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c$
T.lfit D-tO'lf,
The Quaker GirlH Bcw riDusical Ipla^ ^"
IN THREE ACTS.UNIVEKSITY OF^U^fi
BY
JAMES T. TANNER.
LYRICS BY
ADRIAN ROSS and PERCY GREEN BANK.
MUSIC BY
LIONEL MONCKTON.Vocal Scorp. net cash 6s Od ($200)
Bound 8s. Od. ($250)Pianoforte Solo . net cash 3s. 6d ($1.00)Book ol Lyrics 6d.
CHAPPELL cS: CO., Ltd.,so, NEW BOND STREET, LONDON, W.
NEW YORK:41, East 34TH Stkeet
MELBOUIJNE: . 2?. Flinders I.ake.
Seul Repr^sentant pour la France et ses Colonies, la Be^qBI, et la Suisse P/aADOLPH FURSTNER. 18, Rue Vig&on, PARIS.
ran(;aise,
#
All rights icserved under l,.c Intcrnatioual Copyright Act. Public Per/crmiiiicc of nil or am' fart oj the work strictly forbidden.Al'tilicttiions for the right of performance must be made to "Mr. George Edwardes, Adelphi Theatre, Strand, London."
The ad.aptatioii of this composition to any form of mechanical musical instrument cither for private or public performance is strictly
(rohibited. The piiblii: f>erformance of any parodied version of this work is strictly prohibited.
COPYRIGHT, MCMX. AND MCMXI.. BY CHAPPELL & CO,LTD.
Lowe & Brydone.Music Printers,
inj, Park Street. Camden TounLondon, N W
Produced by Mr. GEORGE EDWARDES.
THE QUAKER GIRL.r--*t-'-s~
DiJiinalis PiiT.niKV.
Captain CHARTKRiq {[{iug's ^ffs^fnt:cl')Jeremiah {A Qiinker)Monsieur Puhamki. CMitusfer of Stale)Prince Carlo {Affiuiced to Princess Mathilde)Monsieur Larosr {Chief of Pol cc, Paris)William [Waiter at " ihc Chequers")Nathaniel Pym [A Quaker)JARGE {The Village Crier)
Jerry's Father
Tony Chute {Xava! Attache at Ai Embassy, Paris)
Phosbe {M, lid to Princess Mathilde)Princess Mathilde {An exiled Bonajai list Pi lucess)Diane {A Parisian Actress)Madame Blum {Of the Maison Blum, Par.sjMrs. Lukyn {Landlady of "1 he Chequers")I^ACHiiL Pym {A Ouaheiess)Toinette\GabyCleg > {Employees of Matron bluni)LianeLouise
Mr. C. Haydkn Coefin.Mk. ]a.mks Bi.akeley.Mr. Hkrherf Ross.Mr. G. Cakv hv.Mr. D. J. Williams.Mk. E. II. Wynne.Mr. Henrv Kills.Mr. George Bellamy.Mr. E. Henry.
Mr. Jo.-,i.pii Co'iNK.
Miss Gracie Li-.igh.Miss Elsie Spain-.Miss PhVLL'S Le CJRAND.Mdlle. Caumoni'.Miss Luna Lovk.Miss Jenmic Richards.Mdlle Gina Palermic.Miss Ihene WarrenMiss Kitty Mi-lrosk.Miss Mahkl Duncan.Miss Marie West.
Prudence (.-1 Quaker Girl)
.^ijacipsia ol .'^ci-nrrj).
.Act I. .An English country xillage
.ACT II. .Madame Blum's Dressinakinj,' Salon, ParisAC r III.The Pre Catal in, outside Palis
Miss Gertie Miliar.
(Josi;PH Harker.)(M. .Amable.)(M. Paquereau).
Dances and Chorus business arianged by Willie Warde.
Stage Director
Musical Director:\1k. j. a. e. malone.Mr. CARL KIEFERT.
THE QUAKER GIRL.
CONTENTS.
NO.
I.
la.
ACT I.
Opening Chorus and Solo {Mys. Lukyii)
" Quakers Meeting "
" O, time, time ! " ...
"Wonderful"
PAGE
(Jarge, we've such a tale to tell)
Entrance of Quakers & DoubleChorus
2. Song [Mathiidc)
3. Duet {Matliildc and Charleris)
4. Quartet [Mdthilde, PJiabe, Chaiterisand I any)
5. Song (Prndtnce)
6. Duet [Pi-ndencc an,l 1 vny)
7. Concerted Number
8. Song [Jeremiah) and Chorus
9. Finale
10. Opening Chorus ...
11. Song [Pheche)
12. General Entrance and Chorus
13. Song [Prudence)
14. Valsic Song [Piincc) and Chorus
15. Duet [Prudence & Tony) ...16. March Quintet ...17. FInale
iS. Introduction and Dance
19. Song [Prince) and Chorus
2n. Duet [Plicele S' Jereniinli) ...
21. Dvm [Matliilde & C/uirteiis)22. Song [Prudence)
23. Dance Duet [Prudtuce & Tony) ..24. Finale
Dance
SoxG [Pha^e) A^u ^hokv^ of GlULa
"A Runaway MRtch "
"A Quaker Girl"" The bad boy and the good
girl"
"Tiptoe"
" Just as father used to do "
Acr II.
" Petticoats for women"
" On Kevient de Chantill
" Ah, Oui ! "
" Come to the liall "
" A Dancing Lesson "
" Barbizon "
ACT III.
" CouJeur de Ro^e "
' Mr. Jeremiah, Esquire"
" A wilderness and Thou "
" Ton)-, from America " ..
" The first dance "
^DDinDiT.
(While our worthy village neighboursgossip)
(When a maid all aglow with expec-tation) ...
(Oh ! my beautiful bride)
15
27
33
Or Ihereabout!
(If this was two nundred years ago) 42
(Oh, a quiet Quaker maid) ... ... 49
(\Mien a bad. bad boy like me) ... 53(Tip-toe ! Tip-toe ! Quietly to Church
\ve go) 57
(I remember clearly ever since a lad) 68
(It's the wedding day of the happypair) 74
(In this abode of Madame la Mode) 108
(Mother told me, so did Aunty) ... 117
(On Revient de Chantilly) ... ... 123
(\\ hen I came over to Paiis) ... 132
(Come with me, come to the ball) ... 13S(Will you kindly tell me) ... ... 146
(Away together in lovers weather) ... 154(Ah ! ah ! Monsieur Larose 1) ... 159
178
(The viorld's a delightful place) ... 182
(W'hen we are really rich) ... ... 187
(If we are not married, here, my dear) 193
(All along the garden) ... ... 198
(Thee loves me, and I love the ) ... 202
(Love, 1 have met you) ... ... 205
20q
214
VOCAL SCORE.
THE QUAKER GIRL.
NP
Act I.OPENING CHORUS.
Words byADRIAN ROSS.
Music byLIONEL MONCKTON.
Allegro con trio.
Piano.W ^^
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wCHORUS OF VILLAGERS. ^ =*5 ^ d. d
mJarge,weVe such a tale to tell, Have you heard a - bout it?
^! ^ 9 ----
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^= ?fJarge, we've such a tale to tell, Have you heard a - bout it?
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^There's a la - dy, quite a swell, No - bo - dy can doubt it!
There's a la - dy, quite a swell. No - bo - dy can doubt it!
CHO.
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She ar-rived a week a - go. Stay - ing at the Che - quers.
mShe ar-rived a week a - go, Stay - ing at the Che - quers.
24514
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HO. With a doz - en trunks or so, Reg- u - lar three - deck - ers!
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p y\ \i \ r Mr ^^With a doz - en trunks or so, Reg - u - lar three - deck - ers!
t^^m g^ J-fH^^ ^ p 5 b- =Z V
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j\i j' N J' P^ ^ m m^^^'-;ho. True it is, you may de - pend, Pru - dence Pym the Quak - er,
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$ ^-P-T-^ ^p r ?True it is, you may de - pend, Pru - dence Pyra the Quak - er,
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P M- I MShe's the for - eign la - dy's friend- Nev - er will for - sake her!3H0.
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She's the for - eign la - dy's friend- Nev - er will for - sake
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J I J J' j^ I j ^iiiCHO. Goes to see her ev - 'ry day, No - bo - dy can stop heri
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Goes to see her ev - 'ry day, No - bo - dy can stop her,
f#lF^ P m j ^' j p i
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Though the oth - er Quak - ers say That it is - n't pro - per!
.
W m^i m is ^^ SLThough the oth - er Quak - ers say That it is - n't pro - perl.
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^Allegro Commodo. Ist.VlLLAGER.
mWThere's Mis - sis Lu - kyn
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i2nd.VILLAGER.
E^S 1^ ^^Ist.V.at the Che-quers' door! She is the par-ty who can tell us
^5 ^^^=J ^^==^ ^^^5 ^E^^54^ J
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3rd.VILLAGER.
P^^ h J^ iJuJi2nd.V t^fcizi * :^more- She's so - blig - ing, she will not re - fuse!
'
A W'W ^=5 ^ t=i=^ f ^^ ^ fir5 ?*^^S J^ y : ^^5 '^ y _^=^ ^^^
CHORUS.
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AHere, Mis - sis Lu - kyn, have you an - y news?.
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i^ m^ ^p 7 \f ifmHere, Mis - sis Lu - kyn, have you an - y news?.
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^OHO.
have you an - y news?_
^Hr-p p p \ T |>,^m ^mhave you an - y news?_ Li^:t^'^:SO tcmpO.
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SOLO. Mrs LUKYN.
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^=^ ^^I am not the sort to chat-ter Though I'm fair - ly young.-
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^5i Ji i Ji I J> .65fe^Mrs L ^^On a most im - port-ant mat-ter I can hold my tongue!
is 1 CHO. So thinks each man!
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So thinks each man!
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So, if I should tell you something Heard-! won't say whence-
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No doubt you can!
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You'll be si -lent as a dumb thing, It's in con-fi - dencel
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Of course we know!
'If
^^^ ^Of course we know!
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10CHORUS.m m
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Just so!
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fe
Just
ifeso!
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Mrs LUKYX.
I ^ ^=^ ^
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CHORUS. You must be as mum as Quakers, Don't re-peat a thing
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Yes, thats too true!
"if
^m iYes, that's too true!
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I have al-ways ha- ted scan-dal With a scorn in- tense-
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That we won't do!
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i' J^^=3^;^K>L. -^^-t-Now, what do you want to know?_
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Is the la - dy here a queen? Has she got a loverese.
er?
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Is the la - dy here a queen? Has she got a lov - er?
^ #^eresc.
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24514
13
p F -Mr^CHO
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Tell us all that you have seen, All you can dis - cov - erlntf
s fe r i p ^^Tell us all that you have seen, All you can dis - cov er!
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^ q/j _J:iw^ J, I J I JI fCHO. Has she rash - ly run a
- way From a hus - band jea - lous?
i i iE t, ?= ^Has she rash - ly run a - way From a hus - band jea - lous?
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Is she sin - gle, can you say? Tell us, on - ly
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Is she sin - gle, can you say? Tell us, on - ly tell
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^ ^CHO. I
=F ^^m^ *=?us, Tell us, tell us all the news, Tell us, tell us all t tie
S fr^f f f' iT m;lus. Tell us, tell us all
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the news, Tell us. tell us all the
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CHO.
24514
15
N9 1^
Words byADRIAN ROSS.
ENTRANCE OF QUAKERS and DOUBLE CHORUS."QUAKERS MEETING."
Chorusof
Quakers.
,. ^loderato e Solenne r\
Piano.
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iModerate e Solenne.
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QL-A.
CHORUS OF QUAKERS
* 3While our worth - y vil-Iage neigh-bours Gos-sip, or re - surae their la-bours,
? PWhile our worth-
y
vil-lage neigh-bours Gos-sip, or re - surae their la-bours,
24514
16
&^ =^=^ S ' * S J J J J MQUA. From the bu - sy world re -treat - iag, We will hold our Qua- Iters' meet-ingl
':m J ^ ^From the bu - sy world re -treat- ing, We will hold our Qua- kers' meet-ing!
^mm mr=^'
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^ * *
pVIL.
^,'1. T' i' P P i' S^^ P P' ip PT7 ^Stay for a chat, for it is-n't a sin, Sol- o-mon, Sol-o-mon Grun - dy!
MW ^m i f f =r ii ^i ii ^s * g He
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24514
19
VIL.
VILLAGERS (S & C
)
J^^^ rn^-
1
J' j^ ^^Tfw^m
Ah!.
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^\^ly should you stick in your hall all day,
^ft^ P P ^ I mm
Ah!. Why should you stick in your hall all day,
VIL.
itrtrr^-^ ^^E^=^.Sol- o-mon, Sol - o-mon Grun iy'i
'yji ^ p p p^Pass - ing the time in a
ft "fL it '^ IS.-n
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"
^
Sol - o-mon, Sol - o-mon Grun dy? Pass-ing- the time in a
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VIL.
