Transcript
Page 1: Showtime Fall 2014 | Issue 7

P DCASTSOLIVE!►►►

Audiences support their favorite audio shows on tour, PAGE 17

INSIDE:

▪ Keeping it Reel In The Projection Booth

▪ Meet New Board Chair Scott Harmon

▪ News, Photo Galleries & Event Listings

The Official Magazine of The Carolina Theatre FALL 2014 | ISSUE 7 | WWW.CAROLINATHEATRE.ORG

FALL CONCERT SCHEDULE INSIDE

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2 T H E C A R O L I N A T H E AT R E

SIGN UP TODAY!Contact Treat Harvey at 919-226-8878 or [email protected] or donate online at carolinatheatre.org/give

BESTSeats

FEE-FREETicket Ordering

ACCESS to the Donor Lounge

Membershiphas its benefits

Membershiphas its benefits

When you support the Carolina Theatre you’ll feel like a star - sitting in the best seats and enjoying a VIP experience at the great shows we present. More importantly you’ll be supporting our mission to present performing arts,

film and educational programs, as well as providing a home for a variety of other local arts organizations.

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B OA R D M E M B E R SBOARD OF TRUSTEES

Scott Harmon, chair Michael Schoenfeld, vice chair

Leigh Vancil, treasurer Ryan Smith, secretary

Richard Arnold Matthew Coppedge

Cecily Durrett Cora Cole-McFadden

Ronnie Eubanks Sandi Haynes

Lisa Long Jackson Ellen Reckhow

Will Sendall Christy Simmons

Mark Stanford

BOARD OF AMBASSADORS

Sue Beischer Susan Coon Earl Dowell

Shirley Drechsel Pepper Fluke Barker French

Thomas Kenan III Richard Morgan Henry Scherich

S TA F F M E M B E R SCAROLINA THEATRE STAFF

Bob Nocek .... . . . . . . . . . . . . . . . . . . . . . . . . . . . . President/CEOAaron Bare .... . . . . . . . . . . . . COO/Director of MarketingJim Carl .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Senior DirectorTreat Harvey .... . . . . . . . . . . . . . .Director of DevelopmentMichelle Irvine .... . . . . . . . . . . . . . . .Director of Operations Sam Spatafore .... . . . . . . . . . . . . . . . . . . Director of FinanceChristina Aldridge .... . . Assistant Technical ManagerElisabeth Branigan .... . . . . . . . . Marketing CoordinatorCora Bryant ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . Office ManagerBob Cochran .... . . . . . . . . . . . . . . . . . . . . . Facilities ManagerPally Hrncirik ... . . . . . . . . . . . . . . . . . . . . Operations ManagerJared McEntire ... . . . . . . . . . . . . . . . . .Booking CoordinatorKatie Quinn .... . . . . . . . . . . . . . . . . . . . . . Box Office ManagerRyan Shivar ... . . . . . . . . . . . . . . . . . . . . . . . . . . Graphic DesignerJeremy Smith .... . . . . . . . . .Cinema Projection ManagerRebeka Todd .... . . . . Guest Relations RepresentativeCarl Wetter ... . . . . . . . . . . . . . . . . . . . . . . . . .Technical Manager

ABOUT THE CAROLINA THEATRE OF DURHAM

The Carolina Theatre of Durham, Inc. is the 501(c)(3) nonprofit organization that manages the city-owned

Carolina Theatre complex. Each year we present a variety of film and live performers that encompass a broad and

diverse cross-section of arts and entertainment.

Live performances at the Carolina Theatre are supported in part by the North Carolina Arts Council,

an agency funded by the state of North Carolina, and the Fletcher Performing Arts Fund of the

Triangle Community Foundation.

Advertisers MAke this MAgAzine Possible

This magazine is designed by Shannon Media – the publisher of Durham Magazine – in cooperation with the Carolina Theatre of Durham, Inc. This book

would not be possible without the advertisers who support it. We extend our gratitude and

encourage you to thank them as well.

For advertising information, contact Rory Kelly Gillis at 919-933-1551 or [email protected].

///

the cArolinA theAtre

309 West Morgan Street Durham, North Carolina 27701

www.carolinatheatre.org

Box office: 919-560-3030 Administrative offices: 919-560-3040

Fax: 919-560-3065

follow us

facebook.com/CarolinaTheatreDurham twitter.com/CarolinaDurham carolinatheatre.org/blog

THE CAROLINA THEATRE

SIGN UP TODAY!Contact Treat Harvey at 919-226-8878 or [email protected] or donate online at carolinatheatre.org/give

BESTSeats

FEE-FREETicket Ordering

ACCESS to the Donor Lounge

Membershiphas its benefits

Membershiphas its benefits

When you support the Carolina Theatre you’ll feel like a star - sitting in the best seats and enjoying a VIP experience at the great shows we present. More importantly you’ll be supporting our mission to present performing arts,

film and educational programs, as well as providing a home for a variety of other local arts organizations.

The Carolina Theatre is owned by the City of Durham and operated by Carolina Theatre of Durham, Inc.

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In this Issue

Board Members & Administrative Staff ........................ 3

Letter from the CEO ................................................ 7

Star Series Calendar .............................................. 25

FEATURES

RENEWED DEDICATION ...................... 8 Durham City Council renews the Carolina Theatre’s agreement for 10 more years.

CHAIRMAN OF THE BOARD ............... 10Meet Scott Harmon and five new board members.

COVER: SUPPORTING ‘CASTS ................ 17 Podcasts and radio programs take their shows on the road — and on to the Carolina Theatre stage.

HEADLINES ....................................... 20News and notes from the Theatre

CONFRONTING CHANGE ................... 36See photos from the opening of the new Civil Rights exhibit.

KEEPING IT REEL .............................. 40Cinema Projection Manager Jeremy Smith gives us a glimpse of the Carolina Cinemas’ projection room.

EXCLUSIVE CLUB .............................. 45 Learn about the new Club Carolina series.

Membership Benefits ........................................................... 2

Seen & Heard ...................................................................... 14

Corporate Support Matters ............................................... 16

Donor List ............................................................................ 30

Film Festivals & Series ........................................................ 39

Retro Film Series ................................................................. 39

Guest Presenters................................................................. 42

Tickets & Seating ................................................................ 49

Advertisers’ Index ............................................................... 50

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6 T H E C A R O L I N A T H E AT R E

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LETTER FROM THE PRESIDENT

Dear Friends,

W elcome to another season of ShowTime. This edition begins our fourth year of publishing a magazine dedicated to keeping our fans abreast of all that’s happening at the Carolina Theatre, and I’m

pleased to announce that we’re doing it with a new partner: the fine folks at Durham Magazine. They’ll be selling ads to local businesses and designing each issue, and we’re glad to have them aboard.

I’m also pleased to announce our plan to add a third edition this year, which will give us even more opportunities to tell the interesting stories of the artists, projects, and people that make the Carolina Theatre so exciting.

As this edition goes to press, I’ve recently returned from the League of Historic American Theatres conference, an annual meeting of members committed to the preservation and operation of theaters just like the Carolina.

We toured a number of New York institutions, including Radio City Music Hall and the legendary Apollo Theatre. We visited Broadway houses that have been there since near the turn of the century. They’re incredible spaces, and we are truly fortunate they’ve been preserved.

While hearing about the efforts of those facilities’ operators, and in talking to my colleagues in historic theaters across the country, I was reminded of the uniquely wonderful situation all of us are in.

We not only get to present great performances, but we get to do them in remarkably special places. They don’t build theaters like Durham Auditorium anymore. Today’s theaters may last 30 years, but no one will marvel at their architecture the way they do a historic theater, which will inspire a sense of awe for generations to come.

This is the second historic theater in my career. The first was a 1938 Art Deco gem with massive lobbies and a chandelier designed after one in the Empire State Building. Like the Carolina, it fell into disrepair, but was then brought back to life by people who cared deeply enough to invest time and money.

These are truly special places, and I’m grateful for the opportunity to share such an important responsibility with the others who manage historic theaters.

I’m even more grateful, that the Carolina Theatre is still here, thriving, for you to enjoy.

Warmest Regards,

Bob NocekPresident/CEOCarolina Theatre of Durham, Inc.

@CTDceo

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8 T H E C A R O L I N A T H E AT R E

City Council approves a long-term renewal for Carolina Theatre of Durham, Inc.

