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Words�&�music�by�Jonas�Myrin,�Matt�Redman��

Arranged�by�and�orchestrated�by�Joel�Mott�

Based�on�the�popular�recording�from�the�Passion�album��“Awakening”�

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The�PraiseCharts�Worship�Band�Series�is�a�unique�and�growing�series�of�arrangements�by�some�of�today’s�top�new�arrangers.��These�arrangements�are�geared�towards�a�contemporary�“R&B�horns”�praise�band�sound,�but�at�the�same�time�are�scalable�up�to�a�mediumͲsized�orchestra.��The�core�parts�(rhythm,�vocals,�and�brass)�may�be�enhanced�with�the�other�parts�in�any�combination.��

Parts�included�in�the�PraiseCharts�Worship�Band�Series��Lead�Sheet�(SAT)�–�for�worship�leader�and�vocal�team� � Piano/Vocal�(SATB)�–�includes�writtenͲout�piano�part�and�SATB�vocals�Rhythm�–�a�more�detailed�chart�for�keyboard,�guitars,�and�drums.� Ac.�Guitar�–�modified�Rhythm�part�in�appropriate�capo�keys��Core�Worship�Band�instrumental�parts�(written�as�a�section):�Trumpet�1Ͳ2�� Alto�Sax� � � Trumpet�3��(doubles�Alto�Sax)�Trombone�1Ͳ2� � Tenor�Sax�1Ͳ2��(doubles�Trombone)��

Additional�Orchestral�parts�(these�enhance�the�arrangement,�but�the�Worship�Band�parts�may�also�stand�alone):�Bass�Trombone/Tuba� � � � Percussion�1,2�(Timpani,�Bells,�Sus.�Cym.,�etc)�Bari�Sax��(doubles�Bass�Trombone)� � � � �Horn�1Ͳ2��(French�Horn)�Flute/Oboe�1Ͳ3�Clarinet��(doubles�3rd�Flute)�Individual�string�parts�Ͳ�Violin,�Viola,�CelloͲBass�(note,�all�multiͲnote�parts�are�divisi)�String�Reduction�–�string�parts�condensed�for�keyboard�synth�

Rhythm�section:��The�Rhythm�part�is�for�the�section�player�(pianist,�guitarist,�or�drummer)�with�all�the�specific�rhythms�and�chords�necessary�for�the�arrangement.�The�Lead�Sheet�is�a�combination�rhythm�and�vocal�chart�meant�for�the�vocalists,�worship�leader,�or�rhythm�player�needing�more�vocal�cues.�The�Piano,�Vocal�part�includes�a�full�piano�part�in�“songbook�format”�for�those�not�comfortable�with�playing�from�a�chord�chart.��When�playing�with�a�complete�band�the�pianist�would�be�advised�to�simplify�this�part�in�order�to�"stay�out�of�the�way".�

Vocals:��We�include�both�an�SAT�Lead�Sheet�and�a�SATB�Vocal/Piano�score.��When�using�the�SAT�part�(soprano/alto/tenor),�the�baritone/basses�should�sing�the�melody�(soprano)�down�an�octave�–�any�exceptions�are�listed�on�the�score.��When�the�part�is�written�in�unison,�the�men�should�sing�it�down�one�octave�or�it�may�be�done�as�a�solo.�This�method�provides�a�contemporary�sound�in�an�easyͲtoͲlearn�fashion.�

Alternate�keys:��There�is�at�least�one�alternate�key�included�to�accommodate�either�a�keyboardͲbased�band�or�a�guitarͲbased�band,�to�give�the�orchestra�a�more�playable�key,�or�to�make�the�vocal�range�more�accessible�if�necessary.�

Other�notes:��Rehearsal�numbers�are�given�in�the�form�of�“1”,�“2”,�and�“3”,�providing�the�easy�use�of�finger�signals�by�the�worship�leader�who�may�want�to�make�impromptu�changes�during�worship.��Normally,�“1”�is�the�verse�of�the�song,�“2”�is�the�chorus,�and�“3”�is�a�bridge�or�other�section,�but�there�are�exceptions.��When�a�section�is�repeated�in�its�entirety�later�in�the�arrangement,�it�is�labeled�“1a”�or�“2a”,�etc.�All�endings�and�repeats�are�clearly�notated�to�facilitate�these�impromptu�changes.��Finally,�each�instrumental�part�includes�Lyric�Cues�to�aid�the�player�in�keeping�their�place.

A�note�on�brass�stylings: �For�most�titles,�the�brass�parts�should�be�interpreted�with�jazz�articulations�and�inflections�in�mind.��They�have�been�notated�very�carefully�to�aid�the�player�in�this�interpretation.�

Written�with�core�brass�

Written�as�a section

Written�as�a�section�

To�contact�us:��

Email��feedback@�

praisecharts.com��or�call�

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You Alone Can Rescue(based on the recording from the Passion album "Awakening")

www.praisecharts.com/9377 Jonas Myrin, Matt RedmanArr. by Joel Mott

© 2008 Thankyou Music, sixsteps Music, Said And Done Music (Admin. by EMI Christian Music Publishing)SHOUT! Publishing (Admin. by Integrity Music, Inc.)

All rights reserved. Used by permission. CCLI #5376377 Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.

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