J ' J ' i ' !'
'
^'
I
r nfool - ish way, No -thing: to drink nor a word to say!
P ^-f V li -f-'F ? I ^ sfool - ish way.
l^'l; J 7^ irit-
N'>- thing: to drink nor a word to say!
5^=
'm m tt-y
ml-m w
24514
20
^ h h h ji ^^
VIL.Sol- 0-mon, Sol- o-mon Grun - dyl
p P p F M^Could - nt you leave it till
1^^ ' }- i ' M?ii''i. 3 ^ 3 :
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^^ M^^j^ffi i=*ML.
Stay and be wise, - pen your eyes,
W^ m m ^Ms ^^2fcizi1
Sun day? Stay and be wise, - pen your eyes,
i^ P 3! Ia J :* r=^P*
^VIL.
Sol- o-mon, Sol - o-mon
-f-^r
Grun dy!.
y^f44^44^^ ^^WSol- o-mon, Sol-o-mon Grun dy!
S i Si J: --^
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21
iCHORUS OF QUAKERS.
^n^=^ -^
^
5=^
QUA.
Pfe^Nay, friends, nay,-
?4
Nay, friends, nayl.
i^7^T^ ^^-y-Nay, friends
,
nay,
.
Nay, friends, nay!.
^^^^M U^Cl' ^i > i^i4 ' 4 ^^Ji ("i'if
[fcJ^ y y i ? ijEE r^
QUA.
srr-
We can - not stay!
,
^ ' 7 M ^^^ r r-\We can - not stayl
^^'^
If T-jTj^^^ ^^^ ijli 7 J J.l; ^^ SFyr^^^i-T^
cres cen - do
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O
,
. ./-. .
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iir
VIL.Don't be mum as a - ny mouse, When the cat is at her,
^m fe^ f ?r i F Ff t ^Don't be mum as a - ny mouse. When the cat is at her,
I ^ J IJQUA. Though
your gos - sip and your chat - ter
^ r r iffcV g -^ I"S\
Though your
fP
s
gos - sip and your chat - ter
* i i > J P i zdiri
24514
22
VIL.
g=j^-f 1 ^ N~
P ^^^Leave your stuf - fy meet - ing house. That '11 nev er mai
Si #^# ii ^ I
- ter.
f ^^=JLeave your stuf - fy meet - ing house. That '11 nev - er mat - ter.
P * >- r f f F E ^ ^We've a lot of news to tell That '11 take some beat ing;
ir
i r
QUA.World ly plea sures are but fleet - ing.
m ^World ly plea sures are but fleet - ing.
# i=^^=T j: y^^m
24514
23
h-4 I ^ M ^MVIL.
9 P- ^m ^
So to day - you might as well Drop your Qua - kers' meet - ing!
1
So to day - you might as well Drop your Qua - kers meet - ing.
I ^ ^Qt'A.
We pre fer
WWe pre
PWfer
^^
Qua kers'
f P-^Qua kers'
P^meet - ing!
Jr
"^ p-i^
meet - ing!
VIL.
i ^'-^ ^ ^Have a talk and take a glass, That '11 be en - joy - ment;
m f m ^Have a talk and take a glass, That '11 be en - joy - ment;
Ql'A.
mWe will wish you
m ^ r^We will wish you
tirrin^w
S mall
all en
joy - ment
f 1 ^joy - ment
j F f-^ ^
mtt*
24514
24
f n T ip ^ ^ ^mVI L.
If vou want the time to pass That's the ri:ht em - ploy - ment!
m r r Mm E ^* fIf you want
7^the time to pass That's the right em - ploy - ment!
^^ ^^^
QUA.
S
In
i*
your pro fit less ploy - ment.
^ ^=T^In pro fit less ploy - ment,
P P 3 P im ^ i^ 7^^
"=^
g. j ^ | .h J J' iVIL. Stay bit and you will hear Some - thing worth re - peat - ing.
mi M5^ z= ?= 7^Stay a bit and you will hear Some - thing worth re - peat - ing,
i^^QTIA.
And with draw with friend ly
m r r i f
greet - ing.
And with draw with friend ly
j~r-rjgreet - ing.
^I :3=r
24514
U Ji j g'^f fH*
IVI L.
Then we'll leave you, nev - er fear,
f- -0- -0- -^ It-f-
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To qui etQUA.
>): r f f fTo qui et
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? iQua kers'
Qua kers'
^^
25
to vour Qua - kers' meet
2:t h- ^Then we'll leave vou, nev - er fear. To your Qua - kers' meet -
meet
^
meet
9-=-
VI L.
feEE
g
- ing!
JS3Eing!
i
^^ S
^
QUA.- ing, Our qui - et meet
^Ff f- 1[ig. Our qui - et meet
^
h^^ * ^
We will leave you, nev - er fear.
^
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We will leave you, nev - er fear,
E 1ing:,. Our
^^ingj Our
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VIL.
m
To your
To your
meet
meet
=^
nig.
'TT^^
^
mg.
'M^QUA.
qui
s
et meet ing. Our
imeet ing.
qui - et meet ing. Our meet mg.
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24514
27
N9 2.
Words byPERCY GREENBANK.
SONG - (Mathilde.)"0, TIME, TIME!"
Allegretto
Mathilde
Piano.
MATH.*r\r\) ]) J^ f p ^' pE # 0t ^
maid - en, all a - glow with ex - pec - ta - tion,
Waits and
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r r
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^ ^
MATH. 1-"^ h J ^^ ^' P
r~B
:
s I_B_X-Jwatch - es for her lov - er to ap pear. In her
i ir r^^^=^^=^ 1 ZZl ^ ^
math.[aA-|_P P . J^ J' i^jj'ion Ev - 'ryfan - ci - ful and fond ira - a - gi - na - tion.
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i i24614
28
MATH.
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a tempo
^
mo-ment seems a year..p V J' ji I ;, J) J'
J'f)
;>f!
J'
All im - pa-tient,from the break of day till
^m ^i :^t;if T
r
riV.
^m>^ a tempo
f^ ^^oco ra//.
-
^ a =-*
a
- m ^a tempoS # P- ^MATH. ^^
sun - down,- She keeps wish-ing that the hours were not so long;. For it
ji'i.j ^^'C^ ^ ^ r
fe*-T#
f=/70CO rff//.
a tempo
'M.J-
J r J ?
^5 r^//. S i^^ p Vp p p M r? i-r^MATH. T=^ ^seems to her that ev -'ry watch has run down, And that all the clocks are
I3:
J 'H\i i 3Ei>'1, f ^ '^ =^ ^ ^ lI ^ irati.
i 3E^Pf rsr ^
pJd^
REFRAm.Tempo diValse moderato.S B3MATH. ^ ^ * )
wrong. 0, Time,.
I ^'\' I ? J i m mTime!.
mYou are real - ly
^ ^P
^^1 i^ -'--24614
29
MATH.
*S TT^
\6 'most un - kind!
M ir r
'
'^ ^ ^Why is it you're in - clined. To
^^m ^ * m 3i=rJTF ^ TTTm Sh^ m w.
MATH. h V V I ^ ^r?y. a tempo
lag^ so far be - hind?. You may go . Slow,
[^^mE^
*TF
^
9=3W^
^
ir?v.
1=1
a tempo
ZZl
^.
m ^mza
\UTH ^A^/.
^- ^^.When we meet, my love and I,. But till then I want the
S:^.^ ^^^
^ZBt
>JilW"i
^ ^
^^j'
-J
i
-/
^^HP
ifc*
ga. * ^. *
MATH.
*
dim. rail.
Se m ^time, I want the time to fly.
#^B i^ i ^ ^^ = ^dim.
^mirrffrail.
7 P^^* fa. *
24514
^ ^ 3
^-/
^
S
30
Tempo I.
MATH. ^To and fro that anx-ious maid- en ev - er
Ww w=^ ^m^=* ? r
r
pfc ):, !;
,
/. ^ #^ ^^-M-^ #
MATH. tt #-#e-5=^=^ JLLJL J J' p p J' p ^^
pa - ces, She can turn her thoughts to no -thing else but this
_
How she's
>tATH. ^^^tf0=^J^g^^rit.
S5 S> ^ ^
yearn-ing for her lov-ers fond em- bra- ces! How she's long - ing for his
ffi ^FT-^-^^f ^ r-J J' ^n fci=psi
^ ^^^#^r?/.
/0 tempo
p 7 J' J I jN Jv-iM^-p-^-;;^E ^s # MATH. ?^ ^
kiss!
^^P O.^Ev-'ry soundwillset her heart a-beat-ing mad- ly, As she
^
%i \i^^ a tempo
^i ^^
^r^=^
1
^^
^
24514
31
MATH.^
ff tempo
gL p IP P ptp -P^-HM'lis-tens for his foot-step at the gate.. Then she hears the vil - lage chime,and murmurs
' poeo rtt.
^^^
32
MATH.ima tempo
go
77^
Slow.^
=p^
When we meet, my love and I,.
;*^ m ^^ ^ ^^ tempo
^^ ^^
fc/, dim. rail.
MATH. ^S^ jp
^?z
_- But till
^T^-^ji^then I want the time , I want the time
i ^^^ 5t^ i S i IZ2S:
"/ dim.K i i# It* *#= ra//.i*!ea. * ""Sa. * ^. * '^. *
ifl! tempo
^MATH. ^ ^^to fly. Fly a -way, Time! Fly a -way,
I ^ ^^ifcfe: ^^rt tempo
tr^ w=t
sIt g -^- ^ ^^
33
NO 3. DUET- (Mathilde and Charteris.)
WONDERFUL.
Words byADRIAN ROSS.
Allegro eon spirito. 2^Charteris.
Oh, ray beau-ti-ful bride,
Piano.
t |g ^T^^^ lII J i' J. J' J.CHA. ^ I have flown to your side, None could stay me or de -lay me No-bo-dy triedl
-JM 1 -jl l 7 1' ^B7 7 d' 7 =^ 'l 7 ? ?') 7 7 7 7 , hi 7 nh ^y^^^^s fe^^ ^^ h V V J ^^ ^^ i -7^ "77- nM^
MATHILDE.i^ E^Efe5 ^^ ^ pr POh, my darling, my dear, So at last you are here! Ev - 'ry sec - ond I have
Pj'^' i^^ i7 7 Ji 7 7=
f^ t ^ 1 1 JN 7f
h ? V \)V 7 J) 7 -^
^^3z=t: ^ ^^ h. .h . . b=5 f1- ^^
-7^ 7 H 7 7 ^t^
24514
34
MAT.
CHA.
^V pp M^ ' \ ^ P r Pr p N pPPp r ^
i
reck - onedLongas a year! Now the wed - ding bells may chime As soon as they can,
h J ;. J hf J) J' J'J'Now the wed - ding- bells may chime As soon as they can,
jSjl^ ^ jl ^^^ I')7 7 b^^^^=^=^ :: ^: a:
-n^^ fc^ -^^-^ -^-7-
^^ ^^A i' , , rr^ ^ X, rrJ-^7 7_
^^ 7 J; 7 ^:2=^ ^^ T'^ p '^ ^ Pyf^"f^ -'y7- f =t :5=^P P =^=^ 'C^^C^^C'?'?-
lA Ar p r ^if ffMAT.
CHA.
^1
Oh,. its all so won-der-ful!.
p\r^ m m m^And our names are written un-der full!.
1ft ^^ ^^7=7=^^7 ^7 7
I I j^
V'^t^lt j^7Tj^7 7 J) 7 7
'17 7_V7-^ ^?^=
f I
J)7 7 J'7 7 j^^
17 7 ^^=^?"^ -^HT-"^
^1 7 7i) 7 7 a^3
5^ Pi2=5=i)7 7 ,^^^17^7
5^/
^^^^^i J- ly^' ^p-y^pSilAMAT.
CHA.M.m
Won-der-ful! Won-der-ful! Won der - ful!.
lA^7 7 irA5=1^ -s*^- =st;Won-der-ful! Won-der-full Won - der - fulL
A* *
tt.l'i''' t* **' ('''' ItJ^ '''' [''''
J
'
''V| hJ'' JHl-^?^T | hTvh-l-l jVv-f U^^ i*!ffi ^11 ijt * t w=w=%
dim.
rg^ h 7 7 h 7 7 K 7 7^
") 7 7 h 7 7^M * -nHT-aS
^
') 7 7 _[l 7 7_^^ 5 :5:: :2= rt^a a
! # tl^ ^^ ^
24514
39
f
CHA. ^^fn-J^-h ^ J' J' J ' J jNow the sky is ser - ene, None can now in - ter - vene,
fs^ Iy *? J' -^=^7 7 =y=^ 7 7^ ^ ^ 7 7 7 7 7 7 7 7 7 7 -77-
^ J' >Ji J'CHA.^
None can sev - er us for ev - er, Beau - ti - ful queenl
IE ^ 7 7^^ ^) 7 7 , ^F=?=^ ') 7 7 ._h 7 7 :3= ) 7 7
B ^ ^^7 7^ 7
7
7 7 7 7- a ' 7 7
MATHILDE.