T HE CAROLINA THEATRE, the historic per-forming arts venue so important to Durham’s past, will be a vital part of the city’s future

thanks to a long-term contract renewal approved by Durham City Council in April. The new agreement with Carolina Theatre of Durham, Inc. – the nonprofit operator of the city-owned complex – allows the or-ganization to continue managing the historic Carolina Theatre complex for up to 20 years.

“The city’s commitment is an overwhelming show of support for our company,” says Carolina Theatre Pres-ident/CEO Bob Nocek. “It demonstrates that the city has complete faith in the path we are on and recogniz-es the success we’ve achieved so far.”

Under the new contract, the Carolina Theatre of Durham, Inc. will continue to manage the facility for a 10-year term through June 30, 2024. The agreement includes two subsequent five-year renewal options. “With the security of a long-term contract, we can con-tinue to focus on growing the organization, expanding our role in Durham, and serving as a major presenter of the arts and a valued steward of the city’s historic theatre,” Nocek says.

The Carolina Theatre had been operating on a one-year extension of its previous five-year contract, which expired in June 2013. In the first year of the new contract, the Carolina Theatre of Durham, Inc. will receive $635,000 from the city, which is an increase from $614,000 in the past fiscal year. The new contract provides the nonprofit with a yearly 2.5 to 3.5 percent increase or decrease in the subsidy, based on a combination of the organization’s performance and the city’s budget.

“We want to partner with the city by running the facility in the most efficient way imaginable. Our goal is to increase development revenue, ticket and con-cession revenue, and grow presenting relationships,” Nocek says.

ABOVE Carolina Theatre staff assembled at Durham’s City Hall. BELOW Theatre board member Leigh Vancil (second from left) joins Carolina staff in the council chambers.

Focused on the

Under the new agreement, the Carolina Theatre will retain 100 percent of all facility fees collected on ticket sales. The funds will provide additional operating rev-enue as well as provide for maintenance and improve-ments that the nonprofit plans to address, including the installation of new seats in both Cinema 1 and Cinema 2 over the next 12 months and the upgrade of Fletcher Hall’s star dressing rooms. “The additional revenue from facility fees will help us fund some projects to keep the building competitive,” Nocek says. “Controlling that

FUTURE

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process internally will make it easier for the organiza-tion to fast-track those improvements.”

The contract calls for a new set of performance measures, which were developed jointly by the city and Carolina Theatre management. They include a broad range of metrics related to both financial performance and community engagement. The performance measures give the Carolina Theatre and the city a framework with which to measure success in a concrete way going forward, and that’s important to the relationship, Nocek says.

“A lot of what we do can be difficult for people outside the industry to evaluate. It’s important to us that the city have an understanding of the value we bring to the community,” Nocek says. “We’re a complex organization that does everything from showcasing live performances to presenting hundreds of films a year to renting space to 50 or more local organizations.”

The theatre has become a beacon of the ongoing renaissance of Downtown Durham. According to a recent report from the Durham Convention & Visitors Bureau, the Carolina made a total economic impact of more than $14 million to the city in the 2012-13 fiscal year. The organization has been on the upswing for the past four years, increasing revenue by more than $1.2 million since 2010 through a revitalization effort led by major expansions in programming. In 2013, the theatre ended the year with a profit of nearly $69,000, its first profitable year since 2008. Since Nocek became president/CEO in 2010, the Carolina Theatre’s total revenue has increased from $2.5 million to over $3.7 million, with major increases in ticket sales for live events and film. The theatre has been ranked among the top 100 theaters worldwide in trade magazine Pollstar for the past two years, despite being one of the smallest venues on the list. Nocek was nominated for a Venues Today Hall of Headlines award for his efforts. He presented a session on the theatre’s revitalization at the League of Historic American Theatres Conference in New York in July.

“When I moved to Durham, there was a sense that the Carolina Theatre’s time had passed – that we might be incapable of competing in a new Durham,” Nocek says. “I have believed from Day One that what we’ve accomplished was possible, and I’m thrilled to continue serving the city and the community and look forward to our future together.” ■ BY JOE STUDENT

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10 T H E C A R O L I N A T H E AT R E

S COTT HARMON BELIEVES in the future of Durham. The newly elected chair of the Caro-lina Theatre’s Board of Trustees thinks the city’s

historic performing arts venue is crucial to the growth of its Downtown District, just as it has been for nearly a century.

“I live downtown; I’m a property owner, and my business is located there. My heart and soul is com-pletely immersed in Downtown Durham,” says Har-mon, who is the co-founder of Center Studio Architec-ture in the city.

“By any measure – financial or otherwise – it’s clear the Carolina is doing as well as it ever has. We have a strong foundation in place to allow the theatre to thrive like it never has before.”

A board member since 2009, Harmon was elected for a two-year term as chair to replace Tim Alwran, whose term expired on June 30. Five new board members were also elected (see profiles starting on page 11).

Harmon held the position of vice chair for the past two years. He lauded the work done by Alwran, Caro-lina Theatre President/CEO Bob Nocek and the many others who helped navigate the venue through some difficult times over the past few years.

“Tim’s leadership was instrumental in renegotiat-ing and clarifying the [new 10-year] contract extension with the city. The city is now more familiar than ever with the way the Carolina operates, and that gives both parties a deeper understanding of what success

Chairing the Board

looks like moving forward,” Harmon says, noting the theatre has a long history of local volunteers and res-idents who have stepped up to save and develop the facility.

“Bob has demonstrated that the theatre is a viable business because he runs it like a business,” Harmon says of the theatre’s CEO, who helped guide the venue to exponential revenue growth, a major expansion of live events and film programming and an increased public profile since taking over in July of 2010.

“[Bob] took risks that some others in his position may not have. A lot of my interest in serving as chair is directly related to what I’ve watched Bob do.”

Harmon was born in Atlanta and grew up in Hous-ton, obtaining a bachelor’s degree in architecture from Rice University.

Among Harmon’s goals for his term as the theatre’s board chair is an evaluation of the physical space.

“We want the facility to have the right mix of office, performance and service space. We will analyze if there are any changes we might make and decide if any parts are underutilized,” Harmon says, adding that he’d like to open discussions with the city planning department and convention center about the plaza located in front of the theatre.

“We’re advocating for a more exciting outside space for all of the facilities to use, one that would be more interesting to visitors and citizens,” Harmon says.

He also hopes to re-imagine the structure of the the-

The Board of Trustees elect Scott Harmon as chair, as five new members also join.

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W. Richard Arnold II

Richard is Senior Director of HR Information Management at UNC. He has 27 years of experience designing, marketing and implementing business software applications. His career includes experience in higher education, government, real estate and manufacturing.

WELCOME, New Board Members!These new board members began their three-year terms on July 1

Sandi Haynes

Sandi Haynes is an independent executive search consultant with a specific emphasis on the cultural industry and on leadership development over the past two decades. She has a bachelor’s degree in Public Policy from Duke, and an Master’s of Business Administration in Arts Management from the State University of New York at Binghamton. She spent five years as Director of Development at Dance Theatre of Harlem; was a principal with the executive search firm, Phillips Oppenheim and served as a consultant with the Ford Foundation for domestic and global program recruitment.

atre’s Board of Trustees, update bylaws and seek new board members.

“We want to develop a really diverse and rich mix of board members,” Harmon says.

With nearly a century of service to Durham on record, the theatre’s best days are still ahead of it, Har-mon predicts.

“Every accomplishment we achieve creates a

foundation to do something more. If we accom-plish what we believe we can, everyone will reap the rewards.”

Harmon, 51, lives with his boyfriend, Stoney Bow-man, in downtown Durham. In addition to his chair-manship of the theatre board, Harmon serves on the boards of Downtown Durham, Inc. and the Greater Durham Chamber of Commerce. ■ BY JOE STUDENT

Will Sendall

Vice President of Finance with Durham’s Bronto Software, Will has also served in finance and accounting roles with Red Hat and PricewaterhouseCoopers. He has participated in IPOs, many due diligence proceedings and the development of global revenue models. Winner of Triangle Business Journal’s “CFO of the Year” award in 2012, Will has supported many operational divisions at Bronto including human resources, IT, operations, legal and international expansion.

