Why Frankenstein?
Technologies of Language
Orality: Creature ->Victor -> Walton
Technologies of Language
Orality: Creature ->Victor -> WaltonWriting: Letters from Walton to sister;
Elizabeth to Victor
Technologies of Language
Orality: Creature ->Victor -> WaltonWriting: Letters from Walton to sister;
Elizabeth to VictorPrint: Our book; 1818 edition vs. 1831 edition
Technologies of Language
Orality: Creature ->Victor -> WaltonWriting: Letters from Walton to sister;
Elizabeth to VictorPrint: our books; 1818 edition vs. 1831
editionElectronic edition
Anxiety of Technology
Plato’s critique of literacyThe affects of technology on the world, good
and bad: “I have become death, the destroyer of worlds.” – J.P. Openheimer
Ways of Reading (1)
Reading: “To inspect and interpret in thought any signs which represent words or discourse; to look over or scan something written, printed, etc. with understanding of what is meant by the letters or signs.” –OED “Marginalia and other Crimes” Technology of the book Print edition vs. electronic edition
Ways of Reading (2)
Reading: “The interpretation or meaning attached to anything, the view taken of it. Now also: the rendering given to a play or a character, a piece of music, etc.” –OED Ways in which the medium of reading affects how we
interpret a text (hyperlinks, editorial notes, etc.)
Construction of the Human
Are we the sum of our physical selves?Are we “blank slates,” learning what it is to
be human from those around us?Are we the product of our environment, the
geographies that surround and define us?Some combination of the above?We “construct” our online selves online: do
we make monsters or gods?
The Nature of Friendship
We are social beingsWho do we include in our circle of friends,
and who do we exclude? Dual nature of friendship: friend/fiend Does digital technology change the
fundamental nature of friendship or simply facilitate it in new ways?
Intertextuality
“A text cannot be created simply out of lived experience. A novelist writes a novel because he or she is familiar with this kind of textual organization of experience.” –Walter J. Ong Hamlet Paradise Lost Ghost stories Fables
Frankenstein becomes the intertextual source for subsequent writing (i.e. Patchwork Girl)
Remediation
Can we think of Frankenstein as a “remediated” text?
Foundation for looking at the other texts we will read in this class