* # J
fei :^ ^^111 be mar-ried to you In a min - ute or two.
P ^M , j ., -^ 7 7 =^=^ ^m^ 7 7pfc^5fg ^ 3^ "7 ^ =^=^7 7 7 7 =^F=^
^E S
P P P PMAT. r r 17
It is daz - ing and maz - ing, Can it be true?
^j. 7 7 j, 7E3E^? 7 _f^ ? 7 = ") 7 7
grj^7 7J-T=^ "7 7-
^^^=^
-7i^ 7 7 7 7 ,
24514
40
iMAT.
CHA.
f
|TJ ji J ^i ^ f^ ^ p ^ P F
Let the cur - ate robe in white As soon as he can,
^ p J' J' J' J^Let the cur - ate robe in white As soon as he can,
i7 7 U' ^=? 7 7n,f
7 7 7 :^ 7 7
^T=^ 7 1 =?=^=
j) 7 7 J") 7 7 J) 7 7
MAT.
CHA.
iRSp r ^ r
^ P P P pAnd in ho
- ly wed - lock plight The wo - man and manl
E m^r
J' J' J' J' ^
And in ho- ly wed - lock plight The wo - man and man!
?f)7 7 J 7 7 7 /
m 7 7 7 :^ 'T=^^^
7 7
t t
,^ 7 7
V'/ J)-^ 1 Jv7
*I ' J' I ' I', i i tMAT.
CHA.
:3ZOh, you give me a kiss and a ring,.
pm Jl J' J^ jl J' JE^Oh,
h ? ?
-^f7-
7 7 7 7
give you a kiss and a ring,
j^ 7 ? \) 1 7 jl ^ 7=
7 b / ^ 7 7 ^ -i^
t T=^
24514
41
MAT.p ^ r p J' J'' J' J' J' J' I J .That is quite the most won - der - ful thing,
^Since the
^ 1' J^ J- J' J' J' ^CHA. ^5zfc r ^That IS quite the most won-der- ful thing, Since the
A) 7 Vy /
_
+ ^ "^ 7 1> 7 7 7 7
^ 1>tt
SS ^'7 7 ~ ') 7 7-77- 7 7 7 7 7 7
: h } \y J) J' J^ ?//.MAT.
CHA.
won -der - ful, won - der - ful world be - gan,
^E^J^ J.
the
ri(.
^won der - ful world, the
^ ^ ^ fe Et T=?=7 7 7 7 ^^ a ' 7 7 7 7
Bf *rt^.
7 7 7 7 7 7 T=T 7 7 7 7
I
_
a temporr\
iUT.
CHA.
^77^ 7 ^ 7world be - gan!
j^ a tempo /rs
^P 7 7 j; 7 j;
n
world
^fe*be - gan!
j-j^r r r:rf i F^ 7 7 ^ix:;t== 2^ -^-7-^
*^
rs atempo ff Cs
h. . h. . h
^- ^- r
=a tr^ 7 7
24514
42
N9 4.
Words byADRIAN ROSS.
QUARTET.- (Mathilde. Phoebe, Charteris and Tony.)"A RUNAWAY MATCHJ'
Piano.
^Allegro vivace.
fc
m m^ m- #
ts^E3 mm
MATHPHCE.
^'1'^ ^' ^' >! r
-
I f ff r p I ,r ,;' ^' ^';'
I
this was two hun - dred years a - go,I'd be your faith - ful la - dy's-maid,
In days of pow-der andA bun- die of gowns I'd
MATH.PHCE.
^|> J. ^L^^I
jl Jl J^
patch,
_
snatch,.
^^^^^^ ^We two would have fal - len inIn - clud - ing a hoop and a
love, I know. Andwhite bro - cade, To
m f^ ^*f
^
i 7 7 ^ 7 7 -4^^^^^^ 7 7
24514
43
m PHCEBE, CHARTERIS & TONY.^'""^P I p P T~^^T~^
RUTHPHCE P ^ ^ \> ? ^
struck up a run - a - way match!
.
wear at the run - a - way match!.A run - a - way, run - a - way
The run - a -way, run - a -way
,^ 7 7 i 7 7 -i^7- ^^
^Pi ^ 7 7 T=^=PHOE.CHAR.TONY.
^^ ^^*match !-raatch!-
(CHAR:) I'd call for you at a pos. (TONY.) I'd drive the coach ov - er ruts
tern door Disand rocks In a
M^ ^^ Tf^-^ j'* i t^=mwte5^ fc^ 7 7 1| ' ^==7= =^=^^^ '7 7 7 7
1^
fe t^J^-iUl ^ N r^ i^ J>S ^creet - ly left on thewig that's known as a
T r ^ flatch,
scratch, T=_
ilnc ji 1rti-
Then Gret - na Green in aI'd look ve - ry strik - ing
mn^m^- -77- 7 7 -^7- "7 7- f ^=7= 7 7
*^ ^^ ^=5 h J^ J^ J^^
coachon
and four. Andthe box In the
ho! for
light ofa
a
run - a
run - a
^
g^^^^ * t
f)=r
wayway
t^
24514
44
JUTII
PHO-:.
CHAR
TONY
M> I It j^I
J' J'
h^ t 1 ^ J' I ^ > Ji ii J^^A run - a - way, run - a - wayA run - a - way, run - a - way
match!-match!-
^^^
h 7 7
A run - a - way, run - a - way match!
-
A run - a - way, run - a - way match!-
*fen t 7
match!.
2nd time.
S J I > J' ; J' J^ J
match!.A run - a - way, run - a - way match!-A run - a - way, run - a - way match!-
E ^ 7 7
E ^ 7 7
>'1> \ } i p f^=^r rr
7 7 7 7^
7 7 H =f=^ ^ #/ / 1 ?=^
MATH.
PHCE.
CHAR.
TONY
^
i
^
^
kfeS
\i> f ti # \>r=i^W \^ i^i^ J U J^
^ 7 ^ h
^ 7 j:
7 7 i ^
AA
^ 7 ^ h
AA
AA
\ -^ i hAA
24514
45
MATH
PHCE.
^^P P
^'
P P^ p p p I
r-i^=f-^ #
if^
run -a- way, run - a - way match for us, Of the good old gal - lop- ing
run - a - way, run - a - way match of old, When the hor - ses trem - ble and
M ji J' ^' i^ :s^ -f
M
^-f= p ^' ;> i^
CHAR,mTONY.
run- a -way, run - a - way match for us, Of the good old gal - lop- ing
run- a -way, run- a - way match of old. When the hor - ses trem - ble and
f )i 1) J^ i) ^) i) :^ :5E^5 ^ ^^5run- a - way, run- a - way match for us. Of the good old gal-lop-ingrun- a - way, run- a - way match of old, When the hor - ses trem- ble and
m h ii i^ _A^^^-0-^ ^^m ^ ;^5^5Srun- a -way, run - a - way match for us. Of the good old gal-lop-ing
run- a - way, run- a -way match of old, When the hor - ses trem- ble and
MATH.
PHCE.
CHAR.
TONY.
kfemkind,.pant;.
^
^^ r:E;5 ^ m
When a guarAnd we're al
^ i ' f. ^ J' i^ m
xj J^ ^der - buss
fefem ^^ rr-J^blun der - buss
dian arm'd with a blun - der - buss Is
ways told that the coach - man bold Must
^
kirHT" When a guar - dian arm'd with a blun - der - buss Ispant; And we're al - ways told that the coach - man bold Must
^^Id
kind, When a guar - dian arm'd with a blunpant; . And we're al - ways told that the coach - man bold Must
mIskind, When a guar - dian arm'd with a
pant; And we're al - ways told that the coach - man bold Must
24514
46
.umMli' Jl ^ : P
PHOE. i
fol - low- ing close bemar - ry the con - fi
hind!_dante!-
And all in a fu - ry andOne wed-ding-'ll make ma- ny
s^ ^ g ^ ^ Efol - low- ing close bemar - ry the con - fi
hind!_dante!_
i J' ' i ^
CHAR ^And all in a fu - ry andOne wed-dingf-'ll make ma - ny
^^ S fe ^SS^P^^TONY.
fol - low - ingmar - ry the con
close be - hind!_fi - dante!
-
And all in a fu - ry andOne wed-ding- 11 make ma - ny
M r p .1 1 .^EE^ Jl J> Jl JF^0 m-fol - low- ing close be - hind!_mar- ry the con - fi - dante!.
And all in a fu - ry andOne wed-ding-'ll make ma - ny
MATH.
PHCE.
CHAR.
TONY.
fefeM ?
mfume and fuss The pairmore, we're told, And all
F P pJ'
he's try - ing to catch,be wed in a batch,
?^ ^ ^ E E
it*
fume and fuss Themore, we're told, And
=?^^pair
all
he's try - ing to catcETIbe wed in a batch,.
a ^^ a ''J' } J'
fume and fuss The pairmore, we're told, And all
k^
he's try - ing to catch,be wed in a batch,
_
M ^ ^ ^ ^ J) i)fume and fussmore, we're told.
TheAnd
pairall
he's try - ing tobe wed in a
catch,
-
batch,
ByIf
^^ ^ByIf
^
ByIf
^
ByIf
24514
47
MATH
PHOE
CHAB
TONY.
ifir
law
:.fa>- iij' -^^^^-%-^^--r=^
laghad
his gun a - way Af - ter then't done a - way Now with the
run
run
way,
pr=fr'^r-r=^i^ j' _ii^^j^ is ^msfir - ing his gun a - way Af - ter the run - a - way,law had - n't done a - way Now with the run - a - way,
p)> ^j> J j-^^Np^ ^' i^r^ i^; ^fir
lawinghad
his gun a - way Af - ter then't done a - way Now with the
run
run
^^ ^J' itJ^ ^' liTT""^
a
a
way,
way.
^^^fir
lawinghad
his gun a - way Af - ter the run - a - way,n't done a - way Now with the run - a - way,
LjJ^ .J^ . h ^ ^*_A
^MATH
PHOE
CHAR
TONY
\^ l^
J
R
^ 7 7 1 VRunRun
a - way,a way,
run
run
a - waya - way
match!-match!-
match!match!
'l> iJ^ hJ' iJ''^^^^^^^' l|J' P 'P 'p: 7 7 7 7Run - a - way, run - a - wayRun - a -way, run - a - way
match!-match!.
match!-match!-
^^^^^^^ ^ 7 7 m 7 7Run - a - way, run - a - wayRun - a -way, run - a - way
match!-match!-
match!-match!-
priJ^ ^} ,;> ^p^^ 7 7 ^ 7 7
Run - a - way, run - a - wayRun - a - way, run - a - way
match!.matchi-
match!-match!-
24514
48
DANCE.
f'lHi jT^JJi f^fjjii ~7 P J I I
#
^ ^^*^vH''iM! jTJ rr^ rr^ rn r^ rr3 T^ rT* j"T^ r?^
*^ ^d^^B r3a=a ^gg^^ r^^ 5^*'y\!)^ J-rrr] ^^ n m J V ^ ^=^ rr3 ^ /TJ ^
IP ppsa^H:at ^^ P ^'V J^^Sf^=f
^^ rr:: rn tJ-^ CJU=^^S ^
fe p^^^J-^ * ^-^ ^toanntr-^^v^^''
l> . p^B^Li * ^p^ c / g"=^"^ >^ O^ t--'iL'i.^ Frrif/fffi^
^^ ^^^^
mffr
CJ^
^ftVT
jl^_i.^
o\7 7 j^ 7
/?s
:^ 7 7 j^ 7-
24514
49
N9 5.
Words byADRIAN ROSS.
Moderate.
Prudence, (m ^ \f i*'
Piano.^^^
SONG.-(Prudence.)
"A QUAKER GIRLl'
^
i J' J' l | : J' J' J) J' J ^' i'
1. Oh, a qui - et Qua-ker maid From myquite a Qua-ker girl, Ve - ry
r r W^ M
irrr
*
^i
fp
^^r
^. *
y\ \) A B h iJ^ I J^ i) hj^ ^1PRU. ^ba - by - hood Ive been, For Ipro - per and se - date; If my
nev - er ev - en played With thehair be - gins to curl, I am
i
u^p p J' r=^ p I ^p P p p ^ ^PRU.chil - dren on the green; But Itold to brush it straight. .Aiid the
M^
Ff
used to sew and mend, While mydays are ve - ry sad, And the
i ^
#24514.