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12 T H E C A R O L I N A T H E AT R E

CHAIRING THE BOARD

Mark Stanford

Mark is Director of Real Estate Development for Capitol Broadcasting/American Tobacco and manages the day-to-day development activities at American Tobacco (ATC). He is responsible for the oversight of the Class-A office, restaurant and retail space for ATC, and is part of the team on point for programming the green space on site.

Mark received both his undergraduate and master’s degrees from UNC.

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Built-in House Sound System

Lisa Long Jackson Lisa is a veteran banking executive with terms of service at First American Bank of Virginia, First Union/Wachovia/Wells Fargo and most recently with First Citizens Bank in Durham. She is a commercial real estate relationship manager responsible for a $500 million loan portfolio, including hotels, multi-family and office buildings.

Lisa’s love of the Carolina Theatre is derived directly from fond childhood memories of going to the movies. She is eager to bring her passion for the arts and her strong sense of community engagement to board service with the Carolina Theatre.

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14 T H E C A R O L I N A T H E AT R E

Seen & Heard WINTER/SPRING 2014

01

02 03

The Carolina Theatre hosted a parade of incredible performances this winter and spring.

PHOTOS BY JOSH HOFER

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04

05

06

01 Rosanne Cash plays to a packed house.

02 Comedian Aziz Ansari sold out four shows.

03 Modern jazz hero Jon Batiste gets in the groove.

04 Jazz legend Arturo Sandoval wails.

05 Rock and Roll Hall of Famer Art Garfunkel thrills the crowd with an evening of storytelling and songs.

06 Improvisational comic geniuses Colin Mochrie and Brad Sherwood fill the theatre with laughter.

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Supporting ‘CASTSBY MICHAEL LELLO

WITH EARBUDS IN PLACE, millions of people each day are engaged with their favorite comedians, intellectuals and

commentators via episodic, web-based series called podcasts – a term so common now it barely needs defining. The shows range in content and tone from “The Nerdist,” hosted by comedian and geek culture icon Chris Hardwick, to the science, stories and docu-mentaries of the sonically rich and musical “Radiolab” podcast.

Since launching more than a decade ago, podcasts have grown from a niche phenomenon to a pop cul-ture mainstay. Along the way, they have spun off a new

live entertainment sector: the podcast-on-tour, some of which will appear at the Carolina Theatre this fall.

“Radiolab,” in its current format, was created in 2003 by Jad Abumrad and Ellen Horne. The franchise, produced by New York public radio station WNYC, has won many high-profile honors, including a Peabody Award, and its podcast is a staple on year-end best-of lists. In 2007, “Radiolab” was invited to present an original “War of the Worlds” show at the Fitzgerald Theater in St. Paul, Minnesota.

Multi-date “Radiolab” tours – one in 2008, “In The Dark” in 2012 and “Apocalyptical” in 2013 – followed. The “Apocalyptical” tour visited 21 cities and featured “Radiolab” hosts Abumrad and Robert Krulwich, comedians Reggie Watts and Patton Oswalt, and musi-cians including On Fillmore, a duo comprised of Wilco percussionist Glenn Kotche and bassist Darin Gray.

Podcasts and radio shows find eager audiences for live tours

◄◄◄ Radiolab’s Jad Abumrad.

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18 T H E C A R O L I N A T H E AT R E

The aspects of “Radiolab” that have enabled it to build a radio and podcast audience have translated to the stage. The Carolina Theatre will host a speaking engagement by Abumrad on November 2.

“The relationship between Jad and Robert and the conversation that is at the bedrock of our show, that seems to be a place that the audience connects to really easily,” Horne says. “These two guys are so themselves, and it’s really lovely to see how they talk to each other and how they joke around, and the au-dience really responds to that. We felt very welcomed into the live performance space.”

While Horne envisions the podcast and the radio show as an intimate experience enjoyed by solitary listeners, often tethered via headsets, the live show is meant to be a collective endeavor for the audience. Therefore, what works on the recorded episodes does not necessarily translate to the stage.

“We spend so much time laboring over these little micro-edits in the studio and doing things in the production booth, when you finish the episode and it goes out into the world, you don’t know whether it has impact on people,” Horne says. “It’s a really abstract thing; it literally goes out into the air. When you per-form on stage, it’s immediate – both good and bad. We could hear a part of the show that just failed, when it doesn’t connect.”

Horne adds that she and her “Radiolab” cohorts noticed that during certain moments of the live show, “you’d see people with their eyes closed and listen-ing, but it was something we’ve had to exercise a lot of restraint on,” because the purpose of the theater show “is to have a collective experience, and we’ve sometimes decided to trim back the actualized com-ponents.”

Another wildly successful podcast, “The Moth,” took a path opposite of “Radiolab,” coming to life via live

Sarah Austin Jenness of “The Moth,” Chris Hardwick of “The Nerdist.” ►►►

storytelling events in New York City in 1997, before adding a podcast that averages 1 million monthly downloads.

“The Moth Radio Hour,” like “Radiolab,” is heard nationwide. The live show, which has played the Caro-lina Theatre in the past, returns on October 23.

Theatre President/CEO Bob Nocek says “The Moth” “is even more powerful in person.”

“The stories that people tell in ‘The Moth’ are gen-erally very intense and personal and often times mov-ing, but to see the people doing it live on stage really takes it to another level,” Nocek says. “It’s a different experience. There are 1,000 people in the room, and this person is up there with no notes, sharing some-thing that is very intimate and meaningful to them. It was a powerful night.”

“The Moth” producing director Sarah Austin Jen-ness explains the differences between the troupe’s podcast and radio show and the touring act:

“At a ‘live’ ‘Moth,’ storytellers walk a high-wire act, while everyone in the audience holds hands under the table – like a net – wishing him or her well,” she says. “There’s an energetic dance between the teller and the listeners in the room – and the stories are

PODCASTS

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Podcasts At Home On Carolina Stage

THE CAROLINA THEATRE has booked a host of podcast-related shows in recent years – and you can expect more in the near future.

“I think the thing that appeals to us most is that in a lot of these instances, it really provides something unique that’s not just the typical musical performance or standup comedy performance, whether it’s a live taping of a podcast or bringing in someone who does podcasts for some type of performances,” says Carolina Theatre President and CEO Bob Nocek. “They have definitely connected with the audience.”

In the 2014-15 season, in addition to “Radiolab” host Jad Abumrad’s speaking engagement on November 2, the Carolina will host comedian John Hodgman, who hosts the “Judge John Hodgman” podcast, on September 5, live storytelling show “The Moth” on October 23 and NPR’s trivia-centric “Ask Me Another” on November 19.

Past shows in the genre to play the venue include a “Jay and Silent Bob” live podcast taping and performances by renowned podcasters/comedians Adam Carolla, Chris Hardwick and Tig Notaro.

Nocek said that booking these types of events, which tend to have younger audiences than the traditional theater show, has allowed the Carolina to reach certain segments of the regional market.

“Durham certainly has a very strong lesbian population, and I think it’s got an audience that sort suits her personality and her kind of comedy,” he says, speaking specifically about Notaro. “So I think a lot of people didn’t know who she was at the time but in Durham I think we were able to sell 400 or 500 tickets.”

not memorized, so they can truly be alive each time they are told. Listening to the story in audio, on the podcast or in the radio show feels like the storyteller is telling the story directly to you; there’s an even greater intimacy in audio, in my opinion.”

However, replacing the energy of the live audience for a recoding is virtually impossible, Austin Jenness says.

“All of our events are recorded, broadcast quality with two microphones: one for the storyteller and one on the audience. In the early stages of radio show brainstorm, we asked storytellers to re-tell the story in a sound booth, but it was terrible – it fell flat. The sound of the live audience is very much a part what makes ‘The Moth’ work in audio,” she says.

Durham has embraced the podcast phenomenon, both onstage and online. Clarion Content, an online publication covering local arts, culture and politics in and around the city, launched a podcast in December 2013.

“Well, it wouldn’t work everywhere, but Durham is burgeoning, looking more and more like the Seattle, Austin, Brooklyn of its generation,” Clarion Content Director of Operations Aaron Mandel says.

“It is no exaggeration to say there are terrific arts and music events going on every night of the week. Nobody can see or do it all, so much like the Internet’s news aggregators, Reddit, Google the News, Memorandum, etc. do on a macro scale, we have adopted a model that says if we help sort through and find the best of what’s happening, the audience will come to us. Curat-ing is inherently about narrowing and selection.”

