 60: 03 the language of art

Value indicates what the focus or center

of attention of the artwork is

It is almost synonymous with

chiarouscuro, a combination of chiaro

meaning “clear” and oscuro meaning

“dark”.

Value in architecture can be seen in the

material used for construction

Page 61: 03 the language of art

Café Juanita in Pasig (Fine dinning restaurants usually have lowlight or

low value to approximate a mood of romance.)

Page 62: 03 the language of art

Texture is how things feel to the touch.

It appeals to one’s sense of approach or

avoidance

Texture in architecture is also very

important

Page 63: 03 the language of art

Lualhati, Guillermo Tolentino, marble

Page 64: 03 the language of art

Torso, Napoleon Abueva

Page 65: 03 the language of art

Manila Hotel Lobby (The very smooth surface of marble flooring gives a

feeling of formality and opulence)

Page 66: 03 the language of art

Shape are areas formed by boundaries

of line or differences in color, texture and

value

Closed Shapes – those that are self-

contained and without any protrusions or

projections

Open Shapes – shapes with protrusions

and projections

Page 67: 03 the language of art

Oblation, Guillermo Tolentino,

Page 68: 03 the language of art

Space is concerned with the dimension

of height, width and depth

It is the most important element in

architecture

Visual artists try to represent space in a

2D format. To do this, they use

perspective, a system of spatial clues,

visual clues that give an illusion of depth

Page 69: 03 the language of art

Philippine Revolution, Carlos “Botong” Francisco (used overlapping

shapes and vertical placement to connote space)

Page 70: 03 the language of art

Jeepney, Vicente Manansala (creates an illusion of depth by reducing

clarity, contrast, size and color intensity of objects)

Page 71: 03 the language of art
Page 72: 03 the language of art

This is what the image is about

Examples of image subject matter are

portraits (people), landscape, historical

events, religious (scenes), literary

accounts, myths, surreal images

(dreams), nudes, still lives, and scenes of

objects from everyday life

Page 73: 03 the language of art

Portrait is a representation of an

individual or a group of people.

It is usually posed.

Portraits are very good indicators of

class, social status, race and nationality.

Miniaturismo portraits are paintings of

the ilustrados showing the minute details

and intricate designs of their clothes,

jewelry, furniture and accessories

Page 74: 03 the language of art

Una Bulaquena, Juan Luna

Page 75: 03 the language of art

Genre paintings show people doing

everyday activities

Different from portraits because people

are depicted as actively doing everyday

activities, so that they do not appear to

be posing

Page 76: 03 the language of art

Planting Rica, Fernando Amorsolo

Page 77: 03 the language of art

Landscape paintings show the

panorama of nature

They are representations of space,

whether urban or rural

Most landscapes are meant to show the

beauty of nature

Page 78: 03 the language of art

Fishpond in Malabon, Fernando Amorsolo

Page 79: 03 the language of art

Historical paintings are representations

of important historical events

They constitute history from the point of

view of artists

Page 80: 03 the language of art

The Assassination of Governor Bustamante, Felix Resurreccion Hidalgo

Page 81: 03 the language of art

Mythology abounds in the visual arts

Religious subject matter is based on

stories and legends from the holy texts of

different religions

Page 82: 03 the language of art

Maria Makiling, Carlos “Botong” Francisco

Page 83: 03 the language of art

Brown Madonna, Galo Ocampo

Page 84: 03 the language of art

Still Life is a popular subject matter. It

consists of objects, furniture, interior

domestic settings, utensils, flowers, food,

etc.

The nude is a study of anatomy. The

human body is often idealized in the

nude.

Page 85: 03 the language of art

Chair with Table and Lamp, Arturo Luz

Page 86: 03 the language of art

Nude 2 Ronald Ventura

Page 87: 03 the language of art
Page 88: 03 the language of art

How the artists manipulate materials, use

technique, and the manner in which

subject matter is depicted

Representational or figurative style –

subject matter is recognizable

Non-representational or abstract art –

made up primarily of visual elements

such as line, color, texture and shapes

Page 89: 03 the language of art

Naturalism is a kind of representational

art

It involves the representation of nature

the way it looks

Naturalism is a style that adheres to

Plato’s concept of mimesis, or the

copying of nature

Other artists aim to represent an ideal

nature (idealized or stylized)

Page 90: 03 the language of art

Tinikling, Fernando Amorsolo

Page 91: 03 the language of art

Expressionism is a kind of

representational art that does not

concern itself with the observation,

copying, or idealizing of nature

The expression of emotion is the primary

consideration of expressionism

Colors as vehicle for expression

Concerned with the subjective reality

Page 92: 03 the language of art

Self-Portrait, Danilo Dalena

Page 93: 03 the language of art

Dog Fight, Ang Kiukok

Page 94: 03 the language of art

Cubism is another kind of

representational art, using multiple

perspective, or a view painted from

different angles or vantage points

Transparent Cubism – human figure is not

broken down into cubes, cones and

cylinders

Page 95: 03 the language of art

Tiangge, Vicente Manansala

Page 96: 03 the language of art

Impressionism is concerned with

capturing the impression of light on

objects.

Impressionist do not paint the actual

objects; they paint the effect of light on

the objects

Page 97: 03 the language of art

Jones Bridge, Emilio Cruz

Page 98: 03 the language of art

Surrealism is concerned with the

depiction of the subconscious reality of

the artist

In surrealist paintings, images look

dreamlike, sometimes nightmarish and

weird

Page 99: 03 the language of art

Invitation to the Feast, Ronald Ventura, 2011

Page 100: 03 the language of art

Abstract art are nonrepresentational art

Geometric abstraction is limited to the

use of geometric shapes in building

abstract forms

Abstract expressionism or action

painting upholds the notion that it is the

act of painting that is art, not the

painting itself

Page 101: 03 the language of art

Mutants, Hernando R. Ocampo

Page 102: 03 the language of art

Baroque is the dominant style in

Philippine church architecture

It is characterized by extensive use of

decoration and ornamentation

As a style, it generally appeals more to

the emotions, rather than to the intellect

Page 103: 03 the language of art

Pakil Church, Laguna

Page 104: 03 the language of art

Neo-classical style is usually used in

government buildings

Simplicity, order, balance and symmetry

are the general characteristics of neo-

classical architecture

They abide by the Greek and Roman

ideas about architecture

Greek column orders: Doric, Ionic and

Corinthian

Page 105: 03 the language of art

Legislative Building, Manila

Page 106: 03 the language of art
Page 107: 03 the language of art

Rhythm is created

when there is

repetition, alternation,

progression or

reduction.

Page 108: 03 the language of art

Movement is seen in the placement on

space of certain elements

Page 109: 03 the language of art

Balance needs to be

achieved to create a

work of art or it will not be

comfortable to look at or

experience

Symmetrical Balance

Page 110: 03 the language of art

Asymmetrical Balance

Page 111: 03 the language of art

Proportion refers to how one shape

relates to the other

Page 112: 03 the language of art

Variety is also

important to

works of art or

these could

become

boring

Page 113: 03 the language of art

Emphasis

means that

there is an area

that is stressed,

given

importance, or

accented so

that it becomes

the focus of the

work of art

Page 114: 03 the language of art

Contrast is when you use light colors in an

area of a painting, one can darken one

side to “bring out the light”

Harmony is when all the elements in an

artwork go together in a pleasing

manner

Unity is when all parts of the artwork

contribute to the “unified whole” or have

unity and oneness

Page 115: 03 the language of art

Contrast,

Harmony

and Unity

Page 116: 03 the language of art