50
PRU. s i J^ ^ J' i5 I^' I ^' J) Jl ^ ^^aunt was sit - ting near, Till a lit - tie Qua - ker friend Came andworld is ve - ry grey, For there's not Qua - ker lad Who will
*^^
^^ WH ^
f
PRU. S [) J' N J REFRAIN.whispered in my ear:-come to me and say:-
-iSl-
"Thee loves me, and"Thee loves me, and
me loves thee
I love thee
s J- J^ i ^ ^^ f
rzir^PRU. ir^TT J' J^ J J) i^ I J ig ^5
Oh, he was a young mischief - ma - ker!
None to woo a maid - en and take her;Two lit -tie sweet -heartsNo - bo - dy seems to
#^ ~^S5^fc):
Ik c^
1=l=:5= =n
r-f^^
PRU ^ ^/C\
P M M J gwe used to be
care a - bout meHe was such a dear lit -tie Qua - ker!-Life is ve - ry dull for a Qua - kerl.
24514.
^
UNIVERSITY OF JU-INOIS
LIBRARY
51
S ^ J^ J' : || i' J' J) J' J i' J' IPRU.2. Now I'm3. But al -though the Qua-ker meu Do not
\)\ h Ji-fr^ J, |,jl I j) Ji ^^PRU. P^
know the way to woo, I have fan - cied now and then There are
PRU.
Hi.
PRU. i^might be ve - ry nice When we walked beneath the trees, And he told me once or twice
^^ f W ^ m f SI^Sffi
^ m -0 r24514.
52
Ft
REFRAIN.
mPRU."Thee loves me, and love thee
I^ ^
S 3^ ^s ^5PRU. ^ rzz
Love's the on - ly true mar-riage - ma - ker
;
Some - bo - dys wife one
t^=^rs
p I p p-g-^ ^1mPRU.day I will be- But no^ the lit - tie wife of a
m i f^^m^
f Ti i
rs
r
*i/Os
f; ^
^Qua - ker!-
^^^f
51^- L--^vvyfr2E^^^^^ r
lit
r/7\
FiEfegp^*
^i
2i514.
53
N9 6.
Words byPERCY GREENBANK.
DUET- (Prudence and Tony.)
A BAD BOY AND A GOOD GIRL.
Prudence.
Tony.
Piano.
iAllegretto.
^
v^^^-M^
Vi'. i I
%
*). fTv-TT^
'if
J' V ^''m* ^^
^E^ i. (a
i=fe^r^rfW ji
^
is^l.When a2. If the
^^PRU.
TONY.*
WeU.theHe must
p-^ j) J P ^bad, bad boy like megood, good girl sits down,.
Meets a good,good girl like you,.
What's the bad, bad boy to do?-
~rV^w^i^i-i
i*=f^i=i^
J-^ffifrf
^tpTfr 1 \
PRU.
TONY.
J'JU J>i^ ^^P^ ^ ^good lit-tle maid Is a bit a - fraid. And won-ders what on earth to dosit - ver there For the good girl's chair Was sure-ly ne - ver meant for two
^^If the
If the
^Et
^ ~6^ # # -^24514
54
:'Ru. iTONY.
bad, bad boy should speak,bad, bad boy comes close,
'^^mWill the good, good girl reWill the good,good girl be
3=PPWell, itWell, she
mply? vexed?.
^m*f=f^ * *4 Ir~rVH'' J J ij J i ir'rP **
^^
^^ r ^^ i' J J^ ^ S5 :^ ^PRU. ^" frt
ra - ther de-pends If the good girl's friends Are an - y - where at all close by. _might run a -way, Or, she might just stay And see what's going to hap -pen next.
TONY.
^^^ J J J J J^^=r^ =ecE
^ 3 4=^tiTIT
y.REFRAIN.
rt fetf/po
! J^JmJ JPRU. ^
*y.
^^a tempo
Such a good, good girl! Oh, theyWhat a good, good girll Oh, they
^ ^TONY. #
rit.
Such a bad, bad boy!What a bad, bad boy!
Oh, they
Oh, they
=T3 iEE^ ^ ^
-^HiM-P \ r ^a tempo T l-Tx T
f ^^24514
55
PRU. * ^=**
TONY. W^ .j J', J> J-: I J J J
^.^
do make a cu - nous pair.do make a cu - rious pair.
Thou^ the good girl may Turn herIf the good girl's wise, She will
J._
i'^ I
do make a cu - rious pair.
do make a cu - rious pair.
^^
'
r
PRU.
TONY.
Ji Jm f J' J< s^?
J' J'^
^^Well, I
Oh, I
^bad boy walks By her side and talks,Will she snub him as a maid -en should?
bad boy,please,Giveher hand one squeeze, For he'd like to if he on - ly could
^^
mffi , m m.m m-
24514
56
PRU.
L. rit., 1. 1
a tempo
think tht-e's a lad Who isfear thee's a lad Who is
not so ve - ry bad,
ve - ry, ve - ry bad-And I m not a bit tooNow real - ly thee must be
=^ i
-i \ f r ' rr rrit.S ^^ a tempom.^ f
%i-PRU.
good! good!
mDANCE.
^i ^ mi r f r ^ r 7w/^ .y
mma tempo T
^ f f3*1
Jll J J J /3 ^^^W^ TT^^f^Tt r * 9 T"^H f e 4^ i^
" ^
s*g ^^
5/Ov
fs
ter?y.
T-r~r.4^ _ -
\m^
tempo "
O^
IS
24514
57
N9 7.
Words byADRIAN ROSS.
CONCERTED NUMBER.
(Mathilde, Prudence, Mme. Blum, Charteris, Tony and Chorus.)
"tip-toeI'
Tempo diValse
Piano.
*fe g : EF^=y
uMATHILDE.P^ ^
Tip toe!
^ ^ ff ^ m fstt J
a tempo
I^^ ^^ ^ ^ ^^ ^
4^\ \ \ y\ \ ^MATH. f ?;
Tip toe! Qui - et - ly to church we go;
s^^m m ^^-Mf^^ ^ ^ ->-i
24514
58
MATH. E^E= Mr > HJ i I \ J^^ mspeak low! Speak low! Don't let an - V - one
Ue^iEm m m n n w^
m^ 3^ 3^ ^ EE^ *
^ Mf ? Mr M J ? J 3E^MATH.know!
.
41=
Tip
CHARTERIS.
toe! Tip toe!
^ M J ^ Mr ^ mJ^Tip toe! Tip toe!
m-F^ .^
mi* ^ < -;m m^^^
^J=Am m m m^ ^ ^^ ^F f
:i^ r^=J ^ ^MATH.
CHAR.
^ P^Step as light as fall - ing snow, Just so,
4^ ^ J ^ ^ ^Step as light as fall - ing snow, Just so.
U-See^ w f p^^ ^ -s-^ J ?
s**^
24514
59
MATH.
CHAR.
i PzrtL > i I p ? i^ ^^*
stealth-y and slow, On tip,
S 3^tip - toe!.
J \ ^ flitA
stealth-y and slow, On tip, tip toe!.
**S^i=j
; 3^^f^i|^
^^E^w
^3^^
^?i
*
e
MATH.i^^m^ ^Et ?^We're in breath -less ex -pec - ta - tion, Rea - dy for our
:^^p =
$u ^m\^^ ^ pp-
MATH. ^^j^ 1 t i ice le - bra - tion That is now to crown- our dar - ing
MATH.m i J M JJ ^ ^plans, our dar - ing plans =. But Im all in
24514
60
MiVTH.pirn
4 % t i itrep - i - da - tion, Lest some pry-ing
r r M r r M > r r N* ^
male re - la - tion
'
( m
MATH.MS J J
I.1 J
II
I WWAShould, as you would say, for - bid the banns!
#^^LLJJ
r
1^
i^rfeisi^
^ifpeI^;f"
^
3
sr
iS^
!r^1?T
Stt
,
. , CHORUS with PRINCIPALS.J fi iit n p
CHOchurch we go!
fea=rzs ^
speak3 Mj ? > ^low! Speak low!
i J:^
^gg*
church we go! Speak
-
r-rtr-i=r: EJEEElow! Speak low!
few pp 5^ 5 5m24514
61
CHO.
Utf
rJO tt H'S J a =5^ ^ ^^
^1Don't let an - y - one know!
.
Tip toe,
^i
23:
Don't let an - y - one know!
^ , i i i P^^
CHO.
^ j M Ij aTip toe, Like
Tip - toe, Like a nci
**
a noise - less sha - dow - show,
J J J A J
a ncise - less sha - dow - show.
fetnmm 3^
if^ ^^
-|| P -m - i^r
ncTT-
iJ^^
CHO.
^ ^Just
^ i ^ i^
Just
p r r I[
-
si - lent and slow, On tip.
-0tip
^\ \ \f i^m
so, si - lent and slow, On tip. tip
**S^:I si^^
r=5 W^
^Ef^
# JESE
24514
62
^^ ^CHO. toe!.
^^S ^ S^1
toe!.
Pi^ i ^ ^^ s iiSr^^f ^- ^ ^s^
/^^ ttiiEE^ ^^
tl^
PRUPENCE.
\r I U 5GThough they l.iugh Light and mer - ri - ly, I
M. ^^=^^ i^m J uhalf
t=1"=i" f=r=r r=r^ 1=^-=^= T=r=rT-r-rPm -pp- t,
\f I I.J ^ ^zcPRUD. =^^Fright - ened, ve - ri - ly, And, in fact, Faint with a - larm!
i ^3 ^i E^^^ ^ ff=rf a aTT-r w~%[^ 4B m- fefe ^ *E* *;s*; ^=tF
TONY. PRUDENCE.
1 ^^ ^* &-Let me of - fer my arm! Our se - date
i^
SIf* i
c-I
-r-
24614
63
PRUD. ^^22=
tirI
^^ J J I
Friends' So - ci - e - ty Re - pro - bate As iin - pi - e - ty
itm ^ J b. ^ ^Ft^ T=^=r / r r f=r=frrr ^ r r^ i
TONY.
% ^rRLT). 22 %^ \ %^ %Such an act! So if they see- Thee re - fer them to
*! ^ m ^mPt^^^^ ^ :^^ ^ ^ ^^
^i^
PMATHILDE.
^P yTONY.me! Don't you let a - ny one
1^^ fetknow,
PMj J I rit
CHO.Tip -toe!
PTip - toe! Tip -toe!
Pa
Tip-toe!
t 'F f rnfEiE3Tip- toe! Tip -toe!
*aiwS
If^^
^rf
^Tt^
Tip -toe! Tip -toe!
if
24514
64rif.
MATH. SDon't you let
P
a - ny one
^^ TZl iis
I
know! ahL
ami \i ^ \ ^CHO. r^y. Tip - toe! Tip - toe!
S ^^*f f I
it Y f 1^Tip - toe! Tip - toe!
^^E^ m mi=r
rzt P~f f ^^ *
m^=^ t=^ ^^ ^^ mTUTTI.
J f\ i ^P^ tempo^
i ^I
'^^^I J ^ M --^^^i
CHO.Tip
pa tempotoe! T.p toe! Qui - et
^m^^ fe^ i ^ \ i i Ito
^ ^>Tip toe! Tip toe! Qui - et - ly to
mm m m m imU:
a tempo-m -9
^ iE^^ ^ ^
rf^Mrfi j^ I j ^-i fefeE^^^I ^CHO.
^
church we go
A 1Speak low, speak low
22.
:2= ^^ ^=^^ E^==r=^ ^church we gfo, Speak low, speak low
f T^^^^^m
24514
65
f*i' I . J l n ^
CHO.
-6H-"M j M I j / ^
Don't let a - ny - one knowL Tip toe!
Don't let a - ny - one know!. Tip toe!
m^wt
m^w*
4-j-^^Pi i if=
t-f
^m^
CHO.
^4:^-M-4^ ^^ iTip
9h^ P ^ j^
toe!
^^
Trip - ping two and two in row
A A A A A A f.HZ > I ^^
^
p F^T rz: S
Trip - ping two and two in row
CHO.
fefc LJ^ l i i i 1^^Ju.t so,
M I t *-^^-fpf^Ju=,t so,
ii^ i^te fe*
66
MATH.a ^
-toe!
'l^i^Lilx^f if
ij J J ir^ ^ wmCHO.
-toe! Tip - toe! Tip - toe! To church we will go! Tip - toe! Tip - toe! To
ty r
67
/.^-(9-=- ^ ^ M J ^"T^^^ ^
CHO.
9-=-
We
m 4."W'e.
IM:
mif
=19-*-
^
C ^ j:
^
will
PM.
will
go. Tip toe!
^m. j? j? I ^a^ ^go- Tip toe!
*^i'
^^
^
^
^ ^^
4
:*
Z'
^E^
^
*EEt
#ii
*E
i^
^g^^
i^^
^iii
;^ i ^=i-&^ -iw 5=^=f -i-^-^ ^[!FrT^-^ SlEriiE; SikE
ri ^
dbt
^1
5
fSEESfeEEt
^
3EEEt
P?^
'j~r~P /^^^^
24514
68
N9 8.