Mandel calls Clarion Content’s podcast, which has focused on topics like the development of Durham, “a staple of the way in which we connect with our city and citizenry.”

It’s a good bet Mandel’s opinion is shared by pod-cast listeners and producers in Durham and beyond. ■

PODCASTS

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20 T H E C A R O L I N A T H E AT R E

HEADLINES

Five More Years!The Board of Trustees of the Carolina Theatre of Durham, Inc. extended the contract of President/CEO Bob Nocek for five years, effective July 1. Nocek, 46, joined the Carolina Theatre staff as vice president/chief operating officer in 2009. He assumed control of the organization, which operates the city-owned complex, the following year.

Since taking the helm in July of 2010, Nocek has led the Carolina Theatre to exponential revenue growth, a major expansion of live events and film programming, and an increased public profile. In 2013, the theatre reported its first profitable year since 2008.

Among The World’s BestConcert industry trade publication

Pollstar recently slotted the Carolina Theatre at No. 90

in its 2014 mid-year rankings of theatres worldwide. The Carolina

made the list in 2012 and 2013, too.

INTERESTING NEWS & EXCITING HAPPENINGS FROM THE CAROLINA THEATRE

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We’ll Miss BettyEducation Coordinator Betty Rhodes retired

from the Carolina Theatre on May 23 after 18 years of exemplary service. Betty’s retirement from the Carolina Theatre will allow her to spend

more time with her husband, Phillip; her daughter and son-in-law, Athlea and Richard Clark; and her

grandson, Rykem.Theatre staff held a farewell party for Betty in the Connie Moses Ballroom on May 20.

“We’d never find anyone who means as much to the Carolina Theatre as

Betty has for 18 years,” said Carolina Theatre President/CEO Bob Nocek

(pictured here with Betty).

Bringing Carolina To NYCThe Carolina Theatre President/CEO Bob Nocek and Chief Operating Officer Aaron Bare attended the 38th Annual Conference of the League of Historic American Theatres in New York City from July 14 to 18.

Bob and Aaron delivered a multimedia presentation entitled

“The 88-Year-Old Start-Up,” which explained how the Carolina successfully transitioned itself over the past five years.

►►►

PHOTO BY SHAYAN ASADI

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22 T H E C A R O L I N A T H E AT R E

Making A Big ImpactThe Durham Convention & Visitors

Bureau (DCVB) recently determined

the Carolina Theatre made a $14 million economic impact

to Durham during the 2012-13 fiscal year. According to the DCVB report, the Carolina

Theatre delivered a positive economic impact of $14,025,346 to the Durham economy

in the 2012-13 fiscal year. The impressive number represented an increase from

$10,059,482 in 2011-12 and nearly doubled the $7,143,727 the Theatre brought to the

Durham economy in 2007-08.

John Hodgman Thanks The CarolinaComedian John Hodgman, who

will appear at the Carolina Theatre

on September 5, has a massive fan base and social media

following. When one of Hodgman’s fans near Durham noticed a technical glitch while purchasing tickets to the

show, he helped the CTD staff find and fix the problem.

Amazing AzizSensational comedian Aziz Ansari brought his

“Modern Romance” stand-up tour to Durham for four sold-out shows on March 10 and 11. Theatre President/CEO Bob Nocek presented Aziz with a remembrance of his days in Durham – a Durham Bulls hoodie. Triangle fans flocked to social media to say how thrilled they were to see Ansari in historic Fletcher Hall.

HEADLINES

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Jamming With Susan WernerCarolina Theatre Booking Coordinator Jared McEntire jammed with folk artist Susan Werner at the North Carolina Presenters Consortium annual meeting in Asheville in June. Werner, who played the theatre in November 2013, is the artist

working on the music and lyrics to Bull Durham – The Musical, a stage production of the legendary baseball movie starring Kevin Costner and Susan Sarandon.

Earthquake Recorded in DurhamHilariously funny comedian and radio

personality Earthquake did two shows at the Carolina on June 28. The hysterical funnyman

recorded his stand-up performances for future

TV broadcast. His crew transformed the stage of Fletcher Hall for the recording.

HEADLINES

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September

05 FRIDAY John Hodgman Author, actor and humorist from The Daily Show

11 THURSDAY Kenny Wayne Shepherd Band Dynamic modern blues guitarist and his stellar band

12 FRIDAY Marty Stuart Grammy Award-winning country music icon

13 SATURDAY Justin Townes Earle Spectacularly talented indie singer-songwriter

18 THURSDAY Keb Mo Three-time Grammy Award-winning blues singer,

songwriter and guitarist

30 TUESDAY Maysa Incredible jazz and soul vocalist

October

02 THURSDAY The Manhattan Transfer Legendary Grammy Award-winning

pop jazz vocal group

06 MONDAY Esperanza Spalding Dynamic bassist and vocalist who won the

Grammy for Best New Artist in 2011

STARSeries MUSIC // COMEDY // TALK

October cont.

08 WEDNESDAY Chris Thile & Edgar Meyer Groundbreaking, genre-bending

duo of virtuoso string musicians

09 THURSDAY Corey Smith Entertaining modern country

music singer and guitarist

13 MONDAY Last Comic Standing A laugh fest of the funniest comedians from

Season 8 of the NBC reality show competition

14 TUESDAY Macy Gray Enchanting soul and R&B singer-songwriter

17 FRIDAY Justin Hayward The Moody Blues’ singer delivers an acoustic

evening of solo material and famous hits

19 SUNDAY Blues Hall of Fame Tour Three legendary inductees of the

Blues Hall of Fame: Charlie Musselwhite, James Cotton and John Hammond

23 THURSDAY The Moth Spectacular live tour from the acclaimed

storytelling group/radio show

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26 T H E C A R O L I N A T H E AT R Enov 21 ▪ brian culbertson

nov 08 ▪ rufus wainwrightnov 22 ▪ kathleen madigan

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October cont.

24 FRIDAY Los Lobos ‘La Pistola y El Corazon’ Accomplished rock band revisits its 1989 Grammy Award-winning folk album Co-presented with Duke Performances

30 THURSDAY RiffTrax: Anaconda The Stars of Mystery Science Theater 3000

and now RiffTrax – Mike Nelson, Bill Borbett and Kevin Murphy – present a one-night-only live riff of Anaconda.

November

02 SUNDAY Jad Abumrad of Radiolab Genius musician, producer and host

of Radiolab radio show/podcast

04 TUESDAY Robin Trower Seminal English rock guitarist and vocalist

05 WEDNESDAY Home Free Country vocal group, winners of the

NBC reality show The Sing Off!

06 THURSDAY Preservation Hall Jazz Band

& Allen Toussaint New Orleans music legends team up for a memorable evening of jazz Co-presented with Duke Performances

07 FRIDAY Christopher Titus Wry and original comedian seen on

Fox, Showtime and Comedy Central

08 SATURDAY Rufus Wainwright One of the world’s best modern singers,

songwriters and composers

11 TUESDAY Mary Chapin Carpenter Trio Five-time Grammy Award-winning

singer-songwriter plays an intimate, acoustic performance

feb 06 ▪ John waters

sept 18 ▪ keb mo

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28 T H E C A R O L I N A T H E AT R E

November cont.

12 WEDNESDAY Cherry Poppin’ Daddies Energetic jazz and swing hitmakers

13 THURSDAY DaveMason’sTrafficJam Classic rock icon performs the hits

of the band Traffic

20 THURSDAY Diego El Cigala Three-time Grammy Award-winning Flamenco singer of unparallelled excellence Co-presented with Duke Performances

21 FRIDAY Brian Culbertson Dynamic modern jazz pianist and entertainer

22 SATURDAY Kathleen Madigan Hysterical comedienne seen on Showtime, Letterman, Conan and more Sponsored by Michael Jordan Nissan

24 MONDAY The Time Jumpers Amazing all-star western swing ensemble

featuring Vince Gill, Kenny Sears, Dawn Sears and Ranger Doug Green

December

05 FRIDAY Chris D’Elia Comic and actor seen on the NBC comedy

Undateable and formerly on NBC’s Whitney

08 MONDAY Medeski,Scofield,Martin&Wood Genre-defying collaboration of talented

jazz and funk artists

December cont.