Words byPERCY GREENBANK.
Moderato.ir
SONG. -(Jeremiah) and CHORUS."JUST AS FATHER USED TO DO"
Piano. /w^^
^-^^
h.
^f^
^fftfHP
m -+
IJEREMIAH.
^^^5 7' J' J' J'1. I re-mem-ber clear - ly, Ev- er since a lad,
2.Wlien mam-ma went walk - ing Down the vill-age street,
^
i'^
^f 7 yii p ?i:^
^
h i) i) i) J^Mo - ther gave me good ad -vice,She would nev - er look at men
S *E^il
^7 J' y
JER. I E ^^Fa -ther gave me bad.
Whom she chanc'd to meet.
f' J' J' i^h Ji h h !EEE^
Mo - ther was a Qua - ker, Fa - ther was a rip,Poor old fa-ther's con- duct Some may crit - i-cize. But
JER. $ ^ h J' J^,_J^ s^ J llj' J' -tMo - ther kept my feet from stray - ing,
what a con- nois- seur of an - klesi
Fa - ther made 'em slip.What a judge of eyes!
/7\
Oh!
Oh!
24514
REFRAIN.
Ji. J i J, }\ J).^ I' Ji. J^ J. J^ ^JER.an - y bo - dy will ad - mit Myan - y - bo - dy will ad - mit My
par - ents were so op - po - site. Andpar - ents were so op - po - site. And
P^m ^
^5 ^
Ji y li 7 ]i T^^
fc=^ ^
5 P i'- J J^'- ^^ F'^ ^"-rJHJtiR.
I in her - it some - thing: from the two.I'm a sort of mix - ture of the two.
^^f S g f s ^ ' J * ' 4 Sa ^^^ ^ h 7 i ) 7
P > J=l ^^ ^ ^^JHR. ^
re - a - lized, when quite a kid, The sortfol low mo - ther right e - nough, Un - til
t
of things that mo - ther did WereI meet a bit of fluff. Then
P) 7 J) 7 f i " i ' i' t^m ^ si f
iw j'. :> J'- i^JCHORUS.
J'- J I iJRR. 33E ^
im
not
I
the things that fa - ther used tobe - have as fa - ther used to
^
#
^
^^
f
do.
do.
^^
Oh!
Oh!
-/
^
24514
70
cHo-U J,. j^2'. >^- ^^'- ^ 1 ^' ^T^^^- ^'^'- ^an - y - bo - dy will ad-mit His par - ents were so op - po-site, Andan - y - bo - dy will ad-mit His par - ents were S'O op - po-site And
BP I
h-
P
J. Ji;,, Jji. J^Ji. pJEREMIAH.
^^^CHO.he in -her - its some - thing from the
he's a sort of mix - ture of the
^
two.
two.
MamYou
^1 i ^ J i^^
ihz
m^ f
^ 5 S ^'J'. i'Ji. KJ^^ m m pJER.ma a-dored her darnev - er heard dear mo
ling so,ther cry
She nev - er smacked me hard, you know, AVell,"Oh chase me!" to the pas - sers by. But
^1 ? ^ j ^ ' i ^ J i H 2^'^i ^ ^TTTft~-' J' J i T J''f ^ t -f-^ y y I
JER.
24514
71
JEREMIAH.
h i) h i) J'^J) i) i> J' f'J' J' J'
3.Mo-ther did-'nt talk much, Chief-ly Yea' and' Nay,"4. Mo-ther was short-sight - ed. As some peo- pie are.
P
Bo - ther was the strongest wordAnd with -out her spec-ta-cles
g W* *^; f=^3 "y
^ Y J^ yf^ t ^
J^ J' J' Jh ji h ji J J J ji jiJER.
She was known to say.She could not see far.
U ^ ir.Fa- ther, when he start- ed. Would- n't let things rest.Fa -ther's eyes were keen - er Splen- did sight he'd got.
f7i^ *^^^-^'
^
-r fs ^ -v^
g
w s ^ ^ ''
'^j
# fl i' J' J .J)^Ov
^i' J' JlJER.
He'd the fin - est flow of lan-guageHe could see all sorts of things That
w ^
An - y man pos - sess'doth - er folks could not.
#5
^^
OhlOh!
J) y J) ^ ^
24514
72
REFRAIN.
^. J^ ;' i' I ii ^ h A J. J^^^^an - y - bo - dy will ad - mit Myan - y - bo - dy will ad - mit My
^^fpar - ents were so op - po - site, Andpar - ents were so op - po - site, Yet
f it Y J^ ^^l 7 ^^7^ ^ 7 i) ^ r ^j J)- ^ 1,. ii ;' J^ J'- p 7 ? j^
I re - sem - ble both from day to day.both were just as hap - py as could be.
^ S ^ ^ ^^
IfIf
^ y ^ 1 ^ y
m ) 1 }) V ^^5
E g ^^ ^ SP g ^- P S P ^mo - ther slipp'd and bruis'd her knee Shethey were walk - ing home at night And
sim - ply mur- mur'd. Dear - ie me! 'Whichmo - ther saw Mree lamps a - light That's
B ^i ' i ' i ' f!?=
^^ k ^ E
^ J. J^ ^J'.i^ J'' J^ Jl ^^
CHORUS.
^
I
S
is - n't quite what fahalf the num - ber fa
ther usedther used
f W
W
^
to
to
say.see.
PJ^ 7 i) 7
=
Oh!Oh!
^mf
24514
73
cHo-U A }j,, >J'. J^J'- ^M J. J^Jl, J^J>. Ji^^an - y - bo - dy will ad-mit Hisan - y - bo - dy will ad-mit His
par - ents were so op -par - ents were so op
po-site, Andpo-site, Yet
iu ? J i ? ^PP
h-
P Pm
JEREMIAH.
J'- J Ji. Ji J'- ^^ p p ^CHO,I
he re-sem - bles both from day tohe re-sem - bles both from day to
& i ^ ^ iT^i ^ ^ ^day.day.
Mam 'When
m^^
>
\i ' ^^^
^ I ^p=^
p- p A p > >> > ip- Jwi. J'/i. j^ ;i. >JER.ma my arm would gent - ly pull And stuff m.y ears with cot - ton wool, Inmo - ther took me to the Zoo I came a- cross a snake or two But
iJ 1 i ^ i ^ ^ i 1 fr^^H yi^m ^^^E W P
JER.
A, . , ), ^1, m Last. r\
^ Jl i^I'-JlJ'- i'Ji. }^l^ j,M ill ^^ , >^
rasp I h(>ar(i what fa - ther had to sav! see! case 1 heard what fa - ther had to say!not the kind that fa - ther used to
^^1^ *s k i
^fi ?\ j'^ I
^ #^
^rs
^
24514
74
N9 9. FINALE-ACT I.
Words byADRIAN ROSS.
J
Chorus.
Allegro moderato.
A^llegro mode rato.
Piano.J' iVn-i
/ rr'yu,\ J * t
^TTj^j^ ^ r r
*EEi--
*i t
.LA^'fii^^:^^"^ h J) I ^ i) i i^ ^^^2::
mw-It's the wedding-day
-t> l
CHO. Of the hap-py pair;."*
9Why they ran a - way Is - n't
m ff-r F ff rH-f-- -F H ff ff-H-r^##^Its the wedding-day Of the hap-py pair;. Why they ran a - way Is - n't
J 4=^^=^^
t^
y'^-^
^ &^H^CHO. our af - fair Wish them now they're wed Hap - pi - ness and wealth,
i ^ ^^ 7Wish them now they re wed Hap - pi - ness and wealth,
\
our af - fair.
f n j-isi i?: s ^ -- oi Vjit^it-^^n^ ^--^ l il t ^E^ # (S"^ ^
24514.
75
^^^^^^^^^CHO.
^ y^
As they've kiDd - ly said We may drink their health!.
. e f f ^ *""^
^1 i^ ^As they've kind - ly said We may drink their health!.
MATHILDE.
^Hffp^f^^l^ P I i' M li ^1 P P P F r ^BIt's our wed-ding-day, We're a hap-py pair;. Feast-ing let us stay In the
^^^^i^P
w^P4^i ^_W Fni j .^
f ft ^^fe^
MATH.^4 p P r p p I M M
Where the branch-es old In a roof combine, And the
MATH,# -o-sun,
;^ -
-g-
^
^ ---cj-
ithe sun is gold_ In the gold- en wine! thtf gold - en
^
^
frail.
w
"CJ-
-^
-r"
24514.
76
MATE = ^a ienifo
^wine!
'>^J -n ^^Cd\[f?71j fi i gj^cj
fe
^w/" a tempo m^^
^^M ^1^^ aAllegro vivace. CHARTERIS.
^^^^ ^Come to the feast, Be mer - ry while we may;
:^ ^^ ip^^^r*zzfc? f a
w
f Jti=t*-: W
-^^'yli^v* V fefe ^ fe^ I ?^
i ^^s :s p r pif rCHAR. ^ :=^^it^t^This hour at least, We cast our fears a - way! For - tune is fair, So
^ ^E^ ^^^^ ^^mp -mr
r't' J "f ^^ ^^^ ^ feii ^?=
iF=^5tHAK. f^^^ J, I J p r ^' i f^^i^^^ zc
let us laugh at care. At our wed - ding break - fast iu the o -pen air!
^4M^w%^ fe^^
*=tf^
fem-
^^v I M^ ^^^#^tott
j h^^
####24514.
77
CHAR. s^At.
P^l^.^
p I r p r p I r P^ ^' u^
our wed - ding break - fast in the o - pen air!
-*
9*
r
m J.
^.hK y ff r ff
^^m1 ^ r ^ r^
^PS3
^p:^
CHORUS./
ff |J_J JMr ^^ ^ ^^Here's to your feast 1 We'll join you if we may,. One glass at
.. .
p i t U ^ 1^^ 1mHere's to your feast! We'll join you if we may,.
h J- J ^ffef/
;hi'i.J^r 'F
w-- w
r^^^
J J^J ^
f
# g=f=g^iF^^
One glass at
^:E
?=^^
CHO.
ij^'-i' J_J tJ'U p r p ir'"^ r P N-_J ^Mleast.
SIn hen - our of the day
!
Oh, this is rare, And
mM-! m. f r f I r^~^
least In hon-our of the day I. Oh, this is rare, And
iS
^m
g
^^
^ p r p
-j-'^=~'^
^^^^^^-9-=-
=t^!=l4-J ^1' ^
24514.
78
Ji'i' r p r "TS s ^ p r J' I r F T ^
CHO.we can do our share, At a wed -ding break- fast in the o - pen air,
?hvr U ^ \r rp
i r P r nr rr P i fwe can do our share, At a wed - ding break -fast in the o -pen air,
tfr-J ^J ^ ^ m^^ ^^sf *fc=Sr*^, I P r P ^ M^-^ 1444 ####^tfets iir P r Mr PP ^7 7 jt 7hr-
CHO.At. a wed -ding break -fast in the o - pen air!
^ frff | ffffiT | riTrp P P 7 7 f 7At. a wed-ding break -fast in the o - pen air!
^ ii 613=5553^ P 1 E^n;**
^to J-F r F # 1 I _g ^^^=r^=p
i i^ "7y-ur-LJ fa##
24514.
79
^Allegro moderato. CHARTRRIS. ^
i^
j''"'Ur'i[j^5e:a i^
g=^^=
^^
ri7
^=^
A
CHAR. I^ i) ii[
I
FJ' J'
IJ- ^-JLi^ EE
toast to my la - dy wife, For she is of high de - gree; But
\^i!\> J' ^' }
^ ^ fP
^ jI4 ^-
-JL^ Jl1 IJ' 7 |g #CHAR. ii-'D- J' J' i,J^ J^ 1
p.h ? p i^r^^^
a tempo
^she has giv-en her heart and life For love a - lone to me!
#^"^-^'M\> j' V |-
srr^
80Piu vivo.Dialogue.
Vh cJ U t-t- ttiM f f f ^g^:irr > it
b-^'i^ eJ }"% W^ t^ ir'i^ \1 \^i
J r I-
IS=fe^ ^
^
#^
24514
81
PRU.
CRO.
t^^- ter
!
-^
m i ^^'
i
fIn wa - ter! She drinks the toast
mX.
t T P$^^S
z'FFW
in wa
/O
^ ^
iter!
^S^E*In wa - ter! She drinks the toast in wa - ter!
E w ^ r 3 " E te^w^^ ^^^^ r f V ff
r>
m
^Allegro rnoderato. MATHILDE. /?N
P
jiVi-H^ WS^ fi Myf r
v^'-i> I r^
^ ^=iife|> p M ^ ^' E ^NNp ^MATfl. ^ J J ~ri
love is a sol - dier brave. And no - ble in ev - ry - thing. And
# ^^^^^^^^^S^=^ \ 7 ^S f^5 1^^ ^Fy
Vn"l> J' >J,
^^SE^ V [>^' ^^ #. _. f7^ a tempo
MATH.
^he's as worth - y the love I g;ave As if he'd been a King! A
^ ' i ' ^' H
V^^'-|> j^ 7 Jr5^^^:^
a tempo
24514 C/
82
MATH. jl'i; J p-^p-ghealth to the bride -groom!
mfk
CHO. A health to the bride - groom
^ 7- t E ? T^[f, ^fiA health to the bride - groom!-
j''vN nl^y f f ^ -P
tty^m^
f *
g
^
^
^ /^?Nf^
iJEREMIAH
.
s^ 1 7 J^ :t=i: P ^^
*h
Now do. Miss Prue! It's
^'^U },} if^M-it^
^ Wi:P
^m=m
JER.^mi^t ^^ ^5 7 7 p -Tn^ f li.\^
24514
83
Con spirito.
1^ J' ^JER. ^know. you'll like it rath - er-
-^ ^ mf ' f f f
^3 f 'f . ^^ ^7 ^=^M' J' tJER.
do,.
CHO.
^
and so does fath - er!
A
We
Xr
know.
IWe know.
m ^^ 1^5 "1
'F^ 1Tf 'f^ ^EEi E
y f '? r f^ 7 1 -^
^
t h J' i' J' ^^ EE^CHO.
.you'll like it rath - er- He does,- and so does fath - er!
'h 1 (! F P mm :^r
you'll like it rath - er- He does,. and so does fath - er!
f ^7 h 7 ?'f=1
S S3 4p J'^' IJ _flCHO.
SFill up. and clink your glass - es,
F^1 Fill up. and clink your glass - es,
I^3EE=aEEE5 i^W 1 1 ^ i^* ^? ;f^f^^^ ^^ ^
^
j"'
1 J>
I j' n h ^ ^pM' J^ J'
lJ pv
I g:^Ji/ |
^p g p^CHO. We're not .
like Qua-ker lass-es. Though she will not have her share,Well
n^^^|g^H ^ftas #=ff;e^\
We're not like Qua-ker lass - es . Though she will not have her share,We 11
^rf
mrf^^
^^m
'trtrr i ^24514
86
CHO. Ai - ly toast the hap - py,
^- F F !gai - ly toast the hap - py, hap - py pair
rnr^.
rnrr^
*CHARTERIS. ^ Becit.
^ J J' :Now one toast
CHO.^^
>
^^JE
^^/Ts
yp^^^
5EEt
/Ov
3^|E
V w ^^ ? V ^more - Let's drink to Love!.
-^
^^Let's drink to
^=^^
Lets drink to
/pvJ3
TONY.
CHO.
24514
86
TONY.
Come primo.
'^^'i ^-t 1 E ^5^ 7 7 J ^ 77 a ^ 7 p | |>J^ 7 -^do, Miss Prue, A glass wont hurt you! Thee knows it goes Quite
Pm7 IJ J T I i m m^\'4ii^
-w
^ a:^= l_j__ z:3^
TONY. jt j, ^y J' l J'^Con spirito.
:a^E^ S
well with vir-tue! Just oneT=_ there's no -thing in it!
^m ^m 1 1 ^ ^^1* A f \ f^m ^
f f7 N 7 ^5
J i^ m^ h^iz^\} - ^^^^ \j M 1 1:ho.
^
Just one=_ you must be - gin it! She will drink it, we'll be bound, To
ipp F Fir F '> i F^ n FiFFF^Just one=_ you must be - gin it! She will drink it, we'll be bound, To
m 1 ^E^ fei i *g*if' f f'P^5=53 S ^
l
^^j: p^^^bg^ iffiiEC fCHO. Love that makes the world,the world go round!.
-n F-FH iF F F F i F ^^ ^' Love that makes the world,the world go round!.
1^?^s i
j"^;^?^^^^
j^.^?^^=^^^
-^;^
^^F^
^
te
K24514
87
Moderate. PRUDENCE.
Sa S7-xr-Thte asks me, so 111 a - gree,
tk==^gV ^;
J i urr^^''1. ^ ^ ^^
f ^5 S^
r^
ST
^
O
^^^ :t
PRU.
*
r> r\ rs r7\ r\ /TS
^f^ p
' -^ P I f T' ' r I r i^^^fLove! to Love!
.
to Love!
r>
yfF^
S -s-./^
Ir^
n.^r^rfm
r\ s ^ o
^.^
r\
^gP ^
i
^
m24514
88
PRU.
Allegro non troppo.
ri-ij) >|J ^fe^ ^s iLove, though I nev - er have met you, Love, that I
^p tt^ ^ *
^ ^ tt ^==?E3^
W^^ m% si ^ ^ ^ ^ ^^
h, J J' J' J iJ^ J'PRU. B ^ 1liev - er may meet,. Those who have known you and
^^ i 4-r^ J=E^ J nnI. ^ ll p^^r r rl
iHi'i. r^r3 n
^ ^ ^ ^^^
^ E ^^PRU. ^ ^ ^knelt at your throne Say you are cru - el and sweet!.
M-j ^ H_ t
^r ii.fr"
gg^^^^ ^T^T
^ W^^ ^ 7 ^1 '1^
t N li I J iJ'' i^PRU. ^ *Some would be glad to for - get you-^
V '^-ur,yWSr.m ffi
f^^ ^ ft^ ^ ^
24514
89
PRU.,
jiJi.I
I
,, 'Hi [^^You are so sad to re - call Ah! be what you will You may
Mw^ *-^n'l. :S c -T
^
r
^
3:
^F^^
#=i^^
PRO, fe ! I' f llp=fcome to me still;
E^ i EE^
mT-%1^^
3:
^
Love, you are lord of us all!
m^f
^mr
^=^
rM .
^^
iMr^^w
i=
I * , TL-TTI.&^r^nr-y^-nfE^^
Love, you're the bright - est of bub - bles
.
i B^^Ei^E^>)^^r^ ip-fH^^^^P-"^=^
Out of the gold of the
Love, you're the bright- est of bub - bles.
mm
Out of the gold of the
awine:
f ir p p=Fr-
'i^'p \ r fLove vou're the rleam Of a won - de
^Love, you're the gleam Of a won - der-ful dream,
m ^ f > i f ?-? ^B p i r p 4.
wine;
^
_ Love, you're the gleam Of a won - der-ful dream,
t^^^^
r1
-fJ-p-^
J J~n^^
24514
90
m*
ji jiI
iiJ ^j-' ^ ^^Fool - ish and sweet and di - vine I. Yet, though the
*Ni-rf!MT lip P i^ ;t
Fool - ish and sweet and di - vinel. Yet, though the
i *Sf_r ' ?
p^^T^~^ Pr^f ^T^T ^ gj
El^^i-'l
J)^ p i ^^ J
t
^
i^r i i^'p
1* IJC^2 ^
most of our trou - bles
.
%=(N^Come when we an - swer your
l>4
f f T iT g iSmost of our trou - bles Come when we an . swer your
ji^^ i-J^ i -^ ^T T^ ^^ ^ ^
s^TTir^rP*IZZ
call, Oh! all of us bow. As we drink to you now-
^iE p p if
^p r4f-^^^scall, Oh! all of us bow, As we drink to you now
^=e24514
91
^
^ i^Love, you are lord of us all,
iv> I f[^
hi MLove, you are lord of us
^Pi ^^ ^^^^Love, you are lord of us all, Love, you are lord of us
mf^
^
f *JT
# (^
^=^ ^=t=i=t
iB^
^tif
:B
g
i^^^^^^
all,. Love, you are lord of us all.
> ):i
l,
?S / i r ^i-TT tp ^all, Love, you are lord of us all.
fc=
g^^^N^ I fetit^^W ij rs
if f t fdzerre
^^^
fEf i i i >
^^^ipp^-t^f-imH^ ^ ELove, you are lord, Love, you are lord of us all,. of us
..:^^=fe^f^f ff ff |f ff ffI
f- if if if II
Love, you are lord, Love, you are lord of us all,. of us
W^\ wm\r,
:
m^
^i.
* ^.
=' J
m\'fff_f
m ^32?: E
E
* ^.
24514
92
)
^Allegro con fuoco.
I ft ^V;'all!
S I* >aU!
Alleffro con fuoco
jt''M',
;
i
,j'j J^
J ^NATHANIEL, RACHEL & QUAKERS.
&: ^''|M(/J' J) SS
What is thee do-ing-here?
.''
I.M' '^ I' P r Ci^What is thee do-ing here?
^m^
^):ik k. ^^ ^^Vr~r"v~^
i^te^ 7 ^ -
^\f,\>. . i* - 7 j^ - te;^^^t=^^1?
^^^^
^JEREMIAH.
QUA.
J' J^ J jl J'No, she won't, ne - ver fear!
I'l J) irymrn^^EE^Come with us, for we com - mand it!
^^ mJ I P ^^Come with us, for we com - mand it!
24514
93
JER.te ;i ii J J' ;, ji ^stop your talk,_ we will not stand it!
'Ifl'i^^ f ' j'' h h jA-fefe
y^ ^ J' r-^w J' ^
p pJ ^'
p r M' ^' pQUA.
Come a - way, reck -less maid! Do not sit a - mong' the
^m 1^ p r P P 0-^-^;-Pp P r p p-^^ ?;Come a - way, reck- less maid! Do not sit a . mong the
pn f ^ i ^^^r^^y
1^^%'iH' - ] ^ ^h J) i) i)
p: #
JEREMIAH.
^ 5EI P ^ " P =You need not be a - fraid,
m^QUA. scof
- fers!
^ ^
scof - fers!
MjL ^
94
JER. ^^^^^mr p
'"?
Take your chance of fun that of - fers!
toJ-'^V^-P
^'^^'
P 1^
QUA.
^Leave them all
fup - on the
B p r P M F:Leave them all up - on the
p^ Xj) 1 p j '' JS i i jiii i lt-^
l^n'lXl . -y^^ ^^
^^
J
^s ?^J^ J' p-p J: J' pI V-
QUA. spot! Or we say we know thee not
,
m^^ p p r^p p p ^-^n E*spot! Or we say we know thee not,
U\>^' r''f r I r T ^ 311 J^^ ^iTil
QUA. Or we say
.
a.
we know thee not!
'H\W\~^' ^^ \ \r rOr we say.
P^^ llt>VPwe know thee not !
.
^ ^5 i24514
95
i
Allegro vivace.. MADAME BLUM.
^'li J J' ^
^ ^^P ^Sa - pris - ti! Let them be! Come with me To Pa - ris!
2 7 7 j^ =^
y~f^'^ 1 I t$ 7 7 j^ ^ ) 7 7 j^ ^ "^^ 7
7 7 j: =^ - 7 7 jt 7 f y ^ ^
tMATHILDE. rif. /^^ a tempo
W^ ffCome with us, Come to Pa - ris Ah!. Pa
r\
^^ ^fr=T 231:*c
^^ ^
;-7/.
;^'y^^^e-7-^y-^ =7M^ -?
^
/Tsj n tempo
tm*
i
JtATH1^ M F ^ i s M J ji- ris! That is the place to see,. For love and song and
^ ^ J J 7 I ^ ^-s^
>Ki i, rT^- 3^: -r^-^^e
MATH.j^ i ^y^y Elife and lif^ht, And lau^h - ter all the day and night! Ah! Pa - ris!
^)nM^ r-r^ rr^^f rTJ rrJ t_ m^24514
96
JUTH.P P P ^ ^^
Mer - ry and gay and free!
rit.
J V Ji I Ji Ji^ SThe flow - er of earth, the
s^^
^d ' ' A^
rit
7 7
7 7
7 7
O* a tempo
MATH.p
^'
Pr
r i r p r p ir "^ -^
^
mo - ther of mirth,
ITS
Pa - ris! Fa - ris! Pa
^^ i j ' ^ *'~i' ^ J ' fo tempo
J^^-^i
^
^ -^^
^
MATHILDE & JiLADAJIE BLUM.
4^''?'^r P ir ^^^^fM
Ah!.CHARTERIS.
Pa - ris! That is the place to seel. For
ff =zz ^^^^tAh!. Pa - ris!
I A , AVILLIAM, JERRY i CHORUS.;^^^
That is the place to see!.
-^m
For
^^^3?^
^
Ah! Pa - reel
^^-f^That is the place to see!
^^
For
g pitAh!. Pa - ree!
mThat is the place to see!.
3For
ia*
/^^ rn rr-3 :*=2r
24514
97
MATH.&
M^.f B.J h i Jm ^^ d' * ^
love and song and life and light And laugh - ter all the day and night!
^^ JL- l J Jl ^mCHAR m m mlove and song and life and light And laugh - ter all the day and night!
'p' J J. J J^J J^J J. M J h^CHO. all the day it's quite a sight, And then there's twice the fun at night!