11 THURSDAY David Benoit Christmas Tribute Grammy-nominated jazz pianist and

composer’s fun holiday tribute

14 SUNDAY Landau Eugene Murphy Jr. Talented Jazz vocalist and winner of

America’s Got Talent reality competition in 2011

18 THURSDAY Sweet Honey in The Rock Renowned female African-American

a cappella ensemble

January

17 SATURDAY The Second City Legendary sketch comedy and improv troupe Sponsored by Kennon Craver

February

06 FRIDAY John Waters Visionary filmmaker, actor, writer

and counter-culture hero

April

04 SATURDAY Cassandra Wilson Unforgettable jazz musician, vocalist and songwriter Co-presented with Duke Performances

May

02 SATURDAY Lila Downs Terrific Mexican folk, pop and

roots music singer-songwriter Co-presented with Duke Performances

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lifestyle, not in service–and not in price. That’s because with our exclusive

Equity Advantage™, we refund our residents’ initial investment, or more.

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1 - 8 0 0 - 4 5 8 - 6 7 5 6

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30 T H E C A R O L I N A T H E AT R E

CORPORATE & FOUNDATION SUPPORT

$10,000+

Blue Cross and Blue Shield of North Carolina

Durham County Alcoholic Beverage Control Board

Fox Family Foundation, Inc.Norman & Bettina Roberts

FoundationF.M. Kirby Foundation, Inc.Durham Arts Council’s Fletcher

Performing Arts Fund of Triangle Community Foundation

$5,000+

BB&TGlaxoSmithKlineMichael Jordan NissanNorth Carolina Arts CouncilProfessional Nursing Solutions

$2,500+

Center Studio ArchitectureKennon Craver, PLLCThe Thomas S. Kenan

Foundation, Inc.State Employees Combined

Campaign (SECC)Measurement IncorporatedGlaxoSmithKline Matching Gifts

Up to $2,499

Baskerville Fund of Triangle Community Foundation

The Daniel and Karen Berman Foundation

Coman Home Inspections

2013-14

THANKS TO OUR DONORSAs a nonprofit organization, the Carolina Theatre of Durham depends on the generous support of individuals, corporations, foundations, and the City of Durham in order to thrive and grow. We are grateful for the support of our Star Members who support our artistic and educational programming through their membership dona-tions. While we appreciate gifts of any size, the following funders and donors made grants, gifts, or Sustaining pledges of $120 or more between June 1, 2013 and July 18, 2014.

Every effort has been made to ensure the accuracy of this listing. If you find an error, please contact Treat Harvey at 919.226.8878 or [email protected].

Dos TaquitosAnne Edens Fund of Triangle

Community FoundationFidelity Charitable Gift Fund for

Michael and Amy TiemannFOX 50 WRAZ-TVIBM Matching GiftsMerck Partnership for GivingParker and OtisRegional Community Endowment

Fund of Triangle Community Foundation

Sorgi Insurance AgencyTeleflex Foundation Matching GiftsUBS Matching GiftsUnited Way of Tri-County, Inc.Wellspring Fund of Triangle

Community FoundationWidmark Family Fund of Triangle

Community Foundation

INDIVIDUAL SUPPORTBENEFACtoR ($2,400+)

Richard and Deirdre ArnoldJon JonesRebecca NewtonDiana Osborne, in memory of Arlyn

Osborne Alexander and Shirley Smith Osborne

pRESIDENt’S CIRCLE ($1,200+)

Tim AlwranAnonymousBeverly and Robert AtwoodPaul BrockShirley Drechsel and Wayne VaughnPepper and Don Fluke, in memory

of Connie and Monte Moses

Doug and Syl-Vonna MabieBob Nocek and Matt TomkoTerry J. OwensBetsy RollinsHenry H. and Linda S. ScherichBob StatonAli and Will Stroh, in memory of

Chelsee Jane and Wyo StrohJohn Warasila and Vandana DakeCaroline Welch

pARtNER ($480+)

Laura Adrian and David OrzelekAnonymousWendy Baker and Jonathan WilfongSusan BeischerLeann and Dave BrownDr. and Mrs. Bob Denton,

in memory of George and Alma Denton

Ronnie and Shelley EubanksDoris and Ronald Eurquhart Sr.Teresa FinchJeff FoustJoel GulledgeAminifu Richard HarveyReginald J. Johnson, Esq.Kerstan and Kristin LioneJulie and Eric ManionBrian and Heidi Marks, in honor

of Olivia MarksCynthia and Art MorrisElizabeth and Wes NewmanElizabeth and Michael SchoenfeldKevin SowersBrian and Cathy Thomas

FRIEND ($240+)

Dan Abbott and Teresa Petro

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BOUNCING BULLDOGS

FOR MORE INFORMATION, GO TO: www.bouncingbulldogs.org | 919.493.7992

FALL CLASSES & 25TH ANNUAL JUMP ROPE WORKSHOPFall Sessions: Mondays, Thursdays, and Saturdays from September 4 - December 20

Workshop: Saturday, November 1: 10:00 am - 4:00 pmA Jump Rope performance at the Carolina Theatre will follow, featuring

the Bouncing Bulldogs along with the world’s best jumpers: 7:30 pm

Register Now! Online | Phone | In-Person

Anonymous (4)Michael-Anne and Bill AshmanIain and Norma AuldDavid Ball and Susan PochapskyDon BallJim and Beth BarbaMichael Barefoot and

Tim ManaleStephen G. BarefootDavid and Kathy BartlettLee and Jenny BennettTyler and Phyllis BennettDonald Beskind and

Wendy RobineauKarl and Rita BongartenDewayne BookDavid Brehmer and Megan

MatchinskeSteve and Ginger Bridges, in

memory of Ruth DeasonJames Brosnan, in honor of

Stephen BrosnanMaria Brown and Marilyn HayesBates BucknerSteven and Merrie BurnettMariana and Noah ByrdDoug and Denise Carman

James and Brigit Maria CarterJulie ChappellKenny Dalsheimer and

Marybeth Dugan Jack and Susan DennisDavid and Beverly DillonDeborah James DobbinsJoseph F. Edwards IIIStuart and Edward EmbreeSusan and Ballard EverettDaniel and Jill FlebotteMr. and Mrs. Terry Foster, in

memory of Mrs. Irene CarrJoseph A. and Karen M. GdaniecNoah and Keely GodwinDr. Steven Grambow and

Dr. Holly BiolaLiz and Mark GustafsonThe Hare FamilyJanet Leigh HarmonCraig and Jackie HarrellJoseph HatchAnne and Richard Havens,

in memory of ElvisWhitford and Joyce HaydenVeronica HemmingwayTim and Sue Hince

Diane Hourigan, DDSMike HowardSamuel S. Jackson, Jr.Christine Jacob and Janie LeoDaniel Cook JohnsonTod Krewson Ralph and Marie LiebeltDavid Lindquist and Paul HrusovskyLawrence LoeserJavey Lowe and Billy SimpsonMary R. LynnJulia G. MackAlan Maloney and Jere Confrey Robin and Stephen MarksMadeleine C. McBroom, in memory

of Charles S. McBroomNed and Sandy McClurgJessica McFarlinBerry McMurray, in honor of

Sharon ReussHorst Meyer, in memory of

Ruth Mary MeyerMitch and Chris MummaThomas Narten and Susan RodgerDavid and Sharon NellMichael Parker and Linda Prager Mona Parks

THANKS TO OUR DONORS 2013-2014

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32 T H E C A R O L I N A T H E AT R E

THANKS TO OUR DONORS 2013-2014

Cheri Patrick and Phyllis SewellChris PennyRaymond and Rosalyn PhillipsJohn J. PintoCathy and John ProffittMargaret and Tim RauwaldTony and Jean SchiblerHoward and Debbi SchwartzCynthia Shimer and Eric WiebeChristy SimmonsWalter and Liz Sinnett-ArmstrongAmanda J. SmithRyan SmithJames and Danuta SoukupJ. Stringer and J. Guerrero, in

memory of Arthur G. Stringer and Clarence J. Leftwich

Alice and Clarke ThacherLeigh VancilMary Ellen WalkamaJenny WarburgJanet White and Hilary SheavesSusan Wolf and Doug MacLean

FAN ($120+)