>):^i, r IT r N^^ ^^^^Eall the day it's quite a sight, And then there's twice the fun at night!
^^
^:|J, jT^-f^ ^ ^ ^^^
MATH.
W^l*- B.
CHAR.
g ^^ 5 ^Ah!_ Pa - ris!
^
Mer - ry and gay and free! The
ffi: ^^ ^5fAh!_ Pa - ris!
'
^ P- f ff^
Mer - ry and gay and free!.
S
The
ssesp F r
That's where I'd like to be,
^''
::M:
CHO. Ah!. Pa - ree!
^ A f f =^=#^ F P r pI'd
^r-^
Ah!. Pa - ree! That's where I'd like to be,. I'd
*V Vi
ZC'i^^^1^^^V4- ^5^
>^w-
l^M^=:i=e rn rn
24514
98
MATH.
M"!'' B.
CHAR.
irit.
flow - er of earth,
f7\
p-L^-^'p F F
I
^~r^^^^^^'^
^^the mo - ther of mirth. Pa - ris!
/On
Pa - ris! Pa - ris!
.
^ P
5=^
s p " p r ^the mo - ther of mirth, Pa - ris!
-?-r-
flow - er of earth.
rit.
Pa - ris! Pa - ris!.
^^^5^^EE^ rrrg i r~ p -tM^F
CHO. give all the earth. To get such a berth Pa - ree! Pa-ree! Pa - ree!.
#
P'> ^' p f p ^ ^ I P P^
^_C I
tzt:
give all the earth. To get such a berth Pa - ree! Pa-ree! Pa - ree!_
j^^4j 7 *=4=^ ' I
i ^ ' f-^Hf- ^^=^
r/-?7.
?^ iSrzzt :r2i *a^ 1 6
r=F=f 7 7 jT=^T
i^ ^! m Ov:2-2z gE^zaon*^ !J^ 7 J^ ^s Eggs./C^
.V^ b'' iJl -l-T^tac ^^P ^-tM*- ^^^i^=^^
/?\
:5zrSi ^Sl>5
*
Moderato.
i ^iE e m^p
'} k''i> *i J f F: i ==:? #
24514
99Andante.
I CHORUS OF yrAKEKS.
IW^-^^^^^^^^^+f^-J-i^^J^Thee h.T.s chos - en, it's the end;
^m h ^=^Thee is now no more a Friend!
:m -m.
Thee has chos - en, it's the end;
Andante.
r=i=^f=jThee is now no more a Friend!
r^cz^i
QUA.
H^fsa^~fT^^ fes
^Go with those that laugh and play
f f f f .^
^i==a
^f' J. ^
^ " r YTill they lead thy feet 'a stray!.
m^
\ 7^^ '^EE. ) PP fe ^Go with those that laugh and play Till they lead thy feet a stray!
J
^ tt^=t=itt j^-j-t^QUA. Thee m^iy laugh and jest and scoff
^ ^ VThat to - day we cast thee off;
ypresc. JL M. M. LmF^^p*Thee may laugh and jest and scoff That to - day we cast thee off;
feM
^$ jt^m nmi ^ i f t f
~cz;r: ^^24514
100
QVA.
'^^^m -?R-dim.
fer if=
777.
PPThee will see the end and know,/ ^ # JT il^
g^,,,-tfff^Find - ing^ no re- pen - tance-dim.
I
Go!
Thee will see the end and know, Find - ing no re - pen - tance Go!
^i> EJ \\^MATHILDE.
M. fc^^^
'
Come,
P
my dear. It is - n't worth
i' jw j ^p=t^ iThee is now
QUA.
^Thee has chos en,
-Sl-
it's the end;
\^-^
Thee has chos - en,
CHORUS OF VILLAGERS.
it's the end;
te^ ES
Thee is now no
fe^ i^'^ J J i iShe has chos en, it's the end;
?>^#-^=^She is now
^She has chos - en. ifs the end;
itefi S^^^ #^^ *=t
She is now no
^m. * "Sei).P T > f I f >^
* "la.
24514
MAT. I fil^ '^ Vtear,
PFff i rFor if the old
#life's done
^^'^M ^
101
The
^5:3!2=
QUA. more aFriend!
^Go with those that laugh and play.
h
fill they
^'^^ P F
Go with those that laugh and play,^f=T=f)
kfe^Friend! ueh and Till they
ia b ^ .^ .g ! -^VIL.
more a Friend!
^i
Hut may be she'll find to - day She has
f T y^re u Friend! But m
I
ay bi' shell find to - day
^She has
^^^E sc[^ i EEE^ fi.^ 18^^W^
'tSa.-'
C^^!5^^ ^'^. **^. * "Sfi). *
fe P i gM ^^l^UT.^
is be ffun- So for - get; You will be
>it ll . ^ ^ ^5S ;^ ^ W*QUA. lead thv feet ar^
^f *
stray'
m--m- -St-
Thee may laugh and jest and scoff,
'>i'& P ff ^^
i: t=fe
E
^lead thy feet stray!. ee may laugh and jest and scoff,
-^
^ J^4^-.KH^^VIL.
f=^kind - er friends than thev!
^^
Thoughshe'd ra - ther weep than scoff.
^^ ^^kind-er friends than . they!
^ ^^
#^ ^> Ss3Pg^ ^S.
^^jxn i iTht)ughshed ra - tlier weep than scoff,
ia# #El ^m24514.
'Sa. * 'Sci). * %D. *-j^.
B HI^=1^
*"Sa. *^.
102
MAT. te:ere - seen - do X
hap^
li* ^py yet,
seen - do
P M I F F >p F MThere is an - o - ther world for you to
i i /.m ^^^^^fQUA.
at=That to - day we cast thee off;
^k ere - ^scen - fLdo M- P.Mscen ^do >
Thee wi ll see tne end and
^ ^ ^ ^ f f \)
mThat to - day we cast thee off,
^i ere - seen - ^do
Thee will see the end and
;^
seen - .do k. X.
^mf^ FfVIL.
\Vhen her pco - pie cast her off,s k ere A seen - ^do M Q.
^m J J p" f'"' I
She may find it bet - te r/ *u f r>^^When her pro - pie
P^^ ^
cast her off, She may find it better
ere - scp}(
r=r
r=K z: \=le "Iff e g^
ffi
IkUT.
i^-Sei).^
dim.
m ^^ 32p
know! Say good - bye and let them go!^
kfeE:=f
dim-
T?:_j : _. r. J.
She shallP
tniia ^QUA.
^know! Find - inff no fe - pen - tance Gor^
_
dim. I -
iShe mustPa
iP M p p E fknow!I
ktFind- ing- no re - pen -tance Go!.
dini_
i t
p- iShe must
S ^i 2lVIL.
^ te.Say g
^'^. ^-Sa^
24514.
MAT. $so'--
^ ^. rif.
she shall goL
rf:(.
r>.
^=^
108
7 lU */
=I_ Ov r\17 B
1''^ ' f;
le must go! ^m EQUA.
goL
^she must
^ >y.~/>^
^P-
^1^ g r\^ ^^go!
^-^^
she must p;o\
^ irtt. r> r\
m ^r r I r^ i y 0'7
g;^
VIL.go!
^^
she shall go!
/iV.
^t /r\:^ ^ ; 7 UgoL she shall go!
M^ i =ii ;i/O^
i f I I I f:-^ ^
P P ^s
v^'i,^. F ^ f F
^
^ e3: ^ ' " -^^
Allegro agitato PRUDENCE.
MAT.
PRU.
24514.
104
PRU.
Piu lento. Allegro come 19I ,
^^"^"^"-, k k rail. I ^^^^S^"^"!"-^^-
What-ev-er life may give, At least, at least III live!.
m^ ffi ^^5==
r=^w. t^=^=% J=^=lrail. P
^ ^^-e~TT
^^''1,
JI
,
J> J^ I J life^ MJ J' J'PRU. * ^Life with the love and the laugh - ter.. Sor - row and joy that you
^^^s ^m m i i^^f r^S ^ ^ ^ ^ ^^ ^^ ^TJV^ #1^^PRU.
give,. You are my choice. To re - gret, or
fe^ ^ ^-^^ ^=sm ^ rn^ r r r
S -^ ^ ^=^ ^=^^^^^ ^ fi J ' I iiJ tJ' ^' 1^ ^PRU. S::^
-joice. Life that Im gt* - ing to live!.
SEi ^ ^ ^^^^^ f^S j*
' f
^5fe
r^h 7 ij^
24514.
105
fc^.Tutti (except Quakers).
^s P ^2CHO,
Love, \sith what - e - ver comes af - ter,
fn,\ p p i r ^p p iT Jdl
Gai - ly we
Love, with what - e - ver comes af - ter,
.
Gai - ly we
fk=* P^^ i ^f=y
SErl
Si i C^ ^ C^ ^ ^
^r ^p p^^ ?>
CHO, an - swer your call; So
.^^'1, ^ P P
do what you will. Me will
X % X^1^an - swer your call; So do what you will, ^a will
feiSi=
^
Twr^ ^ t^ig
c^ c^
CHO
p ^ gp i fPF=yfo! - low you still. Love, you are lord of us all,.
Vi\^ *P P 1 ^ M i r p P fi T /fol - low you still. Love, you are lord of us all.
fef^^^^:
f^fe^^F^ ^
^
IE
^r
P^=^ P=^ ^
^^^
c
106TUTTI
F PN M I .^ ta
tHf),VI L. Love,QUA. Go,
you arethee is
lordlost
of usto us
all,
all!.
^ *^1 ^ 3EZI VIL. Love,
QUA. Go,
Syou arethee is
lordlost
of usto us
all,
all!.
^^m i ^s
ft t i m
CHO.
WS w ^CHO.
Love,Lost
you areto us
lord,all!
VhS, ^ r T^ ^
Love,Go,
youthee
are
is
i 1^ ^;2E^2lordlost
ofto
^
us
us
Me1 Love,
Lostyou areto us
lord,
all!
Love,Go,
you arethee is
lordlost
ofto
us
us
^ ^ f: f"
24514
107
(HO,
J
CHO.
S i 1
m
Curtain.Allargando.
(L v\> ^^jy
^F^W
m.
m# Tf J J-]?^
Ijn/ Tl^^S& ^
3:
/7\
END OF ACT I.24614
108
Act II.
N9 10.
Words byPERCY GREENBANK.
Allegro.
OPENING CHORUS.
Piano.
jr ft J, V T ;^ -^f-^
W^K 7 > h :=:
h hi=: :
P^^^^
^Mfi'* ^rir') f Ff f
JJ:
;>-i^ ? !?f l: ;
ii
pit p ^c^.'y I :^ rlLT*C-Lf
I
^^^
!# Ii#--?. j^.l?5
;iJ3.j?3 JTJ^i^f^'P^93^s
*--^^^
^^
p^^^r
i^a^n
- '' 7 7 j:
24514
109
I
CHORUS OF MILLINERS.SOPRANOS i CONTRALTOS
H^ J J' I ^ MU-P-5-J!isa, ^In this a- bode Of Mad-ame La Mode Ev-'ry- things bus -tie and
iti - J i - I i^ ii^ i i' i^i '' i
y^Ti' V ^ i 1 T r > ^ I* 1 1
i^ ^ ri -b a.E^ ^^^^^ g< *
flur- ry and fuss; Ear- ly and late Our cus - torn - ers wait,
i^^
^^ f iIff r^^^=J~^riE w y ^ y 7 \
i-HA--i' J ^ J' I i^^i^ ^5 ^^F^ ^
Giv-ing no end of com - mis-sions to us. And, if you'd try To
^^ W^ i - i i -'^=5-y j^ V ^ h T ^ =^^^ 'I V ^ i:
P ^' F P P P ? F ^M J' p p ^as - cer - tain why We are en-joy-ing so great a sue -cess,
\m^ 1 7 :^E^^^^^^ ^ ^ y ^ I24514
110
W'^ J' J'Jm jm J'i i^ J' hj^^ I p p p p p pWell, let us add, So - ci - e - ty's mad On a cu - ri - ous fad In their
ti o a SCP cox. SOP.p IT P P p '!|g^ h j'^ T f
style of dress, A cu-ri-ous fad! A cu - ri - ous fad!
M:f H '^ ^ i^ 7 E P^^#
P^^ i *f i7 y 7 7 7 7 7 7
rf^ii> , ,C0>'. TUTTl
h ^) ^ Ih 1 ^^ ^' ii i) ^^^^^P i-' P p ^ ^^-*^cu - ri - ous fad! A cu - ri - ous fadl A cu - ri- ous, cu - ri - ous
i^=^^^ w^tr^zi^* P- ^J m^7 7 7 7
iM: M M P P ^^fad! Ev-'ry- thing's bus-tie and
m^m
^ ^^'^
i
"J tfJ p
i ^r
^m t K
f m
^^24514
Ill
m=^ ^m^ m
flur - ry and fuss, Ear - ly and late Our cus - torn - ers wait,
afc^^^ ^ ti=fc f=l="=fi^ h y V f fi ^ > f
it^tt^^iii h J' ^ JP M p ^)'
Giv - ing no end of com - mis-sions to us. And, if you'd try To
f'' r^ i-' a ' i T^T^-^^w^ If K y y
^y f i =L^ 7 ^
r7
JM ^ h hr r- I M P p p 3tas - cer - tain why We are en - joy- ing so great a sue- cess,
**:
i- ii-'i ^^ * * IS-^ y y i=Z1 7 7
r/J?tJ . , ^i I' J' J' mr^P IMP ^2EESEE2Well, let us add, So - ci - e - ty's mad On a cu - ri - ous fad In their
Pi' i *i m ^ ^^a f-1^^ iy ~T~1^y y -^y
^
y yW24514
112
I'fifcfat:
^=f i^
-t
^
style of dress, of dress!
ti r[^i,33Fi*
-te- it^
^ 7 r^ ^mf
E^^/ Jh vi fe
^, i rf^rf [fffffr|
fffff.r|f.,.rT.|
f.;M^I|
V.
yy } }%^ t f!f f
;IM ^Efc^ ^E ^^ ^^
Moderato.
^
f?=^ ^ f J J J P 7 g^ ^.K ifca:' T ' d^^^v//" fon
'y.i 'M f J i ta t jr *SOl.O
^ ^ ^^^1 ^Fash-ioa so soon de - thrones Frocks of a by - gone day;
^'^ F * r
t^^^^^r^ i
-^^-^ ^ i
t~r^
^
"T
24514
113
m =JF=y r I r p p r ^^None bow down To the Em - pire gown, Or own the Di - rec - toire
*^ ^^P=*sway. Where is the hob - ble skirt
Srrrtn
Ml, i '1^ ri J
* ^
7~T i~r
^H ^^
J.
^ iPop- u -lar once a
i C i r
w
^^r~n~T
m3EE5 ^ ^ i fe^
-while? Pa - ri- si-ennes fair De - cline to wear A cos-tume cut In
5* W-a ^
^ fe-?= ^ii ^..j J- umMr ^ r
m m
*% j^.i J * * /: f^a -ny- thing but The Qua - ker style, The quaint lit-tle Qua- ker style!
^ * ^m 3f r J r rwr
m^5T J
Li j; Jy
f T" ^24514
114
^ m i p H r s ^Fash- ion so soon de - thrones Frocks of a by - gone day;
^-n J.J ^
|j"iiJ '
' Ml I r r r T p P: iNone bow down To the Em-pire gown, Or own the Di-rec-toire sway.
iy T r
r
^y-h j T J P
^ ifeffe i PH r ^ ^5Where is the hob - ble skirt, Pop - u - lar once a - while? Pa
f^^ ^ ^ ^ gEp^^^ mri-si-ennes fair De-cline to wear A cos-tume cut In a- ny- thing but The
^^M=^^
24514
116
^ f P^ Tempo I.
[^Qua - ker style, The quaint lit-tie Quaker style!
WT=rt^kJlll
r Ir^^
J ^ J
^^m
M II > ''>??>Stf
r
m^ f T" EV WW wTCTTI
^^ fa^ ^P P P M f^^< aMadame La Mode Ev-ry-thing's bus-tie and flur-ry and fuss, Ear-ly and late Our
4''*i' ii' i m w i'iw'irr^ ==*
^r-rm^ y V =t y y j; ^7 y i ^
^^ ^ 1^ j I j^p P p p ^ -^^
4^cus - tom-ers wait,
^^
Giv- ing no end of com - mis-sions to us.
I I I -f ^'.V^'/ Ji V r ^ ? V # 7 y j) y y ^ y
24514
116
i> J' J^J
^' IJ'
p F rf0^
ri' p p p mAnd, if you'd try To as-cer-tain why We are en - joy - ing so
r i i - ^;^:
^l^' } -> y i y
i ' I f^) y y i
A t ^^
"'
/ y J 7 y
J' h h* p I' p r P I p P p
J^ j^ [)
great a sue - ce ss, Well, let us add, So - ci - e - ty's mad On a
*t H5="=?^S 1 1 i
*^=f j> ' j>
^ ^ V . J= T 7E > 7 It
iA ^5i J' J ^' p~7 7^= ^ ir\
cu-ri-ous fad In their style of dress,. of
tempo
l^(l_|l
I
/Cv
dress!
f a tempo
7-H^ J }} % IMi^m^M^^!^ #1^ "by'yj y
24514
N9 11.
Words byADRIAN ROSS.
SONG.-(Phoebe)"PETTICOATS FOR WOMEN."
Phoebe.
Piano.
^ Allegro.
1
^-r r r r q.:>;r""s j^sa^
# .
^
ma^5^^ ^
117
1=^ ^
fr-j' j^ j^ \-\) \) J J)rHG-:. ^5 ^5l.Moth - er told me,2. Girls were not like
so did Aun - ty, So did peo - piemo - dern hus - sies, Tied in - side a
ev - 'ry - where,sort of sheath;
5^^ f h 7 , 5 f^wm \ 7 -F=^ ^ ^^ ^^F=^ ;> ^ j'^
fe^^^-^^^^^ I ii ^ h J' J>rua^ ^^^
Pro - per folks were neThey could climb on top
ver scan
of 'bus es,
In
Look
-9the waying- love
of
ly
p^^5: E^5
^ #J' J' J^ J^ B ^^5^5PHfT.
un - der - wear!from be - neath!
m^^m
:E
^
Hea - then dress wasWhy, it made you
h 7 h ^E
slig:ht and shad - y,sim - ply diz - zy.
}) -f i) ^
24514
118
PHCE f* J' J' J' J I j> J>have
raise
J^ J^ ^\wper
just
*
feet
like
But they wished toWhen a girl would
me note,
her gown,An - yThat was
P w-Jl w
^^ ^ ; ^ ^
; J' j^ j^ j^ J) ;> ^PHCE.
Bri - tish la - dysome - thing fiz - zy
J/ - ways wore aFroth - ing o - ver
pet - ti - coat!
up - side down!
# ^ P E fM f3: a-^ ^
i' ^ i ^ ^^ ^*
REFRAIN.
^ PPHCE. ^Pet - ti - coats for
Pet - ti - coats for
^=*^=^
*r^
wo - menwo - men
^ r"f
g#dim.
t=^%=t ^J' Ji J^ J' ^ ^ ^PHOE. P
Once were full of grace;Used to look so sweet
Some of them had floun - ces,When they held their skirts up
24614
PH(E.*^^ S
* T-^i t
119
^^ i ^Some of them had lace;While they crossed the street!
Then the fash -ionsNow through all the
al - tered,
pud - dies
rH t^r r f
PHCE. j ' J' tJ' ^' J' ^ ^ I' J) |J> J' JDon't know why or how, So we don't wear our pt-t - ti - coatsWe have got to plough, For we don't wear our pet - ti - coats
^ J 4 J f^
T^~rirn
^^^r^
PHCE.
fhCE.m t> J' J' J' I j i Ji J' J^ I3. Now - a - days we've changed, I know it;4. Here I feel so lost and chil - ly
j' iTTin
f e*
m ^j^ ^ > ^-
^ E
'I:E3
24514
120
PHOE. i h ji Ji Ji ^^? 5EEE5 ^ 5^5r-If you have a line, you show it,
Give me some -thing nice and fril - ly.Some-thing tight isNow the pet - ti
mo - dern taste;coats are gone;
^^ ^^5 y^h^ k^
^^ ^ h '/ ,^ p ^ ^f' J' i' J'
I J^ J^ J' J'J ' i' J' S'PHCE. ^5
When it is - n'tLet me know I've
near your waist!some-thing on!
An - y - one who's look- ing at youWhen I'm back a - cross the Chan - nel,
^^ ^t
^m J' ^ J' ^ 'l T ^^ a- M' ^
5=5^^fi ji jr^n ji^^ ^ '' h \)PHCE.
With a glance canIn my Eng- lish
tell your form;na - tive place
You are like a
I shall buy amar - ble sta - tue,
win - ter flan - nel,
:s PP ^^ ^ f"I* n -u
^^ ^ ^^E ^ ^=^^^1^
* J^ J^ i> ^PHCE. ^Feel - ing just aThen a cou - pie
bout as warm!trimmed with lace!
24514
121
#REFRAIN.
PHCE W ^ h J^ J^ 1^Pet - ti - coats for
Pet - ti - coats for
wo - men, No one ev - er sees,wo - men. Such as moth - er wore,
* J' i l> > J' f' S> J) h^PHCE. uNow we wear our
I shall have mywaist - bandsold friends
Down be - low ourRound me soon once
knees!more!
SEE*^ PHrE. ^ ^We shall all al - low That weAn - y - how I vow That I
When the win - terFlan - nel - ette or
freez - es
Nain - sook,
1' Jm ^' ^ J' r i = 11PHfE.^do want our
will Wear mypet - ti - coats
pet - ti - coats
now!now!
.
*^
g^^ T^
l^^Si
^
y h y
24514
122
:iDANCE.
IP m^ TTJ7 ' 7^
' r ' r
i
' T ' r
^
' r ' p T=^^^^^
* 3 ^^ ^# #J, f rr-f ^r^T7 ^T^ 7 jr ' p^^
r^^
-
f^
o
/?\
h Y ,^^
24514
123
N9 12.
Words byADRIAN ROSS.
GENERAL ENTRANCE and CHORUS."ON REVIENT DE CHANTILLY."
Allegro.
Piano.
/WORK GIRLS.)^ y WORK
P M p P M-M I r p 'On re - vient de
mChan - til - ly!
M ^ t
Com - ing- from the ra - ces
-#:-*:->
g
^
^'" i 1 fj ^^ ^1^ w^wM (! P IM ^^ ^
i
They have won, as we can see
^ # ^ * Jt .CBy their hap - py fa - ces!
M.
^
P Pfl J* ?^ ^ 3* a^ j.i J. ^^g> i' P P J' 1^ s K^ ^
0 re -vieni de Chan - til - ly/ All of them are win - ners;
^ Hi i ia M f Esi
E^ r^-f^ p-3
g
3
24514
124
n;,"!' [ I I' iii'^ s F^^
There 11 be gloves for us, may -be. Gowns and lit -tie din - ners!
a
W*i* *=i
n ^ P ^=^ mm '*^( F M P I r^P p p M p ^
0 re - vi
125
i[^ ^s
^mr-
f-ap
f
t
f^ ^f r^^
sfg ^ t
TENORS & BASSES,
r r r I f r^^g^SEisaWe're back from the ra - ces With pock-ets and ca-ses All
PI^=^ r^ f^ r~f/
'}-h C i I ^^^ i==f i^ :fe^ i^S ^^
burst - ingf with pa-per of hea-ven-ly blue! We like a love - let - ter, But
^ mr^ i=t r% T=r
*
S fes* fet iEiEEfc t* I^ fe^"r-t^ f rb i 1 e^s^ p
these are far bet-ter; The bil - let de mille is the true bil - let doux! The
^m^ ^
**
^
^^ W
24514
126
J
^ ^ft^ a tempo
itrue hil let douxl-
piAnd it's all through the
^w fw^ f* *^-1*11 J I
I
n tempo
1 I^E*
iluck of our Mas - cot and maid - en Our hearts are so
h iii i f^T?r r r=r=f^^
i i i I
^^ p fertt. *
/7 tempo
h Jk J^light and our pur - ses so la- den. The
-zz
lay - er, the
1^1 ?-fr^l^f?^^^^^^ i
f/ timpa
m i 1 # F^back - er, the wi - ly book - ma - ker, They're left at the
ih r~rim i
*^
f
r r t *^r f#^
^_ _
24ni4
itfcfc
s
I'" l^^f
im , f f
WORK GIRLS.^iCV a tempo
127
i-1aL11m
# r\
^^The lay - er, the
post by the dear lit - tie Qua - ker! The lay - er, the
J = *^* tempo
i i
^^J j ^ i p ^ ^
sback - er, the wi - ly book - ma - ker, They're left at the post by the
* % f \ % % t " ^ -^ I ' gback- er, the wi - ly book - ma - ker, They're left at the post by the
m^J^ i=t
^
ii-rri
t=^fWl ^
^
P^^F^=^
Js*^ J J p Ip pPi-f P-^ i
/T\
^fef^edear lit - tie Qua-ker! The dear lit - tie, queer lit - tie Qua- ker!.
r rr iff riff fif r rdear lit - tie Qua-ker! The dear lit - U
128
Entrance of Mannequins.,
^ ^Allegretto grazioso.
mfe^
Allegretto grazioso.
S 1m]
^^^ T31
^^i^^
OTj J"J^r
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