Gregory L. AdamsLex and Ann AlexanderHerbert and Jo Ann AmeyRobert and Phyllis AndrewsJennifer AndyAnonymous (26)Theus and Pat ArmisteadEllen and Thomas BaconAnnette BakerLee and Nancy Barr, in memory of

John and Connie KeigThe Baumgartner FamilyDavid and Martine BellThe Morris-Benedict FamilyLin Bentel, in memory of Clara and

Franklin BentelMatthew and Melissa BixlerSusan BlackwellKen BlandJohn Bloedorn and Keith WengerMB Boening and Mark KnelsonJulia Borbely-Brown, in memory of

James A. Borbely, Sr.Janet BoudreauEric BovenBarbara V. BraatzJulian BraxtonHope BreezeKaren BronsonGeorge Brown

Alastair S. BrowneKelly Brownell and Mary StoryJudy Byck and Eric MlynElizabeth CallahanDavid and Denise CarrSarah J. CarrierKathy Carter and Fred PetersonMichelle CasarezBrett ChambersGary and Terri ChomaArturo and Ellen CiompiAurelia ClaytonSandra ClemonsKeith CochranCarolyn CofrancescoFrank CokerJeffrey Collins and Rose Mills Marty and Jodie ConteTracey and Matthew CoppedgeConnie CowellGuy W. Crabtree, in memory of

Andrew CrabtreeJim Crites and Marina BosettiCarolyn CrumpBarry and Jean Marie CurtisMitchell and Thuy Dancik, in

memory of Herbert HirschhornGordon DaughtryMichael DaulCharlie DavisHarry Dawley and D DickersonSherry and Savannah DawnJack and Tina DeasonRobin DennisWally DiehlMary Dixon and Glen MethenyRodney DraughnLaura DreySusan and Lee DreyfusKaren DumersCecily DurrettDon EmmettVic EngleKathy EusepiAmparito Fiallo and Chris PappasRobert FischerBarbara and Peter FishMitchell and Marty FisherBrand Fortner and Sue AndresenJudith Fortson and Fred DretskePaul FrancisEmily Friedman and Keith GuileWilliam G. FryAnne Sollecito Fuller and

Calvin Fuller

Jennifer Fusco and Paul MoscaMatthew FussellDale GaddisSandra Garrett-WatsonDan and Claudia GenitonBerry GentryGeorge GillisJay A. GladieuxMiguela GodinezJamie E. GoffmanRich and Mary GreenwayPriscilla GuildRobert and Laura GutmanSuzanne and Peter HaffPamela HallKim and Don HananTim HanisScott HarmonKaryn Harrell and Cindy KimbrellPeter Harrell and Ellen CooperJessica HarrisVirginia HarrisTreat Harvey and Regina deLacyMark and Beth Haskell Tricia Inlow-Hatcher and

Anthony HatcherDouglas and Nancy

Henderson-JamesEl HessDonna J. HicksJeanne C. Hiesel,

in memory of Raymond J. Hiesel

Eddie High IIIDavid and Judith HintonChuck and Marjorie HodgesBen and Nancy HollifieldKristin HondrosJulia and Joseph HorriganOdette HoughtonMelanie and Robert HowdershellJulie HullSharon HumphreysKista and Kevin HurleyJake and Cheryl JaquissElizabeth and Thomas JochumBrian K. JohnsonKatherine JohnsonPatrick Johnston, in memory of

Robert JohnstonLinda and Macon JonesLiz and Dick JonesRuth KatzLori KegleyKevin and Heather Klein

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THANKS TO OUR DONORS 2013-2014

Ian Kleinfeld, in memory of Thelma Aronin

Rob Knebel and Gara PollockRalph Koenig and Patricia

Fryar KoenigSuzanne KoenigsbergKara KookenRhonda and Michael KosuskoJessica KringMark Kroeger, in honor of

Rachel CarsonZee LambTyre Lasitter and Anne MinnotteRobert E. LawrenceJean and Mike Lembke, in honor of

Nan SegestaMichael and Mabeth LesserIdelle Valle and Robert LesserBetty and John LeydonLex LittonDonna LockamyMr. and Mrs. Charles LogsdonClaire LongJo Ann Lutz and Lawrence MuhlbaierJoe MaguraKaya MansonMarybeth MaranukOlivia S. MarksKathy MauneyElizabeth and James MaxwellJohn MaxwellDavid and Judy MayBetty McAlvanyKaren McCallister and Tom Burns Jim McCallumMolly and Sean McCormack, in

memory of Hailey Madison McCormack

Sharon McDonald, in memory of Margaret McDonald

Terri McGloinT. Scott McIlhennyChristopher and John McLachlanAnn McLain and Barry SeaverPhyllis McQuillanMarty and Donna MelvinJean C. MichelPenni and Bruce MilesCourtney and Cameron MitchellBonny Moellenbrock and

Michael LowryJudy and Larry MonetaJohn MooreNicole Moot

Joe and Kat MoranAllyn Beth Motley Janice Mrkonjic and Greg Pahel Mary Mudd and William NesmithJane Muldoon-SmithTess MuroLeslie and Phil MyersMary and John MyersJeff Newbrough Geoffrey R. OchmanJeff and Jackie OdomPat Oglesby, in honor of

Professor Joe MurphyMarcia Benbow O’Neal and

Mark O’Neal, in honor of Lyle Michele Bass

Lisa OrgrenGrady and Catherine OrmsbyBeth OwenSusan OwenbyPenelope Parsons and Carol NixInge and Wulf PaschenMichael PatrickSteve and Amy PetersPatricia Petersen and

Douglas Young Jon and Wendy PhillipsThomas PhillipsGrace PilafianThe loving family of

Erin Pinney, in her memoryTodd PlattDunk and Katy PorterfieldBob PowellLarry and Susan PowellLinda Raftery and Philip SpiroHeather RainvilleLee RatzlaffJames ReaganEllen and Ken ReckhowChey RitzStephen and Jennifer RitzSylvianne RobergeFabulosa RosenbaumSusan Ross and Tom Hadzor, in

honor of Treat HarveyJeremy SalemsonKerry Salmond and Burnes Ray Alger and Adaire SaltMike and Sarah SapetaCraig SavageRoby and Amber SawyersLynn Scott and Steve NoeCynthia SealLori Setton and Farshid Guilak

Beth Ann Shulman, in memory of Claire Bernstein Shulman

Steven and Beverly ShumanskyMargaret R. SimsJim and Lynne SkiltonMelanie Small and Greg

DeKoenigsbergEric SmithTommy SmithLaura Stabler, in honor of

Brian StablerRobert and Betty StarlingJoyce Stephens and

Richard RebelloJeanette Stokes and

Dwight HoneycuttGayle and Neil StroudRobert TaitKeith and Isabel TaylorAnne Ten DykeDuane and Sheila TherriaultEric ThirolleKatrin ThompsonLee Ann and Larry TilleyTom and Jennifer TlustyLogan TomsAnn E. and David M. UmbachTom and Linda UnderwoodChris van Hasselt and Carol BrookeCharlotte Walton and Mark KoyanagiCraig Watkins and Mary ForehandJeff and Mamie WeatherspoonMike WeeksJulie and Reinhard WeiseKen WeissBarnetta WhiteRobert WhitefieldMarshall and Michelle WilcoxenMichael and Lori WileThom Williams, in honor of

Tom WilliamsMargaret WilliamsonWanda WiseJoel Wolf and Lisa Bernardi WolfBrent Wolfe and Jeff BurchB. WoolfDavid YeltonBryan YoungHerb Young, Jr., in memory of

Sammy RonsdellMaryAnne Y. and

Kenneth P. ZabryckiMark A. Zumbach

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34 T H E C A R O L I N A T H E AT R E

THANKS TO OUR DONORS 2013-2014

2014 NORTH CAROLINA GAY + LESBIAN FILM FESTIVAL

We appreciate the support we have received from the following sponsors and donors to help create this summer’s Festival.

CORPORATE SUPPORT

pRoDUCERBASF - The Chemical CompanyDuke University HospitalPNC

DIRECtoRAccent Hardwood FlooringBlue Cross and Blue Shield

of North CarolinaChapel Hill & Durham MagazinesReplacements, Ltd.Saladelia Café / Mad Hatter’s Café

& Bake Shop

StARAICPACenter Studio ArchitectureNicholsonPham, PLLC –

Attorneys at LawTony Hall & Associates Real EstateTriangle Financial AdvisorsWhole Foods Market Durham

BUSINESS pARtNER IICrescent Ninth Street Apartments

BUSINESS pARtNER IAlley Twenty SixArrow StudioDulce Café & GelatoDurham People’s AllianceEquality NCFHI 360“Graham, The Old Home Guy”Hummingbird Bakery / Watts

GroceryMeasurement IncorporatedMorgan ImportsParker and OtisPiedmont RestaurantTotal Engagement Consulting

by KimerVaguely ReminiscentVictoria Eves – Waddell & Reed

Financial Advisors

INDIVIDUAL SUPPORT

$750+Tim AlwranEdie McMillanJodi Walton and Diane Arnold

$400+Butch BarksdaleRobert L. Bryant and

Réymundo GarciaRay DavisAnn HuessenerBob Nocek and Matt TomkoJoe RichardsonScott TaylorMark Zumbach

$150+C. Coleman Billingsley, Jr.Adrian Brown and Keith FlynnMichael L. Case and Lewis A. Dancy Bud Dawley and D DickersonKristen and Jan HibbettsWesley HyattJane C. Mac NeelaAlan Teasley and Andrew Wheeler

Up to $149Anne Beaven and Margaret LoueyTreat Harvey and Regina deLacyNancy HillsmanElisa JonesRick PayneTerri Polson and Jill SchrageBenjamin D. Reese, Jr. and

Cynthia L. Frazier

CTD CINEMA SPONSORS

Thank you to the following sponsors of Retrofantasma, Fan Appreciation Day, and the CTD Film Program, who made gifts of $50 or more between June 1, 2013 and July 18, 2014.

CAREtAKER oF tHE oVERLooK HotEL ($450+)

Ali and Will StrohJonathan and Gwen Van ArkMarc Wasserman and

Craig Anderson

VAMpIRE SLAYER ($150+)Melissa from alternativeXchange

Stewart and Kristofer Chang Alexander

Dylan CrumplerCurtis GreesonChristopher L. HarrisMoya HawkinsCoreyandMatt.comJonathan B. HowellJeff and Darcy MarlowJared McEntire

Adrienne Lea MeddockLloyd Mielenz IIIShawn MooreNo Agenda ShowScott and Pandy WeaverTina and Budd WilkinsRobert Young

ARMY oF DARKNESS ($50+)Lauren Turner

Page 35: Showtime Fall 2014 | Issue 7

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Page 36: Showtime Fall 2014 | Issue 7

36 T H E C A R O L I N A T H E AT R E

◄◄◄ ABOVE Attendees view the Confronting

Change exhibit. LEFT (L-R) Civil Rights Exhibit Committee member Andre Vann, Former Durham Mayor Wense Grabarek and Committee Co-Chair Carl Whisenton. RIGHT The original ticket window and rail designated for “colored” patrons through 1963.

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A NEW MULTIMEDIA EXHIBIT that opened at the Carolina Theatre in February com-memorates the ending of segregation at the

venue. “Confronting Change” honors the actions of the brave men and women who held peaceful protests and filed litigation to change the city-owned venue’s policies in 1963.

Located at the entrance of the second balcony of the theatre, the museum-style display includes photographs of the key figures, protestors and the protests; the original “colored” ticket window, frame and rail; a recording of the broadcast of the evening

A new exhibit notes the historic protests that helped end the

Carolina Theatre’s segregationist policies in the 1960s

news the day the theatre was desegregated; front pages of The Carolina Times and text describing the entire process by which the theatre became the last city-owned facility to desegregate.

A dedicated committee of community members who were involved in Civil Rights era protests in Durham‚ including those held at the theatre‚ oversaw the selection of the artifacts, video, images and text that comprise the exhibit.

Committee members included Carl and Vera Whis-enton, Walter Jackson, Claudine Daye Lewis, Jacqueline Davis Jones, Vivian McCoy, Kaye Sullivan, Willie Burt, Andre Vann, Alice Sharpe and Betty Rhodes.

Members of the committee, interested community members, exhibit sponsors and donors, and theatre board members and staff attended a ceremonial gathering inside the Donors Lounge next to the exhib-it on Wednesday, June 25.

Wense Grabarek, 93, the supportive former mayor of Durham who governed during the time of the protests, also attended the event.

The exhibit was sponsored by PNC and by private donations. ■ BY JOE STUDENT

ChangeConfronting

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38 T H E C A R O L I N A T H E AT R E

ABOVE A visitor reads the front pages of The Carolina Times published during the protests. BELOW The members of the Civil Rights Exhibit Committee.

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Order Tickets Now! W W W. C A R O L I N AT H E AT R E . O R G 39

NORTH CAROLINA GAY + LESBIAN FILM FESTIVALAugust 2015 NCGLFF celebrates a worldwide glimpse of today’s gay, lesbian, bisexual and transgender life, helps bring the community together, and features entertaining and sophisticated films and filmmaking. Since its launch in 1996, the Festival has featured a diverse array of shorts, documentaries and feature films. The Durham Convention and Visitors Bureau named the NCGLFF a Signature Event for Durham, the

highest honor bestowed on a cultural event or attraction by the organization. ncglff.org

ESCAPISM FILM FESTIVALSeptember 19-22, 2014 Your favorite childhood movie heroes are back: Jack Burton, Buck Rogers, Admiral Kirk, Snake Plissken, Kermit the Frog, Indiana Jones and so many more. Escapism recaptures the magic of your favorite fantasy and adventure movies from the late ’70s and early ’80s – the ones you remember watching with your friends on Saturday afternoon matinees during summer vacations. These are timeless examples of what movies do best of all – fantasy and adventure, epic in scale, heroic in

concept and imaginative in execution. They’re fun movies. They’re meant to be. carolinatheatre.org/films/festivals/escapism-film-festival

FILM Festivals & SeriesThe Carolina Theatre presents the finest independent cinema 365 days a year.

NEVERMORE FILM FESTIVAL

February 20-22, 2015Since 1999, the Nevermore Film Festival has presented brand new horror shorts and features from around the world, as well as timeless fan favorites. Many of these films will never receive a theatrical release in the United States. From classic suspense movies to hyper-violent Hong Kong cinema and

everything in between – Nevermore has it all! carolinatheatre.org/films/festivals/nevermore

RETROFANTASMA FILM & RETROFANTASMA CLASSICS SERIES

Ongoing

Retrofantasma Film Series: Admit it, you like being scared on purpose. When the shriek of a violin makes you jump, when dark shadows scurrying past a flashlight’s beam take your attention from the world, when you hear a scream at night in the distance and wonder what’s playing on the TV at your neighbor’s house, you step – for the briefest of moments – into the magic realm of scary movies. Simply put, Retrofantasma is a monthly double feature of the greatest scary – and fun – movies ever made.Retro Classics Series: A monthly double feature of genre films from the ’50s through the early ’70s. From the infamous gimmickry of William Castle to the giant bug films of the ’50s, some of these films are considered masterpieces. Others are simply great “bad” movies.carolinatheatre.org/films/festivals/retro-film-series

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40 T H E C A R O L I N A T H E AT R E

KEEPING IT REELAn insider’s view of the Carolina Cinemas’ projection roomBY JOE STUDENT

JEREMY SMITH has probably seen more mov-

ies than you. And your friends. Combined.

As the projection manager at the Carolina

Theatre Cinemas, Smith screens hundreds of features

each year to ensure that all of the movies shown at the

venue are free of glitches, hiccups and anything else

that might interfere with the viewing experience of a

casual moviegoer or a diehard cinephile.

“Sometimes the audio won’t be in sync or, depend-

ing on the format, the focus will be off,” Smith says.

“We do all we can to get it perfect, or as close as it

can be.”

The “film” screening process has changed over the

past year, as the Carolina Cinemas upgraded to Digital

Cinema Package (DCP) technology, a new industry

standard enabling the theatre to stream digital files off

a hard drive – and on to the big screen.

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Previously, some movies would arrive on

classic 35mm-film reels or on Blu-ray or DVD

formats.

Some features – especially those pro-

grammed by Carolina Theatre Senior Director

Jim Carl for events like the theatre’s ongoing

Retro film series, the upcoming Escapism Film

Festival (Sept. 19-22), the Nevermore Film

Festival (Feb. 20-22) and the annual North

Carolina Gay + Lesbian Film Festival – are still

screened via 35mm or Blu-ray.

Smith says some avid fans prefer the im-

perfections that some 35mm films develop as

they age: scratches, pops, markings and more.

“You don’t get ‘cigarette burns’ – the cue

marks in the top right corner of the frame that

indicate a reel is ending – with digital,” Smith

says. “That’s the charm of 35mm.”

A Durham resident, Smith, 32, has 13 years

of experience handling problems with movies

in various formats. He says bugs lurk in the new

DCP technology, too.

Even after a movie is loaded into the

theatre’s digital system, it has to be format-

ted and checked for audio and visual quality

before it is scheduled.

“Occasionally, I’ll notice something isn’t

perfect [during a screening], and it’ll bug

me,” Smith says. “Most viewers won’t notice,

though.”

Smith was an integral part of the Carolina’s

interactive presentation of The Tingler, the

Vincent Price horror film presented on 35mm

during last winter’s Nevermore Festival.

“That was awesome. Up in the booth, we

had a chance to be part of the production and

see everyone reacting,” Smith says.

There is one drawback to Smith’s work: He

doesn’t have the urge – or need – to “go to

the movies” very often.

“People pay me to see a film; I don’t pay

them,” Smith says with a laugh. “There usually

isn’t much I don’t see at the theatre.” ■

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◄◄◄ ABOVE Projection Manager Jeremy Smith monitors the

digital film process. OPPOSITE Smith Prepares a 35 mm film for screening.

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42 T H E C A R O L I N A T H E AT R E

GUEST Presenters

FULL FRAME DOCUMENTARY FILM FESTIVAL fullframefest.org The Full Frame Documentary Film Festival is an annual international event dedicated to the theatrical exhibition of non-fiction cinema. Each spring Full Frame welcomes filmmakers and film lovers from around the world to historic downtown Durham for a four-day, morning-to-midnight array of more than 100 films as well as discussions, panels and Southern hospitality. Set within a four-block radius, the intimate festival landscape fosters community and conversation between filmmakers, film professionals and the public.

THE DURHAM SAVOYARDS durhamsavoyards.org Created in 1963, Durham’s amazing homegrown theatre troupe, The Durham Savoyards, has brought fun and beauty to the Triangle by presenting the brilliant works of William S. Gilbert & Arthur S. Sullivan. For more than 50 years, this hardworking group of local theater lovers has entertained a community and greatly enriched the local arts scene.

TRIANGLE YOUTH BALLET triangleyouthballet.org With a passion for training the next generation of dancers and instilling a deeper understanding of dance arts in our community, the Triangle Youth Ballet offers aspiring dancers workshops and performance opportunities. Founded in 1995 with the specific mission to produce family performances with local talent, the company quickly grew into one of the area’s top dance schools.

DURHAM SYMPHONY ORCHESTRA durhamsymphony.org The Durham Symphony is a semi-professional orchestra composed of a combination of volunteers and professionals, all classically trained. Throughout its 37-year history, the Symphony’s mission has been to foster the appreciation of music through the production of high-quality music for and by the residents of Durham and surrounding communities. The Symphony’s programming reflects a commitment to familiar, American and popular music. The organization also seeks to introduce classical orchestral music to young people in the school system through a variety of outreach programs. Traditionally, between October and May, the DSO performs several classical concerts at the Carolina Theatre.

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CHAMBER ORCHESTRA OF THE TRIANGLE

thecot.org Considered one of the finest professional ensembles in North Carolina and the Southeast today, the Chamber Orchestra of the Triangle boasts an elite corps of musicians presenting a well-chosen and unusual repertoire that delights audiences and evokes high praise from critics. That standard of excellence has become the hallmark of the orchestra and has distinguished it from its peers. The orchestra performs throughout the year at the Carolina Theatre. Season tickets are available through the Carolina Theatre box office.

NC YOUTH TAP ENSEMBLE

ncyte.org The North Carolina Youth Tap Ensemble presents performances featuring cutting-edge contemporary choreography and traditional rhythm tap as it was danced in its prime. The company has performed or collaborated with many jazz musicians around the nation and world, has toured internationally and regularly appears at the two largest tap festivals in the United States – the New York City Tap Festival (Tap City) and Chicago Human Rhythm Project.

GUEST PRESENTERS

Page 44: Showtime Fall 2014 | Issue 7

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cheyenne jackson

EXCLUSIVE

Club

The Theatre’s new Club Carolina series provides an intimate ‘new’ setting for live performances.

L AST SEASON, the Carolina Theatre brought world-class performing art-ists to fans in a way that it never had

before: Club Carolina, an ongoing staging concept that allows the historic downtown Durham venue to present shows in an inti-mate new setting.

Already accustomed to hosting well-known live music and comedy acts in spacious Fletcher Hall, the Carolina Theatre designed the new series in order to give an increased number of touring artists an op-portunity to play the historic venue, while offering fans the chance to see talented performers in a new setting.

During all Club Carolina Series shows, Fletcher Hall receives a temporary pipe-and-drape makeover to transform from a 1,000-seat venue to a cozy, flexible space that accommodates fewer than 500 guests. Fans can enjoy all of the modern amenities and architectural charm that they are ac-customed to from the opulent theatre while seeing the series’ artists in an intimate room with a club aesthetic.

“We wanted to create a different feel and make the theatre as intimate as possible,” says Bob Nocek, president and chief executive officer of Carolina Theatre.

julian lage and chris eldridge

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46 T H E C A R O L I N A T H E AT R E

October

Wednesday, October 1Cheyenne JacksonEntertaining singer-songwriter and actor with incredible vocal range

Friday, October 10Joshua Scott JonesCounty music vocalist formerly of Steel Magnolias

Tuesday, October 21Julian Lage and Chris EldridgeExceptional duo of Grammy-nominated guitarists

Wednesday, October 29Storm LargeAccomplished vocalist and former reality TV star

November

Sunday, November 23 Eric Johnson / Mike SternSensational guitar duo of Grammy-level talent

The first three artists selected for the Club Carolina Series were singer songwriter Ben Taylor, cellist Ben Sollee and high energy Bhangra band Red Baraat.

The Club Carolina shows will continue in the 2014-15 season. The series offers two distinct staging constructions: one with 483 seats, which will use all of the Orchestra Level, and another with 281 seats, which will use only a portion of the lower level.

Among the artists scheduled to appear in the new season are virtuoso guitar duo Julian Lage and Chris Eldridge. (See sidebar for full Club Carolina schedule.)

“There are a lot of touring artists who haven’t reached the level at which they can attract 1,000 fans,” Nocek says. “The Club Carolina Series is a low-impact way for us to still bring them to Durham.” ■ BY JOE STUDENT

CLUB CAROLINA

►►► CLUB CAROLINA SCHEDULE

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TICKETS & SEATING

HOW TO ORDER

www.carolinatheatre.org/tickets(919) 560-3030

GROUP TICKETSGroups of 10 or more can save 15 percent on some Star Series events. Call the Carolina Theatre box office for more information.

LEGACY BOX SEATSExperience the elegance of the past in the Carolina Theatre’s elegant Legacy Box Seats. Enjoy great music, comedy and performing arts with a unique perspective of the stage and the timeless Fletcher Hall. Legacy Boxes may be leased on an annual basis; some Legacy Boxes may be available for single show purchase. Annual leases for Legacy Boxes include two seats to all Star Series shows and more.

STAGE

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TICKETS & SEATING

HOW TO ORDER

www.carolinatheatre.org/tickets(919) 560-3030

GROUP TICKETS Groups of 10 or more can save 15% on some Star Series events. Call the Carolina Theatre box office for more information.

LEGACY BOX SEATS Experience the elegance of the past in the Carolina Theatre’s elegant Legacy Box Seats. Enjoy great music, comedy and performing arts with a unique perspective of the stage and the timeless Fletcher Hall. Packages include two tickets to all Star Series events, access to our Donor Lounge, parking and more.

STAGE

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50 T H E C A R O L I N A T H E AT R E

If you like North Carolina,

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To subscribe, call (800) 948-1409

or visit ourstate.com

Our State supports the North Carolina Presenters Consortium (NCPC) through a monthly listing in the magazine of exciting professional arts and entertainment events.

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